Hopscotch - Criterion Collection
from Criterion
Walter Matthau is in peak form in Hopscotch, a featherweight spy-game comedy in which he plays a CIA agent who's way smarter than his dimwitted superiors. That's the fantasy part--this amusing cat-and-mouse game is so lopsided that you can't take it seriously. The movie's charm is derived from the sardonic pleasure with which Matthau makes his pursuers look like idiots, after they've targeted him for "termination" for publishing a tell-all memoir about his tenure in "the Company." He's no stool pigeon, however; it's his boss (played with blustery thick-headedness by the great Ned Beatty) who's abusing his power, so Matthau recruits an old lover (Glenda Jackson) to join him in a globetrotting game of clandestine cleverness. Under Ronald Neame's too-casual direction, this is a not-so-wild goose chase, but Matthau and Jackson (reuniting after they had fun making the 1978 comedy House Calls) have an easygoing chemistry that's nicely balanced with Matthau's cantankerous shenanigans. --Jeff Shannon
Miles Kendig knows too much. One of the CIA's top international operatives, he suddenly finds himself relegated to a desk job in an agency power play. Unwilling to go quietly, Kendig, with the aid of a chic Viennese widow, puts himself back in the game by writing a memoir exposing the innermost secrets of every major intelligence agency in the world. The CIA wants Kendig dead, but he refuses to cooperate—he's having too much fun. Based on Brian Garfield's best-selling novel, and starring the inimitable comic team of Walter Matthau and Glenda Jackson, Ronald Neame's Hopscotch is a smart and stylish tale of international intrigue and a cat-and-mouse comedy.
The Guns of Navarone (Special Edition)
by J. Lee Thompson
from Sony Pictures
This rousing, explosive 1961 WWII adventure, based on Alistair MacLean's thrilling novel, turns the war thriller into a deadly caper film. Gregory Peck heads a star-studded cast charged with a near impossible mission: destroy a pair of German guns nestled in a protective cave on the strategic Mediterranean island of Navarone, from where they can control a vital sea passage. As world famous mountain climber turned British army Captain Mallory, Peck leads a guerrilla force composed of the humanistic explosives expert, Miller (David Niven), the ruthless Greek patriot with a grudge, Stavros (Anthony Quinn), veteran special forces soldier Brown (Stanley Baker), and the cool, quiet young marksman Pappadimos (James Darren). This disparate collection of classic types must overcome internal conflicts, enemy attacks, betrayal, and capture to complete their mission. Director J. Lee Thompson sets a driving pace for this exciting (if familiar) military operation, a succession of close calls, pitched battles, and last-minute escapes as our heroes infiltrate the garrisoned town with the help of resistance leader Maria (Irene Papas) and plot their entry into the heavily guarded mountain fort. Carl Foreman's screenplay embraces MacLean's role call of clichés and delivers them with style, creating one of the liveliest mixes of espionage, combat, and good old-fashioned military derring-do put on film. In 1978, the sequel Force 10 from Navarone was released, but MacLean fans will prefer to check out the action-packed thriller Where Eagles Dare. --Sean Axmaker
Stills from The Guns of Navarone(click for larger image)
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The Man Who Never Was
by Ronald Neame
from 20th Century Fox
A real beauty of a true story provides the basis for The Man Who Never Was, a gripping World War II picture that has no combat scenes, no great vistas of troops. The time is 1943, as the Allies prepare the invasion of Sicily and desperately need a diversionary ploy to make the Germans suspect another invasion target. The solution is simple but ingenious: a dead man's body will be left in the sea to float ashore on the coast of Spain; made to look like a British pilot, he will be carrying papers suggesting an Allied attack on Greece. When the papers fall to the Nazis, they'll swallow the bogus story…or will they? The film's final third tracks an Irish spy for the Axis (Steven Boyd, in one of his first roles) as he travels to London to investigate loose ends.
Clifton Webb gives a crisp, disciplined performance as Ewen Montagu, the officer in charge of the scheme. The film errs only in some melodrama involving Gloria Grahame, the histrionic roommate of an Intelligence worker. Other than that, director Ronald Neame brings his steady, classy approach to bear on a good yarn, and saves special grace for the treatment of the unfortunate dead man who unwittingly loaned his body to a stunt that saved hundreds, if not thousands, of lives. The film's final haunting shots capture the ethereal shiver of its title. --Robert Horton
Clifton Webb stars in this fascinating account of a daring intelligence operation designed to mislead the Nazis prior to the 1943 Allied invasion of Sicily. In an effort to convince the Germans to redeploy their defenses, Lt. Commander Montagu (Webb) creates a false English officer and fabricates letters that indicate the British intend to land in Greece. Montagu than plants these documents on a dead man and orchestrates the "discovery" of this "officer" on the coast of Spain, Knowing the papers will fall into German hands. What