Caan, James

The Godfather (Widescreen Edition)

Generally acknowledged as a bona fide classic, this Francis Ford Coppola film is one of those rare experiences that feels perfectly right from beginning to end--almost as if everyone involved had been born to participate in it. Based on Mario Puzo's bestselling novel about a Mafia dynasty, Coppola's Godfather extracted and enhanced the most universal themes of immigrant experience in America: the plotting-out of hopes and dreams for one's successors, the raising of children to carry on the good work, etc. In the midst of generational strife during the Vietnam years, the film somehow struck a chord with a nation fascinated by the metamorphosis of a rebellious son (Al Pacino) into the keeper of his father's dream. Marlon Brando played against Puzo's own conception of patriarch Vito Corleone, and time has certainly proven the actor correct. The rest of the cast, particularly James Caan, John Cazale, and Robert Duvall as the rest of Vito's male brood--all coping with how to take the mantle of responsibility from their father--is seamless and wonderful. --Tom Keogh

Las Vegas - Season One Uncut & Uncensored

Slick, stylish, and fast-paced, Las Vegas is a high-tech hybrid of 1970s' Vega$ and 1980s' Hotel. Created by Gary Scott Thompson (The Fast and the Furious), season 1 includes all 23 episodes of the NBC dramedy's. Set in the fictional Montecito Resort and Casino, the show revolves around surveillance expert and ex-Marine Danny McCoy (Josh Duhamel, Win a Date with Tad Hamilton). McCoy reports to the president of operations and ex-CIA operative "Big" Ed Deline (the inimitable James Caan). If Duhamel is the show's charisma, Caan is the gravitas. The attractive cast is rounded out by Vanessa Marcil as casino host Sam Marquez, Nikki Cox as event coordinator Mary Connell, James Lesure as valet Mike Cannon, Marsha Thomason as pit boss Nessa Holt, Cheryl Ladd as Deline's wife Jillian, and model Molly Sims as Deline's daughter Delinda.

From the start, Las Vegas has attracted a diverse array of guest stars, from musicians, like Little Richard ("New Orleans"), to movie stars, like Sean "Samwise" Astin ("You Can't Take It With You"). Even "Mr. Las Vegas" himself, Wayne Newton, puts in an appearance ("Pros and Cons"). Other notable guests include Elliot Gould ("Jokers and Fools"), Jean-Claude Van Damme ("Die Fast, Die Furious"), and Alec Baldwin ("Hellraisers and Heartbreakers"), hot off his Oscar-nominated turn in The Cooler.

First used in heist hit Ocean's 11, Elvis Presley's "A Little Less Conversation" (JXL remix) is the Las Vegas theme song. On the DVD set, however, it's replaced by "Let It Ride" on all episodes except the pilot. Also, the subtitle "Uncut and Uncensored" indicates footage too hot for network TV, but the additions are minor. While a few seconds have been added to the more risqué sex/poolside scenes, any other changes from the original broadcast are difficult to detect. --Kathleen C. Fennessy

El Dorado

El Dorado doesn't quite have the scope or ambition of Howard Hawks's greatest Westerns, Red River and Rio Bravo. But this relaxed picture, made near the end of Hawks's marvelous career, still shows the steady, sure hand of a master. Hawks reunites with John Wayne, playing a hired gun mixed up in a range war; Robert Mitchum is Wayne's old pal, now a sheriff in the midst of a hopeless drunken bender. James Caan, in one of his first sizable roles, plays a kid who can't shoot straight and wears a funny hat (every character in the movie makes fun of this hat). As the plot moves along, it begins to resemble Rio Bravo rather closely ("I steal from myself all the time," Hawks was fond of admitting). But in El Dorado the heroes are a bit older, their powers a bit weaker; at the end Wayne must revert to a bit of subterfuge in order to get the drop on the steely gunslinger (ice-cold Christopher George) he needs to put down. As relaxed as the movie is, Hawks and Wayne and company are in good spirits, with plenty of broad humor and easy camaraderie on display. Hawks and Wayne would make just one more film, the disappointing Rio Lobo, before ending their fruitful partnership. --Robert Horton

Brian's Song

While women shed more than a few tears over Love Story back in 1970, men had their equivalent with Brian's Song on TV. This biopic about the Chicago Bears' Brian Piccolo and Gale Sayers is no mere sports film. It's one of those transcendent stories that struck a rare cultural nerve, a sensitive film about love, friendship, cancer, racial harmony, and football that came along at just the right time. James Caan is at his free-spirited best as Piccolo, and Billy Dee Williams is very charming as the quiet Sayers destined for superstardom. Roommates and rivals, these two rookies soon become best friends because of their competitive natures and complementary personalities. When Piccolo becomes stricken with cancer, his relentless will to live inspires the talented Sayers to reach his athletic potential. Jack Warden, as the masterful coach George Halas, superbly manipulates the ying and yang relationship for all it's worth. Michel Legrand's melancholy theme still lingers in the mind as one