Daniels, Jeff

Gettysburg (Widescreen Edition)

Three days in the summer of 1863, at a place called Gettysburg. Although it received a theatrical release, this four-hour depiction of the bloody Civil War battle was shot as a made-for-television film. But no taint of cheapness or shortcuts should stick to this magnificent picture (well, except maybe for those phony-looking mustaches). Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importance only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of life, death, and unexpected heroism. If the film has a problem, it's that it climaxes too early: the first long segment, detailing the struggle of a "civilian soldier," Union Colonel Joshua Lawrence Chamberlain (Jeff Daniels), to hold his ground against long odds, is an enthralling piece of moviemaking. Daniels, in a heartbreaking performance, does his best film work. Other cast members include Tom Berenger, Sam Elliott, and Martin Sheen as Robert E. Lee. Richard Jordan, in his final role, gives a powerhouse performance as Confederate general Lewis A. Armistead. Oh, and you can also try to spot Ted Turner, whose company produced the film, as a Confederate soldier. Writer-director Ronald F. Maxwell seems inspired by the gravity of the battle; long as it is, every moment of Gettysburg is informed by a nobility of purpose. --Robert Horton

Terms of Endearment

Larry McMurtry's novel becomes a somewhat lumpy film as directed by James L. Brooks (As Good As It Gets). Nevertheless, it is entirely winning, with Shirley MacLaine and Debra Winger playing a combative mother and daughter who see each other through various ups and downs in love and loss, and most especially through a terminal illness endured by Winger's character. Jack Nicholson deservedly won an Oscar for his supporting role as a free-spirited astronaut who backs away from a romance with MacLaine and then returns in the clutch. As he always does, Brooks keeps things from getting too soapy with his intense concentration on the soulful evolution of his characters. --Tom Keogh

Dumb and Dumber

Delivering exactly what its title promises, this celebration of stupidity was Jim Carrey's 1994 follow-up to Ace Ventura: Pet Detective and The Mask. The film pairs the rubber- faced wacky man with Jeff Daniels as the not-so-dynamic duo of Lloyd and Harry, dunderheads who come into the possession of a briefcase containing ransom money that is intended for Mob-connected kidnappers. Lauren Holly costars as the woman who lost the briefcase, and with whom Carrey falls in love (both in real life and as his moronic on-screen character). As Lloyd and Harry make a mad dash to return the briefcase (never aware of its contents), the bumbling buddies attract Mobsters, cops, and trouble galore. This lowbrow laugh-a-thon scores some solid hits for hilarity, but with gags involving ill-fated parakeets, buxom bimbos, and an overdose of laxatives, be prepared to put your brain--and good taste--on hold. --Jeff Shannon

The Five People You Meet in Heaven

Based on the bestseller by Mitch Albom (Tuesdays With Morrie), The Five People You Meet in Heaven takes up where It's A Wonderful Life left off. In the Capra classic, George Bailey gets a vision of life without him. In this Hallmark Hall of Fame production, Eddie (Jon Voight), an amusement park maintenance man and war veteran, ends up in Heaven after an accident takes his life. There he meets five people from his past: the Blue Man (Jeff Richards), the Captain (Michael Imperioli), Marguerite (Dagmara Dominczyk), Ruby (Ellen Burstyn), and Tala (Nicaela and Shelbie Weigel). Each shows him how he impacted their life or they his--and not always for the better. (In these flashbacks, Callahan Brebner and Steven Grayhm play the young Eddie.) The point may seem simplistic--everyone is connected--but The Five People You Meet in Heaven finds a unique and engaging way to make it. --Kathleen C. Fennessy

The Lookout

Acclaimed screenwriter Scott Frank (MINORITY REPORT) makes a mind-blowing directorial debut in THE LOOKOUT a gritty high-tension crime thriller starring Joseph Gordon-Levitt (TV's THIRD ROCK FROM THE SUN BRICK) Jeff Daniels (THE SQUID AND THE WHALE) and Isla Fisher (WEDDING CRASHERS). Chris "Slapshot" Pratt (Gordon-Levitt) whose once-bright future has been dimmed by a head injury is a night janitor at a bank. Lonely and frustrated Chris falls prey to a con man's seductive promise of romance and a better life and agrees to help rob the bank where he works. Filled with heart-pounding action edge-of-your-seat suspense and a twist you'll never see coming THE LOOKOUT will grip you and never let go...It's "a masterpiece" (Richard Roeper EBERT & ROPER).System Requirements:Running Time: 99 Mins.Format: DVD MOVIE Genre: ACTION/ADVENTURE/THRILLERS Rating: R UPC: 786936733235 Manufacturer No: 5421703

An unpredictable thriller, The Lookout stars Joseph Gordon-Levitt (Brick, Mysterious Skin) as Chris, a young man who had everything ahead of him--until a car accident killed two of his friends and left him with brain damage. Now reduced to being a janitor at a bank, Chris struggles to maintain some semblance of order in his life. When a guy he meets at a bar turns out to be an old classmate, Chris succumbs to his flattery, not suspecting that the guy's intentions are criminal. The Lookout was probably sold as Memento meets Inside Man, but its rewards are more modest than either. Though the plot is never obvious, the characters are never surprising--and in this kind of thriller, the payoff is when characters exceed what they (and the audience) believe they are. Still, the writing, acting, and directing are all solid, and from moment to moment the movie proves compelling. Jeff Daniels (The Purple Rose of Cairo) is particularly good as Chris's blind roommate, who smells a rat but can't persuade Chris to do something about it. --Bret Fetzer

Because of Winn-Dixie

Some people think "family entertainment" is an oxymoron, but even they might enjoy Because of Winn-Dixie. This straightforward story of a girl and her dog is simple without being simplistic, heartfelt without being sappy, and thoughtful without being ponderous. Opal (Annasophia Robb, Charlie and the Chocolate Factory, who manages the near-impossible feat of being cute without being cutesy) can't make any friends in the small town of Naomi until she hooks up with a dog that's running loose in a supermarket. She spontaneously names him after the store and soon the dog is leading her into unexpected places--a pet store, where she meets an awkward musician (Dave Matthews); a library, where she meets a librarian with as many stories as books (Eva Marie Saint); and into a house shrouded with underbrush, where she meets a blind old woman who sees with her heart (Cicely Tyson). This could have been sentimental glop, but director Wayne Wang (Smoke, The Joy Luck Club) and a restrained script draw honest emotions from the actors and an eerie beauty from the Florida landscape; this one of the few family movies that captures the childhood sense that everyday life can be mystical. Also starring Jeff Daniels (The Purple Rose of Cairo, Something Wild) as Opal's minister father. --Bret Fetzer

Based on the best-selling book, BECAUSE OF WINN-Dixie is the heartwarming "tail" of a young girl (Annasophia Robb) whose life is changed by a scruffy, fun-loving pooch she names Winn-Dixie. The special bond between them works magic on her reserved dad (Jeff Daniels) and the eccentric townspeople they meet during one unforgettable summer.

Gettysburg / Gods and Generals

Key battles of America's Civil War thunder across the screen in two richly scaled rigorously authentic powerfully compelling epics based on acclaimed historical novels by Michael Shaara. The tide of the war changes during three fierce days of combat at Gettysburg [Disc 1] the gripping saga of the tactics command errors and sacrifices behind the bloodiest battle ever fought on U.S. soil. Gods and Generals [Disc 2] reveals the spirited allegiances and fierce combat of earlier Civil War struggles framing its tale with the fateful clashes at Bull Run Fredericksburg and Chancellorsville. These sprawling films remind us of the people passions and heroism that fanned the flames of a country at war with itself.Format: DVD MOVIE Genre: ACTION/ADVENTURE/MILITARY & WAR UPC: 012569829411 Manufacturer No: 82941

Gods & Generals

The more you know about the Civil War, the more you'll appreciate Gods and Generals and the painstaking attention to detail that Gettysburg writer-director Ronald F. Maxwell has invested in this academically respectable 220-minute historical pageant. In adapting Jeffrey Shaara's 1996 novel (encompassing events of 1861-63, specifically the Virginian battles of Bull Run, Fredericksburg, and Chancellorsville), Maxwell sacrifices depth for scope while focusing on the devoutly religious "Stonewall" Jackson (Stephen Lang), whose Confederate campaigns endear him to Gen. Robert E. Lee (Robert Duvall, giving the film's most subtle performance). Battles are impeccably recreated using 7,500 Civil War re-enactors and sanitized PG-13 violence, their authenticity compromised by tasteful discretion and endless scenes of grandiloquent dialogue. Still, as the first part of a trilogy that ends with The Last Full Measure, this is a superbly crafted, instantly essential film for Civil War study. For all its misguided priorities, Gods and Generals is a noble effort, honoring faith and patriotism with the kind of reverence that has all but vanished from American film - but provides abundant proof that historical accuracy is no guarantee of great storytelling. --Jeff Shannon

A sweeping epic charting the early years of the Civil War and how campaigns unfolded from Manassas to the Battle of Fredericksburg, this prequel to the film Gettysburg explores the motivations of the combatants and examines the lives of those who waited at home.

Good Night, and Good Luck (Widescreen Edition)

"Good Night, And, Good Luck." takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Joe Wershba in the CBS newsroom - defy corporate and sponsorship pressures to examine the lies and scaremongering tactics perpetrated by McCarthy during his communist 'witch-hunts'. A very public feud develops when the Senator responds by accusing the anchor of being a communist. In this climate of fear and reprisal, the CBS crew carries on and their tenacity will prove historic and monumental.
Running Time: 93 min.

Format: DVD MOVIE

Without force-feeding its timely message, Good Night, and Good Luck illuminates history to enlighten our present, when the need for a free and independent press is more important than ever. In 90 breathtaking minutes of efficient and intricate storytelling, writer-director George Clooney and cowriter Grant Heslov pay honorable tribute to the journalistic integrity of legendary CBS newscaster Edward R. Murrow,

Director George Clooney

who confronted the virulent and overzealous anti-Communist witch-hunting of Wisconsin Sen. Joseph McCarthy in 1953-54, and emerged as a triumphant truth-seeker against the abuses of corporate and governmental power.

David Strathairn as Edward R. Murrow

As played by David Strathairn, Murrow is a dogged realist, keenly aware of the smear tactics that will be employed against him; Clooney provides crucial backup as Murrow's "See It Now" producer and closest confidante Fred Friendly, forming a fierce but not entirely fearless triumvirate of broadcasting bravery with CBS chief William Paley (Frank Langella), who anxiously champions Murrow's cause under constant threat of reprisals. While using crisp black-and-white cinematography (by Robert Elswit) to vividly recreate the electrifying atmosphere of the CBS newsroom and the early years of television, Clooney (son of long-time Cincinnati newsman Nick Clooney) proves his directorial skill by juggling big themes and an esteemed ensemble cast, never stooping to simplification of ethically complex material. Good Night, and Good Luck is an instant classic, destined for all the accolades it so richly deserves. --Jeff Shannon

Learn More About Edward R. Murrow and Broadcast Journalism

George Clooney's Recommended Reading

George Clooney's Recommended Movies

The Edward R. Murrow Collection

Pleasantville (New Line Platinum Series)

Fantastical writer Gary Ross (Big, Dave) makes an auspicious directorial debut with this inspired and oddly touching comedy about two '90s kids (Tobey Maguire and Reese Witherspoon) thrust into the black-and-white TV world of Pleasantville, a Leave It to Beaver-style sitcom complete with picket fences, corner malt shop, and warm chocolate chip cookies. When a somewhat unusual remote control (provided by repairman Don Knotts) transports them from the jaded real world to G-rated TV land, Maguire and Witherspoon are forced to play along as Bud and Mary Sue, the obedient children of George and Betty Parker (William H. Macy and Joan Allen). Maguire, an obsessive Pleasantville devotee, understands the need for not toppling the natural balance of things; Witherspoon, on the other hand, starts shaking the town up, most notably when she takes basketball stud Skip (Paul Walker) up to Lover's Lane for some modern-day fun and games. Soon enough, Pleasantville's teens are discovering sex along with--gasp!--rock & roll, free thinking, and soul-changing Technicolor. Filled with delightful and shrewd details about sitcom life (no toilets, no double beds, only two streets in the town), Pleasantville is a joy to watch, not only for its comedy but for the groundbreaking visual effects and astonishing production design as the town gradually transforms from crisp black and white to glorious color. Ross does tip his hand a bit about halfway through the film, obscuring the movie's basic message of the unpredictability of life with overloaded and obvious symbolism, as the black-and-white denizens of the town gang up on the "coloreds" and impose rules of conduct to keep their strait-laced town laced up. Still, the characterizations from the phenomenal cast--especially repressed housewife Allen and soda-shop owner Jeff Daniels, doing some of their best work ever--will keep you emotionally invested in the film's outcome, and waiting to see Pleasantville in all its final Technicolor glory. --Mark Englehart