Frees, Paul

Pirates of the Caribbean - The Curse of the Black Pearl (Two-Disc Collector's Edition)

From producer Jerry Bruckheimer (PEARL HARBOR) comes PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL, the thrilling high-seas adventure with a mysterious twist. The roguish yet charming Captain Jack Sparrow's (Academy Award(R) Nominee Johnny Depp) idyllic pirate life capsizes after his nemesis, the wily Captain Barbossa (Geoffrey Rush), steals his ship, the Black Pearl, and later attacks the town of Port Royal, kidnapping the governor's beautiful daughter Elizabeth (Keira Knightley). In a gallant attempt to rescue her and recapture the Black Pearl, Elizabeth's childhood friend Will Turner (Orlando Bloom) joins forces with Jack. What Will doesn't know is that a cursed treasure has doomed Barbossa and his crew to live forever as the undead. Rich in suspense-filled adventure, sword-clashing action, mystery, humor, unforgettable characters, and never-before-seen special effects, PIRATES is a must-have epic on the grandest scale ever.

You won't need a bottle of rum to enjoy Pirates of the Caribbean: The Curse of the Black Pearl, especially if you've experienced the Disneyland theme-park ride that inspired it. There's a galleon's worth of fun in watching Johnny Depp's androgynous performance as Captain Jack Sparrow, a roguish pirate who could pass for the illegitimate spawn of rockers Keith Richards and Chrissie Hynde. Depp gets all the good lines and steals the show, recruiting Orlando Bloom (a blacksmith and expert swordsman) and Keira Knightley (a lovely governor's daughter) on an adventurous quest to recapture the notorious Black Pearl, a ghost ship commandeered by Jack's nemesis Capt. Barbossa (Geoffrey Rush), a mutineer desperate to reverse the curse that left him and his (literally) skeleton crew in a state of eternal, undead damnation. Director Gore Verbinski (The Ring) repeats the redundant mayhem that marred his debut film Mouse Hunt, but with the writers of Shrek he's made Pirates into a special-effects thrill-ride that plays like a Halloween party on the open seas. Aye, matey, we've come a long way since Jason and the Argonauts! --Jeff Shannon

The Ugly Dachshund

When a Great Dane puppy is raised with a litter of Dachshunds, it naturally thinks it's a Dachshund too--even when it grows to 10 times the size. Dean Jones and Suzanne Pleshette star as the hapless couple who took in the galumphing dog, which wreaks havoc on their house and home. The Ugly Dachshund is mostly a series of spectacular disasters (the doggy demolition of Jones's art studio will delight kids and reduce adults to nervous wrecks), but it's held together by the convincing domestic banter of Jones and Pleshette (who was quite a dish in 1965); the pair went on to star in a couple of other Disney live-action flicks, Bluebeard's Ghost and The Shaggy D.A.. Despite some racial and gender stereotypes, it's a good-natured and amusing movie in the Disney mold. Also featuring classic character actor Charlie Ruggles (Bringing Up Baby, The Parent Trap). --Bret Fetzer

There's magic in the memories as great Disney moments are captured right here for you and your family to enjoy. You don't have to own a pet to enjoy this story of a happy suburban household gone to the dogs! The Garrisons (Dean Jones and Suzanne Pleshette) are the "proud parents" of three adorable dachshund pups -- and one overgrown Great Dane named Brutus, who nevertheless thinks of himself as a dainty dachsie. His identity crisis results in an uproarious series of household crises that reduce the Garrisons' house to shambles -- and viewers to howls of laughter!

The Point

Harry Nilsson wrote the entirely hummable songs (including the hit, "Me and My Arrow") for this charming, 1971 animation feature about a boy with a round head who is banished from the land of pointy-headed people. An allegory about nonconformism presented in a delightful way, this is a treat for everybody. Ringo Starr, the late Nilsson's old pal, narrates. --Tom Keogh

The Pink Panther Classic Cartoon Collection, Vol. 6 - Inspector Cartoons

With a nose for clues, an eye for intrigue and a mind like a steel trap that's jammed shut, The Inspector sets out to solve Paris' most puzzling crime mysteries.

The Time Machine

The Time Machine 40th AnniversaryFrom H.G. Wells' landmark novel comes this beloved adventure about the inventor of a time-travel device that whisks him through a war-ravaged 20th century and into a far-off era where humans are enslaved by evil subterranean mutants. Rod Taylor Yvette Mimieux and Alan Young star in this Best Special Effects Oscar winnerYear: 1960Starring: Rod Taylor Yvette Mimieux Alan YoungFormat: DVD MOVIE

After scoring popular hits with When Worlds Collide and The War of the Worlds, special-effects pioneer George Pal returned to the visionary fiction of H.G. Wells to produce and direct this science-fiction classic from 1960. Wells's imaginative tale of time travel was published in 1895 and the movie is set in approximately the same period with Rod Taylor as a scientist whose magnificent time machine allows him to leap backward and forward in the annals of history. His adventures take him far into the future, where a meek and ineffectual race known as the Eloi have been forced to hide from the brutally monstrous Morlocks. As Taylor tests his daring invention, Oscar-winning special effects show us what the scientist sees: a cavalcade of sights and sounds as he races through time at varying speeds, from lava flows of ancient earth to the rise and fall of a towering future metropolis.

The movie's charm lies in its Victorian setting and the awe and wonder that carries over from Wells's classic story. The pioneering spirit of the movie is still enthralling, but it gets a bit silly when Taylor turns into a stock hero, rescuing a beautiful blonde Eloi (Yvette Mimieux) and battling with the chubby green Morlocks whose light-bulb eyes blink out when they die. Although it's quaint when compared to the special-effects marvels of the digital age, the movie's still highly entertaining and filled with a timeless sense of wonder. --Jeff Shannon

The Incredible Mr. Limpet

Ever wonder what would happen if the imaginary worlds of Bedknobs and Broomsticks and SpongeBob SquarePants were to collide? If so, chances are good you've yet to discover The Incredible Mr. Limpet. Starring the irrepressible Don Knotts, this 1964 family feature combines live (land) action and animated (undersea) sequences with delightful results. During World War II, Knotts is mild-mannered, spectacle-sporting bookkeeper Henry Limpet. More than anything--he's a fish fan and a patriot. When the navy rejects him due to poor eyesight, he falls into a funk from which not even his beloved aquarium or loving--if bossy--wife can rescue him. So he makes a wish... to become a fish. Next thing he knows--he is! With a little help from a hermit crab named Crusty and the lovely Ladyfish, it's as a talking, bespectacled fish that Limpet proves himself the war hero he always knew he was meant to be. --Kathleen C. Fennessy

Hailed as one of the greatest films of all time, The Incredible Mr. Limpet is a story about the wonders of imagination and the triumph of the spirit. Live-action and 2-D animation combine to tell the story of a man who longs to be a fish after he is classified by the Navy as an F4 - "too small and too weak to be a soldier." When his dream of being a fish becomes a reality, Henry uses his underwater prowess to become the Navy's strongest secret weapon.

The Complete Thin Man Collection (The Thin Man / After the Thin Man / Another Thin Man / Shadow of the Thin Man / The Thin Man Goes Home / Song of the Thin Man / Alias Nick and Nora)

The sparkling series featured the irresistible William Powell and Myrna Loy chemistry as husband and wife sleuths who solved murders with the aid of their wire-haired terrier Asta. Set in the glamorous world of 1930s upper-class Manhattan The Thin Man and its sequels established the standard for witty comedy clever dialogue and urbane one upmanship. The 7-Disc set includes THE THIN MAN AFTER THE THIN MAN ANOTHER THIN MAN SHADOW OF THE THIN MAN SONG OF THE THIN MAN THE THIN MAN GOES HOME and the ALIAS NICK & NORA bonus documentary disc.Running Time: 592 min.Format: DVD MOVIE Genre: TELEVISION/CLASSIC UPC: 012569673991 Manufacturer No: 67399

Almost as welcome as a shaker full of martinis, The Complete Thin Man Collection represents an eagerly awaited DVD milestone for fans of the fizzy MGM movie series. The best film in the series came first: The Thin Man (1934), W.S. Van Dyke's marvelous adaptation of a Dashiell Hammet novel. The movie gods were in a generous mood when they paired William Powell and Myrna Loy as Nick and Nora Charles, the upper-class sophisticates whose sleuthing escapades somehow joined the classic form of the whodunit with the giddyup of screwball comedy. Among the series' many attributes, one of its most radical notions was the idea that a married couple might find each other delightful and view life as a goofy adventure together.

It is common wisdom that the Thin Man sequels adhere to the law of diminishing returns, and while none of the follow-ups reach the diamond level of the first film, all afford pleasures. There's the cocktail-swilling chemistry of Powell and Loy, for one thing, as well as the considerable satisfaction of average movies made during the studio system: the craftsmanship of studio hands, and a gallery of terrific character actors filling in supporting roles. First sequel After the Thin Man (1936) is very good, with the couple in San Francisco and a supporting part for rising player James Stewart. The scenery moves again, to Long Island, for the rather impudently-titled Another Thin Man (1939), which adds baby Nick, Jr., to the mix (a "bad idea," thought Pauline Kael, perhaps a sign of the domestication of the series).

Shadow of the Thin Man (1941) sets the action around a racetrack, and is the last of the series to be directed by the fast-working Van Dyke. The Thin Man Goes Home (1944) finds Nick escorting family to his parents' house for a visit. Song of the Thin Man (1947) engagingly adds a jazz milieu to the Charles's detective work; at this point, Nick, Jr. was played by child star Dean Stockwell. The series stuck with certain staples: the unveiling of the guilty party, a wirehaired terrier named Asta (who became a star in its own right), and booze. When Nick opines, in the first film, that a dry martini should always be shaken to "waltz time," you know why audiences fell in love with these guilt-free comedies. --Robert Horton

The Last Unicorn

A story line that truly deserves the A-list treatment, The Last Unicorn is memorable for its attempts to stay faithful to its origins, the Peter Beagle novel of the same name. The animation is vintage Rankin/Bass, and that's too bad; but there's an undeniable strength in this tale and telling. A unicorn (Mia Farrow)--she believes herself the last--searches for any others of her kind, while avoiding the malevolent Red Bull, the agent believed to have destroyed the rest of the herd. Along the way, she is mistaken, ignored, attacked, and obsessed about, finally finding help from a magician named Schmendrick (Alan Arkin) and a knight named Prince Lir (Jeff Bridges). A haunting film that pays homage to mythology and the people who love it. --Keith Simanton

Brought to life by the luminary voice talents of Jeff Bridges, Mia Farrow, Angela Lansbury and Rene Auberjonois (STAR TREK: DEEP SPACE NINE, "Boston Legal"), this animated treasure is the story of a lonely unicorn who sets out on an extraordinary quest to find her lost brothers and sisters. Along the way she meets a colorful cast of characters, including a bumbling wizard who magically transforms her into a beautiful damsel. When a handsome prince falls in love with her, he challenges the evil foe who holds her captive. But the task proves harder than imagined, and the unicorn soon discovers that real magic comes from believing in the impossible. Featuring songs performed by America.

When Worlds Collide

Winner of the 1951 Academy Award for Best Special Effects, this science fiction extravaganza set a new standard for the realistic depiction of cinematic disasters. Of course, it's a quaint curiosity by today's technological standards, but as produced by visual effects pioneer George Pal, this story of Earth's collision with a runaway star is still a dazzling example of screen sci-fi from the '50s, when special effects were entering a new stage of advancement. Despite scientists' warnings about the star's destructive potential, government officials refuse to take action that could cause international panic, but a consortium of private industrialists prepare for the worst by building a gigantic spaceship--an ark for humanity to begin life anew on a distant planet. Who will be chosen to go, and who left behind? As earthquakes roar and massive tidal waves devastate entire cities, the huge rocket prepares for take-off from its miles-long launching ramp--ready to abandon the shattered Earth! Although it's more enjoyable now as a cinematic museum piece, When Worlds Collide remains a milestone of its kind, leading the way for many more screen disasters that followed this movie's still-worthy example. --Jeff Shannon

Earth vs. the Flying Saucers (Color Special Edition)

Space scientist Dr. Russell Marvin (Hugh Marlowe) and his wife Carol (Joan Taylor) are working on a secret missile project but every time their rockets are launched they are intercepted and destroyed by the more advanced technology of mysterious flying saucers hovering near the Earth. The alien race has completely surrounded the planet giving Earth the sixty days to surrender. The enemy spacecraft appear indestructible and Marvin sets out to find a weapon that can defeat them. The special effects of stop-motion animator Ray Harryhausen are legendary most notably in the scene in which flying saucers attack the Capitol building in Washington D.C.System Requirements:Running Time: 167 Mins.Format: DVD MOVIE Genre: SCI-FI/FANTASY/FANTASY UPC: 043396226197 Manufacturer No: 22619

A textbook example of '50s-era science fiction, Earth vs. the Flying Saucers boasts not only a solid script and competent performances, but some genuinely impressive stop-motion effects courtesy of one of the industry's uncontested masters, Ray Harryhausen. Scientist Hugh Marlowe (who faced a more benevolent invader from space five years earlier in The Day the Earth Stood Still) discovers that UFOs are responsible for the destruction of a series of exploratory space rockets launched by his space exploration project. The saucers' helmeted pilots land on Earth and deliver an ultimatum to humanity via Marlowe: fealty or complete annihilation.

Harryhausen's painstakingly intricate saucers and the destruction they wreak (particularly during an assault on Washington, D.C.) are the film's unquestionable highlights, but Marlowe and Joan Taylor (as his wife/partner) are capable leads, and veteran B director Fred F. Sears doesn't let the dialogue and expositional scenes fall apart in between the barrage of effects. Earth vs. the Flying Saucers is a fun and effective slice of sci-fi that should please younger audiences as well as nostalgic return viewers. Sears later reused some of the effects footage for his jaw-droppingly awful 1957 effort, The Giant Claw. --Paul Gaita