Eaton, Shirley

Goldfinger

Dry as ice, dripping with deadpan witticisms, only Sean Connery's Bond would dare disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge. Goldfinger contains many of the most memorable scenes in the Bond series: gorgeous Shirley Eaton (as Jill Masterson) coated in gold paint by evil Auric Goldfinger and deposited in Bond's bed; silent Oddjob, flipping a razor-sharp derby like a Frisbee to sever heads; our hero spread-eagle on a table while a laser beam moves threateningly toward his crotch. Honor Blackman's Pussy Galore is the prototype for the series' rash of man-hating supermodels. And Desmond Llewelyn reprises his role as Q, giving Bond what is still his most impressive car, a snazzy little number that fires off smoke screens, punctures the tires of vehicles on the chase, and boasts a handy ejector seat. Goldfinger's two climaxes, inside Fort Knox and aboard a private plane, have to be seen to be believed. --Raphael Shargel

To own Goldfinger (1964) on digital video disc is to have at your fingertips the proof that Sean Connery is the definitive James Bond. Dry as ice, dripping with deadpan witticisms, only Connery's Bond would dare disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge. Goldfinger contains many of the most memorable scenes in the Bond series: gorgeous Shirley Eaton (as Jill Masterson) coated in gold paint by evil Auric Goldfinger and deposited in Bond's bed; silent Oddjob, flipping a razor-sharp derby like a Frisbee to sever heads; our hero spread-eagle on a table while a laser beam moves threateningly toward his crotch. Honor Blackman's Pussy Galore is the prototype for the series' rash of man-hating supermodels. And Desmond Llewelyn makes his first appearance as Q, giving Bond what is still his most impressive car, a snazzy little number that fires off smoke screens, punctures the tires of vehicles on the chase, and boasts a handy ejector seat. Goldfinger's two climaxes, inside Fort Knox and aboard a private plane, have to be seen to be believed. --Raphael Shargel

From the opening bomb blast outside a steamy nightclub to a last-minute escape from the president's personal jet, James Bond's third screen adventure is an exhilarating, pulse-pounding thrill-ride! Sean Connery takes command as Agent 007 and faces off wit

Ten Little Indians

Ten Little Indians refers to the ten invitees, the familiar nursery rhyme and to Indian figurines affixed to a serving plate at the castle. After the fatal poisoning of a guest, one figurine goes eerily missing. Who's behind this dastardly plot? You'll have a devilishly tense time figuring it out, while watching this clever Agatha Christie adaptation.

DVD Features:
Featurette:Vintage Featurette Whodunit?
Theatrical Trailer:Trailer Gallery

The Naked Truth

In 1957's The Naked Truth, Terry-Thomas plays a peer of the realm being blackmailed in the company of Peter Sellers, Peggy Mount, and Shirley Eaton by a gutter-press journalist, Dennis Price ("Don't try to appeal to my better nature, because I haven't one"). One fascinating element in this picture is the portrayal of those relationships that could be only suggested in a period of tighter censorship, such as Peter Sellers's TV personality and Kenneth Griffith as his dresser, whose gay relationship is only faintly etched in here. More overt is the characterization of a masculine-looking authoress, known only by her initials, but sporting Agatha Christie's hairdo. The moments of slapstick are brought off to a tee, as when the larger-than-life Peggy Mount attempts a suicide drop from her window to be saved by an awning on a shop front. --Adrian Edwards

Celebrities hate them, politicians fear them and athletes despise themthe tabloids! Starring comic genius Peter Sellers, this "hilarious satire" (The Film Daily) proves that victims of slander can get their sweet revenge. Full of "high levity" (Cue), The Naked Truth is nothing short of an "attack on the funny bone" (Variety)! The publisher of The Naked Truth (Dennis Price) has been blackmailing prominent Londoners by threatening to print shocking stories about them. Actor Sonny MacGregor (Sellers), a prime target, figures the only way to stop him is to kill him! A master of disguises, Sonny repeatedly attempts to stop the poison press. But it looks like he'll need help from a band of unlikely assassins'those also scandalized on the rag's front page!

Goldfinger (Special Edition)

Dry as ice, dripping with deadpan witticisms, only Sean Connery's Bond would dare disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge. Goldfinger contains many of the most memorable scenes in the Bond series: gorgeous Shirley Eaton (as Jill Masterson) coated in gold paint by evil Auric Goldfinger and deposited in Bond's bed; silent Oddjob, flipping a razor-sharp derby like a Frisbee to sever heads; our hero spread-eagle on a table while a laser beam moves threateningly toward his crotch. Honor Blackman's Pussy Galore is the prototype for the series' rash of man-hating supermodels. And Desmond Llewelyn reprises his role as Q, giving Bond what is still his most impressive car, a snazzy little number that fires off smoke screens, punctures the tires of vehicles on the chase, and boasts a handy ejector seat. Goldfinger's two climaxes, inside Fort Knox and aboard a private plane, have to be seen to be believed. --Raphael Shargel

To own Goldfinger (1964) on digital video disc is to have at your fingertips the proof that Sean Connery is the definitive James Bond. Dry as ice, dripping with deadpan witticisms, only Connery's Bond would dare disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge. Goldfinger contains many of the most memorable scenes in the Bond series: gorgeous Shirley Eaton (as Jill Masterson) coated in gold paint by evil Auric Goldfinger and deposited in Bond's bed; silent Oddjob, flipping a razor-sharp derby like a Frisbee to sever heads; our hero spread-eagle on a table while a laser beam moves threateningly toward his crotch. Honor Blackman's Pussy Galore is the prototype for the series' rash of man-hating supermodels. And Desmond Llewelyn makes his first appearance as Q, giving Bond what is still his most impressive car, a snazzy little number that fires off smoke screens, punctures the tires of vehicles on the chase, and boasts a handy ejector seat. Goldfinger's two climaxes, inside Fort Knox and aboard a private plane, have to be seen to be believed. --Raphael Shargel

CARRY ON NURSE (1958-England)

With SHIRLEY EATON, HATTIE JACQUES, KENNETH CONNOR. From the late 1950s on, a series of British-made low brow farces, all with the words "Carry On" in their titles, scored a major box office success. The same director and cast of slapstick comics worked together in film after film, which proved to be popular because they were uproariously funny - and not in the best of taste. This is the second of the "Carry On" films and its crammed with humor that is as delicate as a bedpan. The setting is the mens ward in a British hospital, where the patients are not too sick to declare war on their nurses and the rest of the medical establishment. There are loads of medical gags; the laughing gas sequence is especially riotous. Also look for the lovely JILL IRELAND (the late Mrs. Charles Bronson) in a small role. 86 minutes.

The Girl From Rio

Bond Girls Are Forever

Carry On Teacher/Carry On Constable

Three Men in a Boat

Based on the classic Jerome K. Jerome novel, Three Men in a Boat is the comedic story of a man who joins two friends on a boating trip after he is put under pressure to get married. Jimmy Edwards, Laurence Harvey and David Tomlinson play the three somew

Goldfinger

To own Goldfinger (1964) on digital video disc is to have at your fingertips the proof that Sean Connery is the definitive James Bond. Dry as ice, dripping with deadpan witticisms, only Connery's Bond would dare disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge. Goldfinger contains many of the most memorable scenes in the Bond series: gorgeous Shirley Eaton (as Jill Masterson) coated in gold paint by evil Auric Goldfinger and deposited in Bond's bed; silent Oddjob, flipping a razor-sharp derby like a Frisbee to sever heads; our hero spread-eagle on a table while a laser beam moves threateningly toward his crotch. Honor Blackman's Pussy Galore is the prototype for the series' rash of man-hating supermodels. And Desmond Llewelyn makes his first appearance as Q, giving Bond what is still his most impressive car, a snazzy little number that fires off smoke screens, punctures the tires of vehicles on the chase, and boasts a handy ejector seat. Goldfinger's two climaxes, inside Fort Knox and aboard a private plane, have to be seen to be believed. --Raphael Shargel