Duvall, Wayne

O Brother, Where Art Thou?

Three convicts escape the chain gang to find a stolen treasure, but end up having a series of strange adventures.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 2-SEP-2003
Media Type: DVD

Only Joel and Ethan Coen, the fraternal director and producer team behind art-house hits such as The Big Lebowski and Fargo and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip Kemp

In the Valley of Elah

Mike Deerfield returns to the U.S. after his tour of duty in Iraq and abruptly goes missing. His father Hank a spit-and-polish ex-MP from the Vietnam era goes looking for him. What he finds goes to the heart of American combat experiences in the Iraqi conflict. Academy Award?-winning* Crash filmmaker Paul Haggis teams with Oscar?- winning* actors Tommy Lee Jones Charlize Theron and Susan Sarandon in a probing powerful fact-based look at fathers and sons?and at a nation and the young soldiers it sends into battle. Jones plays Hank whose quest lays bare a tangled web of cover-up murder mystery and profound revelation about the personal costs of war.Format: DVD MOVIE Genre: DRAMA/MILITARY & WAR UPC: 085391176275 Manufacturer No: 117627

In career Army officer Hank Deerfield's worldview, the American military exists to bring order to the world, and honor and dignity to every one of its soldiers. As played by Tommy Lee Jones, in a layered performance that will haunt the viewer long after the film is over, Deerfield wears the Army life like he does his standard-issue white T-shirts--unconsciously making a cheap motel bed with crisp inspection-ready corners. Yet if war is hell, the purgatory for the relatives of damaged soldiers can cause far more anguish, and Paul Haggis' quietly devastating In the Valley of Elah tells this story through Deerfield, who is desperately trying to piece together the fate of his adored son Mike, a soldier in Iraq.

Mike's company has returned from duty, but he is missing; Hank flies from Tennessee to Fort Rudd in the Southwest, to conduct his own investigation into the disappearance. There he meets a smart but put-upon police officer (Charlize Theron, glammed-down but still showing a bit too much sexy collarbone for a cop) who also smells something off in the Army's official story of the disappearance. The two form an unlikely team, but as a friend tells Deerfield early on, "You gotta trust somebody sometime, Hank," and Mike's vanishing is Hank's tipping point.

As Hank pieces together the horrifying story of Mike's fate, the incremental pain becomes etched in Jones' ragged features, and the camera captures all of it--far more powerfully than could a million words of reportage from the front lines. Theron's performance is also strong, and Susan Sarandon is moving if underutilized as Hank's grief-stricken wife, robbed of the simple nuclear family life she so wanted. "They shouldn't send heroes to places like Iraq," says one of Mike's buddies late in the film, and it's the viewers' collective sorrow--and the film's great achievement--to feel that at the deepest human level. --A.T. Hurley

Evolution

Based on the evidence in Evolution, one thing is perfectly clear: special effects have evolved, but director Ivan Reitman has reverted to primitive pandering. Equally obvious is the fact that Evolution is a de facto rip-off of Reitman's 1984 classic Ghostbusters, but this time there's no Bill Murray to deliver the best punch lines (we have to settle for fellow ghostbuster Dan Aykroyd in a broad supporting role), and the comedy has devolved into a grossfest including deep-rectal extraction of alien insects, fire-hose enemas into a giant alien sphincter, and a full-moon display of David Duchovny's naked posterior. Whereas Ghostbusters was a shrewd, irreverent mainstream comedy that combined gooey spectral ectoplasm with something resembling genuine wit, Evolution is a crude, juvenile romp in which all things slimy are elevated to comedic supremacy.

Granted, that's not always a bad thing. As latter-day ghostbuster equivalents, Duchovny, Orlando Jones, and Seann William Scott make a fine comedic trio, and Julianne Moore is equally amusing as a clumsy scientist and Duchovny's obligatory love interest. Despite the meddling of clueless military buffoons, they join forces to eradicate a wild variety of rapidly evolving alien creatures that arrived on Earth via meteor impact, and the extraterrestrial beasties (courtesy of effects wizard Phil Tippet and crew) are outrageously designed and marvelously convincing. For anyone who prefers lowbrow humor, Evolution will prove as entertaining as Ghostbusters (or at least Galaxy Quest), while others may lament Reitman's shameless embrace of crudeness. One thing's for certain: after seeing this movie, you'll gain a whole new appreciation for Head & Shoulders shampoo. --Jeff Shannon

Their Eyes Were Watching God

Produced by Oprah Winfrey, this lush, yet earthy telefilm was adapted from the 1937 novel by Zora Neale Hurston. Set in rural Florida, the story begins several years after emancipation. Janie (a soulful Halle Berry) is a dreamy-eyed teenager, who never knew her parents. She was raised by the bitter Nanny (Ruby Dee), an ex-slave, who marries her off to an older man the minute she gets the chance. Mr. Killicks works Janie like a dog, but leaves her alone otherwise (he's abusive in the book). Then Janie meets the courtly Joe (Ruben Santiago-Hudson, Lackawanna Blues), who whisks her away from the muck to the black township of Eatonville. The two proceed to transform the town from a patch of dirt into a real community. Along the way, Joe becomes mayor and Janie a mere helpmate. Except for her friend Phoeby (Nicki Micheaux), the townspeople confuse her sadness for conceit and she ends up lonelier than ever. Twenty years later, Joe dies and Janie takes up with the younger Tea Cake (Michael Ealy, Barbershop). Much like the other literary adaptations with which she's been associated (The Color Purple, Beloved, etc.), this Oprah production boasts an impressive line-up of African-American talent, including Terrence Howard (Crash) as the covetous Amos. A mostly successful mix between suds and substance, Their Eyes Were Watching God, which premiered on ABC, was directed by Darnell Martin, co-written by Pulitzer Prize winner Suzan Lori-Parks, and graced with a classy score by frequent Spike Lee collaborator Terence Blanchard. --Kathleen C. Fennessy

Oprah Winfrey Presents THEIR EYES WERE WATCHING GOD, the story of a remarkable and resilient woman's quest for love and fulfillment based on the best-selling book by Zora Neale Hurston. Academy Award(R) winner Halle Berry (Best Actress 2003, MONSTERS BALL) stars as the beautiful Janie Crawford, who embarks on an emotional and dramatic journey of self-discovery. Refusing to compromise in spite of society's expectations, Janie endures two stifling marriages until finally finding love in a passionate romance with a much younger man. In one of the greatest, most lyrical love stories ever written, Janie experiences all that life has to offer, from unbelievable triumph to unspeakable heartbreak. Be inspired again and again by this timeless story of passion, romance, and the spirit of true love. ~

Hard Rain

It may not be a disaster movie, per se, but this terminally silly thriller is certainly disastrous, and would be pointless without the novelty of its setting in a flooding Midwestern town during a torrential rainfall. Physically impressive but idiotic in every other respect, the movie pits an armored truck courier (Christian Slater) against a smart leader of thieves (Morgan Freeman) and a corruptible town sheriff (Randy Quaid) who are vying for possession of $3 million in cash. A waterlogged game of cat and mouse, the plot is so contrived that even the most impressive action sequences--such as a jet-ski chase through flooded high-school corridors--are robbed of their already tenuous credibility. Before long you'll be yawning as incompetent accomplices are systematically dispatched by their own stupidity, in the kind of movie where the use of power boats inevitably leads to at least one death by outboard motor. What's impressive here is the physical production itself--the effect of flooding was created by building a huge replica of downtown Huntington, Indiana, in a huge, watertight aircraft hangar in Palmdale, California! --Jeff Shannon

After Sex

What do we talk about when sex is over? Meet eight couples straight and gay; virgins and strangers; lovers liars cheaters and swingers as they deal with the pleasure anger confusion regret laughter and other sensations that make physical intimacy an emotional ride. Mila Kunis Zoe Saldana Marc Blucas Emmanuelle Chriqui Taryn Manning Keir O Donnell Tanc Sade John Witherspoon and Jane Seymour lead an arousing cast in this provocative comedy/drama about everything that can happen before the morning and AFTER SEX. System Requirements:Length: 78 minsFormat: DVD MOVIE Genre: DRAMA/EROTIC UPC: 013131563696 Manufacturer No: DV15636

Love Liza

A finely detailed character study, Love Liza offers yet another excellent performance by Philip Seymour Hoffman. Written by Hoffman's brother Gordy (who won the Best Screenplay award at the 2002 Sundance Film Festival) and directed by first-timer Todd Louiso (an actor best known for memorable roles in Jerry Maguire and High Fidelity), this poignant, offbeat drama focuses intently on Wilson Joel (Hoffman), a computer programmer whose wife has recently committed suicide, leaving Wilson a sealed note that he can't bring himself to read, despite the urgings of his grieving mother-in-law (played to perfection by Kathy Bates). As Wilson huffs gasoline fumes to numb his emotional anguish, Love Liza unfolds as a patiently measured study of grief and loss (like the similarly themed Moonlight Mile), and Louiso shows great promise as a sensitive observer of authentic human behavior. With humor and heartbreak, Love Liza taps into what Hoffman does best. --Jeff Shannon

Following the unexplained suicide of his wife, Liza, website designer Wilson Joel (Hoffman) turns to gasoline fumes and remote control gaming while avoiding an inevitable conflict with his mother-in-law (Bates). Starring Philip Seymour Hoffman (Punch-Drunk Love, 25th Hour, Magnolia), Academy Award Winner Kathy Bates (About Schmidt, Primary Colors, Titantic).

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