Durning, Charles

O Brother, Where Art Thou?

Ulysses Everett McGill (George Clooney) escapes the chain gang with two fellow convicts the simple and somewhat slow Delmar (Tim Blake Nelson) and ill-tempered Pete (John Turturro) to pursue the promise of hidden loot stashed in his house that is about to be swept away in a flood. On the way the trio experience a journey filled with hilarious adventure and cast of strange characters starting with a blind prophet who warns them that "the treasure you seek shall not be the treasure you find."System Requirements:Starring: George Clooney John Turturro Michael Badalucco Charles Durning John Goodman Holly Hunter and Tim Blake Nelson. Directed By: Joel Coen. Running Time: 103 Min. Color. This film is presented in "Standard" format. Copyright 2000 Buena Vista Home Video.Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 786936144758 Manufacturer No: 02165400

Only Joel and Ethan Coen, the fraternal director and producer team behind art-house hits such as The Big Lebowski and Fargo and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip Kemp

The Sting

Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who previously delighted audiences with Butch Cassidy and the Sundance Kid. Set in 1936, the movie's about a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyonesque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavorful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the '30s that hasn't lost any of its popular charm. --Jeff Shannon

Tootsie - 25th Anniversary Edition

Michael Dorsey is a talented actor but his demanding nature and stubborn temperament have antagonized every producer in New York. Now his agent insists no one will hire him. But Michael needs money - eight thousand dollars to be exact - and to earn it he's willing to play the role of a lifetime. Dustin Hoffman stars with Jessica Lange Teri Garr Dabney Coleman Charles Durning Bill Murray andGeena Davis in director Sydney Pollack's heart-filled classic that heralded a new era of Hollywood wig-flipping and set a new standard for unpredictable laugh-out-loud comedy.Format: DVD MOVIE Genre: COMEDY/ROMANTIC COMEDY UPC: 043396191716 Manufacturer No: 19171

One of the touchstone movies of the 1980s, Tootsie stars Dustin Hoffman as an out-of-work actor who disguises himself as a dowdy, middle-aged woman to get a part on a hit soap opera. The scheme works, but while he/she keeps up the charade, Hoffman's character comes to see life through the eyes of the opposite sex. The script by Larry Gelbart (with Murray Schisgal) is a winner, and director Sydney Pollack brings taut proficiency to the comedy and sensitivity to the relationship nuances that emerge from Hoffman's drag act. Great supporting work from Teri Garr, Dabney Coleman, Charles Durning, Bill Murray, and pre-stardom Geena Davis. But the film finally belongs to Hoffman, who seems to connect with the character at a very deep and abiding level. --Tom Keogh

The Muppet Movie - Kermit's 50th Anniversary Edition

This simply irresistible first feature from the Muppets has Kermit the frog going from the swamps to Hollywood to be a star. As he travels and picks up his usual friends (Miss Piggy, Fozzie the Bear), Doc Hopper (Charles Durning) is in pursuit, looking for Kermit to be the spokesman for his frog-leg cuisine. A loose rendition of The Wizard of Oz, the film incorporates the same cagey humor as their breakout syndicated TV series The Muppet Show. This is one of the few times that a human cast (notably Steve Martin, Orson Welles, and Carol Kane) are integrated seamlessly with nonhumans. Worth noting is Paul Williams's score, which includes the Oscar-nominated "The Rainbow Connection." Williams's music, much like Howard Ashman's work on The Little Mermaid and other Disney films, provides more than atmosphere; there's a degree of magic here. Williams did not work on the future Muppet films until A Muppet Christmas Carol. His contributions made these films the best of the Muppet series. --Doug Thomas

Jim Henson vaulted Kermit, the famous floppy-armed frog, and his Muppet pals to the big screen with this charming 1979 musical adventure. Like the TV show that inspired it, Henson and director James Frawley playfully acknowledge movie clichés and conventions and allow the characters to address the camera in asides, like a Hope and Crosby road film for the 1980s. The ambitious singing frog decides to leave his swamp and conquer Hollywood, gathering a group of friends along the way (Fozzie Bear, Miss Piggy, Gonzo, and more) and bumping into oodles of guest stars making tongue-in-cheek cameos (my favorite is the tip-of-the-hat appearance by Edgar Bergen and Charlie McCarthy). Meanwhile, despicable fast-food king Charles Durning pursues Kermit, hoping to make him the spokesfrog for his Frogs-Legs restaurant franchise. Austin Pendleton costars as Durning's sad sack henchman while guest stars include James Coburn, Dom DeLuise, Madeleine Kahn, Steve Martin, Milton Berle, Bob Hope, Carol Kane, Cloris Leachman, Mel Brooks, Richard Pryor, Telly Savalas, Elliot Gould, Orson Welles, and Big Bird. Paul Williams penned the bouncy, song-filled score. You'll believe a frog can sing! --Sean Axmaker

They're irreverent, irrepressible, and downright irresistible. They're the Muppets! -- starring in their first full-length movie. See how their meteoric rise to fame and fortune began: with a rainbow, a song . . . and a Frog. After a fateful meeting with a big-time talent agent, Kermit the Frog heads for Hollywood dreaming of showbiz. Along the way, Fozzie Bear, the Great Gonzo, and the dazzling Miss Piggy join him in hopes of becoming film stars too. But all bets are off when Kermit falls into the clutches of Doc Hopper (Charles Durning), a fast-food mogul seeking to promote his French-fried frog-leg franchise! Featuring Oscar(R)-nominated music (1980, Best Original Song "The Rainbow Connection," Best Original Score) and side-splitting appearances by some of the biggest names on the silver screen -- including Steve Martin, Mel Brooks, Orson Welles, and more! --this fully restored and remastered 50th Anniversary Edition of THE MUPPET MOVIE is a critically acclaimed comedy classic your family will treasure for all time. (c) The Muppets Holding Company, LLC and BVHE. MUPPETS characters and elements are trademarks of The Muppets Holding Company. All Rights Reserved.

The Final Countdown (Widescreen Edition)

With a tantalizing "what-if?" scenario and a respectable cast of Hollywood veterans, The Final Countdown plays like a grand-scale episode of The Twilight Zone. It's really no more than that, and time-travel movies have grown far more sophisticated since this popular 1980 release, but there's still some life remaining in the movie's basic premise: What if a modern-era Navy aircraft carrier--in this case the real-life nuclear-powered U.S.S. Nimitz--was caught in an anomalous storm and thrust 40 years backwards in time to the eve of Japan's attack on Pearl Harbor? Will the ship's commander (Kirk Douglas) interfere with history? Will the visiting systems analyst (Martin Sheen) convince him not to? Will a rescued senator from 1941 (Charles Durning) play an unexpected role in the future of American politics? Veteran TV director Don Taylor doesn't do much with the ideas posed by this potentially intriguing plot; he seems more interested in satisfying aviation buffs with loving footage of F-14 "Jolly Roger" fighter jets, made possible by the Navy's generous cooperation. That makes The Final Countdown a better Navy film than a full-fledged time-travel fantasy, but there's a nice little twist at the end, and the plot holes are easy to ignore. James Cameron would've done it better, but this popcorn thriller makes an enjoyable double-bill with The Philadelphia Experiment. --Jeff Shannon

The Best Little Whorehouse in Texas

This is an energetic, but ultimately mediocre adaptation of the play, directed on Broadway by Tommy Tune. Burt Reynolds is the town sheriff and a regular patron of a local bordello. He wages a public battle to keep it open after it is targeted as the devil's den by a television minister. Charles Durning was nominated for a Oscar for Best Supporting Actor, and there are some lively song and dance numbers featuring Dolly Parton as the madame of the Chicken Ranch. However, this becomes bogged down in too many serious moments for it to be more than a lightweight musical comedy. --Rochelle O'Gorman

Dick Tracy

Mystery, adventure, and romance in the life of comic strip detective Dick Tracy.
Genre: Feature Film-Action/Adventure
Rating: PG
Release Date: 5-JUL-2005
Media Type: DVD

A flawed but stylish adaptation of the Chester Gould comic strip by director Warren Beatty, who also stars in the title role. The minimalist plot involves a battalion of baddies who confront the intrepid detective in a series of strung-together vignettes. Al Pacino is a comedic if overblown standout as Big Boy Caprice, and Madonna simply smolders as aggressive blonde bombshell Breathless Mahoney. It matters not that the plot is Spartan, as this dazzling eye candy is much enhanced by Stephen Sondheim's songs, including the Academy Award-winning ditty, "Sooner or Later (I Always Get My Man)." Beatty took his cue from the source material and concentrated on the relationships between these people, whether strained, romantic, or hateful. The performances are subtle and more amusing than you would expect from such a visually bold picture. Shot in bright, primary colors, this also won Oscars for Best Art/Set Direction and Makeup (for those inventively hideous criminals). Watch for well-known names, such as Dustin Hoffman and Dick Van Dyke, in cameo appearances and supporting roles. --Rochelle O'Gorman

A Boyfriend for Christmas

No Description Available.
Genre: Television
Rating: NR
Release Date: 8-NOV-2005
Media Type: DVD

One Fine Day

No Description Available.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 9-JAN-2007
Media Type: DVD

This gentle comedy almost seems like something out of Hollywood's Golden Age, a movie that might have been made by a talented contract director, perhaps featuring Don Ameche and Claudette Colbert. But in fact it stars George Clooney as an investigative columnist for a New York newspaper and Michelle Pfeiffer as an architect. Both single parents, the two meet and bicker and develop a relationship over the course of a day while their young children play together. Michael Hoffman (Restoration) directs with a good sense of what's funny about harried caretakers and kids who do whatever they want to do. The story stretches out of shape a bit when Clooney's character has to rally to prove some point of corruption at City Hall; nobody involved seems quite up to making that subplot believable, but all that really matters about this very nice movie is the winning love story. --Tom Keogh

The Hudsucker Proxy

The Coen brothers (Raising Arizona, Fargo) have become the most consistently original filmmakers in the land. In a salute/reworking of the fast-talking comedies of the '40s, we follow Norville Barnes (Tim Robbins) and his amazing rise to the top. But he's only a puppet for the evil Sidney J. Mussburger (Paul Newman), who wants the company for himself. The Coens' design is the real star, and their first big-budget film will stimulate movie fans. The story weakens in the middle, but you will find very few films that move with this much imagination. As a Kate Hepburn hybrid, Jennifer Jason Leigh is wonderful in an almost unplayable role. The less you know about the film, the better it plays, so just think of it as How to Succeed in Business Without Really Trying mixed with Brazil and every journalistic drama made before 1960. Cowritten by Sam Raimi. --Doug Thomas