Frewer, Matt

Hercules (Disney Gold Classic Collection)

Not the egregious foul it seemed to be in theaters, Hercules stands up as an entertaining spritzer of an animated feature. The continual peppering of in-jokes and cultural references becomes less irksome on video. That there's no majesty or awe invested in the beloved Greek legends also seems less of an error. Also on the plus side is the bounciest Alan Menken music since Little Shop of Horrors. With Zeus's blood in his veins, young Hercules's amazing strength makes him an outcast (sorry, that still doesn't fly), so he trains with a satyr named Phil to become a hero. Along the way Herc meets Meg, a common mortal who falls hard for him. They're both against the jocular Hades, who has to destroy Hercules to take over Olympus. The hydra is the computer-animated set piece for this little number, a no-chance attempt to beat that wildebeest herd from The Lion King. --Keith Simanton

An outrageous odyssey of fun, fantasy, and adventure unfolds in the hilarious hit film HERCULES, Disney's 35th animated triumph "brimming with comic surprise!" (Entertainment Weekly) Taken from the gods as a newborn, adopted on earth, Hercules becomes an awkward teenage pillar of strength. Trying to fit in, he discovers his dad is Zeus and home is Mount Olympus -- if he can move from "zero" to true hero! Hercules teams with babyhood pal Pegasus, the flying stallion, and Phil -- a feisty personal trainer -- for the mission. But it's no easy task as he must match wits with Grecian beauty Meg and a comical hothead named Hades. With the help of Pain and Panic, Hades plans to rule the Universe with only Hercules standing in his way! With a bold animation style, colossal voice cast, and spectacular music, HERCULES is unmatched in strength -- delivering something for everyone with "pinwheeling, knockabout fun!"

Dawn of the Dead (Widescreen Unrated Director's Cut)

Are you ready to get down with the sickness? Movie logic dictates that you shouldn't remake a classic, but Zack Snyder's Dawn of the Dead defies that logic and comes up a winner. You could argue that George A. Romero's 1978 original was sacred ground for horror buffs, but it was a low-budget classic, and Snyder's action-packed upgrade benefits from the same manic pacing that energized Romero's continuing zombie saga. Romero's indictment of mega-mall commercialism is lost (it's arguably outmoded anyway), so Snyder and screenwriter James Gunn compensate with the same setting--in this case, a Milwaukee shopping mall under siege by cannibalistic zombies in the wake of a devastating viral outbreak--a well-chosen cast (led by Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer), some outrageously morbid humor, and a no-frills plot that keeps tension high and blood splattering by the bucketful. Horror buffs will catch plenty of tributes to Romero's film (including cameos by three of its cast members, including gore-makeup wizard Tom Savini), and shocking images are abundant enough to qualify this Dawn as an excellent zombie-flick double-feature with 28 Days Later, its de facto British counterpart. --Jeff Shannon

Packed with more blood, more gore, and more bone-chilling, jaw-dropping thrills, Dawn of the Dead Unrated Director's Cut is the version too terrifying to be shown in theaters! Starring Mekhi Phifer, Ving Rhames and Sarah Polley in an edgy, electrifying thrill-ride.

When a mysterious virus turns people into mindless, flesh-eating zombies, a handful of survivors wage a desperate, last-stand battle to stay alive…and human.

Honey, I Shrunk the Kids

An experimental invention accidently shrinks the inventor's and his neighbor's kids, who spend the bulk of the film ant-sized and trying to navigate their own back yard.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 5-APR-2005
Media Type: DVD

A deft balance between special effects, comedy, and family dynamics made this 1989 film a hit for Disney and spawned both a string of video sequels and a subsequent TV series. Moranis is endearing as the bumbling inventor/father of the Szalinski family. He inadvertently shrinks his own children then throws them out with the trash. They, along with the neighbor kids, must journey back across their own backyard, now an enormous, dangerous distance, to get back to the right height. Much is done with the perils of the lawn, from a wild deluge from the sprinklers to a nasty encounter with the lawnmower and numerous encounters with gigantic insects. A generally kid-friendly, inventive (no pun intended), and entertaining outing. --Keith Simanton

Monty Python's the Meaning of Life

Perhaps only the collective brilliant minds of the Monty Python film and television troupe are up to the task of tackling a subject as weighty as the Meaning of Life. Sure, Kierkegaard, Wittgenstein, and their ilk have tried their hands at this puzzler, but only Python has attempted to do so within the commercial motion picture medium. Happily for us all, Monty Python's the Meaning of Life truly explains everything one conceivably needs to know about the perplexities of human existence, from the mysteries of Catholic doctrine to the miracle of reproduction to why one should avoid the salmon mousse to the critical importance of the machine that goes ping! Using fish as a linking device (and what marvelous links those aquatic creatures make), The Meaning of Life is presented as a series of sketches: a musical production number about why seed is sacred; a look at dining in the afterlife; the quest for a missing fish (there they are again); a visit from Mr. Death; the cautionary tale of Mr. Creosote and his rather gluttonous appetite; an unflinching examination of the harsh realities of organ donation, and so on. Sadly, this was the last original Python film, but it's a beaut. You'll laugh. You'll cry (probably because you're laughing so hard). You may even learn something about the Meaning of Life. Or at least about how fish fit into the grand scheme of things. --Jim Emerson

Perhaps only the collective brilliant minds of the Monty Python film and television troupe are up to the task of tackling a subject as weighty as the Meaning of Life. Sure, Kierkegaard, Wittgenstein, and their ilk have tried their hands at this puzzler, but only Python has attempted to do so within the commercial motion picture medium. Happily for us all, Monty Python's the Meaning of Life truly explains everything one conceivably needs to know about the perplexities of human existence, from the mysteries of Catholic doctrine to the miracle of reproduction to why one should avoid the salmon mousse to the critical importance of the machine that goes ping! Using fish as a linking device (and what marvelous links those aquatic creatures make), The Meaning of Life is presented as a series of sketches: a musical production number about why seed is sacred; a look at dining in the afterlife; the quest for a missing fish (there they are again); a visit from Mr. Death; the cautionary tale of Mr. Creosote and his rather gluttonous appetite; an unflinching examination of the harsh realities of organ donation, and so on. Sadly, this was the last original Python film, but it's a beaut. You'll laugh. You'll cry (probably because you're laughing so hard). You may even learn something about the Meaning of Life. Or at least about how fish fit into the grand scheme of things. --Jim Emerson

The Stand

After a government-spawned "superflu" wipes out more than 90 percent of the earth's population, the devastated survivors must decide whether to support or resist the advances of a mysterious stranger from way down South (heh-heh) who wishes to claim this new world order for himself. Although the six-hour length makes it nigh-impossible to digest in one sitting, this well-paced adaptation of Stephen King's apocalyptic magnum opus ranks among the best adaptations of the author's work, with strong performances from Gary Sinise, Miguel Ferrer, and especially Jamey Sheridan as a good-old-boy version of Old Scratch. The opening scene, set to the strains of Blue Oyster Cult's "Don't Fear the Reaper," is one of the most chilling things ever shot for television. Director Mick Garris is no stranger to King's world, having also helmed Sleepwalkers, the recent television remake of The Shining, and the upcoming Desperation. --Andrew Wright

Stephen King's Desperation

In This Town There Are No Accidents.Cross-country travelers on an isolated highway are arrested by a corrupt sheriff and taken to the local jail in Desperation Nevada. Handcuffed in the back seat of the police cruiser they watch in horror as they pass townspeople lying dead in the streets. When the sheriff begins to physically transform the wayward hostages realize there is a deeper and bigger evil at play in the town of Desperation.System Requirements:Running Time: 130 MinutesFormat: DVD MOVIE Genre: HORROR Rating: R UPC: 031398196396 Manufacturer No: 19639

Director Mick Garris (Sleepwalkers), also recruited by Stephen King to remake The Shining, knows how to capture King's horror aesthetic on film. Desperation, based on a more recent King novel, is a pastiche of earlier King novelties, such as the psycho in uniform, this time Sheriff Collie Entragian (Ron Perlman), and dogs summoned by the devil, this time by TAK, an ancient Chinese demon. Desperation, Nevada has a collapsed mine full of Chinese immigrant ghosts, whose spirits are trapped with TAK until they're accidentally unleashed. The TAK-possessed local sheriff is killing everyone, save a few travelers who stumble through on road trips. In the opening scene, Mary (Annabeth Gish) and her beau are pulled over by Sheriff Entragian, framed by his placing of marijuana in their trunk, then read their rights with a Satanic "I will kill you" thrown in. Later, Steve (Steven Weber), Cynthia (Kelly Overton), and Vietnam vet John Marinville (Tom Skerrit), ride into town, and they too encounter the evil policeman's wrath. They all meet a brave, imprisoned boy, David (Shane Haboucha), with whom they team up to end the mayhem. Desperation uses blue and green lighting to embrace the funhouse look, and camera shots highlighting the Sheriff's deranged face make the film occasionally spooky. But the rehashed plot detracts from the fear-factor, leaving one to pine for earlier King story adaptations, like Misery, or Cujo.--Trinie Dalton

The Case of the Whitechapel Vampire

Stephen King's The Stand

After a government-spawned "superflu" wipes out more than 90 percent of the earth's population, the devastated survivors must decide whether to support or resist the advances of a mysterious stranger from way down South (heh-heh) who wishes to claim this new world order for himself. Although the six-hour length makes it nigh-impossible to digest in one sitting, this well-paced adaptation of Stephen King's apocalyptic magnum opus ranks among the best adaptations of the author's work, with strong performances from Gary Sinise, Miguel Ferrer, and especially Jamey Sheridan as a good-old-boy version of Old Scratch. The opening scene, set to the strains of Blue Oyster Cult's "Don't Fear the Reaper," is one of the most chilling things ever shot for television. Director Mick Garris is no stranger to King's world, having also helmed Sleepwalkers, the recent television remake of The Shining, and the upcoming Desperation. --Andrew Wright

A Home at the End of the World

From the Pulitzer Prize-winning author of The Hours comes a story that chronicles a dozen years in the lives of two best friends. The film charts a journey of trials triumphs loves and losses. Now the question is: can they navigate the unusual triangle they've created and hold their friendship together?Running Time: 96 min.Format: DVD MOVIE Genre: DRAMA UPC: 085393896423 Manufacturer No: 38964

Colin Farrell takes a break from action flicks (S.W.A.T., Alexander) to make A Home at the End of the World, an intimate film based on a novel by Michael Cunningham (author of The Hours). As a boy, Bobby (played as an adult by Farrell) loses both parents and his beloved older brother, ending up more-or-less adopted by the family of his best friend, Jonathan (played as an adult by Dallas Roberts). Jonathan's feelings for Bobby go beyond friendship; Bobby is open to the possibilities. Bobby follows Jonathan to New York and falls into a relationship with Clare (Robin Wright Penn, The Princess Bride). The three form an alternative family, move out to the country, and discover that even alternative families have their dysfunctions. Bobby is so innocent and open he sometimes seems like a pansexual Forrest Gump, but Roberts, Wright Penn, and Sissy Spacek give rich performances. --Bret Fetzer

Sherlock Holmes: The Hound of the Baskervilles