Culkin, Michael

Mrs. Palfrey at the Claremont

The talented indie director Dan Ireland (The Whole Wide World, ) brings his deft, intimate touch to a lovely tale of family--and how to build one. Joan Plowright is Mrs. Palfrey, a genteel widow who moves to London to start her life anew, and to be less of a burden to her daughter. When she arrives at the dowdy Claremont Hotel, which is not quite the picture of loveliness it was in the brochure, Plowright delivers Mrs. P's quick assessment--"Oh, dear"--with a spot-on mix of fleeting disappointment and stiff-upper-lip-itude. As she settles in among the oddball residents of the hotel, her life appears to be heading into a slow, downward decline. But when she meets young aspiring writer Ludovic (the adorable British actor Rupert Friend), Mrs. P--and we--learns that real family ties can be chosen, not inherited. The storyline is familiar and simple, with echoes of Tuesdays with Morrie, but the intimacy portrayed by the two lead actors brings surprising layers and emotion to the film, which envelopes the viewer like a cozy shawl. Extras include an excellent commentary with Ireland and producer Zachary Matz, Plowright's acceptance speech for an AARP award for her role in the film, and photo galleries. --A.T. Hurley

Oscar-nominated actress Joan Plowright is the titular Mrs. Palfrey in this heartwarming comedy. When an elderly Scottish widow moves to London she finds the big city less welcoming than she expected. Mrs. Palfrey is disheartened when her nephew doesn't return her calls. But when a young man (Rupert Friend) helps her after a fall she discovers that the metropolis may not be as lonely as it first appeared. Though Plowright has made a career out of playing strong supporting roles she easily makes the transition to leading lady in this film.Format: DVD MOVIE Genre: DRAMA/GENERATION GAP UPC: 798622343826 Manufacturer No: WLV3438

Immortal Beloved

This sumptuous and moving 1994 film written and directed by Bernard Rose (Candyman) investigates the artistic and romantic passions of one of the greatest composers of all time. Featuring a superb performance by Gary Oldman (Sid and Nancy) as Ludwig van Beethoven, Immortal Beloved is full of uncommonly vivid, rich imagery as it charts the tumultuous life of the deaf child prodigy and his rise to the height of musical achievement. Along the way, he attempts to play mentor to his nephew, attend to his many passionate romances--the most stable one was with a countess (Isabella Rossellini)--and fight bouts of depression and madness that ruled his life and his art. The film is framed around a "Rosebud"-type letter found after the composer's death that makes up the crux of the story. Jeroen Krabbé (The Fugitive), playing Beethoven's lifelong friend, attempts to discover who Beethoven's muse really was, becoming as driven as his friend in discovering the unlikely identity of the composer's "immortal beloved." Through this we gain an insight into the nature of obsession, romance, and the heights and sacrifices of artistic achievement. The film exhibits some extraordinary sound design, and the finale features a magical encapsulation of Beethoven's life and loves set to his "Ode to Joy." As an exciting and passionate journey, Immortal Beloved is its own masterpiece. --Robert Lane

Dangerous Beauty

Although it was unfortunately ignored during its brief theatrical release, this sumptuously seductive production is that rarest of cinematic breeds, the (barely) respectable guilty pleasure. Combining historical fact with hysterical anachronisms of language and mannerism, it's been tailored for maximum contemporary appeal but maintains a lush, romantic feel for its factual 16th-century tale of Venetian love, lust, and political repression. Catherine McCormack (Mel Gibson's ill-fated bride in Braveheart) delivers a star-making performance as the "dangerous beauty" who becomes a skillful courtesan to pursue her forbidden love for a dashing Venetian senator (Rufus Sewell). It's all rather silly in a high-toned fashion, and the film turns dour when the church intervenes with a Scarlet Letter-like papal inquest. But the movie's joyously ribald vitality is utterly irresistible, and the casting of McCormack with Jaqueline Bisset (as her mother and courtesan mentor) is a stroke of pure genius. Merchant-Ivory would've made a smarter film from this material, but it probably wouldn't be nearly as entertaining. --Jeff Shannon

The Hours

Delicate and hypnotic, The Hours interweaves three stories with remarkable skill: in the 1920s Virginia Woolf (Nicole Kidman) grapples with her inner demons and slowly works on her novel Mrs. Dalloway; in 1949 housewife Laura Brown (Julianne Moore) feels her own destructive impulses; and in 1999 book editor Clarissa Vaughn (Meryl Streep)--much like the title character of Woolf's novel--prepares to throw a party, in honor of her dearest friend, a seriously ill poet (Ed Harris). Small details reverberate from story to story as a powerhouse cast (including Allison Janney, Toni Collette, Claire Danes, Jeff Daniels, John C. Reilly, Stephen Dillane, and Miranda Richardson) gives subtle and beautifully modulated performances. In the hands of director Stephen Daldry (Billy Elliot), The Hours is almost more a piece of music than a story, and like music, it may move you in unexpected ways. --Bret Fetzer

THE HOURS tells the story of three very different individuals who share the feeling that they have been living their lives for someone else. Virginia Woolf (Kidman) lives in a suburb of London in the 1920's as she struggles to begin writing her first great novel, Mrs. Dalloway, while also attempting to overcome the mental illness that threatens to engulf her. Laura Brown (Moore), a young wife and mother in post-World War II Los Angeles, is just starting to read Mrs. Dalloway, and is so deeply affected by it that she begins to question th