Calderon, Paul

Pulp Fiction (Two-Disc Collector's Edition)

With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that reestablished John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultrahip mixture of established marquee names and rising stars from the indie scene (among them Samuel L. Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin, and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. No, it was not the Second Coming (I actually think Reservoir Dogs is a more substantial film; and P.T. Anderson outdid Tarantino in 1997 by making his directorial debut with two even more mature and accomplished pictures, Hard Eight and Boogie Nights). But Pulp Fiction packs so much energy and invention into telling its nonchronologically interwoven short stories (all about temptation, corruption, and redemption amongst modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

Critics and audiences worldwide hailed PULP FICTION as the star-studded picture that redefined cinema in the 20th Century! Writer/director Quentin Tarantino (Academy Award(R) Winner -- Best Original Screenplay, 1994) delivers an unforgettable cast of characters -- including a pair of low-rent hit men (John Travolta and Samuel L. Jackson), their boss's sexy wife (Uma Thurman), and a desperate prizefighter (Bruce Willis) -- in a wildly entertaining and exhilarating motion picture adventure that both thrills and amuses!

The Firm

By far the best adaptation of a John Grisham bestseller, this smart, fast-paced 1993 film--directed by Sydney Pollack (Out of Africa)--offers up the dilemma of a young lawyer whose life is turned upside down when he takes a job at a Southern law firm owned by the mob. Mitch McDeere (Tom Cruise), having just graduated from Harvard Law, is besieged with offers but takes a job, too good to be true, with a small Memphis firm. He and his wife, Abby (Jeanne Tripplehorn), are sucked in by the seemingly close-knit, collegial nature of the firm's partners and the expensive perks that come with the job. His mentor, Avery (Gene Hackman), teaches him the ropes, but Mitch and Abby begin to sense there's something wrong with this idyllic life. When a couple of associates turn up dead, Mitch begins to investigate the history of the firm; and when the FBI asks him to spy on the firm for them, Mitch realizes his life will never be the same and that, if discovered, he, his wife, and his long-lost brother will be in mortal danger. Mitch must use all his talents as a lawyer to outsmart the firm, the FBI, and the mob in order to reclaim control over his life. A very entertaining thriller that engages the audience at a breakneck pace while not taking itself too seriously. It also features some fine writing and strong performances from a large cast of exceptional actors. --Robert Lane

The Last Castle

The Last Castle rides high on a wave of American patriotism, respectful of military service and protocol, and primed to ignite anyone's passion for justice against corrupted ideals. This intense prison drama begins when a court-martialed three-star general (Robert Redford) is sentenced to military prison for defying a presidential command. The prison's warden (James Gandolfini) is a jealous martinet who's never seen combat, and when the jailed general seizes command of the prison to protest the warden's abuse of power, The Last Castle erupts toward a classic showdown between integrity and cowardice. Former critic and West Point graduate Rod Lurie (The Contender) directs this intimate battle with manipulative skill, appealing more to emotions than intelligence, but his stellar cast keeps the action on track, and a potent script returns flag-waving to its rightful place of honor. --Jeff Shannon

The Sentinel (Widescreen Edition)

Clint Eastwood may be a little too old (plus he kind of already did his own version of this movie in 1993's In the Line of Fire), but Harrison Ford could have been The Sentinel's lead and lent the same kind of top-flight Hollywood superstar craft that Michael Douglas brings as a superstar secret service agent fighting a frame-up in a panicky countdown to peril. That the marquee name could have belonged to anyone with the same chops as Douglas is no slam to him, Ford, Eastwood, or anyone else of their ilk. The Sentinel is a crackling good thriller because everyone involved is working at the top of their game. Pete Garrison (Douglas) is on the presidential protection detail when another agent is murdered. A creepy informer tells Garrison about an elaborate assassination conspiracy that's related and well underway. Garrison also happens to be having an affair with the First Lady (Kim Basinger), the stress of which causes him to flunk a lie detector test when word of the plot to kill the president becomes more than just paranoia. Garrison is soon on the run, being hunted by his protege David Breckinridge (Kiefe