Notes on a Scandal
by Richard Eyre
from 20th Century Fox
Academy AwardJ winners Judi Dench and Cate Blanchett give wickedly entertaining Oscar-nominated performances - one as a woman consumed by her colleague's guilty secret the other a victim to her own dark obsessions - in this sexy stylish thriller. Dench mesmerizes as Barbara Covett a teacher who rules over her classroom with an iron fist yet leads a desperate solitary life outside it. That is until she meets radiant new art teacher Sheba Hart (Blanchett). Although at first overjoyed with her newfound kindred spirit when Barbara discovers that Sheba is having an affair with a teenage student her jealously and rage spiral out of control.System Requirements:Runtime: 121 minsFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 024543438915 Manufacturer No: 2243891
Gold stars to all for this taut psychological thriller based on Zoe Heller's novel that that gets more insidiously twisted as it unfolds. Oscar-nominated for her chilling performance, Dame Judi Dench gives a master class as schoolteacher Barbara Covett, a frumpy, friendless, and flinty spinster who lives with her cat. A formidable presence, Barbara is standoffish with colleagues and not one for students to trifle with (not that they'd dare). Cate Blanchett, also an Oscar nominee and winner of several critics society awards for her impassioned performance, costars as Sheba Hart, the new, overwhelmed art teacher who first becomes enthrall to Barbara after she steps in to help Sheba discipline unruly students. Barbara cultivates a friendship, and insinuates herself into Sheba's chaotic life, which includes her older husband (Bill Nighy), teenage daughter, and a son with Down's syndrome. Then, Barbara catches the reckless Sheba in a compromising position with a 15-year-old student (Andrew Simpson). Seizing her opportunity, the calculating Barbara does not turn her in. Rather, she wants to "help" her. "She's the one I've been waiting for," she writes in the journals she meticulously keeps, and which provide, in voiceover, her corrosive commentary. This all sounds very Fatal Attraction, but no boiling rabbits, please; we're British. Philip Glass's Oscar-nominated score accentuates the growing menace. Though there is little in these characters to admire, (one would think GLAAD would have something to say about the predatory turn Barbara's character takes), Notes on a Scandal is a compelling tour-de-force for its Grade-A cast. --Donald Liebenson
Notes on a Scandal Extras
![]() Cate Blanchett and Judi Dench on their characters in the film |
Beyond Notes on a Scandal
| Book to Movie Adaptations | More Cate Blanchett Films | What Was She Thinking? Notes on a Scandal: A Novel |
Stills from Notes on a Scandal
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Beautiful Thing
by Hettie MacDonald
from Sony Pictures
This absolute winner, based on a stage play by Jonathan Harvey and adapted by him, is a kind of enchanted, urban slice-of-life tale about a gay teen, Jamie (Glen Berry), who is in love with the boy next door, Ste (Scott Neal). Hampering Jamie's progress on the romantic front is his fear that his mother (Linda Henry) will find out, as well as concern over complicating Ste's existing problems. Beautiful Thing is a relationship movie, to be sure, but that description doesn't really describe the buoyant tone of this British television production. Democratic in its inclusive regard for each character (whether camera-pretty or not), the film--well-directed by Hettie Macdonald--is full of surprises. Chief among them is the terrific personality of Jamie's mum, a strong and independent woman who truly worries over and adores her son. But this is a movie involved in a kind of happy dialogue with itself: the tunes of Mama Cass, for instance, play a part in both the story and overall ambience, while a strategic placement of the Rodgers and Hammerstein chestnut "Sixteen Going on Seventeen" during an act of love is fun and exciting. --Tom Keogh
A pair of teenage boys growing up in a working-class neighborhood become aware of their homosexuality. While both were vaguely aware they might be gay, neither had ever acted on their impulses. Once they decide that they're attracted to each other, neither is sure just what to do. Winner of 4 International Film Festival Awards.
Long Time Dead
by Marcus Adams
from Focus Features
A group of college students at an all-night party dare each other to play a Ouija board. But what starts out as fun rapidly turns into a nightmare when the glass spells out the message "ALL DIE" and a demon is awakened with an appetite for vengeance against those who summoned him. One by one, the students fall prey to a succession of disturbing murders. With time running out and the body count growing, the remaining friends realize they can't trust anybody, not even each other.
Notes on a Scandal
Gold stars to all for this taut psychological thriller based on Zoe Heller's novel that that gets more insidiously twisted as it unfolds. Oscar-nominated for her chilling performance, Dame Judi Dench gives a master class as schoolteacher Barbara Covett, a frumpy, friendless, and flinty spinster who lives with her cat. A formidable presence, Barbara is standoffish with colleagues and not one for students to trifle with (not that they'd dare). Cate Blanchett, also an Oscar nominee and winner of several critics society awards for her impassioned performance, costars as Sheba Hart, the new, overwhelmed art teacher who first becomes enthrall to Barbara after she steps in to help Sheba discipline unruly students. Barbara cultivates a friendship, and insinuates herself into Sheba's chaotic life, which includes her older husband (Bill Nighy), teenage daughter, and a son with Down's syndrome. Then, Barbara catches the reckless Sheba in a compromising position with a 15-year-old student (Andrew Simpson). Seizing her opportunity, the calculating Barbara does not turn her in. Rather, she wants to "help" her. "She's the one I've been waiting for," she writes in the journals she meticulously keeps, and which provide, in voiceover, her corrosive commentary. This all sounds very Fatal Attraction, but no boiling rabbits, please; we're British. Philip Glass's Oscar-nominated score accentuates the growing menace. Though there is little in these characters to admire, (one would think GLAAD would have something to say about the predatory turn Barbara's character takes), Notes on a Scandal is a compelling tour-de-force for its Grade-A cast. --Donald Liebenson
Beautiful Thing [Region 2]
This absolute winner, based on a stage play by Jonathan Harvey and adapted by him, is a kind of enchanted, urban slice-of-life tale about a gay teen, Jamie (Glen Berry), who is in love with the boy next door, Ste (Scott Neal). Hampering Jamie's progress on the romantic front is his fear that his mother (Linda Henry) will find out, as well as concern over complicating Ste's existing problems. Beautiful Thing is a relationship movie, to be sure, but that description doesn't really describe the buoyant tone of this British television production. Democratic in its inclusive regard for each character (whether camera-pretty or not), the film--well-directed by Hettie Macdonald--is full of surprises. Chief among them is the terrific personality of Jamie's mum, a strong and independent woman who truly worries over and adores her son. But this is a movie involved in a kind of happy dialogue with itself: the tunes of Mama Cass, for instance, play a part in both the story and overall ambience, while a strategic placement of the Rodgers and Hammerstein chestnut "Sixteen Going on Seventeen" during an act of love is fun and exciting. --Tom Keogh
Beautiful Thing [IMPORT]
This absolute winner, based on a stage play by Jonathan Harvey and adapted by him, is a kind of enchanted, urban slice-of-life tale about a gay teen, Jamie (Glen Berry), who is in love with the boy next door, Ste (Scott Neal). Hampering Jamie's progress on the romantic front is his fear that his mother (Linda Henry) will find out, as well as concern over complicating Ste's existing problems. Beautiful Thing is a relationship movie, to be sure, but that description doesn't really describe the buoyant tone of this British television production. Democratic in its inclusive regard for each character (whether camera-pretty or not), the film--well-directed by Hettie Macdonald--is full of surprises. Chief among them is the terrific personality of Jamie's mum, a strong and independent woman who truly worries over and adores her son. But this is a movie involved in a kind of happy dialogue with itself: the tunes of Mama Cass, for instance, play a part in both the story and overall ambience, while a strategic placement of the Rodgers and Hammerstein chestnut "Sixteen Going on Seventeen" during an act of love is fun and exciting. --Tom Keogh
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