James Cagney

Man of a Thousand Faces

Lon Chaney earned his nickname "The Man of a Thousand Faces" with a gallery of grotesque, misshapen characters created through a combination of elaborate makeup, contorted postures, and sensitive performances. After a rich silent-movie career starring in such classics as He Who Gets Slapped, The Hunchback of Notre Dame, and The Phantom of the Opera, he died after completing his first and only sound film, a remake of his silent crime picture The Unholy Three. James Cagney plays Chaney in this glossy Hollywood biography, a reverent, melodramatic tribute that focuses on his turbulent private life and rise from vaudeville clown to hard-working Hollywood extra to movie star. Dorothy Malone costars as his unstable first wife, who flees her husband and their young son after a failed suicide attempt, Jane Greer is the loving showgirl who fills her void, and future real-life superproducer Robert Evans plays legendary MGM producer Irving Thalberg. Cagney is a short, thick pug of an actor where Chaney is tall and lean, but he oddly resembles the star in his craggy face, and his rarely tapped dancing skills are put to good use in the early vaudeville scenes and contorted recreations of twisted Chaney characters. But most importantly, Cagney brings to the role passion and compassion that burn through the indifferent direction and show-biz clichés to create a vivid, energetic portrait of the enigmatic cult star who rarely let audiences see his true face. --Sean Axmaker

Academy Award winner James Cagney gives an unforgettable performance as Lon Chaney in this fascinating true story that follows the life of one of the most iconic and mysterious stars in Hollywood history!Known as the "Man of a Thousand Faces" silent film star Lon Chaney captured the imagination of the world through his incredibly expressive and transformative roles such as Quasimodo in The Hunchback of Notre Dame and the Phantom from the original Phantom of the Opera. Behind the scenes however this long-suffering talented genius' life was filled with trials and tribulations that helped shape some of his most groundbreaking roles.The Academy Award -nominated Man of a Thousand Faces captures the dramatic private life of a humble vaudeville clown who rose to become one of the biggest stars the world has ever seen!System Requirements:Running Time: 122 minutes Format: DVD MOVIE Genre: DRAMA/SILENT Rating: NR UPC: 025195032582 Manufacturer No: 61104080

Yankee Doodle Dandy (Two-Disc Special Edition)

Musical about composer, actor, dancer, singer, George M. Cohan.
Genre: Musicals
Rating: NR
Release Date: 30-SEP-2003
Media Type: DVD

James Cagney thrills in a rare (and limber) song-and-dance performance as composer-entertainer George M. Cohan. This nostalgic biography is told in flashbacks, covering Cohan's formative years becoming Broadway's brightest star and touching upon his loves, musicals, and artistic triumphs. Director Michael Curtiz (The Adventures of Robin Hood) offers Cagney ample opportunities to invent an utterly charming performance in what is practically a one-man show. If you've never seen Cagney as a hoofer, you're in for a treat: his dancing is as dynamic as anything else he's ever done on screen. --Tom Keogh

Mister Roberts

Henry Fonda re-created his Broadway hit for this 1955 film that was mostly directed by Fonda's frequent collaborator, John Ford (Young Mr. Lincoln, My Darling Clementine)--an ailing Ford was replaced at some point by Mervyn LeRoy--and the results are exceptionally fine. A perfect cast, including James Cagney's irascible captain, William Powell's thoughtful physician, and Jack Lemmon's Oscar-winning Ensign Pulver, give Fonda the right boost to portray his ennui-burdened officer with dignity, self-effacing humor, and not a trace of self-pity. A wonderful film. --Tom Keogh

A Midsummer Night's Dream

James Cagney and Mickey Rooney romping in a Shakespearian fairyland? This could only be A Midsummer Night's Dream, Warner Bros.' 1935 attempt at classing up the proletarian studio. The legendary German stage director Max Reinhardt had produced the play at the Hollywood Bowl to enchanted, sold-out audiences, and Warners decided to hand Reinhardt the keys to the studio (along with fellow Germans William Dieterle, co-director, and Erich Wolfgang Korngold, who adapted Mendelssohn's music). Reinhardt created an eye-popping phantasmagoria, a movie laced with sparkling sequins, flying fairies, and moon-kissed forests. As for the words, Reinhardt had a collection of Warners studio players, notably James Cagney as Bottom, whose playing of "Pyramus and Thisby" with Joe E. Brown is perhaps the movie's comic high point. The other actors are decidedly varied, and they tend to be overwhelmed by the production design. Not so Mickey Rooney, whose performance as Puck is a feral, antic act of imagination (he was 14 during filming); picture a boy raised by wolves who somehow memorized Shakespeare. His Puck growls and screams and