Askew, Luke

Cool Hand Luke

Paul Newman gives one of the defining performances of his career, and cemented his place as a beautiful-rebel screen icon playing the stubbornly tough and independent title character in Cool Hand Luke. And before he became familiar as a sidekick in 1970s disaster movies (Earthquake and the Airport movies), George Kennedy won an Oscar for playing Dragline, the brutal chain-gang boss who tries to beat loner Luke's cool out of him. It's a classic rebel-against-the-repressive-institution story in the line of One Flew over the Cuckoo's Nest or The Shawshank Redemption. Certain moments have become classics--particularly the hardboiled egg-eating contest, and the immortal line (drooled by Strother Martin, as a sadistic redneck prison officer), "What we have here is a failure to communicate." And don't forget, Luke is also the source of the oft-quoted driving ditty, "I don't care if it rains or freezes, long as I have my plastic Jesus, right here on the dashboard of my car..." He is cool, all right. The digital video disc is in anamorphic widescreen and digital stereo. --Jim Emerson

A defiant chain-gang prisoner suffers a "failure to communicate" in this searing drama. Paul Newman Shines in the title role, George Kennedy as his sidekick won an Oscar(R). Year: 1967 Director: Stuart Rosenberg Starring: Paul Newman, George Kennedy, J.D. Cannon

DVD Features:
Production Notes
Theatrical Trailer

The Greatest Game Ever Played

IN THEATERS SEPTEMBER 30 2005 The second film directed by actor Bill Paxton is a marked departure--in both form and content--from his debut 2001's FRAILTY a shadowy gothic tale of murder. THE GREATEST GAME EVER PLAYED is a sports movie slash Horatio Alger rags-to-riches tale with undertones of class consciousness and social critique. The story is based on a real-life event--the 1913 U.S. Open golf championship--at which two equally sympathetic young men both of whom grew up economically and socially disadvantaged go club to club in one of the most exciting and dramatic athletic events of the early 20th century. The film focuses on the competition between the British star Harry Vardon (Stephen Dillane) and the young American prodigy Francis Ouimet (HOLES star Shia LaBoeuf). Though they hail from opposite sides of the Atlantic the struggles that the two young golfers have had to overcome are markedly similar; both grew up in hard-scrabble working-class homes that happened to be adjacent to golf courses and both were preternaturally disposed to the game. In addition both must defy the disdain of the golfing gentry. Vardon is already a reigning champion and international darling when Ouimet makes it to his first tournament to battle him. Though enough backstory is provided to connect the viewers to the characters the meat of the film is the dramatic unfolding of the tournament. With expert editing and fluid camera work Paxton films close-up views of the golfing action in a manner that recalls the kinetic pool shots in Martin Scorsese s THE COLOR OF MONEY. With each stroke the competition becomes closer and the mood more tense culminating in an explosive outcome that while not unexpected pulls at the heartstrings as do all good tales of triumph over adversity.System Requirements:Running Time 121 Mins.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: PG UPC: 786936277920 Manufacturer No: 03965100

You wouldn't think a movie that uses the game of golf as a metaphor for class struggle could be so entertaining. The Greatest Game Ever Played stars the charming Shia LaBeouf (Holes) as Francis Ouimet, a golfer who, in 1913, rose from caddy to U.S. Open champion at the age of 20--despite the resistance of the powers that be, who thought it unseemly for a lower-class plebian to play the sport of gentlemen. Ouimet's main competitor is Harry Vardon (Stephen Dillane, The Hours), a British professional, still considered one of the greatest players of all time, who fought his own class battles. The two go head to head in a genuinely gripping match, deftly balanced against the juxtapositions of their personal struggles. Is it sentimental and formulaic? Is the outcome a foregone conclusion? Yes, but it doesn't matter--formulas exist because, when executed with verve and dexterity, they work. Bill Paxton, best known as an actor (One False Move, Apollo 13), steps into the director's chair and hits all the right notes, aided by an excellent cast playing colorful characters, a vivid recreation of the time period, glowing cinematography, and an expert pace. The Greatest Game Ever Played works. --Bret Fetzer

Easy Rider

Experience the real uncensored 60s counterculture in this compelling mixture of drugs sex and armchair politics. Academy Award - winner Jack Nicholson (Best Actor One Flew Over the Cuckoo s Nest 1975; Best Supporting Actor Terms of Endearment 1983; Best Actor As Good As It Gets 1997) stars with Peter Fonda and Dennis Hopper (Who also directs) in this unconventional classic which Time magazine hails as one of the ten most important pictures of the decade.Nominated for an Academy Award (1969) for Best Screenplay (written by Peter Fonda Dennis Hopper and Terry Southern) Easy Rider continues to touch a chord with audiences of all ages.System Requirements:Starring: Peter Fonda Dennis Hopper and Jack Nicholson. Directed By: Dennis Hopper. Running Time: 95 mins color. This film is presented in "Widescreen" format. Copyright: 1999 Columbia TriStar Home Video. Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 043396017498 Manufacturer No: 01749

This box-office hit from 1969 is an important pioneer of the American independent cinema movement, and a generational touchstone to boot. Peter Fonda and Dennis Hopper play hippie motorcyclists crossing the Southwest and encountering a crazy quilt of good and bad people. Jack Nicholson turns up in a significant role as an attorney who joins their quest for awhile and articulates society's problem with freedom as Fonda's and Hopper's characters embody it. Hopper directed, essentially bringing the no-frills filmmaking methods of legendary, drive-in movie producer Roger Corman (The Little Shop of Horrors) to a serious feature for the mainstream. The film can't help but look a bit dated now (a psychedelic sequence toward the end particularly doesn't hold up well), but it retains its original power, sense of daring, and epochal impact. --Tom Keogh

The Devil's Brigade

William Holden gives a heroic cool-under-fire performance as the leader of WWII's renowned 1st Special Service Force in this fact-based battle-filled saga that also stars Cliff Robertson.System Requirements:Starring: Vince Edwards William Holden and Cliff Robertson. Running Time: 131 Min. This film is presented in "Widescreen" format. Copyright 2002 MGM Studios.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 027616875778 Manufacturer No: 1003428

Dismissed in 1968 as a plodding rip-off of The Dirty Dozen--without that 1967 film's sardonic, antiestablishment satire--The Devil's Brigade now plays like a nostalgic last gasp of the sentimental World War II action genre. Celebrating the 1st Special Service Force (a commando-like unit formed to fight in Norway but ultimately deployed in Italy), this typically broad Andrew V. McLaglen production recounts the teaming of some miscreant GIs with "the handpicked best of the best-trained army in the world"--the Canadians--under a U.S. officer (William Holden) who had never commanded men in combat. The first hour, heavy on machismo and low comedy, depicts the unit's training at an abandoned base in Montana, with nonstop international rivalry until Yanks and Canadians bond in a lusty saloon brawl. After that, the Germans are easy meat. Holden is solid, as usual, and so is the widescreen work of veteran cameraman William H. Clothier, impeccably rendered on the DVD. --Richard T. Jameson

The Green Berets

John Wayne leads his special forces troops against the enemy in this first Hollywood treatment of the Vietnam War. It's rugged battle action all the way. David Janssen and Jim Hutton co-star.Running Time: 141 min.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: G UPC: 085391158608 Manufacturer No: 115860

Anyone who fought in Vietnam can tell you that the war bore little resemblance to this propagandistic action film starring and codirected by John Wayne. But the film itself is not nearly as bad as its reputation would suggest; critics roasted its gung-ho politics while ignoring its merits as an exciting (if rather conventional and idealistic) war movie. Some notorious mistakes were made--in the final shot, the sun sets in the east!--and it's an awkward attempt to graft WWII heroics onto the Vietnam experience. But as the Duke's attempt to acknowledge the men who were fighting and dying overseas, it's a rousing film in which Wayne commands a regiment on a mission to kidnap a Viet Cong general. David Janssen plays a journalist who learns to understand Wayne's commitment to battling Communism, and Jim Hutton (Timothy's dad) plays an ill-fated soldier who adopts a Vietnamese orphan. In addition to its widescreen image, the digital video disc includes a promotional featurette and seven different theatrical trailers. --Jeff Shannon

Pat Garrett and Billy the Kid (Two-Disc Special Edition)

Pat Garrett & Billy the Kid may be the most beautiful and ambitious film that Sam Peckinpah ever made. The time is 1881. Powerful interests want New Mexico tamed for their brand of progress, and Sheriff Pat Garrett (James Coburn) is commissioned to rid the territory of his old gunfighting comrades. He serves fair notice to William Bonney--Billy the Kid (Kris Kristofferson)--and his Fort Sumter cronies, but it's not in their nature, or his, to go quietly. Peckinpah's theme, more than ever, is the closing of the frontier and the nature of the loss that that entails. But this time his vision takes him beyond genre convention, beyond history and legend, to the bleeding heart of myth--and surely of himself.

This is one strange and original movie. In 1973 most American reviewers responded by panning it and deriding its director, whom they saw as having betrayed the promise of Ride the High Country, been swept up in his own cult of violence, and become incoherent as a storyteller. Coherence wasn't helped by MGM's cutting at least a quarter-of-an-hour out of the finished film and removing a bitter, retrospective prelude. Subsequent releases have restored a lot of material, and now there's more widespread appreciation of the depth and power of Peckinpah's achievement.

The cast, teeming with fine character actors, is extraordinary, making the gallery of frontier denizens vivid and resonant. Coburn's Garrett, a man who comes to loathe himself for his mission yet cannot abandon it, is the high-water mark of the actor's career. L.Q. Jones, Luke Askew, Harry Dean Stanton, Jack Elam, and Richard Bright create indelible moments, and Slim Pickens becomes the center of an unforgettably moving scene. The presence of Kristofferson (just starting out as an actor) and Bob Dylan (whose enigmatic role is nearly wordless) nudges us toward recognizing Old West outlawry as an early form of rock stardom--flesh-and-blood gods for a primitive society to feed on. --Richard T. Jameson

Will Penny

Frailty

Steeped in gloomy atmosphere, Frailty locates its horror in the tyranny of religious fanaticism. Making an assured directorial debut, actor Bill Paxton costars as a Texas widower who believes God has recruited him to destroy demons in human form. Feeling divinely justified in committing a series of ax murders (discreetly unseen), he urges his two young sons to assist him in the killings--a living nightmare recalled in flashback by one of the now-adult sons (Matthew McConaughey) to the FBI agent (Powers Boothe) who's investigating the murders. But mystery is of secondary importance in Brent Hanley's cleverly twisting screenplay; Frailty suggests, with unsettling subtlety, that Paxton's mission may not be delusional, thus burdening his deadly wrath with spiritually disturbing significance. It's definitely not a feel-good film, but with celebrity endorsements by Stephen King and directors James Cameron and Sam Raimi (who both made films with Paxton), Frailty gets under the skin with insidious efficiency. --Jeff Shannon

Cool Hand Luke

The Culpepper Cattle Co.

An innocent western teenager learns about life on a long violent and harrowing cattle drive. The American West as it really was.System Requirements:Running Time: 206 MinFormat: DVD MOVIE Genre: WESTERN/MISC. Rating: PG UPC: 024543238768 Manufacturer No: 2233878

The Culpepper Cattle Company is a worthy example of a certain kind of early-1970s Western: deglamorized, unromantic, and frankly violent. This one begins in familiar terms, as a greenhorn lad (Gary Grimes, recently deflowered in Summer of '42) joins a cattle drive, surrendering himself to the extremely focused leadership of boss Frank Culpepper (the authentically Western Billy "Green" Bush). The episodes that follow are engrossing and colorful, and the drive gets more interesting when a quartet of lethal hombres (among them Bo Hopkins, Luke Askew, and wild-eyed Geoffrey Lewis) join the ride. The business of frontier justice--which here usually means shooting strangers just to be on the safe side--is worked out in refreshingly unheroic ways. Clearly director Dick Richards (making his debut in a relatively brief directing career) is responding to the revisionist era, and specifically to the films of the great Sam Peckinpah; this movie's climax is a scaled-down nod to The Wild Bunch. Probably too scaled-down, given the somewhat abrupt ending. The music uses themes from Jerry Goldsmith's terrific score for The Flim-Flam Man, released five years earlier. Culpepper got lost in the flurry of revisionist westerns that sounded similar themes: The Cowboys, The Great Northfield, Minnesota Raid, and by far the best of this group, Robert Benton's Bad Company. All were released in 1972, a high-water mark for re-thinking the genre. --Robert Horton