Cusack, John

1408 (Two-Disc Collector's Edition)

As creepfests go, 1408 is right up there with The Shining, also inspired by a Stephen King work and featuring a menacing hotel and the wobbly sanity of a writer lodging there. "It's an evil [bleep]-ing room!" intones Samuel L. Jackson, who plays the smooth but vaguely sinister manager of the Dolphin Hotel. John Cusack is stellar as Mike Enslin, a cynical Everyschlub who writes "occult travel guides," but believes in nothing, especially anything resembling an afterlife.

What happens in room 1408 of the Dolphin may change Enslin forever--if he survives the first hour. The thrills range from jumpy "gotcha" moments involving mirror images, to more traditional horror fare like bleeding walls, to truly diabolical touches like the recurrence of the Carpenters' "We've Only Just Begun." (Shudder.) The film does a nice job of weaving the operatic horror effects with the truly heart-breaking backstory of the death of Enslin's young daughter and his marriage--perhaps the only two things Enslin has ever believed in. And thankfully, there's just enough humor to leaven the intensity at key moments; Cusack is unparalleled when it comes to delivering a self-deprecating wisecrack, even as his life passes before his eyes. Get your adrenaline pumping and check into this room. Oh, and sorry, no refunds. A.T. Hurley

(Thriller) Based on a short story by Stephen King, a man who specializes in debunking the paranormal checks into the infamous room 1408 in the Dolphin Hotel, only to discover… the terror is real.

Better Off Dead

Lane Myer (John Cusack) is stuck in a personal hell. A compulsive, adolescent Everyman growing up in Suburbia, USA, not only does he fail to make the prestigious high school ski team (again), but his beloved sweetheart, Beth, also leaves him for Roy, the team's popular, arrogant captain. If this isn't bad enough, he's stuck with a mother who frighteningly experiments--rather than cooks--with food, a brother who builds rockets out of models, and a best friend so desperate for drugs that he settles for snorting powdered snow. Faced with these prospects, Lane opts to end it all ... until he comes up with a ridiculous plan to gain acceptance and win Beth back. Director Savage Steve Holland warps this simple, clichéd premise, letting his wacky imagination twist it into a fairly original, slightly dark, and completely hilarious '80s teen comedy. Not as serious a "suicide-attempt" movie as, say, Harold and Maude but just as funny, the film's more a collection of screwball sketches than a narrative. Holland livens the high jinks with surrealistic fantasy touches, including Jell-O that crawls, a hamburger that sings Van Halen, drawings that mock its creator, Japanese race-car drivers who only speak Howard Cosell, and a psychotic paperboy seeking blood over a missing $2. Cusack puts the whole thing on his shoulders and carries the insanity with another one of his touching, obsessively romantic performances, which, along with Say Anything, The Sure Thing, and One Crazy Summer, made him the quintessential (and appealing) personification of lovestruck adolescence and suffering. --Dave McCoy

Serendipity

The irresistible casting of John Cusack and Kate Beckinsale highlights this predictable romantic comedy, which combines the romantic yearning of An Affair to Remember and the New York charm of You've Got Mail. It all begins "a few years ago," when New Yorker Jonathan (Cusack) meets Brit beauty Sara (Beckinsale). They share a few perfect hours together before parting ways, leaving future encounters to her quirky obsession with fate. "A few years later," they're about to marry their respective fiancés (reluctantly, of course), and urgently hoping for destiny to bring them back together. Under the casual direction of Peter Chelsom (barely recovering from Town & Country), this starry-eyed romance offers no surprises, but it has a comforting familiarity, made warmer by the easy chemistry of the leads, with obligatory best-friend support by Molly Shannon and long-time Cusack pal Jeremy Piven. It's hokey, but die-hard romantics are sure to be forgiving. --Jeff Shannon

While Christmas shopping in the city, Jonathan and Sara meet and fall in love despite already being involved in other relationships; they decide to separate and see if fate will bring them together in the future.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 7-SEP-2004
Media Type: DVD

Grace Is Gone

Unlike previous Iraq War films, the poignant directorial debut from writer James C. Strouse (Lonesome Jim) uses the conflict as starting point rather than subject. Early in the proceedings, Stanley (John Cusack) finds out his wife has been killed in the line of duty. The bespectacled disciplinarian decides not to tell his daughters right away. In his younger days, Stanley tried to serve his country, but poor eyesight dashed that dream, and now he's a superstore manager. The sort of middle-American conservative rarely seen at the art house, Stanley believes in his president. That doesn't alleviate his pain. Putting on a brave face, he asks his