The Marx Brothers Collection (A Night at The Opera/A Day at The Races/A Night in Casablanca/Room Service/At the Circus/Go West/The Big Store)
by Edmund Goulding
from Warner Home Video
When it comes to long-awaited treats like The Marx Brothers Collection, you can never get too much of a good thing. These seven comedies can't compare to the sheer lunacy of the five classics (The Cocoanuts, Animal Crackers, Monkey Business, Horse Feathers, and Duck Soup) that the Marx Bros. made for Paramount between 1929 and 1933 (available in The Marx Brothers Silver Screen Collection), but when uber-producer Irving Thalberg signed Groucho, Harpo, and Chico to an MGM contract in 1935 (by which time sibling costar Zeppo had become the team's off-screen manager), he knew just how to cure their box-office blues. As a result, A Night at the Opera and A Day at the Races were critical and commercial hits, lavishly produced according to the "Tiffany" studio's golden-age formula of glamorous set pieces and musical numbers combined with sensible plots that smoothly integrated snappy, well-written Marxian antics. Opera is the jewel of this set, with timeless scenes (the Stateroom, the Groucho-Chico contract negotiation, etc.) that rank among the greatest bits of silver-screen comedy... not to mention Groucho's flirtatious insults at Margaret Dumont's upper-crust expense.
A Day at the Races deserves near-equal acclaim ("Get-a your tootsie-fruitsie ice cream!"), but Thalberg's death in 1937 dealt a devastating blow, and the Marxes suffered from studio indifference, resulting in a succession of comedies that are timelessly enjoyable even as they fall prey to diminishing returns. By the time they made Go West and The Big Store, the Marxes were out of their element, and a few of the musical interludes indulge racial stereotypes that were common in the studio era. Despite this, these movies remain fresh and frantic, and Warner Bros. (holder of the RKO and MGM libraries) has done a marvelous job of packaging The Marx Brothers Collection to nostalgically approximate the filmgoing experience of the 1930s and '40s, with vintage shorts (Our Gang, Robert Benchley comedies, MGM cartoons, etc.) from the time of each feature's original release. Archival materials are slim but worthwhile (especially Groucho's 1961 interview with TV talk-show host Hy Gardner), and while Glenn Mitchell's commentary on Races is sparse and superficial, Leonard Maltin brings his usual superfan's enthusiasm and encyclopedic knowledge to bear on a full-length Opera commentary track. The new documentaries are somewhat redundant, but essential viewing for Marx Bros. neophytes. With all seven films presented in pristine condition, this is definitely a Marx Brothers Collection worth having. --Jeff Shannon
This set includes seven of only thirteen Marx Brothers films ever made! Collection includes: "A Night at the Opera" (1935) - The Marx Brothers turn Mrs. Claypool's opera into chaos in their efforts to help two young hopefuls get a break. It contains the famous scene where Groucho, Chico and Harpo cram a ship's stateroom with wall-to-wall people, gags, one-liners, musical riffs and two hard-boiled eggs. "A Day at the Races" (1937) - Groucho stars as Hugo Z. Hackenbush, a horse veterinarian dispensing horse pills and quips with equal glee. Chico selling racing tips, Harpo destroying a piano to turn it into a harp and favorite foil actress Margaret Dumont make this thoroughbred comedy wall-to-wall hilarity. "A Night in Casablanca" (1946) - This parody of the Bogart/Bergman 1943 classic features the Nazis vs. the "nutsies" as the Marx Brothers foil Axis criminals when they find stolen jewels and paintings Nazis have hidden in a hotel. "Room Service"/"At the Circus" - These two films are combined on one disc to provide double doses of laughter. In "Room Service" (1938), Lucille Ball and Ann Miller provide comic co-star support while the Marx Brothers play producers trying to keep their show above water and a hotel room over their head. In "At the Circus" (1939) Groucho stars as professional shyster lawyer J. Cheever Loophole in the middle of big-top bedlam as the boys try to save the circus and look to Margaret Dumont for the money to do so. Groucho sings one of his famous songs, "Lydia the Tattooed Lady." "Go West"/"The Big Store" - Another Marx Brothers twin bill makes this a hilarious comedy "two-fer." In the first, the Marxmen "Go West" (1940) to the land of outlaws and Indians where the fun never stops and where they outwit a land grabber. In "The Big Store" (1941), Groucho plays Attorney Wolf J. Flywheel who with sidekick Wacky (Harpo) and bodyguard Ravelli (Chico) are investigating the shady dealings of a crooked department store owner. Bonus extras include commentary by Leonard Maltin.
The Marx Brothers Silver Screen Collection (The Cocoanuts / Animal Crackers / Monkey Business / Horse Feathers / Duck Soup)
by Victor Heerman
from Universal Studios
There will be a debate of which 2004 DVD collection of Marx Brothers films was better. This Universal release of the better known Paramount-produced films are the only ones starring all four brothers: Groucho, Chico, Harpo, and Zeppo. The Warner collection contains less-vital films, but is loaded with extras and commentaries. The Universal collection contains only 20 minutes of interviews from NBC's Today Show--interesting but short--with Harpo, Groucho, and Harpo's son Bill from the '60s and '70s. All of the films in this collection were released on DVD by Image Entertainment in 2000 and the prints look the same, which isn't necessarily bad; one just wishes a major restoration had been undertaken.
The films--packaged handsomely with a booklet--are essential Marx Brothers, their first five films made from 1929 to 1933. The least timeless is their first, The Cocoanuts, based on their Broadway hit. The film--one of the first full talkies--takes place in a hotel with owner Groucho out to grab every dollar. Animal Crackers is the brothers' first classic, a lickety-split comedy about an art theft being investigated by Groucho's alter-image, Captain Spaulding. For introducing youngsters to the work of Marx, Monkey Business is the best way. The shenanigans start right at the start as the brothers stowaway on a luxury liner. It's their first film that wasn't based on a play, as they endeavored to find new material. Horse Feathers gave them more fertile ground plus a sure-fire Hollywood director at the helm (Norman McLeoad). Their fantasia of college life includes the riotous football-game finale. Music, always a key part of their plays and films is given more weight here and includes Groucho's theme, "I'm Against It." Music is again key as the musicals of the era are spoofed in the brothers' undisputed masterpiece, Duck Soup. From a land called Fredonia, Groucho plays a slapdash ruler who rewrites the rules of governing, leading to a most memorable war with Sylvania (so war gets lampooned. too). Duck Soup also boasts the most famous Marx brothers sketch: Groucho trying to fool his mirror. --Doug Thomas
Celebrate the 75th anniversary of the greatest comedy act in history with The Marx Brothers Silver Screen Collection. This essential DVD set features the legendary four Marx Brothers in five of their most acclaimed and best loved films - Duck Soup, Horse Feathers, Monkey Business, Animal Crackers and The Cocoanuts - the only five movies ever made with all four brothers together: Groucho, Chico, Harpo and Zeppo!
What a Way to Go!
by J. Lee Thompson
from 20th Century Fox
People who cherish the post-Terms of Endearment, post-reincarnation phase of Shirley MacLaine's career might be surprised to discover just how sexy and kooky she was in a past life--that is, the first few years of her movie career. After the triumphs of Some Came Running and The Apartment, MacLaine had a run of starring roles, including this elaborate comedy vehicle. What a Way to Go! cast MacLaine as an unlucky bride whose husbands meet early deaths, leaving her wealthy but unhappy. Gimmick casting of the hubbies adds a bit of dash: Dick Van Dyke as a simple country storekeeper, Gene Kelly as a two-bit entertainer, bearded Paul Newman as a Brandoesque, bohemian painter in Paris. In the movie's best turn, Robert Mitchum gets to play a Howard Hughes character, and Dean Martin and Robert Cummings are around for the ride.
A flabbergasting parade of Edith Head outfits keeps MacLaine hopping, and each segment has a Hollywood fantasy based on MacLaine's vision of her passing marriages (silent comedy, sexed-up foreign flick, splashy musical). Typical of a certain kind of super-production of the era, the film is impressive rather than entertaining, busy rather than funny. Perhaps hiring J. Lee Thompson, who directed The Guns of Navarone, was not the best idea for this Comden-Green script. It snuck in as one of the top ten box-office grossers of 1964, and it has one great surrealist sequence where Gene Kelly orders his house and grounds to be painted entirely pink. --Robert Horton
The Best of Abbott & Costello, Vol. 2 (Hit the Ice / In Society / Here Come the Co-Eds / The Naughty Nineties / Little Giant / The Time of Their Lives / Buck Privates Come Home / The Wistful Widow of Wagon Gap)
by William A. Seiter
from Universal Studios
By popular demand, the legendary Bud Abbott and Lou Costello are back in eight brand-new-to-DVD comedy classics! Still one of the greatest comedy teams in the history of show business, their films continue to generate new legions of fans around the world.
Now some of their greatest gags and most stellar skits, including the complete version of their signature routine "Who's on First?", are available in this side-splitting collection. It's the boys at their very best and illustrates why Bud and Lou rightly deserve their place among the brightest stars of the silver screen!
Hit the Ice (1943)
Bud and Lou hit the slopes at the Sun Valley Resort after getting mixed up with gangsters.
In Society (1944)
The boys find themselves in hot water after a plumbing job goes wrong at a high society bash.
Here Come the Co-Eds (1945)
Bud and Lou head to campus and attempt to save Bixby College from closing down.
The Naughty Nineties (1945)
Set aboard the River Queen showboat, Bud and Lou perform their legendary "Who's on First?" routine.
Little Giant (1946)
Lou plays a little man with big dreams...and ends up selling vacuum cleaners!
The Time of Their Lives (1946)
Mistaken as a traitor, Lou's ghost is trapped in Danbury Mansion until his innocence is proven.
Buck Privates Come Home (1947)
Bud and Lou return to civilian life and get involved in midget car racing in the sequel to Buck Privates!
The Wistful Widow of Wagon Gap (1947)
Accused of murder, Lou is forced to take care of a widow and her children on a farm.
A Night at the Opera
by Edmund Goulding
from Warner Home Video
Absolutely one of the most hilarious movies ever made, this classic farce featuring the outrageous genius of the Marx Brothers is a chance to see some of their best bits woven together seamlessly in a story of high society, matchmaking, and chaos. In order to bring two young lovers together, brothers Groucho, Chico, and Harpo must sabotage an opera performance even as they try to pass themselves off as stuffed shirts. Featuring the classic sequence where Groucho piles as many people as possible into a ship's stateroom, A Night at the Opera is a deliciously zany romp worth watching again and again. --Robert Lane
A near riot on a ship, a New York scandal and an evening of insanity in a concert hall are just some of the fall out from Groucho's outrageous business schemes to bring Milan's finest opera stars to Manhattan. Year: 1935 Director: Sam Wood Starring: Groucho Marx, Chico Marx, Harpo Marx, Kitty Carlisle, Allan Jones
A Day at the Races
by Sam Wood
from Warner Home Video
A Day at the Races is the Marx Brothers at their commercial and popular peak, working with a top Hollywood director (Sam Wood of The Pride of the Yankees), supported with a healthy screen budget paying for such extras as a blue-tinted ballet sequence, love songs from crooner Allan Jones, and decorative sets. But the brothers are also at the top of their game in terms of their own comic material and timing. The story finds Groucho, Chico, and Harpo helping out at a sanatorium, where their longtime foil in the movies, Margaret Dumont, is the leading patient. The film has some of the trio's funniest and most memorable bits and a dazzling horserace at the climax. Not quite as good as its predecessor, A Night at the Opera, this is still a highlight in the Marxian filmography. --Tom Keogh
Doctor Hugo Hackenbush, Tony, and Stuffy try and save Judy's farm by winning a big race with her horse. There are a few problems. Hackenbush runs a high priced clinic for the wealthy who don't know he has his degree in Veterinary Medicine.
The Unknown Marx Brothers
by David Leaf
from Winstar
Originally broadcast on PBS in 1993 and narrated by Leslie Nielsen, this comprehensive documentary charts the career of the Marx Brothers--Groucho, Harpo, Chico, and sometimes Zeppo--from their beginnings on the vaudeville circuit to their final appearances on popular TV programs and commercials of the 1950s and early '60s. Featuring interviews with many surviving family members, friends, and close associates, the film covers the brothers' early stage careers in great detail, including the origins of their stage names and rare film footage of a sketch from one of their most popular comedy plays. Also fascinating is a long-lost film clip of Harpo in a silent film from 1925--four years before the Marx Brothers made their screen debut in Cocoanuts. The Marx Brothers' film career is not the central focus here. Rather, the film shows us the brothers offscreen (through rare home movies and newsreels) and especially after their retirement from movies. Revealing and affectionate toward its subjects, this is a must-see for any Marx Brothers fan. The DVD includes several hilarious outtakes from Groucho's quiz-show career as host of You Bet Your Life, and a "Zoom-links" feature that offers additional film clips at given points throughout the documentary. --Jeff Shannon
The Marx Brothers in a Nutshell
by Richard Patterson
From Robert Weide, the filmmaker of "W.C. Fields Straight Up", comes THE MARX BROTHERS IN A NUTSHELL, a fascinating look at the most beloved comedy team in motion picture history. Exclusive interviews with those closest to the brothers supplement this collection of highlights from their film, theater, and television appearances and offer a compelling look at their lives both on and off-screen. The generous use of rare and unreleased film and TV clips provides new insights for even the well-versed Marx Brothers fax. This definitive documentary begins its study with the Marx family vaudeville act and follows through to their final television work; including clips from Groucho's popular TV show "You Bet Your Life." Fellow comedians and collaborators including Woody Allen, Dick Cavett, George Fennemann, Robert Klein, and David Steinberg examine the hard work and perfectionism that put these comic masters at the top of their game. Using rarely-seen footage derived from their original Broadway hit "I'll Say She Is", and highlights from their best film, home movies and newsreels, this film enlightens as it entertains. A tribute to Hollywood's funniest brothers, THE MARX BROTHERS IN A NUTSHELL is an invaluable resource for anyone interested in these remarkable forerunners of modern screen comedy.
+++



