Edwards, Cliff

Dumbo (Big Top Edition)

One of Disney's greatest classics DUMBO is the timeless inspirational tale of courage loyalty and triumph. Now to celebrate the 60th anniversary of this beloved high-flying adventure DUMBO makes his first flight onto DVD digitally restored and remastered to the original glory that captured the hearts of audiences all over the world. With a "Big Top" full of bonus features there's something for audiences of all ages to enjoy. Featuring an all-new rendition of "Baby Mine" performed by Michael Crawford Disney's "Celebrating Dumbo" Featurette two Sing-Along Songs and two animated shorts -- plus an exclusive sneak peek at Disney's DUMBO II and more -- this special 60th Anniversary Edition of the timeless Disney favorite soars to greater heights than ever before!System Requirements:Running Time 64 Mins.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: G UPC: 786936694499 Manufacturer No: 4962303

A Disney "classic" that actually is a classic, Dumbo should be part of your video collection whether or not you have children. The storytelling was never as lean as in Dumbo, the songs rarely as haunting (or just plain weird), the characters rarely so well defined. The film pits the "cold, cruel, heartless" world that can't accept abnormality against a plucky, and mute, hero. Jumbo Jr. (Dumbo is a mean-spirited nickname) is ostracized from the circus pack shortly after his delivery by the stork because of his big ears. His mother sticks up for him and is shackled. He's jeered by children (an insightful scene has one boy poking fun at Dumbo's ears, even though the youngster's ears are also ungainly), used by the circus folk, and demoted to appearing with the clowns. Only the decent Timothy Q. Mouse looks out for the little guy. Concerns about the un-PC "Jim Crow" crows, who mock Dumbo with the wonderful "When I See an Elephant Fly," should be moderated by remembering that the crows are the only social group in the film who act kindly to the little outcast. If you don't mist up during the "Baby Mine" scene, you may be legally pronounced dead. --Keith Simanton

Pinocchio (Disney Gold Classic Collection)

This Disney masterpiece from 1940 will hold up forever precisely because it doesn't restrain or temper the most elemental emotions and themes germane to its story. Based on the Collodi tale about a wooden puppet who wants to become a real boy, Pinocchio is among the most magical, mythical, and frightening films to come from the studio in its long history. A number of scenes make permanent impressions on young minds (just ask Steven Spielberg, who quoted the film more than once in Close Encounters of the Third Kind), and the songs ("When You Wish upon a Star") can't be beat. --Tom Keogh

Disney's second full length movie after Snow White. Delightful, hand-drawn images.

His Girl Friday

The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.

Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.

His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson

Walt Disney Treasures - On the Front Lines

World War II transformed the Disney Studio. Although nearly one-third of the artists had been drafted, production quintupled, up to 95% of it for military and government uses. Some of the films included in On the Front Lines have not been seen since their initial release; others were never shown to the general public. Anticipating the importance of animated training films, Disney produced the studio's first educational film, "Four Methods of Flush Riveting" (1941), using limited animation to train riveters at Lockheed. Decades later, "Four Methods" and the excerpts from military training films remain models of how to present information clearly and concisely.

Many of the wartime entertainment shorts are largely propaganda. Donald's nightmare of working on a Nazi assembly line in "Der Fuehrer's Face" is still hilarious slapstick. The grimmer "Education for Death" and "Chicken Little" have aged less gracefully. Disney's oddest wartime project was Victory Through Air Power (1943), a live action/animation feature based on Major Alex de Seversky's controversial book that called for the adoption of long-range bombers. By the time it was finished, air power was a reality.

Front Lines also includes several health films made for the Office of Inter-American Affairs, and bond-buying shorts for Canada that reuse animation from Snow White and "Three Little Pigs." This collection of genuine rarities is a must-have for anyone interested in the history of animation, the Disney Studio, or America during WWII. (Rated G, suitable for ages 10 and older: violence, ethnic stereotypes, tobacco use) --Charles Solomon

On December 8, 1941, the Disney Studio was taken over by the military as part of the war effort. Making the most of the talent that hadn't shipped out yet, Walt Disney spent the next four years creating and producing training, propaganda, and educational films for the Armed Forces. In addition to these films, this extraordinary volume also includes the full-length feature "Victory Through Air Power." Released theatrically in 1943, this powerful propaganda film has never been reissued until now. You'll also see recently discovered on-the-set footage, and get rare firsthand accounts about the work and culture at the Disney Studio in interviews with Disney Legends Joe Grant, John Hench, and Roy Disney. Featuring exclusive introductions by film historian Leonard Maltin, this is a timeless collection from generations past for generations to come.

Dumbo (60th Anniversary Edition)

A Disney "classic" that actually is a classic, Dumbo should be part of your video collection whether or not you have children. The storytelling was never as lean as in Dumbo, the songs rarely as haunting (or just plain weird), the characters rarely so well defined. The film pits the "cold, cruel, heartless" world that can't accept abnormality against a plucky, and mute, hero. Jumbo Jr. (Dumbo is a mean-spirited nickname) is ostracized from the circus pack shortly after his delivery by the stork because of his big ears. His mother sticks up for him and is shackled. He's jeered by children (an insightful scene has one boy poking fun at Dumbo's ears, even though the youngster's ears are also ungainly), used by the circus folk, and demoted to appearing with the clowns. Only the decent Timothy Q. Mouse looks out for the little guy. Concerns about the un-PC "Jim Crow" crows, who mock Dumbo with the wonderful "When I See an Elephant Fly," should be moderated by remembering that the crows are the only social group in the film who act kindly to the little outcast. If you don't mist up during the "Baby Mine" scene, you may be legally pronounced dead. --Keith Simanton

The Dumbo 60th Anniversary Edition was the beneficiary of an electronic film restoration process where every frame of film was scanned into a high resolution computer system, then painstakingly examined and repaired frame by frame to eliminate negative and positive dirt, film scratches and the like. A high definition transfer was done and color correction was supervised by Disney Feature Animation to ensure faithful reproduction of the colors as they were originally intended.

Fun and Fancy Free (Disney Gold Classic Collection)

Fun is probably worth the purchase for "Mickey and the Beanstalk," the second half of this combo-film. "Beanstalk" includes the last performance by Walt Disney of Mickey Mouse. It also has Donald Duck and Goofy as comrades who climb the beanstalk in their back yard to face Willy the Giant. This segment actually achieves the goals of the film's title. The first half, however, is "Bongo," the story of a addlepated circus bear. "Bongo" is more poky and interest-free. Dinah Shore warbles and narrates the segment, and it goes on much too long for its purpose. Don't trade your cow in for it. --Keith Simanton

FUN AND FANCY FREE, Walt Disney's 9th full-length animated masterpiece, is a delightful gem that not only sparkles with charm, but is unbelievably rich in history-making Disney moments. It was the last animated feature starring Walt Disney as the voice of Mickey Mouse, and the only film featuring all four of Walt Disney's most famous characters -- Mickey Mouse, Donald Duck, Goofy, and Jiminy Cricket. Following Disney's classic tradition of great storytelling, unforgettable characters, music, and adventure, FUN AND FANCY FREE is the joyful telling of BONGO and MICKEY & THE BEANSTALK, two timeless tales magically brought to life by the beloved Jiminy Cricket and the masterful combination of animation and live action. And now, in celebration of its 50th anniversary, FUN AND FANCY FREE has been beautifully restored so a whole new generation can experience the magic of Walt Disney's original theatrical vision -- for the very first time! One of Disney's happiest films ever, FUN AND FANCY FREE makes a valuable addition to your Disney video collection.

The Best of the Original Mickey Mouse Club

Walt Disney Treasures - Mickey Mouse Club

"M-I-C-K-E-Y-M-O-U-S-E." Before the theme song's memorable spelling became an audio icon, before the series even aired, the Mickey Mouse Club was the most anticipated children's programming ever. This volume features the five episodes of week one of the black-and-white series that launched a television revolution. Also showcased in this volume is a wonderful tribute to the unforgettable Jimmie Dodd, the singer-actor who hosted the show. You'll also see recently discovered, never-before-seen color archival footage of the Mousketeers' very first appearance at the grand opening celebration of Disneyland. And you'll meet six original Mouseketeers in a reunion on the soundstage where they first got together in 1955. So, sit back and enjoy -- and you don't have to wait until 5:00.

His Girl Friday

This witty fast-paced romp adapted from the stage play "The Front Page" by Ben Hecht and Charles MacArthur is full of bawdy double entendres and gender-bender innuendos. Star newspaper reporter Hildy Johnson s just informed Walter Burns her suave managing editor and new ex-husband that she s leaving the paper and planning to remarry. Walter a handsome hard-boiled sophisticate wouldn t dare show his true feelings for Hildy. But somehow he s got to try and prevent her from resigning and remarrying. His plan: assign Hildy one last front page headliner. If things go accordingly he ll have the story he needs and the woman he wants. Hawks updated version is a classic must-see for fans of great entertainment.System Requirements:Starring: Cary Grant Rosalind Russell Ralph bellamy Gene Lockhart Porter Hall and Ernest Truex. Directed By: Howard Hawks. Running Time: 92 Min. B&W. This film is presented in "Standard" format. Copyright 2000 Columbia TriStar Home Video. Genre: COMEDY Rating: NR UPC: 043396267091 Manufacturer No: 26709

The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.

Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.

His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson

Classics of Cary Grant