Duggan, Tommy

Gorgo - Widescreen Destruction Edition

A volcanic eruption in the North Atlantic brings to the surface a 65-foot prehistoric monster. Two treasure divers capture the creature and take him to London where he is put on display in a circus. A scientist is thoughtful enough to point out that the sailors' bonanza is only an infant, and that a full-grown specimen would be over 200 feet in height. Sure enough, Gorgo's mama comes thundering ashore, reclaims her offspring and heads back to sea — but not before she trashes a generous portion of London. The special effects in GORGO, provided by Tom Howard — two-time Academy Award winner, are truly admirable. The monster is quite ferocious — except when he wiggles his ears. Released by MGM in 1961. DVD Bonus: Digitally Remastered, Behind the Scenes Short| Photo Gallery, Scene Selection, Animated Menus, Original Theatrical Trailer|,Widescreen/Letterboxed| DVD-9| Dolby Digital 5.1

The Omen (Two-Disc Collector's Edition)

The first film in classic four-part legacy of terror stars Gregory Peck as an ambassador who is talked into switching his wife's (Lee Remick) stillborn baby with an orphaned infant. When young Damien is Five the horror begins with his nanny's dramatic suicide. As the death toll escalates Damien's father realizing his son is the antichrist decides that he must kill the boy and rid the world of the evil.System Requirements:Running Time: 266 minutesFormat: DVD MOVIE Genre: HORROR Rating: R UPC: 024543244868 Manufacturer No: 2234486

After The Exorcist sparked a lengthy trend of supernatural thrillers, this 1976 horror film scored a hit with critics and audiences for mixing gothic horror and mystery into its plot about a young boy suspected of being the personification of the anti-Christ. (No doubt it's a favorite of shock-rocker Marilyn Manson.) Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast." Mysterious deaths and unexplained incidents draw the attention of a photographer (David Warner), whose investigation leads to the young boy--and also to the photographer's shocking decapitation (in a scene that has since been inducted into the horror hall of fame). At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect, and the mood of dread and potential death is masterfully maintained. It's all a bit hokey, with a lot of biblical portent and sensational fury, but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon

Omen 3: The Final Conflict

The Omen series concludes with this second sequel, starring Sam Neill as the adult Damien--a.k.a. the son of Satan--in a battle with the heavens for control of mankind. The film ends up depending more heavily on effects and spectacle than on the kind of basic horrors that made the first movie in the series so unsettling, but at least this one gives some closure to the seemingly endless saga. --Tom Keogh

Set in an eerie future, The Great Recession has arrived. As worldwide starvation and economic doom prevail, so does Damien who relentlessly continues his sinister plot to control the world.

Damien's evil power reaches out across the Atlantic when he's appointed ambassador to England. With an ominous band of satanic supporters behind him, its only his first stop on a political path he plans to culminate as President of the United States. But first, he enters upon a manic hunt for his arch-nemesis (God) an wreaks havoc all along the way.

A disturbing and shocking exploration of evil, the prophesy of Armageddon sets this film, and Earth, on fire.

Omen III: The Final Conflict

The Omen series concludes with this second sequel, starring Sam Neill as the adult Damien--a.k.a. the son of Satan--in a battle with the heavens for control of mankind. The film ends up depending more heavily on effects and spectacle than on the kind of basic horrors that made the first movie in the series so unsettling, but at least this one gives some closure to the seemingly endless saga. --Tom Keogh

The Omen

After The Exorcist sparked a lengthy trend of supernatural thrillers, this 1976 horror film scored a hit with critics and audiences for mixing gothic horror and mystery into its plot about a young boy suspected of being the personification of the anti-Christ. (No doubt it's a favorite of shock-rocker Marilyn Manson.) Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast." Mysterious deaths and unexplained incidents draw the attention of a photographer (David Warner), whose investigation leads to the young boy--and also to the photographer's shocking decapitation (in a scene that has since been inducted into the horror hall of fame). At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect, and the mood of dread and potential death is masterfully maintained. It's all a bit hokey, with a lot of biblical portent and sensational fury, but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon

The Omen (Collector's Edition Steelbook)

After The Exorcist sparked a lengthy trend of supernatural thrillers, this 1976 horror film scored a hit with critics and audiences for mixing gothic horror and mystery into its plot about a young boy suspected of being the personification of the anti-Christ. (No doubt it's a favorite of shock-rocker Marilyn Manson.) Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast." Mysterious deaths and unexplained incidents draw the attention of a photographer (David Warner), whose investigation leads to the young boy--and also to the photographer's shocking decapitation (in a scene that has since been inducted into the horror hall of fame). At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect, and the mood of dread and potential death is masterfully maintained. It's all a bit hokey, with a lot of biblical portent and sensational fury, but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon

The first film in classic, four-part legacy of terror stars Gregory Peck as an ambassador who is talked into switching his wife's (Lee Remick) stillborn baby with an orphaned infant. When young Damien is Five, the horror begins with his nanny's dramatic suicide. As the death toll escalates, Damien's father, realizing his son is the antichrist, decides that he must kill the boy and rid the world of the evil.

Holy Year (L'Année Sainte)

Gorgo

The Omen [Region 2]

After The Exorcist sparked a lengthy trend of supernatural thrillers, this 1976 horror film scored a hit with critics and audiences for mixing gothic horror and mystery into its plot about a young boy suspected of being the personification of the anti-Christ. (No doubt it's a favorite of shock-rocker Marilyn Manson.) Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast." Mysterious deaths and unexplained incidents draw the attention of a photographer (David Warner), whose investigation leads to the young boy--and also to the photographer's shocking decapitation (in a scene that has since been inducted into the horror hall of fame). At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect, and the mood of dread and potential death is masterfully maintained. It's all a bit hokey, with a lot of biblical portent and sensational fury, but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon

And the Same to You [Region 2]