Esposito, Giancarlo

The Usual Suspects (Special Editon)

Ever since this convoluted thriller dazzled audiences and critics in 1995 and won an Oscar for Christopher McQuarrie's twisting screenplay, The Usual Suspects has continued to divide movie lovers into opposite camps. While a lot of people take great pleasure from the movie's now-famous central mystery (namely, "Who is Keyser Söze?"), others aren't so easily impressed by a movie that's too enamored of its own cleverness to make much sense. After all, what are we to make of a final scene that renders the entire movie obsolete? Half the fun of The Usual Suspects is the debate it provokes and the sheer pleasure of watching its dynamic cast in action, led (or should we say, misled) by Oscar winner Kevin Spacey as the club-footed con man who recounts the saga of enigmatic Hungarian mobster Keyser Söze. Spacey's in a band of thieves that includes Gabriel Byrne, Stephen Baldwin, Kevin Pollak, and Benicio Del Toro, all gathered in a plot to steal a large shipment of cocaine. The story is told in flashback as a twisted plot being described by Spacey's character to an investigating detective (Chazz Palmintieri), and The Usual Suspects is enjoyable for the way it keeps the viewer guessing right up to its surprise ending. Whether that ending will enhance or extinguish the pleasure is up to each viewer to decide. Even if it ultimately makes little or no sense at all, this is a funny and fiendish thriller, guaranteed to entertain even its vocal detractors. --Jeff Shannon

Ever since this convoluted thriller dazzled audiences and critics in 1995 and won an Oscar for Christopher McQuarrie's twisting screenplay, The Usual Suspects has continued to divide movie lovers into opposite camps. While a lot of people take great pleasure from the movie's now-famous central mystery (namely, "Who is Keyser Söze?"), others aren't so easily impressed by a movie that's too enamored of its own cleverness to make much sense. After all, what are we to make of a final scene that renders the entire movie obsolete? Half the fun of The Usual Suspects is the debate it provokes and the sheer pleasure of watching its dynamic cast in action, led (or should we say, misled) by Oscar winner Kevin Spacey as the club-footed con man who recounts the saga of enigmatic Hungarian mobster Keyser Söze. Spacey's in a band of thieves that includes Gabriel Byrne, Stephen Baldwin, Kevin Pollak, and Benicio Del Toro, all gathered in a plot to steal a large shipment of cocaine. The story is told in flashback as a twisted plot being described by Spacey's character to an investigating detective (Chazz Palmintieri), and The Usual Suspects is enjoyable for the way it keeps the viewer guessing right up to its surprise ending. Whether that ending will enhance or extinguish the pleasure is up to each viewer to decide. Even if it ultimately makes little or no sense at all, this is a funny and fiendish thriller, guaranteed to entertain even its vocal detractors. --Jeff Shannon

Winner of two 1995 Academy AwardsÂ(r), including Best Original Screenplay, this masterful, atmospheric film noir enraptured audiences with its complex and riveting storyline, gritty, tour-de-force performances (including an OscarÂ(r)-winning* turn by Kevin Spacey) and a climax that is truly deserving of the word stunning. Also starring Stephen Baldwin, Gabriel Byrne, Chazz Palminteri, Kevin Pollak and Pete Postlethwaite, this 'thoroughly engrossing film (HBO) is so gripping and diabolically clever (The Wall Street Journal) that it becomes a maze you'll be happy to get lost in (Los Angeles Times)! Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that the mythic crime lord not only exists, but was also responsible for drawinghim and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro Harborleaving few survivors. But as Kint lures his interrogators into the incredible story of this crime lord's almost supernatural prowess, so too will you be mesmerized by a lore that is completely captivating from beginning to end!

Maximum Overdrive

Get ready for the ultimate battle of man vs. bloodthirsty machine in this terrifying Stephen King classic! For three horrifying days the Earth passes through the tail of a mysterious comet. The skies glow an eerie green as humanity waits to see what the fallout will be. But what they imagine is nothing like the nightmare they find - the comet's magnetic fields cause all of the machines on Earth to suddenly come to life and terrorize their human creators in a horrific killing spree. Now its up to a small group of people trapped in a desolate truckstop to defeat the killer machines - or be killed by them!System Requirements:Runnign Time: 81 MinutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 692865147336 Manufacturer No: T-1473

Harley Davidson and the Marlboro Man

Sheathing itself in bad taste, this film flaunts its tackiness, its machismo, and its very stupidity, which of course makes for a lot of dopey fun. Harley Davidson (Mickey Rourke) returns to his roots, the LA of 1996 (the film was set in the near future, as it was made in 1991). Burbank has become an airport, a new drug called Crystal Dream is all the rage, and Harley's favorite bar is being torn down. To save it, he and the Marlboro Man (Don Johnson, at his most engaging) concoct an armed robbery that goes awry. Instead of cash, they end up with a shipment of Crystal Dream. Hunted by a drug dealer's goons, the two bark, fight, drink, and squint at each other as they try to get themselves out of their mess. This is Butch Cassidy and the Sundance Kid for the monster-truck crowd, with plenty of breasts, choppers, broken pool cues, and empty bottles. It's impossible to blame this film for being so emphatically trashy; its creators would consider that a compliment, anyway. --Keith Simanton

In the lawless world of 1996, two motorcycle renegades rob a bank to save their favorite hangout, and find themselves in the middle of a multi-million dollar drug swindle.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 6-FEB-2001
Media Type: DVD

Nothing to Lose

With a story that's too flimsy to support its running time, this road-movie comedy has plenty of problems, but at its best it's a surprisingly inspired vehicle for the clever teaming of Tim Robbins and Martin Lawrence. Robbins plays an addled advertising executive who comes home early one day and discovers his wife in bed with his boss. To make matters worse, he's later carjacked by a struggling, unemployed family-man-turned-petty-thief (Lawrence), and that's when he loses his cool completely. He takes the carjacker hostage and recruits him on a road-trip scheme of revenge against his wife and boss. Plotting to break into his boss's high-security vault, Robbins gets a criminal assist from Lawrence, but they're also on the run from another pair of would-be thieves who trail them to the vault's location. The routine plot is occasionally limp and sluggish, but writer-director Steve Oedekerk (who makes a wacky cameo appearance as a security guard) mines comedy gold during several scenes that detour from the plot for the sake of sheer lunacy. Robbins and Lawrence have great comedic chemistry (if you can tolerate Lawrence's constant profanity), and although the movie ends on a false note with some unlikely turns of fate, it's definitely good for more than a few solid laughs. --Jeff Shannon

This hugely funny action-comedy hit stars big-screen favorites Martin Lawrence (BAD BOYS) and Tim Robbins (HIGH FIDELITY). Advertising executive Nick Beam (Robbins) has completely bottomed out. His career is a mess, his marriage is on the rocks ... and a fast-talking would-be carjacker (Lawrence) has just jumped into his car! So what does he do? Nick throws common sense out the window and turns the tables on his captor! Soon this mismatched pair speeds off on a comical crime spree that includes holdups, high-speed chases, and revenge! Set to a hot hit soundtrack, NOTHING TO LOSE is another wild comedy success from the creator of ACE VENTURA and THE NUTTY PROFESSOR!

The Usual Suspects

A group of criminals fail on a job worth 91 million, and the police try to get the sole survivor to help them find the legendary and treacherous Keyser Soze, a sort of criminal's boogie man, who some doubt even exists.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 7-DEC-1999
Media Type: DVD

Ever since this convoluted thriller dazzled audiences and critics in 1995 and won an Oscar for Christopher McQuarrie's twisting screenplay, The Usual Suspects has continued to divide movie lovers into opposite camps. While a lot of people take great pleasure from the movie's now-famous central mystery (namely, "Who is Keyser Söze?"), others aren't so easily impressed by a movie that's too enamored of its own cleverness to make much sense. After all, what are we to make of a final scene that renders the entire movie obsolete? Half the fun of The Usual Suspects is the debate it provokes and the sheer pleasure of watching its dynamic cast in action, led (or should we say, misled) by Oscar winner Kevin Spacey as the club-footed con man who recounts the saga of enigmatic Hungarian mobster Keyser Söze. Spacey's in a band of thieves that includes Gabriel Byrne, Stephen Baldwin, Kevin Pollak, and Benicio Del Toro, all gathered in a plot to steal a large shipment of cocaine. The story is told in flashback as a twisted plot being described by Spacey's character to an investigating detective (Chazz Palmintieri), and The Usual Suspects is enjoyable for the way it keeps the viewer guessing right up to its surprise ending. Whether that ending will enhance or extinguish the pleasure is up to each viewer to decide. Even if it ultimately makes little or no sense at all, this is a funny and fiendish thriller, guaranteed to entertain even its vocal detractors. --Jeff Shannon

Ever since this convoluted thriller dazzled audiences and critics in 1995 and won an Oscar for Christopher McQuarrie's twisting screenplay, The Usual Suspects has continued to divide movie lovers into opposite camps. While a lot of people take great pleasure from the movie's now-famous central mystery (namely, "Who is Keyser Söze?"), others aren't so easily impressed by a movie that's too enamored of its own cleverness to make much sense. After all, what are we to make of a final scene that renders the entire movie obsolete? Half the fun of The Usual Suspects is the debate it provokes and the sheer pleasure of watching its dynamic cast in action, led (or should we say, misled) by Oscar winner Kevin Spacey as the club-footed con man who recounts the saga of enigmatic Hungarian mobster Keyser Söze. Spacey's in a band of thieves that includes Gabriel Byrne, Stephen Baldwin, Kevin Pollak, and Benicio Del Toro, all gathered in a plot to steal a large shipment of cocaine. The story is told in flashback as a twisted plot being described by Spacey's character to an investigating detective (Chazz Palmintieri), and The Usual Suspects is enjoyable for the way it keeps the viewer guessing right up to its surprise ending. Whether that ending will enhance or extinguish the pleasure is up to each viewer to decide. Even if it ultimately makes little or no sense at all, this is a funny and fiendish thriller, guaranteed to entertain even its vocal detractors. --Jeff Shannon

Twilight

Burned-out private eye plunges into a murder mystery tied to a long-unsolved case involving an aging actor.
Genre: Feature Film-Drama
Rating: R
Release Date: 28-MAR-2006
Media Type: DVD

If it hadn't been released in 1998 with a veteran cast of Hollywood's finest, you could swear that Twilight was a movie from the 1940s--the kind of intelligent mystery that would've made Humphrey Bogart feel right at home. To be sure, that was exactly the intention of director and co-writer Robert Benton (in collaboration with Nobody's Fool writer Richard Russo), but the film's blessing is also its curse. Benton and Russo are so enamored of vintage mystery plots and characters that their movie nearly succumbs to the burden of old-fashioned familiarity. As the title suggests, the movie's aging characters, led by Newman as a private eye who's almost literally on his last legs, are all on the downhill of life, their Hollywood glory days behind them. Newman's character lives in the luxury home of two fading stars (Gene Hackman, Susan Sarandon) who may or may not be connected to a murder plot that also involves one of Newman's old colleagues (James Garner). Whether they're literally in their final days (as in the case of Hackman's character) or just grasping for some comfort in their twilight years, these characters interact with the kind of worldly, intelligent dialogue that was common in the better movies of Hollywood's past. But while Twilight gives Newman yet another role to fit into like a favored old suit, the movie's so low-key that some viewers may find it hard to sit through. That's a shame, because the bombastic, frenetically paced films that dominated the 1990s may have diminished our collective capacity to appreciate the solid, character-driven movie tradition that Twilight attempts to revive. --Jeff Shannon

Sherrybaby

A disturbing film about a recovering drug addict trying to regain control of her life, Sherrybaby succinctly depicts what can happen when want and desire aren't offset by control. In this bleak indie film, Sherry Swanson (Maggie Gyllenhaal, Stranger Than Fiction, Secretary) has just been released from a three-year stint in prison. Dressed in her inappropriate uniform of a halter top and oh-so-high platform heels, she goes to brother's house to see her 5-year-old daughter, Lexie (Ryan Simpkins). Sherry is determined to be a mother to her child, but without a home, job, or any other form of stability, she grows frustrated and jealous of her brother and sister-in-law's roles in Lexie's life. Tall and willowy, Gyllenhaal brings a sad desperation and simmering sexuality to the role. Sherry's middle-class childhood was a blur of sex and drugs, and she seems incapable of breaking out of that destructive trap. While the script by first-time feature film director Laurie Collyer isn't wholly original, the picture moves at a good pace, giving insight as to why Sherry's resigned to using sex to get what she wants. While the family secret doesn't come as a complete surprise, it is somewhat perplexing that no one addresses it. Ultimately, it's Gyllenhaal who makes you care about a character that most people would've given up on. --Jae-Ha Kim

Maggie Gyllenhaal is mesmerizing as a recovering addict in writer-director Laurie Collyer's feature-length fiction-film debut SHERRYBABY. Gyllenhaal stars as Sherry Swanson a troubled woman who has just been released from prison where she spent three years for robbery to support her heroin addiction. Determined to regain control of her life she moves into a halfway house and starts looking for a job being carefully watched by her tough parole officer (Giancarlo Esposito). At an AA meeting she is drawn to Dean Walker (Danny Trejo) a gritty older man who befriends her--but his ties to her dangerous past life threaten to pull her back in. Sherry's main desire is to reestablish a relationship with her young daughter Alexis (Ryan Simpkins) who is being raised by Sherry's brother Bobby (Brad William Henke) and his wife Lynnette (Bridget Barkan)--but Lynnette doesn't trust Sherry wanting to keep Alexis for her own. As Sherry struggles to get back on track she plays by her own rules with drugs and a return to prison waiting just around the corner. Gyllenhaal gives a raw bare powerful performance as the embattled and desperate Sherry who will do almost anything to regain her daughter's love. Loosely based on the story of one of Collyer's closest childhood friends SHERRYBABY which got its start in the Sundance Filmmaker's Lab is an emotional rollercoaster of a movie with realistic characters an excellent cast and plenty of surprising turns.System Requirements:Running Time: 96 MinutesFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 025193343628 Manufacturer No: 68033436

Do the Right Thing

Spike Lee's incendiary look at race relations in America, circa 1989, is so colorful and exuberant for its first three-quarters that you can almost forget the terrible confrontation that the movie inexorably builds toward. Do the Right Thing is a joyful, tumultuous masterpiece--maybe the best film ever made about race in America, revealing racial prejudices and stereotypes in all their guises and demonstrating how a deadly riot can erupt out of a series of small misunderstandings. Set on one block in Bedford-Stuyvesant on the hottest day of the summer, the movie shows the whole spectrum of life in this neighborhood and then leaves it up to us to decide if, in the end, anybody actually does the "right thing." Featuring Danny Aiello as Sal, the pizza parlor owner; Lee himself as Mookie, the lazy pizza-delivery guy; John Turturro and Richard Edson as Sal's sons; Lee's sister Joie as Mookie's sister Jade; Rosie Perez as Mookie's girlfriend Tina; Ossie Davis and Ruby Dee as the block elders, Da Mayor and Mother Sister; Giancarlo Esposito as Mookie's hot-headed friend Buggin' Out; Bill Nunn as the boom-box toting Radio Raheem; and Samuel L. Jackson as deejay Mister Señor Love Daddy. A rich and nuanced film to watch, treasure, and learn from--over and over again. --Jim Emerson

The Box

A disgraced former LAPD detective leads a home invasion oin search of millions in stolen money. The plan goes awry and homicide detectives (Gabrielle Union Giancarlo Esposito) seeking answers interrogate the only survivors: a thief and a victim. But this thrilling murder mystery doesn't stop there delving deeper into the detectives' true motivations - for one (Union) the urge to amend her past mistakes as a rookie cop; for the other (Esposito) the desire to cash in on a high-stakes offer from the mysterious mastermind behind the scheme.Format: DVD MOVIE Genre: ACTION/ADVENTURE/THRILLERS UPC: 883476000824 Manufacturer No: CM0082DVD

School Daze

Spike Lee's follow-up to his unlikely hit She's Gotta Have It was this ambitious--some would say too ambitious--attempt at a musical about college life. But Lee, ever the provocateur, doesn't settle for a simple college comedy. Rather, he wants to make a point about the social divisions within all-black colleges: between the socializers and the socially conscious, and between light and dark-skinned blacks. Laurence Fishburne plays a politically aware student trying to bring his fellow students together; Giancarlo Esposito plays the fraternity boss who constantly seeks to insert a wedge between the haves and have-nots. Lee himself plays a pawn in the middle, a would-be frat boy undergoing a wicked Hell Week as a pledge. The story doesn't pull together and the musical numbers--more spoof than anything else--only serve to fragment it. While it offers interesting points, it never does so in a particularly cohesive way. --Marshall Fine