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Indiana Jones and the Kingdom of the Crystal Skull (Two-Disc Special Edition)

Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim

Indiana Jones and the Kingdom of the Crystal Skull (Single Disc)

Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim

Made of Honor

Patrick Dempsey makes his full transition to romantic-comedy stardom in Made of Honor, flashing those winning dimples and twinkly baby blues to full fetching effect. The camera truly loves him, and his considerable affable charm calls to mind early Hugh Grant, winsome even in utter confusion. Dempsey plays Tom, a nice guy but a serial dater with a girlfriend in every zip code of New York; Michelle Monaghan is Hannah, Tom's BFF since college, who's decided she wants marriage and family. When she becomes unexpectedly engaged to Colin (Journeyman's Kevin McKidd, rather McDreamy himself), Tom realizes what the viewer's known all along--that Hannah is in fact his dream woman. It's When Harry Met Sally... meets My Best Friend's Wedding--but thankfully, Dempsey's Tom is far more sympathetic than Julia Roberts' snide schemer. The plot isn't exactly full of surprises, but the cast--and their amazing chemistry--are so winning that the film makes for the perfect date movie. Not only are all three leads charming in their own way, but the rich cinematography manages to make both Manhattan and the Scottish countryside look like glorious edens, one urban, one windswept. Monaghan is a revelation, quietly lovely as a young Carla Bruni, but with a flinty gumption that makes her all the more appealing. The supporting cast is rich, too, especially Sydney Pollack as Tom's serially marrying dad. (At his dad's fifth--or is it sixth?--wedding, Tom's new arm-candy "stepmom" gets tipsy and overly affectionate with guests as her new husband looks on fondly: "Ah... drunk as the night I first met her.") But at the core of the film are its big heart, and the connection between Tom and Hannah, deep and wide whether they end up just best friends or more. And the delight for viewers is knowing they'll be just as glowy either way.-- A.T. Hurley

Stills from Made of Honor (click for larger image)

Cool Hand Luke (Deluxe Edition)

Paul Newman gives one of the defining performances of his career, and cemented his place as a beautiful-rebel screen icon playing the stubbornly tough and independent title character in Cool Hand Luke. And before he became familiar as a sidekick in 1970s disaster movies (Earthquake and the Airport movies), George Kennedy won an Oscar for playing Dragline, the brutal chain-gang boss who tries to beat loner Luke's cool out of him. It's a classic rebel-against-the-repressive-institution story in the line of One Flew over the Cuckoo's Nest or The Shawshank Redemption. Certain moments have become classics--particularly the hardboiled egg-eating contest, and the immortal line (drooled by Strother Martin, as a sadistic redneck prison officer), "What we have here is a failure to communicate." And don't forget, Luke is also the source of the oft-quoted driving ditty, "I don't care if it rains or freezes, long as I have my plastic Jesus, right here on the dashboard of my car..." He is cool, all right. --Jim Emerson

Cat on a Hot Tin Roof (Deluxe Edition)

"I'm not living with you" Maggie snaps at Brick. "We occupy the same cage that's all." The raw emotions and crackling dialogue of Tennessee Williams' 1955 Pulitzer Prize play rumble like a thunderstorm in this film version whose fiery performances and grown-up themes made it one of 1958's top box-office hits. Paul Newman earned his first OscarO nomination* as troubled ex-sports hero Brick. In a performance that marked a transition to richer adult roles Elizabeth Taylor snagged her second. Her Maggie the Cat is a vivid portrait of passionate loyalty. Nominated for six Academy AwardsO including Best Picture* and also starring Burl Ives (repeating his Broadway triumph as mendacity-loathing Big Daddy) Judith Anderson and Jack Carson Cat on a Hot Tin Roof sizzles.Running Time: 108 min.System Requirements:Running Time 108 Mins.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 012569698529 Manufacturer No: 66985

Elizabeth Taylor has never been sexier than as Tennessee Williams's hot-blooded Maggie "The Cat" Pollitt, prowling around her boudoir in a slinky white slip. That's how you know her alcoholic, ex-football-player husband, Brick (Paul Newman), must have more than just his leg in a cast. It's the 65th birthday of wealthy (but dying) southern patriarch Big Daddy (Burl Ives), and his sons Gooper (Jack Carter) and Brick have come to suck up to him for $10 million in inheritance money. Gooper is a family man and father to a brood of "no-neck monsters"; youngest boy Brick is papa's favorite (as if you couldn't tell from the fellow's names), but hasn't sired progeny. Maggie is definitely in heat, but Brick refuses to sleep with her because he suspects her her of being unfaithful with his best friend, who recent committed suicide. Although toned down for the movies, Cat on a Hot Tin Roof is vintage Tennessee Williams. The film was directed by Richard Brooks (In Cold Blood, Blackboard Jungle, Elmer Gantry). --Jim Emerson

The Long, Hot Summer

No Description Available.
Genre: Feature Film-Drama
Rating: NR
Release Date: 20-MAY-2003
Media Type: DVD

Paul Newman has his glorious youthful swagger in this southern-fried melodrama, which marked his first picture with Joanne Woodward (they married after shooting ended). The script is a melange of William Faulkner stories, although it appears more under the influence of Tennessee Williams and Picnic than the Nobel Prize winner. Drifter Newman catches the eye of schoolmarm Woodward and her father, a rural Mississippi bigshot (Orson Welles). This is not one of Welles's better moments; he appears to be conducting make-up experiments. There is some enjoyable flapdoodle along the way, in the Freud-meets-Gone with the Wind manner of '50s southern cooking, but the ending is embarrassingly compromised. The same production team would leave out the box-office concessions a few years later on Hud. A studly Newman justifies this description of his character: "I wish I was Ben Quick. He's got the whole state of Mississippi to graze on." --Robert Horton

The Lion King (Disney Special Platinum Edition)

Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrat crowd. --Tom Keogh

How good-looking is the DVD restoration of Disney's popular animated film? Take a look at the serviceable but dull film clips incorporated in the plethora of extras and compare them to the vivid gorgeousness of the film presentation. This "special edition" also adds a 90-second song ("Morning Report") that originated in the lavish stage musical. To Disney's credit, the original theatrical version is also included, both restored and featuring two 5.1 soundtracks: Dolby Digital and a new Disney Enhanced Home Theater Mix, which does sound brighter. As with the Disney Platinum line, everything is thrown into the discs, except an outsider's voice (the rah-rahs of Disney grow tiresome at times). The excellent commentary from the directors and producer, originally on the laser disc, is hidden under the audio set-up menu.

The second disc is organized by 20-minute-ish "journeys" tackling the elements of story, music, et cetera, including good background on the awkward Shakespearean origins at Disney where it was referred as "Bamlet." The most interesting journey follows the landmark stage production, and the kids should be transfixed by shots of the real African wildlife in the animal journey. Three deleted segments are real curios, including an opening lyric for "Hakuna Matata." Most set-top DVD games are usually pretty thin (DVD-ROM is where it's at), but the Safari game is an exception--the kids should love the roaring animals (in 5.1 Surround, no less). One serious demerit goes to the needless and complicated second navigation system that is listed by continent, but just shows the same features reordered. --Doug Thomas

Anybody who struts around with Simba's hard-won authority deserves this royal DVD read-along from Disney. Kids can recoil at Uncle Scar's dastardly deeds en español and discover that "hakuna matata" sounds pretty much the same in Spanish, French, Italian, or German. And should the dynamic storytelling fail to thrill your 4- to 12-year-old fan, a flurry of other interactive options await. Toggle to "Songs" for sing-along renditions of movie hits, including "I Just Can't Wait to Be King," and on to "Music Videos," where Elton John roars soundtrack favorites "Circle of Life" and "Can You Feel the Love Tonight" and Jimmy Cliff and Lebo M groove to "Hakuna Matata." The "Vocabulary" feature allows for see-and-say mastery of a list of wildlife, while the "Game" section allows players to match paw and hoof prints to the proper beast and reassemble the scattered skeletal remains of an elephant. Original cast voices are featured, and grownups will be pleased by the package's reading component. --Tammy La Gorce

Disney's THE LION KING SPECIAL EDITION features an all-new song, "Morning Report," and never-before-seen animation, giving you even more of this award-winning masterpiece -- the greatest animated adventure of all time. An unforgettable story, breathtaking animation, beloved characters, and Academy Award(R)-winning music (Best Original Score, 1994; Best Song, "Can You Feel The Love Tonight") set the stage for the adventures of Simba, the feisty lion cub who "just can't wait to be king." But his envious Uncle Scar has plans for his own ascent to the throne, and he forces Simba's exile from the kingdom. Alone and adrift, Simba soon joins the escapades of a hilarious meerkat named Timon and his warmhearted warthog pal, Pumbaa. Adopting their carefree lifestyle of "Hakuna Matata," Simba ignores his real responsibilities until he realizes his destiny and returns to the Pride Lands to claim his place in the "Circle of Life." Now extensively restored and remastered -- experience THE LION KING like never before, from its magnificent musical opening over breathtaking African vistas to its emotional climax. The all-star vocal talents -- including Matthew Broderick, Jeremy Irons, Nathan Lane, and Ernie Sabella -- rip-roaring comedy, and uplifting messages of courage, loyalty, and hope make this timeless tale entertainment for all ages.

The Films of Paul Newman (The Verdict/The Hustler/Butch Cassidy)

No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 11-MAY-2004
Media Type: DVD

Hud

Newman plays a man at odds with his father, tradition and himself. His father is an old-line cattle rancher and Newman is the son whose only interests are fighting, drinking, hot-rodding and womanizing.
Genre: Feature Film-Drama
Rating: NR
Release Date: 2-DEC-2003
Media Type: DVD

Based on a Larry McMurtry novel, this Martin Ritt film was a testament to the sex appeal of the young Paul Newman. Playing the title character--a total rotter who, by the end of the film, has double-crossed or screwed over everyone he knows, including his hard-working father and brother--Newman turns him into an intriguing antihero. Things are tough on the ranch and Hud's dad (Melvyn Douglas) needs help, but Hud is too busy looking out for number one, even as things fall apart. And guess who's going to land on his feet? Beautiful black-and-white cinematography by James Wong Howe won an Oscar, as did performances by Douglas and Patricia Neal. --Marshall Fine

The Little Mermaid (Two-Disc Platinum Edition)

Mermaids are supposed to stay under the sea but Ariel a headstrong teenager longs to be part of the magical world on land. When she falls in love with a human prince Ariel strikes a bargain with the diabolical Sea Witch to win the prince's love. THE LITTLE MERMAID is a beautiful splash of art and music that revived the classic Disney tradition.System Requirements:Running Time 83 Mins.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: G UPC: 786936284065 Manufacturer No: 04023400

From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton