Dance, Charles

Gosford Park

Gosford Park finds director Robert Altman in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly. Aristocrats gather together for a weekend shooting party with their dutiful servants in tow, and the upstairs/downstairs division of the classes is perfectly tailored to Altman's method (as employed in Nashville and Short Cuts) of overlapping bits of dialogue and numerous subplots in order to betray underlying motives and the sins that propel them. Greed, vengeance, snobbery, and lust stir comic unrest as the near dizzying effect of brisk script turns is allayed by perhaps Altman's strongest ensemble to date. First and foremost, Maggie Smith is marvelous as Constance, a dependent countess with a quip for every occasion; Michael Gambon, as the ill-fated host, Sir William McCordle, is one of the most palpably salacious characters ever on screen; Kristin Scott Thomas is perfectly cold yet sexy as Lady Sylvia, Sir William's wife; and Helen Mirren, Emily Watson, and Clive Owen are equally memorable as key characters from the bustling servants' quarters below. Gosford Park manages to be fabulously entertaining while exposing human shortcomings, compromises, and our endless need for confession. --Fionn Meade

The Academy Award winner for Best Original Screenplay, Gosford Park is a whodunit as only director Robert Altman could do it. As a hunting party gathers at the country estate, no one is aware that before the weekend is over, someone will be murdered - twice! The police are baffled but the all-seeing, all-hearing servants know that almost everyone had a motive. This critically-acclaimed murder mystery features a who's who of celebrated actors. With a diverse cast of characters - all with something to hide - it'll keep you guessing right to the surprising end. Gosford Park proves that murder can be such an inconvenience.

The Golden Child

Things started going downhill for Eddie Murphy around the time of this 1986 clunker, in which the comic actor plays a social worker predicted to be the savior of a kidnapped child, who has special powers to heal the Earth. Dennis Feldman's script and director Michael Ritchie (The Candidate), a once-thoughtful satirist, stumble over every link in a chain of fantasy-fueled sequences. Murphy phones it in, and Charles Dance (Pascali's Island) looks foolish in retrospect. --Tom Keogh

Fingersmith

From Sarah Waters, author of Tipping the Velvet, comes this twisting and twisted Victorian-era thriller with an L-word charge. Sally Hawkins stars as Sue, an orphan who grows up among the reprobates of Lant Street to become an accomplished "fingersmith" (thief). Elaine Cassidy costars as Maud Lilly, an heiress who, as a young girl, was plucked from the madhouse and raised by her stern, bibliophile uncle (Charles Dance). He makes her wear gloves at all times so as not to smudge the precious tomes he makes her read every night. Enter Richard Rivers (Rupert Evans, the otherwise sterling cast's weakest link), an artist hired to give her painting lessons. But he has designs on Maude's fortune, and recruits Sue for an elaborate con. That's when the gloves really come off. Originally broadcast on the BBC, this riveting three-part tale of illicit passion and betaryal is by turns harrowing and quite erotic (the tasteful sex scenes manage to generate heat without baring a lot of skin). The literate script reveals its feminist leanings ("You are a man and might do everything," Maude tells Richard during their first meeting. "I am a woman and might do nothing."). The superb cast includes Academy Award-nominee Imelda Staunton (Vera Drake) as Mrs. Sucksby, a Fagin-esque character who mentored Sue, and has a few surprises for Maud, as well. --Donald Liebenson

Based on the acclaimed novel by Sarah Waters, author of Tipping the Velvet.

The lives of two young women collide in an engrossing Victorian thriller that alternates between the twisting back alleyways of Dickensian London and the cloistered gloom of a Gothic mansion.

Raised in a den of petty thieves or "fingersmiths," plucky orphan Sue Trinder (Sally Hawkins) agrees to help a conman known as Gentleman (Rupert Evans) defraud and betray wealthy heiress Maud Lilly (Elaine Cassidy). But Sue's plans are turned upside down when she falls in love with Maud. Then the women are separated—each to her own hellish prison—just as they realize the strength of their passion for each other . . .

Fingersmith was originally broadcast on the BBC and features Oscar®-nominee and BAFTA-winner Imelda Staunton (Vera Drake) and BAFTA-nominee Charles Dance (The Jewel in the Crown).

Scoop

Scarlett Johansson and Hugh Jackman star in this hilariously twisted tale of murder and mystery! When an inquisitive college journalist (Johansson) stumbles upon new clues to a string of murders her investigation leads directly to a handsome businessman (Jackman) who draws her in with his mysterious charm. Could a whirlwind romance with the subject of her search also become the most dangerous scoop of a lifetime? Experience the laughs in this witty new comedy that will have you guessing until the very end! System Requirements:Run Time: 96 minsFormat: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 025193121325 Manufacturer No: 62031213

Light and charming, Scoop blends murder, ghosts, and falling in love. While inside of a magician's magic cabinet, aspiring journalist Sondra Pransky (Scarlett Johansson, Lost in Translation) is visiting by the ghost of a dead reporter (Ian McShane, Deadwood) who has gotten a hot tip in the afterlife: A rising young politician named Peter Lyman (Hugh Jackman, X-Men) may be the notorious serial killer who leaves tarot cards by his victims. With the magician (writer-director Woody Allen) in tow, Sondra sneaks her way into Lyman's life--and, despite increasing evidence that the tip is true, finds herself falling in love with him. Scoop is stronger than Allen's last film, the overrated Match Point; moment to moment, scene to scene, it's his most zippy and entertaining movie in years. It still suffers from laziness--Allen seems unwilling to look at the plot's holes and find a way to sew them up--and Allen's own persona, with his now-rote comic stutterings and hesitations, drags on the film's momentum. Despite this, Scoop has flashes of suspense and wit that, in an unknown filmmaker, would be cause for celebration. Also featuring Charles Dance (White Mischief) and Romola Garai (I Capture the Castle), one of the few actresses who can compete with Johansson in lusciousness. --Bret Fetzer

The Jewel in the Crown

The Jewel in the Crown, adapted from Paul Scott's Raj Quartet novels, tells the story of the final years before India gained independence in 1947. It is rare for a filmed adaptation to successfully preserve the richness and complexity of a great novel, but this epic miniseries succeeds both as personal drama and historical panorama.

In 1942 Daphne Manners, a naive young woman newly arrived in the town of Mayapore, befriends Hari Kumar, an Indian-born journalist who has spent most of his life in England. With his dark skin and educated English accent, Hari feels like an outsider wherever he goes, but Daphne understands his plight and they become romantically involved. Their developing relationship is jealously observed by local police chief Ronald Merrick, a man haunted by his own demons. When the lovers are attacked in the gardens of the ruined Bibighar palace and Daphne is raped, Merrick seizes his opportunity, pins the crime on Hari, and has the young man jailed. Distraught, Daphne flees to her aunt's home in Kashmir, where she dies giving birth to a half-caste child. The focus then shifts to Sarah Layton, a young Englishwoman who becomes fascinated by the story of Daphne and Hari, and who will have her own encounter with Ronald Merrick.

The events in the Bibighar gardens become a symbol of the violent struggle for Indian independence, and other symbols--Daphne's bicycle, a length of butterfly lace, a picture of Queen Victoria on an Indian throne--appear and reappear, linking people and events. This helps to give coherence to the plot even as it spans five years and expands to include many characters whose lives intersect in complex and unexpected ways.

With a huge cast and breathtaking location photography, The Jewel in the Crown was an enormous undertaking when it was made in the early 1980s. Twenty years later it has lost none of its power, and it remains one of the best films ever made for television. --Simon Leake

For Your Eyes Only

After a ship sunk off the coast of Albania, the world's superpowers begin a feverish search for its valuable lost cargo: the powerful ATAC system, which will give its bearer unlimited control over Polaris nuclear submarines. As Bond joins the search, he suspects the suave Kristatos (Julian Glover) of seizing the device. The competition between nations grows more deadly by the moment, but Bond finds an ally in the beautiful Melina Havelock (Caroline Bouquet), who blames Kristatos for the death of her parents. The non-stop action includes automobile chases, thrilling underwater battles, and even a breathtaking tour over razor-sharp coral reefs. But all of this is merely a prelude to 007's cliffhanging assault of a magnificent mountaintop fortress. -- Robert Lynch

James Bond is thrust into one of his most riveting adventures in this jam-packed free-for-all of outrageous stunts, passionate encounters and exciting confrontations. Roger Moore portrays Agent 007 with lethal determination in a plot that finds him racing

The Last Action Hero

Jack Slater is an action-film hero played by Arnold Schwarzenegger. An old projectionist (Robert Prosky) hands a magic movie ticket to Jack's biggest preteen fan (Austin O'Brien), and the kid steps right inside the latest Jack Slater film, becoming the actor star's sidekick in gunfights and car chases. But when Jack's nemesis (Charles Dance) gets his hands on the ticket, the fight busts out into the real world and Jack (à la Toy Story's Buzz Lightyear) refuses to believe he's a fictional character. Director John McTiernan churns some nifty scenes out of this setup, although the fiction-to-reality shuffle is not as deft as in, say, Woody Allen's The Purple Rose of Cairo, and the plot needs the kind of logic and discipline found in that classic when-worlds-collide film Back to the Future. Still, Schwarzenegger has moments of wit and smashing action, and we get a faux-movie trailer advertising an intriguing new shoot-'em-up: "Something's rotten in the State of Denmark--and Hamlet is taking out the trash!"

Agatha Christie's Marple: Series 2

Granada Television and the PBS Mystery! series' Marple episodes continue to delight with such distinctive vitality, wit, and stylishness one may never again think of tea rooms in the English countryside as "quaint" settings. Geraldine McEwan (Vanity Fair) returns as Agatha Christie's Miss Jane Marple, elderly sleuth with a keenly discerning eye and sweet smile that takes the sting out of her blunt observations of friends and murder suspects alike. As with series 1, the quartet of mysteries in series 2, set shortly after World War II, are ensemble affairs filled out by such familiar faces as Timothy Dalton, Charles Dance, Greta Scacchi, Anthony Andrews, Patricia Hodge, and Imogen Stubbs. Rather than pound out a certain visual and tonal sameness over all four stories, each 90-minute episode seems to be approached as a stand-alone affair, giving writers, directors, and production teams a lot of leeway to give each story a unique stamp.

"Sleeping Murder" stars Sophia Myles as Gwenda Halliday, a young woman haunted by flashbacks of the memory of a killing she observed as a little girl in a stately British house. Problem is, Gwenda has only recently moved to Britain for the first time in her life, after growing up in India. Dawn French, Martin Kemp, and Geraldine Chaplin also star in the tale, which involves an old troupe of actors, a jewelry theft, and a very surprising conclusion. "By the Pricking of My Thumbs" concerns the disappearance of a doddering old woman who leaves behind a strange, spooky painting of a cottage in the woods, an unnerving figure lurking in the structure's window. Miss Marple is on the trail, but she allows the lonely, alcoholic wife (Scacchi) of a government investigator (Andrews) to take the lead—a boost to the younger woman's self-esteem.

The ambitious "The Moving Finger" is the most singular episode in sries 2, a cheeky--almost subversive--vision of a rosy, picture-postcard village whose tranquility is undone by a series of hateful letters mailed to individuals in the community. Miss Marple, observing the tragic effects of these missives on relationships and reputations, is practically in the background in this story, watching closely as a nihilistic young man (James D'Arcy) comes out of his cynical, alcohol-laced haze to investigate the source of so much misery. (Bonus: director Ken Russell appears as the local, red-cheeked vicar.) Finally, "The Sittaford Mystery" finds Timothy Dalton playing a likely prospect to become prime minister, until he's stabbed to death following a séance. Set in a rundown hotel during a severe winter storm, the episode co-stars James Murray, Rita Tushingham, and comic-actor-director Mel Smith, the latter as the late, great man's touchingly loyal, right-hand man. --Tom Keogh

As seen on the PBS Mystery! series

Four all-new, full-length mysteries bring you a Miss Marple like no other. Geraldine McEwan (Vanity Fair, The Magdalene Sisters) returns as the spinster sleuth, as shrewd and sagacious as ever. Breathing new life into Agatha Christie's novels, these intricately plotted and thoroughly engaging whodunits feature the richly detailed settings, lush cinematography, and imaginative screenplays that won Series 1 overwhelming critical acclaim and an Emmy® nomination.

McEwan imbues Miss Marple with a kindly sparkle and sly wit that prove "irresistible," raves TV Guide. "Not your mother's Miss Marple," says the Associated Press. Sterling supporting casts that include Anthony Andrews, Michael Brandon, James D'Arcy, Geraldine Chaplin, Timothy Dalton, Frances de la Tour, Sophia Myles, Ken Russell, and Greta Scacchi further enrich this 21st century celebration of Agatha Christie's most beloved heroine.

Alien 3

The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine

Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161, a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Ripley's fears that an Alien was aboard her craft are confirmed when the mutilated bodies of ex-cons begin to mount. Without weapons or modern technology of any kind, Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien, a realization that may compel Ripley to try destroying not only the horrific creature but herself as well.

Swimming Pool (Unrated Version)

In terms of alluring female nudity, Swimming Pool shows a lot, but it's what remains concealed that gives this erotic thriller a potent, voyeuristic charge. With his Hitchcockian handling of secrets and lies, prolific French director François Ozon reunites with his Under the Sand star, Charlotte Rampling, to tell a seductive tale of murder and complicity, beginning when British mystery novelist Sarah Morton (Rampling) seeks peace and relaxation at her publisher's French villa, only to find his brash, sexually liberated daughter Julie (Ludivine Sagnier) arriving shortly thereafter to disrupt her solitary reverie. What begins as mutual annoyance turns into something more sinister and duplicitous, alternating between Julie's predatory sex with men and Sarah's observant, perhaps jealous fascination. These two women, generations apart, share in Ozon's delicate dance of trust, curiosity, and gradual understanding, until a twist ending that forces you to reevaluate everything you've seen. Only then will the mysteries of Swimming Pool be fully and tantalizingly revealed. (Note: The unrated version contains full-frontal nudity that's been edited from the rated version. In both versions, the overall plot is not affected.) --Jeff Shannon