Emerson, Hope

Adam's Rib

There are two great husband-wife teams (one on-screen, the other off) involved in this classic 1949 comedy. Not only do Katharine Hepburn and Spencer Tracy throw comedic sparks as a married team of lawyers on opposing sides of a high-profile case, but their exquisite verbal jousting was scripted by the outstanding team of Garson Kanin and Ruth Gordon. Leading all of this stellar talent was director George Cukor at the prime of his career. The result is one of Hollywood's greatest comedy classics, still packing a punch with its sophisticated gender politics. Arguably the best of the Tracy-Hepburn vehicles, Adam's Rib shows the stars at their finest in roles that not only made their off-screen love so entertainingly obvious, but also defined their timeless screen personas--she the intelligent, savvy, rebellious woman ahead of her time, he the easygoing but obstinate modern man who can't help but love her. Screen teams don't get any better than this. --Jeff Shannon

Peter Gunn, Set 1

Peter Gunn, Set 2

House of Strangers (Fox Film Noir)

Max Monetti is consumed with vengeance for his brothers after their betrayal of his father Gino. But after remembering his past especially his relationship with Irene Bennett Max realizes that his father had caused all the tension within the family and makes peace with his brothers.System Requirements:Running Time: 101 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 024543244516 Manufacturer No: 2234451

Caged!

Frightened 19-year-old Marie Allen (Eleanor Parker) gets sent to an Illinois penitentiary for being an accomplice in an armed robbery. A sympathetic prison head (Agnes Moorehead) tries to help but her efforts are subverted by cruel matron Evelyn Harper (Hope Emerson). Marie's harsh experiences turn her from doe-eyed innocent to hard-nosed con.Runtime: 96 minFormat: DVD MOVIE Genre: TELEVISION/CLASSIC Rating: NR UPC: 085391145073 Manufacturer No: 114507

Thieves' Highway - Criterion Collection

The rugged world of long-haul trucking knits perfectly with classic film noir dynamics in this sizzling, underrated picture. Navy veteran Richard Conte returns home to California, only to plunge into a revenge scenario and a scheme to haul the season's first apples to the teeming San Francisco fruit market (a place seen as a nocturnal jungle for the survival of the fittest). Lee J. Cobb enjoys himself enormously as the chiseling boss at the Frisco market, Millard Mitchell is wry as Conte's angle-playing trucking partner, and Valentina Cortese adds a bright, sexy exoticism to the multi-layered duplicitous dame. Director Jules Dassin, in his last American-shot film before blacklisting, shows his expressive abilities with shadowy interiors and road-movie exteriors alike. The punchy screenplay by A.I. Bezzerides, whose trucking experiences also fueled They Drive by Night, is a textbook case for the complexities of pulp--not apples, fiction. --Robert Horton

Thieves' Highway is set in the world of "long-haul boys" who drive by night to bring their goods to the markets of America's cities. Ex-G.I. Nick Garcos (Richard Conte) is a tyro trucker bent on satisfaction from the man responsible for crippling his father—ruthless market operator Mike Figlia (Lee J. Cobb). Along the way, he is seduced by siren Rica (Valentina Cortesa) and drawn into the San Francisco produce racket—landing him in a web of treachery and heartbreak. The Criterion Collection is proud to present this Jules Dassin masterpiece, the last film he completed in America before he was blacklisted.

Casanova's Big Night

Bob "Orson Welles" Hope is at the top of his game in this 1954 Technicolor laugh-fest co-starring Joan Fontaine and Basil Rathbone. Hope plays Pippo Popolino, Casanova's tailor, who finds himself standing in for the great lover after the real Casanova (played by Vincent Price) leaves town to avoid paying his debts. Enlisted by an overzealous mother-in-law to test the true love of her daughter-in-law-to-be, Hope must capture the prized petticoat and help avert a civil war to boot. Years before he wore out his welcome in countless TV specials, Hope is a marvel here, perfecting his neurotic and vain coward persona while enganging in some pretty inspired slapstick. It's easy to forget that in 1954 this was pretty edgy stuff. It's no wonder a young Woody Allen idolized him. --Kristian St. Clair

A tailor assumes the identity of the famous Casanova in order to win women's hearts.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 6-SEP-2005
Media Type: DVD

Copper Canyon

Copper Canyon is a quirky little Western with nothing distinctive to accomplish and more stylish talent on hand than it needs to get the job done. Director John Farrow, writer Jonathan Latimer, and star Ray Milland had recently collaborated on a pair of suave Paramount thrillers (The Big Clock and Alias Nick Beal). Here Milland plays a trick-shooting frontier vaudevillian who, under another name, may have been a Confederate war hero--and a bit of a rascal. He isn't admitting anything. But he does pitch in to help some ex-Rebels, now copper miners, who are getting shafted by a sanctimonious Yankee smelter operator, a lady gambler (Hedy Lamarr in her next-to-last Hollywood film), and a murderous deputy sheriff (Macdonald Carey). The action comes in fits and starts, but Milland's out-of-place urbanity, Charles Lang's Technicolor camerawork, and those great red-rock formations around Sedona, Arizona, make 84 minutes pass agreeably. --Richard T. Jameson

Best of the 40s (Adam's Rib / The Big Sleep / The Maltese Falcon / Mildred Pierce)

The Dennis O'Keefe Show