Evans, Edith

The Nun's Story

Fred Zinnemann's epic drama is a splendid showcase for Audrey Hepburn, who stars as the young nun Sister Luke, who is deeply spiritual yet conflicted about whether or not she can conform to convent life. Though the film is a mesmerizing--and quite leisurely--two and a half hours, its plot is fairly simple--young Gabrielle (Hepburn) enters the convent pledging her life to God, learns the disciplines associated with the life, receives her dream assignment of going to the Congo as a missionary nurse, and once there, is forced to face whether she is meant for the rigorous life of poverty, chastity, and most difficult of all, obedience. The film does a marvelous job of portraying the challenges of cloistered life without being either off-putting or overly romantic. And Hepburn, sometimes with only her eyes, communicates all the drive, faith, and conflict of a young woman so torn. --Anne Hurley

Story of Gabrielle Van Der Mal who gives up everything to become a nun facing incredible odds in the Congo and then at the mother house in France at the outbreak of World War II.Running Time: 151 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569739864 Manufacturer No: 73986

The Slipper and the Rose

QB VII

This five-hour miniseries, which was hailed as both a critical triumph and a milestone "television event" when it originally aired in 1974, is based on the Leon Uris novel, which itself was based on a libel trial that arose after Uris published his novel Exodus. The fictionalized drama is essentially the story of two men, Dr. Adam Kelno, a Polish doctor who was imprisoned by the Nazis in a concentration camp, and Abe Cady, a successful Hollywood writer who publishes a serious book on the Holocaust that exposes Kelno's past. Playing Dr. Kelno, Anthony Hopkins steals the show, and the nuances he brings to the character keep the audience guessing whether he is in fact a dedicated healer or a diabolical villain intent on papering over a fiendish past. Ben Gazzara is credible as the tough-talking Cady, but when Hopkins leaves the action for a time the film sags and begins to resemble an ordinary TV movie. Eventually the two men's lives come into conflict when Kelno sues for libel. The trial, which takes place in a London courtroom (the "Queen's Bench VII" of the title), seeks to sort out the truth about the past of Dr. Kelno. His precise activities during the war, and how the world deals with his past, receive intelligent and dramatic treatment. --Robert J. McNamara

Scrooge

A mixed bag as variations on A Christmas Carol go, this 1970 British musical tells the usual story of Scrooge (Albert Finney) and his spirits on Christmas Eve, although the whole thing is set to music by Leslie Bricusse. Except for Finney's feisty and involved performance, however, there isn't much to recommend this. The songs, which absorb so much of the evolving story line and emotions, are not all that good. Plenty of support, however, from the likes of Roy Kinnear (Willy Wonka & the Chocolate Factory) and Dame Edith Evans (Tom Jones), the handsome production is directed by veteran Ronald Neame (The Prime of Miss Jean Brodie). --Tom Keogh

A Doll's House

This superb version of Henrik Ibsen's classic play A Doll's House stars Claire Bloom (Brideshead Revisited, Charly) as Nora, a sweet and lively but frivolous woman whose puritanical husband Torvald (Anthony Hopkins, The Silence of the Lambs, The Elephant Man) loves her but doesn't take her seriously. As Torvald assumes a new position as a bank manager, an old debt of Nora's intrudes upon their happy life and reveals secret sides of both husband and wife. The play has been skillfully turned into film, tightening the action and providing the opportunity for intimate performances from an outstanding cast that also includes Sir Ralph Richardson (The Fallen Idol, Greystoke: The Legend of Tarzan), Dame Edith Evans (Tom Jones, The Importance of Being Earnest), Denholm Elliott (Raiders of the Lost Ark, A Room with a View), and other topnotch British actors. --Bret Fetzer

A woman's struggle to have her voice heard in a man's world is "startlingly moving" (The Wall Street Journal) in this cinematic adaptation of Henrik Ibsen's famous play. "Superior performances" (The New York Times) by Claire Bloom (Crimes and Misdemeanors) and Oscar®winner* Anthony Hopkins (Hannibal) set the stage for an engrossing and remarkable drama.Nora (Bloom) will do anything to please her authoritarian husband Torvald (Hopkins). Per Torvald's instructions, Nora focuses on such womanly disciplines as dancing and taking care of babies whilehe sees to all the affairs of money. But when a past financial mistake comes back to haunt Nora, and Torvald finds out, the result is an explosion of fury and a shocking revelation that changes the course of the entire family forever. *1991: Actor, The Silence of the Lambs

Tom Jones

Winner of four Academy Awards including best picture, director, screenplay, and music, this 1963 adaptation of Henry Fielding's classic novel is a rousing, bawdy comedy about a young man's ribald adventures in 18th-century England. Albert Finney is splendidly hilarious in the title role of a charming womanizer who was discovered as an abandoned infant in the bed of Squire Allworthy, a wealthy landowner who named the child Tom Jones and raised him as his own. As a young man, Tom yearns for the comely daughter (Susannah York) of a neighboring squire, but his amorous adventures (including an extended food orgy that becomes the film's funniest scene) lead him to London and to a duel with a jealous husband. He's sentenced to hang, but fate intervenes. A hit around the world, the film was expertly written by noted playwright John Osborne, and director Tony Richardson uses a variety of old-style movie techniques to heighten the lusty, good-natured fun. Don't miss this one! --Jeff Shannon

The Importance of Being Earnest - Criterion Collection

If you're looking for the definitive example of dry British wit, look no further than The Importance of Being Earnest. Of course, it helps to have Oscar Wilde's beloved play as source material, but this exquisite adaptation has a charmed life of its own, with a perfectly matched director (Anthony Asquith was raised in the rarified, upper-class atmosphere of Wilde's play) and a once-in-a-lifetime cast. Mix these ingredients with Wilde's inimitable repartee, and you've got a comedic soufflé that's been cooked to perfection. Opening with a proscenium nod to its theatrical origins, the film turns Wilde's comedy of clever deception and mixed identities into a cinematic treat, and while the 10-member cast is uniformly superb, special credit must be given to Dame Edith Evans, reprising her stage role as the imperiously stuffy Lady Bracknell. To hear her Wilde-ly hilarious inflections and elongated syllables is to witness British comedy in its purest form, fully deserving of the royal Criterion treatment. --Jeff Shannon

Oscar Wilde's comic jewel sparkles in Anthony Asquith's film adaptation of The Importance of Being Earnest. Featuring brilliantly polished performances by Michael Redgrave, Joan Greenwood, and Dame Edith Evans, the enduringly hilarious story of two young women who think themselves engaged to the same nonexistent man is given the grand Technicolor treatment. Seldom has a classic stage comedy been so engagingly transferred to the screen. The Criterion Collection is proud to present The Importance of Being Earnest on DVD for the first time.

Look Back in Anger

Richard Burton was riding high in grandiose roles in Hollywood and on Broadway when he returned to Britain to portray trumpet-playing social dropout Jimmy Porter in Tony Richardson's adaptation of John Osborne's groundbreaking 1956 play. Burton's Jimmy works in a public market "sweet stall" where he rubs shoulders with the working class with a condescending air, while he takes out his contempt of bourgeois complacency at home on his spiritually whipped wife (a numb-looking Mary Ure) and her best friend (Claire Bloom). Burton is too old for the part of the self-loathing college grad, but his performance simmers with frustration and misdirected rage that masks the sad, vulnerable underside to his misanthropic swipes. The film became the opening volley in Britain's "New Cinema," a new wave of young directors, working-class themes, and social-realist style. --Sean Axmaker

OscarÂ(r) nominee* Richard Burton delivers a passionate performance, and Mary Ure, ClaireBloom, Gary Raymond and Edith Evans give exciting stand-out portrayals (Los Angeles Times)in this powerful and engrossing motion picture (Cue) that bristles with brilliant dialogue (The Hollywood Reporter) and raw human emotion. Rage! His eyes blaze with it and his bodyseethes with it. Jimmy Porter is a man consumed by anger, and every moment he spends in the rank, suffocating squalor of the English factory town that entraps him, propels him closer and closer towards self-annihilation. But Jimmy's savage cruelty is not limited to himself. He also hurts the ones he lovesagain and again. And this time, he's about to commit an act so brutal, so destructive, that his wife Alison, her best friend Helena, and even Jimmy himself may not be able to survive! *Actor: The Robe (1953), Becket (1964), The Spy Who Came In From The Cold (1965), Who's Afraid Of Virginia Woolf (1966), Anne Of The Thousand Days (1969), Equus (1977); Supporting Actor: My Cousin Rachel (1952)

Tom Jones

Winner of four Academy Awards including best picture, director, screenplay, and music, this 1963 adaptation of Henry Fielding's classic novel is a rousing, bawdy comedy about a young man's ribald adventures in 18th-century England. Albert Finney is splendidly hilarious in the title role of a charming womanizer who was discovered as an abandoned infant in the bed of Squire Allworthy, a wealthy landowner who named the child Tom Jones and raised him as his own. As a young man, Tom yearns for the comely daughter (Susannah York) of a neighboring squire, but his amorous adventures (including an extended food orgy that becomes the film's funniest scene) lead him to London and to a duel with a jealous husband. He's sentenced to hang, but fate intervenes. A hit around the world, the film was expertly written by noted playwright John Osborne, and Richardson uses a variety of old-style movie techniques to heighten the lusty, good-natured fun. Don't miss this one! --Jeff Shannon

The Slipper and the Rose

You know the story: Cinderella rides in a magical pumpkin to the ball, enchants the prince, and flees at midnight. He finds her slipper and tracks her down, and they live happily ever after. But wait! In The Slipper and the Rose, it turns out there's more to the life of a prince than being charming. The king prefers to choose the prince's wife, one of proper social station who would provide a strong political alliance to ward off the kingdom's enemies. That's one of the twists in this 1976 British take on the classic fairy tale, one of a long line of musical versions.

The disgruntled prince, who's as much of a focal point here as the lady with the footwear, is played by Richard Chamberlain, during the years when he was taking on the classics and had not yet been crowned king of the TV miniseries. He displays a pleasant voice opposite Gemma Craven as Cinderella, and veteran character actor Michael Hordern as the king leads the supporting ensemble. Add lavish sets and lush scenery (partially filmed in Austria), humor, fun choreography, and an Oscar-nominated score full of charming songs by Richard M. and Robert B. Sherman (veterans of such Disney movies as Mary Poppins and The Jungle Book, and who also cowrote the script with director Bryan Forbes), and you have a grand, engaging family musical. The 143-minute running time and dreamy, deliberate pace might test the patience of antsy viewers, but this is the first time The Slipper and the Rose has been available on video in its uncut version, and its legion of fans wouldn't have it any other way. --David Horiuchi

The Slipper and the Rose is a grand musical adventure in the tradition of The Sound of Music and My Fair Lady. This lavish production features Richard Chamberlain in a spirited retelling of the classic Cinderella fairy tale, and the Academy Award-nominated score is provided by the Oscar-winning song-writing duo the Sherman Brothers (Mary Poppins, The Jungle Book, Chitty Chitty Bang Bang). The Slipper and the Rose is a brilliant mix of fantasy and realism that will enchant viewers of all ages. No musical collection would be complete without this romantically delightful film. Audio commentary by director Bryan Forbes (The Stepford Wives, King Rat). Video interview with the Sherman Brothers. Promotional featurette--Cinderella Story: The Making of "The Slipper and the Rose." Available for the first time on home video in its complete, full-length version. 143 minutes. AC-3 Soundtrack. 16x9 anamorphic widescreen transfer.