Freeman, Joan

Come September

Hanging out at an Italian villa with Rock Hudson and Gina Lollobrigida sounds like a painless way to kill a vacation--and Come September is a pretty painless movie, too. Rock is a millionaire who spends a month at his home on the Riviera every year, except this year he's come early and surprised his staff, who've been running the place as a paying hotel. This is one of those comedies of sexual frustration--Rock can't get alone with Gina, because the "hotel" is overrun with American teenagers (chief among them Sandra Dee and Bobby Darin, who married after meeting on the shoot). The plot is labored, and director Robert Mulligan shows little feel for farce (he would shortly hit his stride with To Kill a Mockingbird). At least the location shooting has a nice summer breeze to it, and Darin sings "Multiplication" in a nightclub, complete with hepcat moves. --Robert Horton

The Reluctant Astronaut

Roustabout

The Elvis formula was well in place by the time of 1964's Roustabout: a passel of undistinguished songs (anyone remember "Poison Ivy League"?), pretty girls, tight pants, a colorful setting, and a little bit of karate to prove that Elvis really had been studying his martial arts. With that understood, Roustabout is a better-than-average workout for the King--not as peppy as Viva Las Vegas, but a good deal livelier than the sleepwalking It Happened at the World's Fair. Elvis plays a bad-boy singer roaming the highways on his Japanese motorcycle; laid up after an accident, he joins a carnival owned by the feisty Barbara Stanwyck. ("This is not a circus, it's a carnival. There's a big difference.") The cast goes from high to low: both giant-sized future James Bond villain Richard Kiel and tiny Billy Barty are carny regulars, and Raquel Welch has a small role in the opening scene. Teri Garr is one of the carnival dancers behind Elvis. The legendary costume designer Edith Head puts Elvis in a series of snappy windbreakers, but thank goodness he's also in black leather a lot. As if that weren't enough to recommend it, the movie has a sequence involving Elvis riding a cycle inside the "Wall of Death," a huge wooden cylinder with high walls. This bit actually inspired an entire Irish film in 1986, Eat the Peach, in which friends build a similar contraption after they watch Roustabout on tape. --Robert Horton

The Haunted Palace / The Tower of London

THE HAUNTED PALACE TOWER OF LONDON

Friday the 13th - The Final Chapter

Amateur butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-and-slash formula was pretty narcoleptic by this point, but this otherwise humdrum entry is distinguished by some unusual casting choices (Crispin Glover as a stud in training? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andrew Wright

Lassie - 50th Anniversary TV Collection

Jinxed!

Hide your chips and hold onto your husbands! Bette Midler "is pure stardust" (The Village Voice) as a saucy and seductive lounge singer seeking better fortunes in this irresistible black comedy that deals in big laughs! Co-starring the "truly comic" (The New York Times) Rip Torn and the "darkly handsome and virile" (The Hollywood Reporter) Ken Wahl, Jinxed is "bubbling with wit and merriment" (The Village Voice)! After losing his latest card-dealing job in Tahoe, Willie Brodax (Wahl) moves to Reno to shake Harold (Torn), a gambler who's made a career of following him clear across Nevada. But their luck changes when Harold's wife (Midler) falls head-over-heels for WillieÂ...and deals him in on a madcap murder plot that'll have you doubling-down with laughter!

The Three Stooges Go Around the World in a Daze

The Three Stooges Go Around the World in a Daze (1963) has some distinction among the few features made by Moe and Larry with Joe DeRita. Basically a retelling of the Jules Verne classic, the plot has the added twist of Phineas Fogg III having to emulate the experience of his ancestor but without paying a penny in doing so. Again there is a bank robbery that is blamed on Fogg, but this time the culprits actively attempt to stop his progress since the perpetuator is the very villain who made the bet to begin with.

A personable Jay Sheffield plays the circumnavigator straight and love interest Joan Freeman does what acting she can, given a stereotyped role. What is interesting is that the Stooges, at least in their opening scenes, try to play English servants, accents and all, but they fall into more familiar patterns as the film progresses. While in India, the three get to reprise the vaudeville routine of the nearly blind Maja who goes "Aha?" (done better by Curly in "Three Little Pirates"). While in San Francisco, they reprise the fight sequence of "Punch Drunks" (again surpassed by Curly in the second Stooges short way back in 1934) in which Curly Joe can win only when driven berserk by the sound of "Pop Goes the Weasel" as played by Larry.

In lieu of the expected chase at the end, there is the wild attempt to get to the club just before midnight to win all the side bets Fogg had placed on his 80-days deadline. Their arrival through a solid wall is a fitting ending to a film that just might induce youngsters to read the original book. A very respectable Three Stooges effort. --Frank Behrens

Moe, Larry, and Joe embark on a worldwide journey with the great-grandson of Phileas Fogg a la AROUND THE WORLD IN 80 DAYS. Crime and attempted murder clouds the voyage, but in the end Fogg and the Stooges are successful.

Roustabout

The Elvis formula was well in place by the time of 1964's Roustabout: a passel of undistinguished songs (anyone remember "Poison Ivy League"?), pretty girls, tight pants, a colorful setting, and a little bit of karate to prove that Elvis really had been studying his martial arts. With that understood, Roustabout is a better-than-average workout for the King--not as peppy as Viva Las Vegas, but a good deal livelier than the sleepwalking It Happened at the World's Fair. Elvis plays a bad-boy singer roaming the highways on his Japanese motorcycle; laid up after an accident, he joins a carnival owned by the feisty Barbara Stanwyck. ("This is not a circus, it's a carnival. There's a big difference.") The cast goes from high to low: both giant-sized future James Bond villain Richard Kiel and tiny Billy Barty are carny regulars, and Raquel Welch has a small role in the opening scene. Teri Garr is one of the carnival dancers behind Elvis. The legendary costume designer Edith Head puts Elvis in a series of snappy windbreakers, but thank goodness he's also in black leather a lot. As if that weren't enough to recommend it, the movie has a sequence involving Elvis riding a cycle inside the "Wall of Death," a huge wooden cylinder with high walls. This bit actually inspired an entire Irish film in 1986, Eat the Peach, in which friends build a similar contraption after they watch Roustabout on tape. --Robert Horton

Warhead (1977)