Atkins, Eileen

Cranford

The BBC drama series adapted from Mary Gaskells classic novels of small town gossip secrets and romance. 1842. Cranford a market town in the North West of England is a place governed by etiquette custom and above all an intricate network of ladies. It seems that life has always been conducted according to their social rules but Cranford is on the cusp of change? For spinsters Deborah Jenkyns the arbiter of correctness in Cranford and Matty her demurring sister the town is a hub of intrigue - a handsome new doctor Frank Harrison from London has arrived; a retired Captain and his daughters have moved in to a house opposite and the preparations for Lady Ludlows garden party are underway. Everyone - from charming rogue Dr Marshland to mean Mrs Jamieson and her lap dog talks and is talked about behind closed doors. The town also has its secrets which it slowly reveals: Mattys encounter with an old flame at the garden party; Lady Ludlows gardener Mr Carter teaching a gypsy lad to read and write; the wild expectations of the May Day celebrations and - news that shakes the town when it is revealed - a railway line from Manchester is coming to Cranford.Running Time: 295 min.Format: DVD MOVIE Genre: TELEVISION/BBC UPC: 883929012404 Manufacturer No: 1000037442

Adapted from Elizabeth Gaskells' novels, the five-episode miniseries Cranford focuses on female characters in the 19th-century British town to thematically contemplate encroaching modernity in rural England. With the camera roving house to house, each drama within the grander story is constructed of scenes featuring dialogue between several gossipy ladies obsessed with moral code, romantic ideas about courtship, and social occasions. Three main characters, the ever-appropriate Deborah Jenkyns (Eileen Atkins), her sweet sister, Matilda (Judi Dench), and their younger, more savvy relative, Miss Smith, continuously weigh in on situations, providing a dependable view when other ladies, like the nosey Miss Pole (Imelda Staunton) are too judgmental. In fine period dress, the women of Cranford remind the viewer of how little action was needed in their small-town lives to provide unceasing entertainment. The series' most intriguing aspect lies not in the ample female conversation but rather in its display of earlier technologies and ways of life. Part One, for example, quickly launches a main narrative thread that runs throughout the series, namely the arrival and assimilation of London doctor, Frank Harrison (Simon Woods), into village society. Dr. Harrison's medical practices, such as his refusal to amputate a man's arm because it's broken, are all the more radical because they are so fundamental by today's standards. In subsequent episodes, he recommends Miss Smith get spectacles to cure her headaches, and saves his love's life by cooling her fever after conservative doctor, Dr. Morgan (John Bowe), recommends the old school practice of burying her in blankets in front of a raging fire. In Part Two, Lady Ludlow (Francesca Annis) throws a garden party at her estate, treating all the women in their fancy hats to a new novelty: ice cream. This scene foreshadows Ludlow's future concern at a railroad plan involving her land that would connect Cranford to Manchester, symbolizing the ruin of this idyllic setting.

In fact, fluffy and clever as some scenes are, death and rebirth assert themselves in each showing, both physically and idealistically. Part Four shows an auctioning off of a deceased man's antiques, and focuses on issues of class and women's education, as Mr. Carter teaches a peasant boy to read while his assistant fumes at her trappings as a seamstress. Part Five ushers in a new period of medical emergencies, securing Dr. Harrison's shaky position in town. In total, Cranford offers a powerful, if sentimental, look at how death begets life, love, and passion. ‹Trinie Dalton

Wit

Deservedly hailed as one of the best films of 2001, Wit makes it clear why top-ranking talents seek refuge in the quality programming of HBO. Unhindered by box-office pressures, director Mike Nichols and Emma Thompson turn the most unglamorous topic--the physical and psychological ravages of cancer--into an exquisite contemplation of life, learning, and tenacious, richly expressed humanity. In adapting Margaret Edson's compassionate, Pulitzer Prize-winning play, Nichols and Thompson open up the one-room setting with a superb supporting cast. But their focus remains on the hospital experience of Vivian (Thompson), a fiercely demanding professor of English literature whose academic specialty--the metaphysical poetry of John Donne--is the armor she wears against the cruel indignities of her cancer treatment. While losing all that she held dear, she reassesses her life as an aloof intellectual, and Wit illuminates her bracingly eloquent and deeply moving struggle for dignity, meaning, and peace at life's ultimate crossroads. --Jeff Shannon

Based on the 1999 Pulitzer Prize-winning play by Margaret Edson WIT features the Academy Award winning actress Emma Thompson in a movie directed by Academy award winning director Mike Nichols. Vivian Bearing is an English professor with a biting wit that educates but also alienates her students. With her teaching and life both rigidly under control Vivian would never let down her defenses until the day comes when they are taken don for her. Diagnosed with a devastating illness Vivian agrees to undergo a series of procedures that are brutal extensive and experimental. For eight months her life must take an uncharted course. No longer a teacher but a subject for others to study. Vivian Bearing is about to discover a fine line between life and death that can only be walked with wit.Running Time: 99 min.System Requirements: Running Time 99 MinFormat: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 026359178122

Cold Mountain (Two-Disc Collector's Edition)

Freely adapted from Charles Frazier's beloved bestseller, Cold Mountain boasts an impeccable pedigree as a respectable Civil War love story, offering everything you'd want from a romantic epic except a resonant emotional core. Everything in this sweeping, Odyssean journey depends on believing in the instant love that ignites during a very brief encounter between genteel, city-bred preacher's daughter Ada (Nicole Kidman) and Confederate soldier Inman (Jude Law), who deserts the battlefield to return, weary and wounded, to Ada's inherited farm in the rural town of Cold Mountain, North Carolina. In an epic (but dramatically tenuous) case of absence making hearts grow fonder, Inman endures a treacherous hike fraught with danger (and populated by supporting players including Philip Seymour Hoffman, Natalie Portman, and others) while the struggling, inexperienced Ada is aided by the high-spirited Ruby (Renée Zellweger), forming a powerful farming partnership that transforms Ada into a strong, lovelorn survivor. The film's episodic structure slightly weakens its emotional impact, and it's fairly obvious that director Anthony Minghella is striving to repeat the prestigious romanticism of his Oscar®-winning hit The English Patient. For the most part it works, especially in the dynamic performances of Zellweger and Kidman, and the explosive 1864 battle of Petersburg, Virginia, is recreated with violent, percussive intensity. Those who admired Frazier's novel may regret some of the changes made in Minghella's adaptation (the ending is particularly altered), but Cold Mountain remains a high-class example of grand, old-fashioned filmmaking, boosted by star power of the highest order. --Jeff Shannon

A Confederate soldier struggles to return home to his beloved, while she struggles to survive the ravages of war.
Genre: Feature Film-Drama
Rating: R
Release Date: 25-JAN-2005
Media Type: DVD

Gosford Park

Gosford Park finds director Robert Altman in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly. Aristocrats gather together for a weekend shooting party with their dutiful servants in tow, and the upstairs/downstairs division of the classes is perfectly tailored to Altman's method (as employed in Nashville and Short Cuts) of overlapping bits of dialogue and numerous subplots in order to betray underlying motives and the sins that propel them. Greed, vengeance, snobbery, and lust stir comic unrest as the near dizzying effect of brisk script turns is allayed by perhaps Altman's strongest ensemble to date. First and foremost, Maggie Smith is marvelous as Constance, a dependent countess with a quip for every occasion; Michael Gambon, as the ill-fated host, Sir William McCordle, is one of the most palpably salacious characters ever on screen; Kristin Scott Thomas is perfectly cold yet sexy as Lady Sylvia, Sir William's wife; and Helen Mirren, Emily Watson, and Clive Owen are equally memorable as key characters from the bustling servants' quarters below. Gosford Park manages to be fabulously entertaining while exposing human shortcomings, compromises, and our endless need for confession. --Fionn Meade

The Academy Award winner for Best Original Screenplay, Gosford Park is a whodunit as only director Robert Altman could do it. As a hunting party gathers at the country estate, no one is aware that before the weekend is over, someone will be murdered - twice! The police are baffled but the all-seeing, all-hearing servants know that almost everyone had a motive. This critically-acclaimed murder mystery features a who's who of celebrated actors. With a diverse cast of characters - all with something to hide - it'll keep you guessing right to the surprising end. Gosford Park proves that murder can be such an inconvenience.

Cold Comfort Farm

This hilarious spoof on British costume dramas based on great literature stars Kate Beckinsale (Much Ado About Nothing) as a strong-willed, young woman named Miss Flora Poste, who finds herself orphaned and without means in the 1930s. Moving in with some half-savage relatives on a country farm, Flora is hardly daunted by their primitivism (as she might have been in a novel by Thomas Hardy) but instead takes charge and imposes hygiene, order, and good manners on the dirty, superstitious lot. John Schlesinger directs this brisk, infectious adaptation of the 1932 novel by Stella Gibbons. Beckinsale is wonderful, and the rest of the savvy, inspired cast perfectly send up a host of literary clichés. --Tom Keogh

When orphan Flora Poste descends on her eccentric relatives at Cold Comfort Farm, she finds nothing but chaos and sees it her duty to restore order.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 1-JUL-2003
Media Type: DVD

What a Girl Wants (Full Screen Edition)

Fresh-faced Nickelodeon starlet Amanda Bynes stars in What a Girl Wants as Daphne, a 17-year-old girl in New York City who's spent her life pining for her absent father, a British lord named Henry Dashwood (Colin Firth) whom her mother (Kelly Preston) met during wilder days in Morocco. Tired of waiting for him to come to her, she decides to head to London where Dashwood is launching his political career--which could be derailed by her fun-loving, free-spirited attitude. Will her father choose the daughter he's never known or a position in Parliament? The plot of What a Girl Wants is ridiculously contrived, but the movie rides on the chemistry between Bynes and Firth. When, under Daphne's influence, Dashwood tries to break out of his stuffy shell and rediscover his inner rebel, the movie really starts to have fun. --Bret Fetzer

Coming-of-Age Comedy. Daphne (Amanda Bynes), a spirited young American girl, travels to London in search of her long-lost father (Colin Firth), an influential aristocratic politician. As Daphne attempts to prove that love can conquer all, her impulsive behavior creates an uproar in high society, where her unique style threatens to undermine the relationship she has waited her whole life to experience.

What a Girl Wants (Widescreen Edition)

Fresh-faced Nickelodeon starlet Amanda Bynes stars in What a Girl Wants as Daphne, a 17-year-old girl in New York City who's spent her life pining for her absent father, a British lord named Henry Dashwood (Colin Firth) whom her mother (Kelly Preston) met during wilder days in Morocco. Tired of waiting for him to come to her, she decides to head to London where Dashwood is launching his political career--which could be derailed by her fun-loving, free-spirited attitude. Will her father choose the daughter he's never known or a position in Parliament? The plot of What a Girl Wants is ridiculously contrived, but the movie rides on the chemistry between Bynes and Firth. When, under Daphne's influence, Dashwood tries to break out of his stuffy shell and rediscover his inner rebel, the movie really starts to have fun. --Bret Fetzer

Coming-of-Age Comedy. Daphne (Amanda Bynes), a spirited young American girl, travels to London in search of her long-lost father (Colin Firth), an influential aristocratic politician. As Daphne attempts to prove that love can conquer all, her impulsive behavior creates an uproar in high society, where her unique style threatens to undermine the relationship she has waited her whole life to experience.

Wolf

Sophisticated to a point, this well-executed wolf-man tale works due to its clever setting and enormous star power. We all know Jack Nicholson can go nuts, but the script makes his character aware of his changes, sometimes for the better, early on. The setting, a publishing house in the middle of a takeover, gives the characters dramatic life before the horror elements kicks in. A senior editor about to get the boot, Nicholson's character becomes a new man after being bitten by a wolf. He takes on challenges at work, lives a more robust life, and attracts a new love. But will his newfound energy consume him? Director Mike Nichols keeps the action alive in the first half, but the film peters out at the end with cheap theatrics and the overuse of slow motion. Michelle Pfeiffer has little to do as simply the love interest with a grittier than average personality. Better is James Spader as a smarmy colleague. Nicholson is in fine form, relying on his keen gift to spark interest (a twitch of the head, a look in the eyes), instead of heavy doses of movie makeup. Giuseppe Rotunno's sweeping camerawork sets the mood quite well. Easy to recommend, with the added feature it's hardly gratuitous. --Doug Thomas

Jack Nicholson and Michelle Pfeiffer star in Wolf a wickedly funny wildly romantic white-knuckle thriller. James Spader Kate Nelligan Christopher Plummer and David Hyde Pierce co-star in this beastly tale of love and betrayal with equal measures of humor passion and delicious terror.System Requirements:Starring: Jack Nicholson Michelle Pfeiffer James Spader and Christopher Plummer Director: Mike Nichols Copyright: 1994 Columbia Produced by Douglas Wick; written by Jim Harrison Wesley Strick; DVD released on 11/25/1997; running time of 125 minutes; Closed Captioned. Interactive Menus Widescreen and Standard Versions Scene Selections Subtitles: English Spanish & Korean Languages: English French & Spanish English Two Channels or 5.1 Dolby Digital Side A is a Widescreen Version and preserves the original 1.85:1 theatrical aspect ratio. Side B is a Full Frame/Standard Version and is re-formatted to fit your TV.Format: DVD MOVIE Genre: HORROR Rating: R UPC: 043396711594 Manufacturer No: 71159

Equus

A film adaptation of the famous play by Peter Shaffer, Equus stars Richard Burton (Who's Afraid of Virginia Woolf?, 1984) as Martin Dysart, a psychiatrist who takes on an unusual case: a young stable boy (Peter Firth, The Hunt for Red October) who, in a frenzy, has blinded six horses. Their sessions reveal that the boy has a quasi-religious fetish for horses and he rides them in the dead of night, experiencing an ecstasy unlike anything Dysart has ever known. Dysart begins to question: Is the pursuit of normalcy worth the loss of individual passions? Equus features a lot of hokum--its therapy scenes are absurd crescendos of revelation and insights. But its central question has substance, the direction is energetic, and the performances are powerful; Burton, handsome and haggard, brings a complex self-loathing to his role. Also featuring Jenny Agutter (Logan's Run) and Joan Plowright (Enchanted April). --Bret Fetzer

This Oscar®-nominated* adaptation of Peter Shaffer's Tony Award-winning play erupts on the screen with the same power and passion as the stage original. Richard Burton gives "one of his best performances ever" (Boxoffice) in this "elegant and provocative" (Newsweek) tale ofmyth and madness. What would drive Alan Strang (Peter Firth), a troubled adolescent stable boy, to blind six horses with a metal spike? Psychiatrist Martin Dysart (Burton) investigates these unspeakable acts and delves deep into Alan's psyche, confronting the mysteries of sexual passion and madnessas well as the dark demons buried within his own soul. *1977: Actor (Burton),Supporting Actor (Firth), Adapted Screenplay

Hedda Gabler

This 1962 production of Ibsen's immortal classic features Ingrid Bergman in the title role! Hedda Gabler has just come back from her honeymoon married to boring but reliable academic George Tesman (Michael Redgrave). Refusing to tie herself down in life and name Hedda is banking on George being appointed a professorship to secure a better life for the young couple. However the arrival of cleaned up ex-lover Eilert threatens to destroy everything. Included is the bonus play The Lady from the Sea starring Eile Atkins and Denholm Elliott.Running Time: 75 min.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 794051297822 Manufacturer No: E2978

In one of the great dramatic roles in all of theater, the always magnificent Ingrid Bergman seethes with frustrated ambition. Hedda Gabler is a woman who, for financial security, has married an earnest and dutiful academic who lacks the passion and imagination that drive Hedda. When Eilert Lovborg (Trevor Howard, The Third Man), a former lover, returns to their city, she discovers that a new woman has rescued him from his alcoholism and given him the strength to write a brilliant book. Consumed with jealousy, Hedda seizes an opportunity to ruin Lovborg's life--and by doing so, places herself in the power of the glib and predatory Judge Brack (Ralph Richardson, The Fallen Idol), who longs to have his way with her. This 1963 British television version of Henrik Ibsen's Hedda Gabler is skillfully condensed into a taut 75 minutes, fantastically played by the superb cast (which also includes Michael Redgrave, The Importance of Being Earnest). Bergman and Richardson, in particular, draw out every drop of hidden resentment and lust. Accompanying Hedda Gabler is a 1974 adaptation of Ibsen's The Lady from the Sea, in which a mysterious man from the past threatens the marriage of an older doctor (Denholm Elliott, Raiders of the Lost Ark) and a younger woman (Eileen Atkins, Cold Comfort Farm). This solid production feels a bit stagey and the script could have been better edited for television, but it does capture the metaphysical chill of the stranger's presence and the drama of the young woman's craving for personal freedom. --Bret Fetzer