Spider-Man 2 (Widescreen Special Edition)
by Sam Raimi
from Sony Pictures
More than a few critics hailed Spider-Man 2 as "the best superhero movie ever," and there's no compelling reason to argue--thanks to a bigger budget, better special effects, and a dynamic, character-driven plot, it's a notch above Spider-Man in terms of emotional depth and rich comic-book sensibility. Ordinary People Oscar-winner Alvin Sargent received screenplay credit, and celebrated author and comic-book expert Michael Chabon worked on the story, but it's director Sam Raimi's affinity for the material that brings Spidey 2 to vivid life. When a fusion experiment goes terribly wrong, a brilliant physicist (Alfred Molina) is turned into Spidey's newest nemesis, the deranged, mechanically tentacled "Doctor Octopus," obsessed with completing his experiment and killing Spider-Man (Tobey Maguire) in the process. Even more compelling is Peter Parker's urgent dilemma: continue his burdensome, lonely life of crime-fighting as Spider-Man, or pursue love and happiness with Mary Jane Watson (Kirsten Dunst)? Molina's outstanding as a tragic villain controlled by his own invention, and the action sequences are nothing less than breathtaking, but the real success of Spider-Man 2 is its sense of priorities. With all of Hollywood's biggest and best toys at his disposal, Raimi and his writers stay true to the Marvel mythology, honoring Spider-Man creators Stan Lee and Steve Ditko, and setting the bar impressively high for the challenge of Spider-Man 3. --Jeff Shannon
DVD Features:
The first commentary track is by director Sam Raimi and a self-deprecating Tobey Maguire speaking in tandem, and producer (and Marvel CEO) Avi Arad and coproducer Grant Curtis speaking in tandem. They discuss a number of topics, including Raimi's memory of his excitement over Richard Donner's Superman and how the character of Black Cat had to be dropped from the film. The second commentary is by six members of the Oscar-nominated effects team, and one of their primary focuses is how Doc Ock's arms were achieved by a combination of puppetry and CGI.
The centerpiece of the second disc is a massive two-hour documentary that can be viewed all at once or in 12 separate pieces. It covers the development of the story, the visual effects, costumes, stunts, and sound and music. Three shorter featurettes cover Peter Parker's struggle between his personal and hero lives, Doc Ock, and the women in Spider-Man's life, and what's interesting is how they discuss those topics not just in relation to the movies but to the comic books as well. (For example, Betty Brant and Gwen Stacy had a much greater impact in the comics.) There's a scene in which you can toggle among three different camera angles, and a gallery of 17 paintings Alex Ross created for the opening sequence. The sound and picture are spectacular, though only the Superbit edition has DTS. --David Horiuchi
More Spiderman on DVD
 The Spiderman Toy Store |  The First Film |  Spider Man on the small screen |
 The Soundtrack |  Game Boy Advance |  The Book |
More Superheroes on DVD
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Stills from Spider-Man 2 (click for larger image)
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In SPIDER-MAN™2 the latest installment in the blockbuster Spider-Man™ series based on the classic Marvel Comics hero Tobey Maguire returns as the mild-mannered Peter Parker who is juggling the delicate balance of his dual life as college student and a superhuman crime fighter. Peter's life becomes even more complicated when he confronts a new nemesis the brilliant Otto Octavius (Alfred Molina) who has been reincarnated as the maniacal and multi-tentacled "Doc Ock." When Doc Ock kidnaps MJ (Kirsten Dunst) Spider-Man must swing back into action as the adventure reaches new heights of unprecedented excitement.System Requirements:Running Time: 127 Min.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: PG-13 UPC: 043396051492 Manufacturer No: 05149
Little Children
by Todd Field
from New Line Home Video
Kate Winslet operates at a galaxy-class level in Little Children, Todd Field's gratifyingly grown-up look at unhappy suburbia. Winslet is magnificent, in an Oscar-nominated performance, as a stroller-pushing mom who becomes attracted to a passive househusband (Patrick Wilson). Their slow-burning infidelity (Field wisely allows time to pass in this unhurried film) is contrasted with a more sensational subplot, about a convicted pedophile (Jackie Earle Haley, also Oscar nominated) returning to the neighborhood to live with his mother (Phyllis Somerville). Field, who brought his civilized approach to In the Bedroom, uses a deliberately literary style here, including a device with a narrator who sounds as though he's sitting at our side as he reads from Tom Perotta's novel. (The narrator is a superb touch--his cultivated voice distances us from the sloppy passions of the characters.) The film's biggest miscalculation is a self-appointed neighborhood vigilante (Noah Emmerich) determined to make life miserable for the pedophile. But Wilson is appropriately nebulous, Jennifer Connelly solid as his wife, and Haley (child star of the Bad News Bears movies), as the creepy, childlike molester, found himself rediscovered after a long career layoff. There's decent acting here, but Winslet is in a zone of her own, with so much emotional honesty and subtlety of expression that she transforms a good movie into a must-see. --Robert Horton
Kate Winslet, Jennifer Connelly and Patrick Wilson star in the Academy Award nominated film Little Children, the latest work from Oscar-nominated writer/director Todd Field. Based on the novel by Tom Perrotta, Little Children centers on a handful of middle-class suburban parents whose lives unravel in the wake of an adulterous affair.
Spider-Man - The Motion Picture DVD Trilogy (Spider-Man / Spider-Man 2 / Spider-Man 3)
by Sam Raimi
from Sony Pictures
Spider-Man 3
How does Spider-Man 3 follow on the heels of its predecessor, which was widely considered the best superhero movie ever? For starters, you pick up the loose threads from that movie, then add some key elements of the Spidey comic-book mythos (including fan-favorite villain Venom), the black costume, and the characters of Gwen Stacy and her police-captain father. In the beginning, things have never looked better for Peter Parker (Tobey Maguire): He's doing well in school; his alter ego, Spider-Man, is loved and respected around New York City. And his girlfriend, Mary Jane Watson (Kirsten Dunst), has just taken a starring role in a Broadway musical. But nothing good can last for Spidey. Mary Jane's career quickly goes downhill; she's bothered by Peter's attractive new classmate, Gwen Stacy (Bryce Dallas Howard); and the new Daily Bugle photographer, Eddie Brock (Topher Grace), is trying to steal his thunder. Enter a new villain, the Sandman (Thomas Haden Church), who can transform his body into various forms and shapes of sand and who may be connected to Peter's past in an unexpected way. There's also the son of an old villain, Harry Osborne (James Franco), who unmasked Spidey in the previous movie and still has revenge on his mind. And a new black costume seems to boost Spidey's powers, but transforms mild-mannered Peter into a mean and obnoxious boor (Maguire has some fun here).
If that sounds like a lot to pack into one 140-minute movie, it is. While director Sam Raimi keeps things flowing, assisted on the screenplay by his brother Ivan and Alvin Sargent, there's a little too much going on, and it's inevitable that one of the villains (there are three or four, depending on how you count) gets significantly short-changed. Still, the cast is excellent, the effects are fantastic, and the action is fast and furious. Even if Spider-Man 3 isn't the match of Spider-Man 2, it's a worthy addition to the megamillion-dollar franchise. --David Horiuchi
Spider-Man 2
More than a few critics hailed Spider-Man 2 as "the best superhero movie ever," and there's no compelling reason to argue--thanks to a bigger budget, better special effects, and a dynamic, character-driven plot, it's a notch above Spider-Man in terms of emotional depth and rich comic-book sensibility. Ordinary People Oscar-winner Alvin Sargent received screenplay credit, and celebrated author and comic-book expert Michael Chabon worked on the story, but it's director Sam Raimi's affinity for the material that brings Spidey 2 to vivid life. When a fusion experiment goes terribly wrong, a brilliant physicist (Alfred Molina) is turned into Spidey's newest nemesis, the deranged, mechanically tentacled "Doctor Octopus," obsessed with completing his experiment and killing Spider-Man (Tobey Maguire) in the process. Even more compelling is Peter Parker's urgent dilemma: continue his burdensome, lonely life of crime-fighting as Spider-Man, or pursue love and happiness with Mary Jane Watson (Kirsten Dunst)? Molina's outstanding as a tragic villain controlled by his own invention, and the action sequences are nothing less than breathtaking, but the real success of Spider-Man 2 is its sense of priorities. With all of Hollywood's biggest and best toys at his disposal, Raimi and his writers stay true to the Marvel mythology, honoring Spider-Man creators Stan Lee and Steve Ditko, and setting the bar impressively high for the challenge of Spider-Man 31. --Jeff Shannon
DVD Features:
The first commentary track is by director Sam Raimi and a self-deprecating Tobey Maguire speaking in tandem, and producer (and Marvel CEO) Avi Arad and coproducer Grant Curtis speaking in tandem. They discuss a number of topics, including Raimi's memory of his excitement over Richard Donner's Superman and how the character of Black Cat had to be dropped from the film. The second commentary is by six members of the Oscar-nominated effects team, and one of their primary focuses is how Doc Ock's arms were achieved by a combination of puppetry and CGI.
The centerpiece of the second disc is a massive two-hour documentary that can be viewed all at once or in 12 separate pieces. It covers the development of the story, the visual effects, costumes, stunts, and sound and music. Three shorter featurettes cover Peter Parker's struggle between his personal and hero lives, Doc Ock, and the women in Spider-Man's life, and what's interesting is how they discuss those topics not just in relation to the movies but to the comic books as well. (For example, Betty Brant and Gwen Stacy had a much greater impact in the comics.) There's a scene in which you can toggle among three different camera angles, and a gallery of 17 paintings Alex Ross created for the opening sequence. The sound and picture are spectacular, though only the Superbit edition has DTS. --David Horiuchi
Spider-Man
For devoted fans and nonfans alike, Spider-Man offers nothing less--and nothing more--than what you'd expect from a superhero blockbuster. Having proven his comic-book savvy with the original Darkman, director Sam Raimi brings ample energy and enthusiasm to Spidey's origin story, nicely establishing high-school nebbish Peter Parker (Tobey Maguire) as a brainy outcast who reacts with appropriate euphoria--and well-tempered maturity--when a "super-spider" bite transforms him into the amazingly agile, web-shooting Spider-Man. That's all well and good, and so is Kirsten Dunst as Parker's girl-next-door sweetheart. Where Spider-Man falls short is in its hyperactive CGI action sequences, which play like a video game instead of the gravity-defying exploits of a flesh-and-blood superhero. Willem Dafoe is perfectly cast as Spidey's schizoid nemesis, the Green Goblin, and the movie's a lot of fun overall. It's no match for Superman and Batman in bringing a beloved character to the screen, but it places a respectable third. --Jeff Shannon
Green Card
by Peter Weir
from Walt Disney Video
With the help of his lawyer, Georges (Gérard Depardieu), a composer and one-time petty thief who grew up in poverty, attempts to escape his life in Paris and begin anew in America by illegally marrying Bronte (Andie MacDowell), a prim and repressed young lady from a privileged life in Connecticut. Bronte, who has agreed to the scheme for her own self-serving reasons, is exasperated when the Immigration & Naturalization Service investigates their case, and she and Georges, whom she detests, must spend time together studying each other's lives to avoid disaster. The fallout, and how it ends, is infinitely more delightful than your run-of-the-mill Hollywood romantic comedy, and the very ending itself stops deliciously short of where Hollywood would feel compelled to drag the story. Fine performances are given by MacDowell, Depardieu--who is fiercely charming pounding the keyboard of a Steinway at an upper class Manhattan dinner party--and Bebe Neuwirth, who is perfect as an upper-class child turned artist who revels in her irresponsibility. --James McGrath
In the same romantic spirit as PRETTY WOMAN and GHOST, GREEN CARD lights up the screen with its irresistible charm and lighthearted humor! The fun starts when two strangers (Andie MacDowell, SEX, LIES, AND VIDEOTAPE), and Academy Award(R)-nominee Gerard Depardieu (CYRANO DE BERGERAC) agree to a marriage of convenience -- thinking it's going to be hassle-free. She'll get to live in the apartment of her dreams, he'll get a "green card" to live in the U.S. But before they know it, the two opposites encounter far greater differences than most married couples could ever imagine! And worst yet, this mismatched twosome just might be falling love. Winner of two Golden Globe Awards (Best Picture and Best Actor), this delightful tale enjoyed cheers from critics and audiences alike. With its sunny mix of wit, spirit, and charm, GREEN CARD is an entertaining hit you'll never forget!
Crimes and Misdemeanors
from MGM (Video & DVD)
Along with Deconstructing Harry which would follow seven years later, this is Woody Allen's most somber comedy-drama, as well as his most ambitious film of the 1980s. Allen weaves together two central stories about very different groups of Manhattanites, linking them through a mutual friend, a rabbi (Sam Waterston) who's going blind. This image is key to the sometimes ponderous, often clever musings on faith, morals, and vision (or lack thereof) that obsess his deeply troubled and unhappy characters. At its center, the film explores people who, through lack of religious conviction or arrogance, rationalize their awful, selfish acts by presuming that God couldn't possibly be watching.
The central story--a neo-noir of sorts--follows a fortuitous ophthalmologist (Martin Landau, all sweat and grimaces) who faces the prospect of his obsessed mistress (Anjelica Huston) ruining his life by telling his family of their affair. Desperate, the doctor hires his slimy criminal brother (Jerry Orbach) to eliminate the situation, and then suffers overwhelming regret afterwards. The flip tale is more typical Allen. Funnier and lighter, it focuses on an impossible romance between Allen's character and Halley Reed, a film producer played by Mia Farrow. Between Allen and his Hollywood fantasy stands his brother-in-law (Alan Alda, perfectly cast as an obnoxious, successful sitcom producer), who also desires Halley. Allen is Landau's opposite: an honest, struggling documentarian who cares nothing about fortune, suffers in a loveless marriage, and is surrounded by triumphant phonies. The nice-guys-finish-last moral may be as contrived as it is devastating. Yet, when Landau and Allen finally share a final scene during a wedding, their faces, subtle body movements, and contrasting fortunes somehow suggest that indeed God may be blind, and if not, the deity has a very sick sense of humor. --Dave McCoy
"Poignant, penetrating [and] scathingly hilarious" (Long Beach Press Telegram), Crimes and Misdemeanors is a deftly rendered tale about the complexity of human choices and the moral microcosms they represent. Showcasing Allen's brilliant grasp of the link between the funny and the fatal, his 19th movie is "one of the watershed films of his career" (Los Angeles Times). Cliff Stern (Woody Allen) is an idealistic filmmaker until he's offered a lucrative job shooting aflattering profile of a pompous TV producer (Alan Alda). Judah Rosenthal (Martin Landau) is the pillar of his community until he learns that his ex-mistress (Anjelica Huston) plans to expose his financial and extramarital misdeeds. As Cliff chooses between integrity and selling out, and Judah decides between the counsel of his rabbi (Sam Waterston) and the murderous advice of his mobster brother (Jerry Orbach), each man must examine his own morality, and make an irrevocable decisionthat willchange everyone's lives forever.
Spider-Man 2 (Full Screen Special Edition)
by Sam Raimi
from Sony Pictures
More than a few critics hailed Spider-Man 2 as "the best superhero movie ever," and there's no compelling reason to argue--thanks to a bigger budget, better special effects, and a dynamic, character-driven plot, it's a notch above Spider-Man in terms of emotional depth and rich comic-book sensibility. Ordinary People Oscar®-winner Alvin Sargent received screenplay credit, and celebrated author and comic-book expert Michael Chabon worked on the story, but it's director Sam Raimi's affinity for the material that brings Spidey 2 to vivid life. When a fusion experiment goes terribly wrong, a brilliant physicist (Alfred Molina) is turned into Spidey's newest nemesis, the deranged, mechanically tentacled "Doctor Octopus," obsessed with completing his experiment and killing Spider-Man (Tobey Maguire) in the process. Even more compelling is Peter Parker's urgent dilemma: continue his burdensome, lonely life of crime-fighting as Spider-Man, or pursue love and happiness with Mary Jane Watson (Kirsten Dunst)? Molina's outstanding as a tragic villain controlled by his own invention, and the action sequences are nothing less than breathtaking, but the real success of Spider-Man 2 is its sense of priorities. With all of Hollywood's biggest and best toys at his disposal, Raimi and his writers stay true to the Marvel mythology, honoring Spider-Man creators Stan Lee and Steve Ditko, and setting the bar impressively high for the challenge of Spider-Man 3. --Jeff Shannon
Stephen Sondheim's Passion (Original Broadway Cast)
by James Lapine
from Image Entertainment
Based on the Italian movie Passione d'amore, Stephen Sondheim's Passion is a story of obsessive love. Giorgio (Jere Shea), a soldier, and Clara (Marin Mazzie), a woman with a husband and child, are deeply in love, but their idyllic happiness is disrupted when Giorgio is transferred to another post. Here he meets Signora Fosca (Donna Murphy), a homely and ill woman who is the cousin of the regiment's commanding officer. Fosca soon falls in love with Giorgio and pursues him relentlessly, saying "Loving you is not a choice / It's who I am." He is repulsed and resists her advances, but eventually he succumbs to the power of her love.
Rather than a succession of individual songs strung together by dialogue, Stephen Sondheim's score is a constant flow of gorgeous music. (The original theater program listed no individual songs.) The plot is conveyed by song, some dialogue, letters between the characters, and a group of soldiers that serves as a Greek chorus. The result is more of a chamber opera than a conventional musical. Passion won Tonys for Best Musical, Best Score, and Best Book of 1994.
This video is a stage production filmed for American Playhouse with all of the original Broadway principals, though not before a live audience. To suit television audiences, the producers weakened the opening love scene by removing the nudity of the stage version; instead Mazzie awkwardly tries to keep herself wrapped in sheets as she sings to Giorgio of her bliss. Murphy gives a powerful, Tony-winning performance as Fosca, Mazzie is in glorious voice as Clara, and Shea brings a pretty voice, a pretty face, and a wooden personality to Giorgio. --David Horiuchi
An unforgettable chronicle of the redemptive power of love, this is a mesmerizing musical rhapsody from the Broadway team of Stephen Sondheim and James Lapine. In 19th century Italy, handsome soldier Giorgio, is embroiled in a steamy affair with lovely, and married, Clara. Giorgio is transferred from Milan to a remote military outpost where he comes into contact with the ailing, homely Fosca, his commanding officer's cousin. Fosca falls instantly and deeply in love with Giorgio, who resists her affections. Gradually she reveals, and Giorgio learns to appreciate, what is truly beautiful about herself. This highly acclaimed Broadway musical features extraordinary performances from Donna Murphy (The King & I), Marin Mazzie (Ragtime, Kiss Me Kate) and Jere Shea (Damn Yankees). A haunting study of obsessive love, this striking production offers a visual and musical feast that will linger in your heart and soul forever! Winner of 4 Tony Awards: Best Musical, Best Actress (Musical) - Donna Murphy, Best Book (Musical) - James Lapine, Best Original Musical Score - Stephen Sondheim
City by the Sea (Widescreen Edition)
from Warner Home Video
When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco) he is forced to return home to the decaying boardwalks of Long Beach Long Island to confront the darkness of his past. During the course of the investigation he realizes that his failures as a father - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life and he must put his own life on the line in order to do right by both his family and his profession.Running Time: 108 min.System Requirements: Running Time 109 MinFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 085392208227
A welcome throwback to the cop dramas of the '70s, City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamenting the once glorious Asbury Park boardwalk, now dilapidated from the decay of changing times. A good cop but a regrettable father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the depth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story, City by the Sea has that kernel of authenticity that good actors thrive on. --Jeff Shannon
The Manhattan Project (Special Edition)
from Lions Gate
In this nail-biting thriller Paul (Christopher Collet) a bright 16-year-old discovers that his mother's boyfriend Dr. Mathewson (John Lithgow) is refining plutonium undercover right in their neighborhood. Intent on exposing the secret weapons factory Paul steals some plutonium with the help of his girlfriend (Cynthia Nixon) and constructs his own atomic bomb. By the time Dr. Mathewson discovers the plutonium is missing and informs the government the device is built - but the timer inadvertently turns on beginning a countdown to nuclear catastrophe. Suspenseful to the last few seconds this intriguing provocative story takes its name from the real Manhattan Project in the 1940s that brought about the development of the first nuclear weapon used in World War II.Runtime: 117 minsFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG - 13 UPC: 012236214076 Manufacturer No: 21407
City by the Sea (Full-Screen Edition)
from Warner Home Video
A welcome throwback to the cop dramas of the '70s, City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamenting the once glorious Asbury Park boardwalk, now dilapidated from the decay of changing times. A good cop but a regrettable father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the depth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story, City by the Sea has that kernel of authenticity that good actors thrive on. --Jeff Shannon
When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco) he is forced to return home to the decaying boardwalks of Long Beach Long Island to confront the darkness of his past. During the course of the investigation he realizes that his failures as a father - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life and he must put his own life on the line in order to do right by both his family and his profession.Running Time: 108 min.System Requirements:Running Time 109 MinFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 085392389322
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