Fred Astaire

Funny Face (50th Anniversary Edition)

Fred Astaire plays a fashion photographer based on real-life cameraman Richard Avedon, in this entertaining musical directed by Stanley Donen (Singin' in the Rain). The story finds Astaire's character turning Audrey Hepburn into a chic Paris model--not a tough premise to buy, especially within this film's air of enchantment and surrounded by a great Gershwin score. Based on an unproduced play, this is one of the best films from the latter part of Astaire's career. --Tom Keogh

This filmed version of the 1927 George Gershwin Broadway musical Funny Face utilizes the play's original star Fred Astaire and several of the original tunes then goes merrily off on its own. Astaire is cast as as fashion photographer Dick Avery (a character based on Richard Avedon the film's "visual consultant") who is sent out by his female boss Maggie Prescott (Kay Thompson) to find a "new face". It doesn't take Dick long to discover Jo (Audrey Hepburn who does her own singing) an owlish Greenwich Village bookstore clerk. Acting as Pygmalion to Jo's Galatea Dick whisks the wide-eyed girl off to Paris and transforms her into the fashion world's hottest model. Along the way he falls in love with Jo and works overtime to wean her away from such phony-baloney intellectuals as Professor Emile Flostre (Michel Auclair). The Gershwin tunes include the title song "S'wonderful" "How Long Has This Been Going On" and "He Loves and She Loves"; among the newer numbers is Kay Thompson's energetic opener "Think Pink". For years available only in washed-out flat prints Funny Face was eventually restored to its full Technicolor and VistaVision glory.System Requirements:Running Time: 103 Mins.Format: DVD MOVIE Genre: COMEDY Rating: NR UPC: 097361308449 Manufacturer No: 130844

Astaire & Rogers Ultimate Collector's Edition (Flying Down to Rio / The Gay Divorcee / Roberta / Top Hat / Follow the Fleet / Swing Time / Shall We Dance / Carefree / The Story of Vernon and Irene Castle / The Barkleys of Broadway)

2006 marks the arrival of five Fred Astaire and Ginger Rogers films (Flying Down to Rio, The Gay Divorcee, Roberta, Carefree, and The Story of Vernon and Irene Castle) on DVD after the first five were released in 2005. The big package is this Astaire & Rogers Ultimate Collector's Edition, which contains all 10 films plus a CD, a bonus DVD with the documentary Astaire and Rogers: Partners in Rhythm, press-book replicas, and some other material. If you want the big package with the extra stuff but already bought the five films in 2005, you can get the Astaire & Rogers Partial Ultimate Collector's Edition, which includes everything except the actual discs of those first five films. Or, if you only want the five new films, pick up Astaire & Rogers Collection, Vol. 2 as a bookend to Astaire & Rogers Collection, Vol. 1.

The Astaire-Rogers films mix light romantic comedy (usually centered around mistaken identities and ending, inevitably, in blissful wedding promises) with elegant dinner wear and surreal sets intended to transport '30s audiences away from the Depression to such locales as Rio, Paris, and Venice. The two stars are also aided by a recurring stable of RKO players such as Edward Everett Horton (master of the double-take), Eric Blore, and Helen Broderick. And then there's that sensational dancing set to great songs by the likes of Irving Berlin, George and Ira Gershwin, and Jerome Kern, numbers that are not merely entertaining but also innovative for their time in that they reveal character and advance the plot. Add it all up, and you have a recipe for an irrepressible joie de vivre that practically defines the movie musical.

Flying Down to Rio (1933) headlined Dolores Del Rio and Gene Raymond, but it was the fourth- and fifth-billed stars who would rewrite cinematic history. Astaire and Rogers had limited screen time, but were still able to establish many of the trademarks of their later films. The heart of the film is "The Carioca," a company dance extravaganza in which they take the floor together for the first time; their eyes meet and their foreheads touch. Their dance lasts only a few minutes, but it was the highlight of the film and audiences wanted more. The Gay Divorcee (1934) is their best early picture, a loose adaptation of Astaire's stage show, 'The Gay Divorce.' The only song retained for the movie is Cole Porter's smash hit "Night and Day," which is the setting for a sublime pas de deux between Fred and Ginger. The closer is the sprawling 17-minute ensemble number "The Continental." Roberta (1935) was a step backward, with too much time spent on 1930s Parisian fashion and the romance between top-billed Irene Dunne (who gets the best Jerome Kern ballads, "Yesterdays" and "Smoke Gets in Your Eyes") and Randolph Scott. But as the second-banana couple Astaire and Rogers still get a tap battle, a romantic duet, and plenty of comic banter.

With a score by Irving Berlin, Top Hat (1935) is most famous for two numbers, Astaire's definitive tuxedo setting "Top Hat, White Tie, and Tails" and the feathery duet "Cheek to Cheek." But other joys include Astaire's "Fancy Free" declaration, "Isn't It a Lovely Day," and the grand finale "The Piccolino." Follow the Fleet (1936) changes the pace a bit, with Astaire playing a sailor, and it suffers from making him and Rogers the second-banana couple to the dull Randolph Scott and Harriet Hilliard. But it still has plenty of laughs and some classic Irving Berlin numbers, including "Let Yourself Go," which Rogers sings before she and Astaire compete in a dance contest; a Rogers solo tap number; "I'm Putting All My Eggs in One Basket," their best comic dance. The pièce de résistance is "Let's Face the Music and Dance," a show within a show in which the pair dons their customary evening formals. Effortlessly flowing from pantomime to song to dance, this sublime piece of storytelling is one of the series' defining moments. Maybe their most enjoyable picture, Swing Time (1936) features the set-piece "Pick Yourself Up," in which Rogers "teaches" Astaire to dance before they break into a spectacular number; the farewell ode "Never Gonna Dance," and the Oscar-winning "Just the Way You Look Tonight," from the team of Jerome Kern and Dorothy Fields.

Shall We Dance (1937) has a complex plot that has Astaire and Rogers actually getting married before the final credits roll, and turns George and Ira Gershwin's brilliant "They Can't Take That Away from Me" into a heartbreaking ode. Other great songs include "Slap That Bass," "They All Laughed," and "Let's Call the Whole Thing Off," unforgettably performed on roller skates. The eighth and ninth entries in the series tried some different approaches, with the underrated Carefree (1938) more of a comedy vehicle for Ginger (yet still including some fine dances and Irving Berlin songs as well as their first onscreen kiss) and The Story of Vernon and Irene Castle (1939) portraying the pair as historical dancing stars and using a score of turn-of-the-century standards. The Barkleys of Broadway (1949) is the oddity, reuniting the stars 10 years after their last RKO picture when Judy Garland had to be replaced due to health problems. It's trademark MGM: splashy colors, Fred in a gimmicky solo number (playing sorcerer's apprentice to a line of unoccupied shoes), Oscar Levant providing his usual dynamic pianism and acerbic personality, and a score that is at its best when it borrows songs from a previous generation (including the big ballroom number set to "They Can't Take That Away from Me"). The film falls short of their best work, but serves as a fond remembrance of the most glorious partnership in film history. --David Horiuchi

Top Hat:Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.Swing Time:Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny a dancing instructor. She and Lucky form a successful dance partnership but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo the band leader who won't play for them to dance together.DVD Features:Available Subtitles: English Spanish FrenchAvailable Audio Tracks: English (Dolby Digital 1.0)Includes:Flying Down to Rio (1933)The Gay Divorcee (1934)Roberta (1935)Top Hat (1935)Follow the Fleet (1936)Swing Time (1936)Shall We Dance (1937)Carefree (1938)The Story of Vernon and Irene Castle (1939)The Barkleys of Broadway (1949)Astaire and Rogers: Partners in Rhythm (bonus disc)Soundtrack CD samplerCollectible photo cardsReplicas of original press booksMail-in poster offerFormat: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: UNRATED UPC: 012569829459 Manufacturer No: 82945

On the Beach

Stanley Kramer's 1959 antiwar movie looks like everything Kramer did: subtle as a car wreck but undeniably affecting. Gregory Peck plays a submarine commander looking for survivors in Australia after a nuclear holocaust. Ava Gardner is among them and, somewhat improbably under the circumstances, becomes his love interest. Fred Astaire and Anthony Perkins are among the characters awaiting death from the gradual spread of radiation from the north. One might scoff at Kramer's implicit finger-wagging about nuclear politics in this mad, mad, mad, mad world, but it is hard to stop watching this compelling drama all the same. --Tom Keogh

The war is over. Nobody won. Only the inhabitants of Australia and the men of the US submarine Sawfish have escaped the nuclear destruction and radiation. Captain Dwight Towers (Gregory Peck) takes the Sawfish on a mission to see if an approaching radiation cloud has weakened, but returns with grim news: the cloud is lethal. With the days and hours dwindling, each person confronts the grim situation in his or her own way. One (Fred Astaire) realizes a lifetime Grand Prix ambition,another (Ava Gardner) reaches out for a chance at love. The final chapter of human history is coming to a close... From acclaimed director Stanley Kramer (The Defiant Ones, Inheritthe Wind) and screenwriter John Paxton comes this spectacular movie landmarka film masterpiece with a message that will resonate as long as the world has the power to self-destruct at its own fingertips.

Astaire & Rogers Collection, Vol. 1 (Top Hat / Swing Time / Follow the Fleet / Shall We Dance / The Barkleys of Broadway)

You'll Love The Way Fred and Ginger Look Tonight in the 5-film 5-Disc Astaire and Rogers Collection Volume One including the highly acclaimed Top Hat and Swing Time.Format: DVD MOVIE Genre: MUSICALS/MUSICALS UPC: 053939725926

Fans of classic movie musicals will be in heaven with Astaire & Rogers Collection, Vol. 1, featuring the DVD debut of five films of Fred Astaire and Ginger Rogers, the quintessential dancing duo. The two gems of the set are Top Hat (1935), generally considered their definitive movie, and Swing Time (1936), which many consider their most enjoyable. Follow the Fleet (1936), Shall We Dance (1937), and The Barkleys of Broadway (1949) fill out the set, each with its own charms.

Follow the Fleet

The Astaire-Rogers films mix light romantic comedy (usually centered around mistaken identities and ending, inevitably, in blissful wedding promises) with elegant dinner wear and surreal sets intended to transport '30s audiences away from the Depression to such locales as Rio, Paris, and Venice. The two stars are also aided by a recurring stable of RKO players such as Edward Everett Horton (master of the double-take), Eric Blore, and Helen Broderick. And then there's that sensational dancing set to great songs by the likes of Irving Berlin, George and Ira Gershwin, and Jerome Kern, numbers that are not merely entertaining but also innovative for their time in that they reveal character and advance the plot. Add it all up, and you have a recipe for an irrepressible joie de vivre that practically defines the movie musical.

With a score by Irving Berlin, Top Hat is most famous for two numbers, Astaire's definitive tuxedo setting "Top Hat, White Tie, and Tails" and the feathery duet "Cheek to Cheek." But other joys include Astaire's "Fancy Free" declaration, "Isn't It a Lovely Day," and the grand finale "The Piccolino." Favorite musical moments in Swing Time include the set-piece "Pick Yourself Up," in which Rogers "teaches" Astaire to dance before they break into a spectacular number; the farewell ode "Never Gonna Dance," and the Oscar-winning "Just the Way You Look Tonight," from the team of Jerome Kern and Dorothy Fields.

Swing Time

Follow the Fleet changes the pace a bit, with Astaire playing a sailor, and it suffers from making him and Rogers the second-banana couple to the dull Randolph Scott and Harriet Hilliard. But it still has plenty of laughs and some classic Irving Berlin numbers, including "Let Yourself Go," which Rogers sings before she and Astaire compete in a dance contest; a Rogers solo tap number; "I'm Putting All My Eggs in One Basket," their best comic dance. The pièce de résistance is "Let's Face the Music and Dance," a show within a show in which the pair dons their customary evening formals. Effortlessly flowing from pantomime to song to dance, this sublime piece of storytelling is one of the series' defining moments. Shall We Dance has a complex plot that has Astaire and Rogers actually getting married before the final credits roll, and turns George and Ira Gershwin's brilliant "They Can't Take That Away from Me" into a heartbreaking ode. Other great songs include "Slap That Bass," "They All Laughed," and "Let's Call the Whole Thing Off," unforgettably performed on roller skates. The Barkleys of Broadway is the oddity, reuniting the stars 10 years after their last RKO picture when Judy Garland had to be replaced due to health problems. It's trademark MGM: splashy colors, Fred in a gimmicky solo number (playing sorcerer's apprentice to a line of unoccupied shoes), Oscar Levant providing his usual dynamic pianism and acerbic personality, and a score that is at its best when it borrows songs from a previous generation (including the big ballroom number set to "They Can't Take That Away from Me"). The film falls short of their best work, but serves as a fond remembrance of the most glorious partnership in film history. --David Horiuchi

Classic Musicals from the Dream Factory, Vol. 2 (The Pirate / Words and Music / That's Dancing / The Belle of New York & Royal Wedding / That Midnight Kiss & The Toast of New Orleans)

Holiday Inn (Special Edition)

This perennial, Christmas-season favorite from 1942 teamed Bing Crosby and Fred Astaire as entertainers (and rival suitors of Marjorie Reynolds) running an inn that is only open on holidays. It's a great excuse for lots of singing and dancing, seamlessly wrapped in a catchy story, and Astaire's frequent director Mark Sandrich (Top Hat, Shall We Dance?) doesn't let us down. The Irving Berlin numbers (each one connected to a different holiday) are winners. Crosby's warm performance of "White Christmas" is a movie touchstone. --Tom Keogh

In 1942, Fred Astaire and Bing Crosby teamed up at Der Bingle's Paramount Pictures for Holiday Inn, a black-and-white musical that proves more entertaining than Crosby's color semi-remake White Christmas in 1954. Astaire and Crosby play partner/rival song-and-dance men who compete for the hand of their performing partner, played by Virginia Dale. After Crosby loses, he moves to the Connecticut countryside where he creates a resort that is only open on holidays and puts on the shows with the help of Marjorie Reynolds. Dumped by Dale, Astaire makes a drunken arrival at the inn on New Year's Eve and dances with Reynolds. He decides she'll be his new partner, but doesn't remember what she looks like, setting off a frenzied search at every subsequent show while the once-bitten Crosby does his best to steer him off track. The theme gives Irving Berlin an excuse to craft or recycle a number of holiday-themed songs, such as (in the former category) "Washington's Birthday" or (in the latter) "Easter Parade." The most famous of the new material, of course, is "White Christmas," which became one of the bestselling songs of all time and the title song of Crosby's 1954 film. Astaire and Crosby also team up for "I'll Capture Her Heart," which playfully contrasts the stars' specialties, and Astaire's "It's So Easy to Dance with You" became one of the signature songs of his post-Ginger Rogers career. Astaire and Crosby teamed up again for Blue Skies in 1946. --David Horiuchi

Bing Crosby and Fred Astaire sing and dance their way into your heart in the sensational musical comedy Holiday Inn. Nominated for 3 Academy Awards this special edition features 13 holiday songs by famed composer Irving Berlin including White Christmas one of the biggest-selling recordings in music history!Crosby plays a song and dance man who leaves showbiz to run an inn that is open only on holidays. Astaire plays his former partner and rival in love. Follow the two talented pals as they find themselves competing for the affections of the same lovely lady (Marjorie Reynolds). This classic features an all-new digitally remastered picture and never-before-seen bonus material. Tis the season for one of the most enjoyable films of all time!Format: DVD MOVIE Genre: MUSICALS/MUSICALS UPC: 025192148422 Manufacturer No: 21484

Silk Stockings

You'd think chilled borscht pulses in her veins. She's Nina Yoshenka a lovely yet severe Soviet envoy sent to Paris to rescue wayward comrades from the perils of champagne and capitalism. But there may be a thaw in Nina's cold war. She meets Steve Canfield a smoothly brash American who won't take nyet for an answer.Running Time: 117 min.Format: DVD MOVIE Genre: COMEDY UPC: 012569562929

Fred Astaire took one of his final musical turns in this delightful 1957 comedy, a cold war update of the classic Ninotchka. Cyd Charisse, having previously wrapped her endless legs around Fred in The Band Wagon, plays the Greta Garbo role: a humorless Soviet functionary who sternly refuses the allure of Paris… for a while, anyway. Like some of the first widescreen musicals, Silk Stockings feels a little slowed down by the horizontal format, but nothing can dim the sparkle of Astaire and Charisse, nor quench the razzmatazz of Janis Paige. Paige and Astaire assess the current state of movies by singing that films today need "glorious Technicolor, breathtaking CinemaScope, and Stereophonic sound!" In the hands of Cole Porter, that phrase becomes wonderfully musical--and by the way, it's nice to see the composer identified with so many breezy 1930s songs staying au courant in the age of Sputnik and television. --Robert Horton

Finian's Rainbow

A funny thing happened to Finian's Rainbow in between its debut as a Broadway musical in 1947 and its appearance as a film in 1968. After 21 years, its theme of racial tension in the American South was no longer cutting edge, and the fact that its heroes are a group of sharecroppers called the Rainbow Valley Tobacco Cooperative dates it even further. Add a number of subplots and the heavy hand of a 29-year-old Francis Ford Coppola directing his first and only musical, and the two-and-a-half-hour running time feels bloated. Hermes Pan (best known for the classic Astaire-Rogers movies) is credited with choreographing the overbusy musical numbers, but he was reportedly overruled by Coppola at every turn. Still, there is a lot to enjoy in this movie, most notably Fred Astaire in his last lead role in a musical. Fred plays Finian McLonergan, an Irishman who has traveled to America in hopes of planting a pilfered pot of gold near Fort Knox and watching it grow. Even at 69, Fred shows he is still capable of a sprightly step and warbling "Look to the Rainbow." Another plus is the casting of '60s pop icon Petula Clark as his daughter, as she sings with an unaffected loveliness. Finally, the score by Burton Lane and E.Y. Harburg includes two of the best Broadway songs ever written--"Old Devil Moon" and "How Are Things in Glocca Morra?"--as well as the comic ditty "When I'm Not Near the Girl I Love." --David Horiuchi

Musical morality tale about prejudice directed by Francis Ford Coppola and starring Fred Astaire. Based on a Broadway show from the late 40's. Astaire plays an Irishman who's moved to a small southern town. His plan is to bury a leprechaun's pot of gold that he's brought with him - so that it will grow faster. But his plans go awry when his daughter makes the wrong wish while Astaire stands over the magical pot.Running Time: 145 min.Format: DVD MOVIE Genre: MUSICALS/MUSICALS UPC: 085391120827

Musicals Classics 50 Movie Pack Collection

This delightful collection transports you back to the golden era of Hollywood musicals where every troubled romance had a happy ending. Rediscover the magic of Fred Astaire in Second Chorus and Royal Wedding. Marvel at the incredible dance moves of Cyd Charisse and Jane Powell in Black Tights and Delightfully Relive the magic of jazz legends like Duke Ellington, Lionel Hampton, The Dorsey Brothers, Count Basie and Sarah Vaughn. Sit back and enjoy the songs of all time greats like Lena Horne, Frank Sinatra, Eartha Kitt, Perry Como, Judy Garland and Dinah Shore. The Classic Musicals 50-MoviePack brings an incomparable world of song, dance and orchestration to life in a collection that offers countless hours of entertainment

Easter Parade (Special Edition)