Calhoun, Rory

Pure Country

After 25 chart-topping hits, the singing star becomes a movie star! George Strait makes his film debut in an entertaining look into the heart and soul of country music from Young Guns director Christopher Cain.

Superstar Dusty Chandler (Strait) is tired of the smoke, the strobe lights and the overmiked sound of his arena spectaculars. One night, something snaps. "I'm just going to take a little walk," Dusty says as he walks out of the empty hall, ditching his beard, ponytail - and temporarily, his career - to reclaim his down-home country roots. But his manager (Leslie Ann Warren) retaliates: a stand-in (Kyle Chandler) lip-synchs his songs in concert. And a romance with a lovely rancher (Isabel Glasser) is on again, off again like a rodeo cowboy. The simple life can be complex, but it's nothing a revitalized country boy can't handle!

How To Marry A Millionaire

Nunnally Johnson's Broadway comedy was brought to the big screen by director Jean Negulesco, built around a trio of female stars, Lauren Bacall, Marilyn Monroe, and Betty Grable. They play friends who come up with a plan to find and marry rich men. They rent a lavish penthouse and use it as their launching pad to lure men with money in the bank. But each eventually finds that love is more important that material possessions, though it takes a while. One running joke has Monroe so insecure about her looks that she refuses to wear glasses, though this means she bumps into furniture and walls. The other has Bacall rejecting suitor Cameron Mitchell because he doesn't wear a tie, assuming this means he's low-class when, in fact, he's the Donald Trump of 1954. Pre-feminist comedy captures the mindset of an era in which women's identities were based on the men they married. It has its moments, but much of the humor seems dated, though its take on sexual politics is occasionally acute. --Marshall Fine

They're three beautiful models, looking for the man and the money of their dreams! Almost broke, they pool their funds to rent a posh Manhattan penthouse in which they plan to lure their victims. But the gold digger's plans suddenly go awry when two of them fall for men who appear to be poor! Trying to stop each other from marrying the wrong guy, Monroe, Grable, Bacall deliver the finest comedic performances of their careers. And they learn that a rich man is actually worthless- unless you're in love with him!

River of No Return

The dew of new stardom was still visible on Marilyn Monroe when she ventured up to Canada to shoot this sturdily entertaining CinemaScope Western. Although director Otto Preminger later claimed little interest in the picture, he couldn't help but bring his even-handed visual style to the widescreen process. The location shooting (in Alberta) is eye filling, and that river really does look alarming. Best of all, Marilyn, fresh and vital, had a costar to match her magnetism but not humor her sometimes-scattered approach to acting: Robert Mitchum, as a homesteader with a dark past. He's weighty enough to stand next to MM's bright flame without giving any ground; they should have worked together again. Since Marilyn plays a saloon singer, she gets to sling some tunes in her inimitable style, with as much glamour as the gold rush-era trappings will allow, giving "I'm Going to File My Claim" various meanings. --Robert Horton

The Blue and the Gray (The Complete Miniseries)

Before Ken Burns, Glory, and Gettysburg, the Civil War proved an effective backdrop for this 1982 miniseries--available complete and uncut on this three-disc set--about two families divided by the War Between the States. John Hammond stars as John Geyser, a Southerner caught "betwixt and between" when he becomes a war correspondent for the Northern newspaper published by his uncle. Like a Civil War-era Forrest Gump, he finds himself "where history's in the making," from the Battle of Bull Run to the scene of President Abraham Lincoln's assassination. Stacy Keach costars as an Army scout who takes the "fresh off the farm" Geyser under his wing. Julia Duffy is the schoolmarm who loves Keach. The ham-handed dialogue is a guilty pleasure ("What's wrong with this land that produces such a bitter fruit?" asks the embittered Geyser). The meticulously mounted battle scenes, though, are a Civil War reenactor's dream. --Donald Liebenson

Deranged/Motel Hell (Midnite Movies Double Feature)

A double bill of rural schlock, with both entries gruesome but somewhat tongue-in-cheek. Deranged was inspired by the unsavory saga of Ed Gein, whose isolated madness oiled the gears of both Psycho and The Texas Chainsaw Massacre. This is a low-rent production all the way, but its shabby locations have a certain eerie authenticity, and it benefits greatly from the casting of the reliable character actor Roberts Blossom--a scarecrow in the American Gothic mold--in the lead role. Now and again a somber but vaguely amusing narrator wanders into the frame to remind us that we are watching the tale of "a necromaniac, a defiler of the dead," as though we could forget. Serial-killer completists should check it out.

Motel Hell is slicker but less effective. Former Western star Rory Calhoun plays Farmer Vince