Duse, Vittorio

The Godfather, Part III (Widescreen Edition)

Continuation of Mario Puzo's story of the succession of power within the criminal Corleone family, with Michael Corleone now looking for a successor.
Genre: Feature Film-Drama
Rating: R
Release Date: 8-AUG-2006
Media Type: DVD

Sixteen years after Francis Ford Coppola won his second Oscar for The Godfather II (his first was for the 1972 Godfather), the director and star Al Pacino attempted to revive the concept one more time. Despite an elaborate plot that involves Michael Corleone seeking redemption through the Vatican while simultaneously preparing his nephew (Andy Garcia) to take over the Corleone family, the film fails to take shape as a truly meaningful experience in the way the preceding movies do. Still, Pacino is very moving as an elder Michael, filled with regret and trying hard to make amends with his wife (Diane Keaton) and grown children (one of whom is played, and not all that well, by the director's daughter, Sofia Coppola). --Tom Keogh

When in Rome

Riding on the success of Mary-Kate and Ashley's popular formula from previous films showcasing London and Paris, this one takes them to Rome as sophisticated working girls. The Olsen twins play fictional sisters Charli and Leila, summer interns at a global fashion and entertainment company. They join four other international students ostensibly to gain business experience, though the job seems more of a cover for their perennial pursuits of shopping, sightseeing, and sizzling romance. They encounter workplace challenges, including a tyrannical boss and derisive coworker, which serve as a backdrop for numerous costume changes for our fashion-forward stars. In the end, teamwork prevails as the interns devise a clever scheme to expose a company criminal. Kudos to the film for depicting Charli and Leila's characters as strong and self-assured young women (too bad they come across excessively materialistic). Despite the seemingly endless self-promotion of Mary-Kate and Ashley, this G-rated film is all in good fun, though there is certainly more fizz than flavor. (Ages 4 to 10) --Lynn Gibson

Teenage sisters Charli and Lola are on the verge of an experience beyond their wildest dreams! Pack your bags and jet off to Rome as the girls start their summer internship working for the legendary Derek Hanson - the totally cool international tycoon whose empire reaches from airlines to cutting-edge fashion. Amid the fabulous sights of this exciting city, the girls do their best to impress their boss, while still finding time to design their own line of very hip clothing, meet some very cute guys and turn their summer abroad into one awesome adventure they - and you - will never forget!

Ossessione

Ossessione isn't just the finest film version of The Postman Always Rings Twice, James M. Cain's classic tale of murder, betrayal, and erotic obsession; it's also the first masterpiece of Italian neorealism and a key historical precursor of film noir. A handsome drifter (Massimo Girotti) fetches up at an isolated roadhouse, gets mutually besotted with the proprietor's sultry wife (Clara Calamai), and has soon carried out a plot to murder the older man in an apparent off-road accident. That's only the beginning, of course. In his directorial debut, Luchino Visconti weaves a sensuous, tragic spell, born equally of the stark, sun-struck settings--especially those utterly realistic yet somehow otherworldly highways, elevated above the surrounding marshland--and a dynamic camera style that lifts the storytelling to operatic heights. Yet another layer of erotic complication is added by the presence of "La Spagnolo" (Elio Marcuzzo), a philosopher-king of vagabonds who--like the director--is at least as infatuated with Girotti's studly beauty as the heroine is. --Richard T. Jameson

Passion turns deadly in this controversial neo-realist classic from acclaimed director Luchino Visconti (Death in Venice), adapted from James M. Cain's "The Postman Always Rings Twice." Beautiful hotel owner Giovanna ("Deep Red's" Clara Calamai) is hopelessly drawn to Gino ("Last Tango in Paris'" Massimo Girotti), a handsome drifter. They decide to kill off her spouse and collect his hefty insurance premium, but soon the lovers are trapped in a spiral of deception, jealousy, and fate. Banned and censored for years, "Ossessione" profoundly affected generations of audiences after causing a stormy religious and political scandal in Italy, and is now available in its original, uncensored director's cut.

Mad Dog Killer (aka Beast With A Gun)

Deranged murderer Nanni Vitali (a completely unhinged performance by Helmut Berger of SALON KITTY and THE DAMNED) and three violent thugs escape from prison and begin a psychotic spree of robbery rape and revenge. But when Vitali brutalizes a beautiful young woman (the luscious Marisa Mell of DANGER: DIABOLIK and PERVERSION STORY) he lights the fuse on a deadly trap set by an obsessed cop (Richard Harrison). In this bloody urban jungle life is cheap vengeance is law and the ultimate maniac is a MAD DOG KILLER.Also known as BEAST WITH A GUN and FEROCIOUS this rarely seen sickie was the final film directed by the notorious Sergio Grieco (THE SINFUL NUNS OF SAINT VALENTINE) and is packed full of vicious sex relentless violence and more gloriously sleazy delights.Format: DVD MOVIE Genre: ACTION/ADVENTURE/CRIME UPC: 827058113199 Manufacturer No: 1131

Beast With A Gun

The Godfather: Part III [Region 2]

The Godfather: Part III [Region 2]

Enchanted April

This lovely, 1991 adaptation of Elizabeth Von Arnim's novel has a superb cast and a tone so mellow you can feel your pulse get slower. Josie Lawrence and Miranda Richardson play a pair of unhappily married women who rent an Italian villa for a month, sharing the rent with a crusty Englishwoman (Joan Plowright) and a lonely aristocrat (Polly Walker). Sun, rest, sinking into the green grass for long naps--they all have a soulful effect on the quartet, and then on the men in their lives who make a surprise visit. Mike Newell (Into the West) directs with seeming effortlessness, and it is impossible not to be swayed by the promise of restoration for these burdened characters--or for anyone alive. Wonderful performances all around, including a particularly sensitive one by Alfred Molina and a very funny one by Jim Broadbent. --Tom Keogh