Daniels, Alex

The Guardian

The Guardian offers satisfying entertainment with a no-nonsense combination of Hollywood formula and good old-fashioned star power. While honoring the men and women who serve as rescue swimmers for the U.S. Coast Guard, this predictable yet appealing drama is a well-crafted showcase for Kevin Costner and Ashton Kutcher, who bring welcome depth and dimension to their formulaic roles. It's basically Top Gun for the Coast Guard, with Costner playing a legendary rescuer haunted by recent tragedy and the impending break-up of his marriage, and Kutcher as the hot-shot recruit whose bravado is tested when Costner takes over a grueling 18-week basic training course, where a 50% attrition rate ensures that only the best will make the grade. There's nothing particularly inventive about Ron L. Brinkerhoff's screenplay, but it's intelligently written and well-directed (by The Fugitive helmer Andrew Davis) as it shows how seasoned veteran and troubled but talented trainee build mutual respect while sorting through the trauma of accidents that left each of them as sole survivors, tormented by self-doubt and guilt.

Bolstered by a strong supporting cast including Neal McDonough, John Heard, Sela Ward and Clancy Brown, The Guardian is a bit on the long side (137 minutes), but it never feels slow, and a romantic subplot (with Kutcher wooing a schoolteacher played by Melissa Sagemiller) blends nicely with thrilling ocean-rescue sequences incorporating a seamless blend of CGI and footage shot in a 750,000-gallon water tank. Music fans will welcome the scene-stealing appearance of veteran singer Bonnie Bramlett as the owner of a jazz/blues club near the training base, where The Guardian serves up yet another staple of its genre: the barroom brawl. Although Hurricane Katrina prevented The Guardian from being filmed in New Orleans in 2005, real-life footage during the closing credits makes it clear that the Coast Guard was essential in Katrina's aftermath, and this rousing drama pays overdue tribute to those who risk there lives (to quote the Coast Guard's motto) "so that others may live." --Jeff Shannon

Kevin Costner and Ashton Kutcher star in The Guardian the powerful action-packed drama that takes you inside the never-before-seen world of the elite Coast Guard Rescue Swimmers. Reeling with grief in the wake of a mission gone tragically wrong legendary Rescue Swimmer Ben Randall (Costner) is given a mission he doesn t want training raw recruits. Once there he knocks heads with cocky Jake Fischer (Kutcher) a swimming champ driven by a painful secret who s more interested in breaking Ben s records than saving lives. But Ben also sees Jake has what it takes to be the best of the best. Filled with spectacular rescues in the lethal waters of the Bering Sea The Guardian is a riveting and compelling story that dives straight into the heart and soul of real heroes the unsung guardians of the sea.Features: Audio commentary (with Andrew Davis and writer Ron L. Brinkerhoff (also optional commentary on the deleted scenes))Alternate ending(s) (with on-camera introduction by Andrew Davis)Featurette ("Unsung Heroes" tribute to the real-life U.S. Coast Guard Rescue Swimmers; "Making Waves" making-of)System Requirements:Run Time: 139 minFormat: DVD MOVIE Genre: DRAMA Rating: PG - 13 UPC: 786936705119 Manufacturer No: 5064803

Holes (Full Screen Edition)

Fans of author Louis Sachar's book Holes will be delighted with this scrupulously faithful adaptation. After being wrongly found guilty of stealing a pair of sneakers, Stanley Yelnats (Shia LaBeouf) gets sent to Camp Green Lake, a juvenile correctional facility in the bed of a long-gone dry Texas lake. There--under the watchful eye of overseer Mr. Sir (a zesty Jon Voight), sneakily mean therapist Dr. Pendanski (Tim Blake Nelson, O Brother Where Art Thou?), and the cool and cruel Warden (Sigourney Weaver)--Stanley and dozens of other delinquents are forced to dig an endless series of holes that the Warden hopes will lead her to a precious secret left behind by a long-dead female outlaw (Patricia Arquette). Sachar's book is beloved for its vivid characters and suspenseful plot; by sticking close to its source, Holes has become a dynamic, exciting, and surprisingly touching movie. --Bret Fetzer

The award-winning bestseller comes to life in this phenomenally fun, adventure-filled movie starring Emmy Award-winner Shia LaBeouf (Outstanding Performer In A Children's Series, Disney Channel's EVEN STEVENS, 2000). Dogged by bad luck stemming from an ancient family curse, young Stanley Yelnats (LaBeouf) is sent to Camp Green Lake, a very weird place that's not green and doesn't have a lake. Once there, he's thrown headlong into the adventure of his life when he and his colorful campmates -- Squid, Armpit, Zigzag, Magnet, X-Ray, and Zero -- must dig a hole a day to keep the warden at bay. But why? Through it all, Stanley and company must forge fast friendships as they try to unearth the mystery of what's really going on in the middle of nowhere. Filled with humor and heartwarming messages of friendship and teamwork, HOLES is a treasure everyone will dig.

Starman (Full Screen Edition)

While most movie buffs are likely to call Halloween the best movie from John Carpenter, others--die-hard romantics and anyone who cried while watching E.T.--might vote in favor of the director's 1984 hit Starman. It's easily Carpenter's warmest and most beguiling film, and the only one that ever earned an Oscar nomination. That honor went specifically to Best Actor nominee Jeff Bridges for his performance as an alien visitor to Earth who is knocked off course and must take an interstate road trip to rendezvous with a mothership from his home planet. To complete this journey he assumes the physical form of the dead husband of a Wisconsin widow (Karen Allen) who responds first with fear, then sympathy, and finally love. Carpenter's graceful strategy is to switch the focus of this E.T.-like film from science fiction to a gentle road-movie love story, made believable by the memorable performances of Bridges and Allen. It's a bit heavy-handed with tenacious government agents who view the Starman as an alien threat (don't they always?), but Carpenter handles the action with intelligent flair, sensitivity, and lighthearted humor. If you're not choked up during the final scene, well, you just might not be human. --Jeff Shannon

Holes (Widescreen Edition)

Fans of author Louis Sachar's book Holes will be delighted with this scrupulously faithful adaptation. After being wrongly found guilty of stealing a pair of sneakers, Stanley Yelnats (Shia LaBeouf) gets sent to Camp Green Lake, a juvenile correctional facility in the bed of a long-gone dry Texas lake. There--under the watchful eye of overseer Mr. Sir (a zesty Jon Voight), sneakily mean therapist Dr. Pendanski (Tim Blake Nelson, O Brother Where Art Thou?), and the cool and cruel Warden (Sigourney Weaver)--Stanley and dozens of other delinquents are forced to dig an endless series of holes that the Warden hopes will lead her to a precious secret left behind by a long-dead female outlaw (Patricia Arquette). Sachar's book is beloved for its vivid characters and suspenseful plot; by sticking close to its source, Holes has become a dynamic, exciting, and surprisingly touching movie. --Bret Fetzer

The award-winning bestseller comes to life in this phenomenally fun, adventure-filled movie starring Emmy Award-winner Shia LaBeouf (Outstanding Performer In A Children's Series, Disney Channel's EVEN STEVENS, 2000). Dogged by bad luck stemming from an ancient family curse, young Stanley Yelnats (LaBeouf) is sent to Camp Green Lake, a very weird place that's not green and doesn't have a lake. Once there, he's thrown headlong into the adventure of his life when he and his colorful campmates -- Squid, Armpit, Zigzag, Magnet, X-Ray, and Zero -- must dig a hole a day to keep the warden at bay. But why? Through it all, Stanley and company must forge fast friendships as they try to unearth the mystery of what's really going on in the middle of nowhere. Filled with humor and heartwarming messages of friendship and teamwork, HOLES is a treasure everyone will dig.

Cyborg

Jean-Claude Van Damme, a.k.a. "the Muscles from Brussels," had only a few movies to his credit when he played the hero in this lame postapocalyptic action flick from 1989. It's really just another martial-arts movie, dressed down with near-future trash and dirty sets that have "low budget" written all over them. Van Damme plays the protective escort for a half-human, half-cyborg woman whose programming contains a possible cure for a plague that's threatening to wipe out the entire population of Earth. But the woman is kidnapped by Van Damme's evil nemesis (is there any other kind?) while they are en route to her Atlanta headquarters. That leads Van Damme right into a lion's den of sadomasochistic torture and torment. If you've made it this far (and if you have, why?), you're probably a founding member of the Jean-Claude Van Damme fan club. To everyone else: Don't say you weren't warned--this is the kind of movie in which naming characters after electric guitars (Van Damme's character is named "Gibson Rickenbacker") qualifies as clever screenwriting. --Jeff Shannon

Martial arts wizard Jean-Claude Van Damme carves out a dazzling new domain as the future's most fearsome warrior in this adrenaline-charged sword and sci-fi thriller. Filled with non-stop action, Cyborg is a wild ride from start to finish Â- a post-apocalyptic battle against the ultimate evil. Deteriorating from social anarchy and a deadly plague, 21st Century America has descended into a seething, barbaric nightmare. Only Pearl Prophet (Dayle Haddon), a beautiful half-human/half-robot, has the knowledge necessary to develop a vaccine. But during her desperate quest to gather data and bring a cure to the world, Pearl is captured by cannibalistic Flesh Pirates who plot to keep the antidote for themselves...and rule the globe! Now, only the awesome fighting skills of saber-wielding hero Gibson Rickenbacker (Van Damme) can rescue her Â- and save what remains of civilization.

Star Kid

A diminuitive, 12-year-old boy named Spencer (Joseph Mazzello of Jurassic Park and The River Wild) has been hit with every whammy possible: he's new in town, he's motherless, his preoccupied father and bored sister have no time for him, he's speechless each time he's near a girl he likes, and the school bully would like to dance on his head. Blessed are beleaguered boys in movies, however, for sometimes high adventure awaits. In Spencer's case, things get better when he finds a seven-foot-tall, alien robot suit that becomes one with whoever climbs inside it. Locked inside the metallic visitor, our little hero is capable of super feats and naturally goes after his tormentor. He also inadvertently leaves a lot of wreckage in his path from unfamiliarity with the suit's size and controls. This family film's message, of course, is that nothing can really make one stronger than learning to face problems within one's own skin. Then again, most people don't end up having to fend off hostile extraterrestrials who come to Earth to steal the suit for their own nefarious purposes. Written and directed by Manny Coto, this charming story relies a bit on some clever, well-executed special effects (the look of the robot's face as seen from inside itself is particularly ingenious), but it is largely driven by its actors' abilities. --Tom Keogh

Star Kid [Region 2]

A diminuitive, 12-year-old boy named Spencer (Joseph Mazzello of Jurassic Park and The River Wild) has been hit with every whammy possible: he's new in town, he's motherless, his preoccupied father and bored sister have no time for him, he's speechless each time he's near a girl he likes, and the school bully would like to dance on his head. Blessed are beleaguered boys in movies, however, for sometimes high adventure awaits. In Spencer's case, things get better when he finds a seven-foot-tall, alien robot suit that becomes one with whoever climbs inside it. Locked inside the metallic visitor, our little hero is capable of super feats and naturally goes after his tormentor. He also inadvertently leaves a lot of wreckage in his path from unfamiliarity with the suit's size and controls. This family film's message, of course, is that nothing can really make one stronger than learning to face problems within one's own skin. Then again, most people don't end up having to fend off hostile extraterrestrials who come to Earth to steal the suit for their own nefarious purposes. Written and directed by Manny Coto, this charming story relies a bit on some clever, well-executed special effects (the look of the robot's face as seen from inside itself is particularly ingenious), but it is largely driven by its actors' abilities. --Tom Keogh

Cyborg [Region 2]

Jean-Claude Van Damme, a.k.a. "the Muscles from Brussels," had only a few movies to his credit when he played the hero in this lame postapocalyptic action flick from 1989. It's really just another martial-arts movie, dressed down with near-future trash and dirty sets that have "low budget" written all over them. Van Damme plays the protective escort for a half-human, half-cyborg woman whose programming contains a possible cure for a plague that's threatening to wipe out the entire population of Earth. But the woman is kidnapped by Van Damme's evil nemesis (is there any other kind?) while they are en route to her Atlanta headquarters. That leads Van Damme right into a lion's den of sadomasochistic torture and torment. If you've made it this far (and if you have, why?), you're probably a founding member of the Jean-Claude Van Damme fan club. To everyone else: Don't say you weren't warned--this is the kind of movie in which naming characters after electric guitars (Van Damme's character is named "Gibson Rickenbacker") qualifies as clever screenwriting. --Jeff Shannon

Meridian - Kiss of the Beast

Cyborg [Region 2]

Jean-Claude Van Damme, a.k.a. "the Muscles from Brussels," had only a few movies to his credit when he played the hero in this lame postapocalyptic action flick from 1989. It's really just another martial-arts movie, dressed down with near-future trash and dirty sets that have "low budget" written all over them. Van Damme plays the protective escort for a half-human, half-cyborg woman whose programming contains a possible cure for a plague that's threatening to wipe out the entire population of Earth. But the woman is kidnapped by Van Damme's evil nemesis (is there any other kind?) while they are en route to her Atlanta headquarters. That leads Van Damme right into a lion's den of sadomasochistic torture and torment. If you've made it this far (and if you have, why?), you're probably a founding member of the Jean-Claude Van Damme fan club. To everyone else: Don't say you weren't warned--this is the kind of movie in which naming characters after electric guitars (Van Damme's character is named "Gibson Rickenbacker") qualifies as clever screenwriting. --Jeff Shannon