The Thief of Bagdad - Criterion Collection
by Alexander Korda
from Criterion Collection
Often hailed as the greatest fantasy film ever made, The Thief of Bagdad (1940) was producer Alexander Korda's crowning achievement. Deservedly winning Academy Awards for art direction, color cinematography, and special effects, this Arabian Nights adventure appeals to all ages with its fantastical tale of Abu (Sabu), the little thief who befriends the prince of Bagdad (John Justin) and foils the nefarious plans of the evil grand vizier (Conrad Veidt), who seizes control of Bagdad and covets the princess of Basra (Joan Duprez). From its gorgeous, epic-scale sets to flying horses, magic carpets, and, best of all, Rex Ingram's towering jinni of the bottle, this Thief has all the magic of the tales that inspired it, and vibrant Technicolor brings it all to life in dazzling style. Six esteemed directors worked on this infamously troubled production, but the final result exceeded all expectations, becoming an instant classic that endures to this day. --Jeff Shannon
The Thief of Bagdad legendary producer Alexander Korda's Arabian Nights marvel is one of the most spectacular fantasy films ever made an eye-popping effects pioneer brimming with imagination and technical wizardry. When Prince Ahmad (John Justin) is blinded and cast out of Bagdad by the nefarious Jaffar (Conrad Veidt) he joins forces with the scrappy thief Abu (the incomparable Sabu in his definitive role) to win back his royal position as well as the heart of a beautiful princess (June Duprez). With its luscious Technicolor vivid sets and unprecedented visual wonders The Thief of Bagdad has charmed viewers of all ages for decades.SPECIAL EDITION DOUBLE-DISC SET FEATURES:Restored digital transferTwo audio commentaries: one featuring renowned directors Francis Ford Coppola and Martin Scorsese and one with film and music historian Bruce EderNew interviews with special-effects experts Ray Harryhausen Dennis Muren and Craig Barron about the technical achievements of The Thief of BagdadThe Lion Has Wings (1940) Alexander Korda's propaganda film for the English war effort made during The Thief of Bagdad's production hiatusExcerpts from codirector Michael Powell's audio dictations for his autobiographySelections of music by composer Miklos Rozsa not used in the final filmStills gallery featuring rare Dufaycolor images of the film's productionTheatrical trailerPLUS: a booklet featuring new essays by critics Andrew Moor and Ian ChristieSystem Requirements:Running Time: 106 minutesFormat: DVD MOVIE Genre: SCI-FI/FANTASY/FANTASY Rating: NR UPC: 715515029926 Manufacturer No: CC1754DDVD
Henry V - Criterion Collection
by Laurence Olivier
from Criterion
If Kenneth Branagh's 1989 version of Shakespeare's tale of conquering greed reflects the post-Vietnam era, Laurence Olivier's version very much mirrored his time. When Olivier gave us his colorful adaptation in 1945, it was vivid, full of pageantry, and most definitely geared toward war. Pretty flags and white steeds, shining armor and theatrical emphasis figure into Olivier's attractive but decorous version, liberally adapted for a pro-war stance. He used the French as comic relief; they appeared foppish and foolish. Their presence implied no threat. If you had not read the play, you would not have to wonder who was going to win. Of course, Olivier wanted England to believe in the justness of war--his country was in the midst of one. The propaganda gets in the way only because it has been filtered through so many decades. His Henry remains, however, a handsome cinematic spectacle. Olivier's performance is gentle and elegant, his imagery rich and colorful. It was considered such a superb film he was awarded an honorary Oscar. He followed this with adaptations of Hamlet and Richard III. --Rochelle O'Gorman
Olivier mustered out of the navy to film this adaptation of Shakespeare's history. Embroiled in World War II, Britons took courage from this tale of a king who surmounts overwhelming odds and emerges victorious. This sumptuous Technicolor® rendering features a thrilling recreation of the battle of Agincourt, and Sir Laurence in his prime as director and actor.
Thief of Bagdad (1940)
by Zoltan Korda
from MGM (Video & DVD)
Often hailed as the greatest fantasy film ever made, The Thief of Bagdad (1940) was producer Alexander Korda's crowning achievement. Deservedly winning Academy Awards for art direction, color cinematography, and special effects, this Arabian Nights adventure appeals to all ages with its fantastical tale of Abu (Sabu), the little thief who befriends the prince of Bagdad (John Justin) and foils the nefarious plans of the evil grand vizier (Conrad Veidt), who seizes control of Bagdad and covets the princess of Basra (Joan Duprez). From its gorgeous, epic-scale sets to flying horses, magic carpets, and, best of all, Rex Ingram's towering jinni of the bottle, this Thief has all the magic of the tales that inspired it, and vibrant Technicolor brings it all to life in dazzling style. Six esteemed directors worked on this infamously troubled production, but the final result exceeded all expectations, becoming an instant classic that endures to this day. --Jeff Shannon
The Thief of Bagdad [Region 2]
by Zoltan Korda
Often hailed as the greatest fantasy film ever made, The Thief of Bagdad (1940) was producer Alexander Korda's crowning achievement. Deservedly winning Academy Awards for art direction, color cinematography, and special effects, this Arabian Nights adventure appeals to all ages with its fantastical tale of Abu (Sabu), the little thief who befriends the prince of Bagdad (John Justin) and foils the nefarious plans of the evil grand vizier (Conrad Veidt), who seizes control of Bagdad and covets the princess of Basra (Joan Duprez). From its gorgeous, epic-scale sets to flying horses, magic carpets, and, best of all, Rex Ingram's towering jinni of the bottle, this Thief has all the magic of the tales that inspired it, and vibrant Technicolor brings it all to life in dazzling style. Six esteemed directors worked on this infamously troubled production, but the final result exceeded all expectations, becoming an instant classic that endures to this day. --Jeff Shannon
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