Guinan, Francis

Shining Through

Uncomfortably close to Ben Hecht and Alfred Hitchcock's film Notorious, this World War II drama (based on a novel by Susan Isaacs) concerns a love affair between a spy (Michael Douglas) and a secretary (Melanie Griffith) that goes south when duty turns him cold and pushes her into dangerous, behind-the-lines intelligence work. Liam Neeson plays the gentleman Nazi unwittingly providing Griffith with cover as domestic help. The best parts of the film are the twists and turns in the romance (Douglas is very good at playing a character who can turn off all feeling at will) at the beginning, while the German scenes are less compelling despite such high stakes for the heroine. The climax--taking us back to Notorious whether it wants to or not--is quite gripping, largely due to Douglas's performance. --Tom Keogh

In this romantic espionage thriller set against the backdrop of World War II, a secretary from Queens is transformed into a government spy. After discovering her attorney boss and lover is actually a secret agent, she convinces him to let her go undercover. With the help of a fellow operative she penetrates the Berlin home of a high-ranking enemy official, and works swiftly to accomplish her mission.

Constantine (Widescreen Edition)

Based on the DC Comics/Vertigo Hellblazer graphic novels and written by Kevin Brodbin and Frank Cappello Constantine tells the story of John Constantine (Keanu Reeves) a man who has literally been to hell and back. When he teams up with skeptical policewoman Angela Dodson (Rachel Weisz) to solve the mysterious suicide of her twin sister their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldly events the two become inextricably involved and seek to find their own peace at whatever cost.Running Time: 121 min.Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 085393894221 Manufacturer No: 38942

In the grand scheme of theological thrillers, Constantine aspires for the greatness of The Exorcist but ranks more closely with The Order. Based on the popular Hellblazer comic book series, and directed with nary a shred of intelligence by music video veteran Francis Lawrence, it's basically The Matrix with swarming demons instead of swarming machines. Keanu Reeves slightly modifies his Matrix persona as John Constantine, who roams the dark-spots of Los Angeles looking for good-evil, angel-devil half-breeds to ensure that "the balance" between God and Satan is properly maintained. An ancient artifact and the detective twin of a woman who committed evil-induced suicide (Rachel Weisz) factor into the plot, which is taken so seriously that you'll want to stand up and cheer when Tilda Swinton swoops down as the cross-dressing angel Gabriel and turns this silliness into the camp-fest it really is. The digital effects are way cool (dig those hellspawn with the tops of their heads lopped off!), so if you don't mind a juvenile lesson in pseudo-Catholic salvation, Constantine is just the movie for you! --Jeff Shannon

Hannibal (Two-Disc Special Edition)

Yes, he's back, and he's still hungry. Ten years after The Silence of the Lambs, Dr. Hannibal "the Cannibal" Lecter (Anthony Hopkins, reprising his Oscar-winning role) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (Julianne Moore, replacing Jodie Foster), on the other hand, hasn't had it so good--an outsider from the start, she's now a quiet, moody loner who doesn't play bureaucratic games and suffers for it. A botched drug raid results in her demotion--and a request from Lecter's only living victim, Mason Verger (Gary Oldman, uncredited), for a little Q and A. Little does Clarice realize that the hideously deformed Verger--who, upon suggestion from Dr. Lecter, peeled off his own face--is using her as bait to lure Dr. Lecter out of hiding, quite certain he'll capture the good doctor.

Taking the basic plot contraptions from Thomas Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Clarice), this movie is all Hannibal. Does it work? Yes--but only up to a point. Scott adeptly sets up an atmosphere of foreboding, but it's all buildup for anticlimax, as Verger's plot for abducting Hannibal (and feeding him to man-eating wild boars) doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence between Clarice, Dr. Lecter, and a third unlucky guest wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence so amazing was their interaction. When they do connect it's quite thrilling, but it's unfortunately too little too late. --Mark Englehart

Anthony Hopkins is "perverse perfection" (Rolling Stone) in his return to the role of Dr. Hannibal Lecter, the sophisticated killer who comes out of hiding to draw FBI agent Clarice Starling (Julianne Moore) into a high-stakes battle that will test her strength, cunning and loyalty.

Knight Rider - Season One

"One man can make a difference," intones a dying millionaire--well, one man and a superduper car, backed with millions of dollars! Welcome to the deliciously ridiculous world of Knight Rider, the early '80s TV series that launched the career of David Hasselhoff and his magnificent coif (both later seen in the insanely popular Baywatch). After being shot in the face, detective Michael Long is revived as Michael Knight (Hasselhoff) and partnered with an indestructible talking car called K.I.T.T. (voiced by William Daniels). The duo travel around the country solving crimes--basically, it's The Lone Ranger with the car as Silver and Tonto combined. Supported by finicky British executive Devon Myles (Edward Mulhare) and sexy engineer Bonnie Barstow (Patricia McPherson), Knight and K.I.T.T. take on everything from motorcycle gangs to corporate crooks to K.I.T.T.'s own evil twin, K.A.R.R.

Like any good cheese, Knight Rider has only grown more pungent with age. Decked out in alarming '80s fashions (check out that blue Members Only jacket in the pilot), earnestly spouting some of the worst dialogue in the history of television, the absurdly handsome Hasselhoff radiates the unique charisma that's made him a Teutonic cult figure. In addition to the 21 episodes of the first season, Knight Rider: Season One includes a 1991 TV movie, Knight Rider 2000, that tried to launch a revamped series set in the near future (lacking the cheerful touch of creator Glen Larson, the attempt sank into oblivion) and brief interview footage (including Hasselhoff describing when he read the original script: "It was glowing in my hands. This was gold.") It's unlikely this boxed set will appeal to anyone who didn't become a fan of the show at an impressionable age, but for those fans, Knight Rider: Season One is gold. --Bret Fetzer

Gear up for action with superstar David Hasselhoff and his supercar K.I.T.T. as they throttle crime in every high-octane episode from the first season of Knight Rider finally available to own for the first time on DVD.The series follows the thrilling adventures of Michael Knight a detective thought to be dead who s been given a new face and identity. His assignment: to fight crime with the help of an artificially intelligent talking car named K.I.T.T. a high-speed futuristic weapon outfitted with high-tech gadgets and a personality of its own. Driven by justice they set out to take down criminals who operate above the law in this 22-episode DVD set tricked out with loads of special extras including a bonus disc featuring the movie sequel Knight Rider 2000.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 025192488023 Manufacturer No: 24880

Path to War

The quagmire that was the Vietnam War comes to vivid life in this HBO film--not in the jungles of Southeast Asia, but in the offices of the White House, where a disastrous U.S. policy was forged. From Lyndon Johnson's landslide 1964 victory to his weary withdrawal from the 1968 race, Path to War charts the disappearance of LBJ's "Great Society" domestic dreams into the bramble patch of war. The bungled decisions are forcefully directed by John Frankenheimer, whose expertise at political intrigue shines in his final film. Donald Sutherland and Alec Baldwin do some of their best work in years (as Clark Clifford and Robert McNamara), although the great actor Michael Gambon, while impressive, doesn't quite capture the honey lilt of LBJ's beguiling style. Among the many superb scenes: Johnson intimidating an outmatched George Wallace (an unbilled Gary Sinise, re-creating a role from another Frankenheimer HBO film) on civil rights. --Robert Horton

PATH TO WAR tells the inside story of how "the best and the brightest" advisors in the Johnson administration including Defense Secretary Robert McNamara and special advisor Clark Clifford counsel the President in the decisions that will lead to America's deeper and deeper engagement in Vietnam. Torn between those who recommend increased bombing to win and those who advise a path be found to peace Johnson watches as his presidency and his nation are torn apart by the deaths of young Americans overseas and the protests of those who remain.Running Time: 164 min.Format: DVD MOVIE Genre: DRAMA UPC: 026359191121

The Serpent And The Rainbow

Eight years before he scored a phenomenal hit with Scream, horror master Wes Craven made a worthy effort to "legitimize" horror with this chilling supernatural thriller, based on the best-selling book by Wade Davis. More ambitious than most horror films, this one allowed Craven to generate compelling plausibility with the fact-based story of a Harvard researcher (Bill Pullman) who travels to Haiti to procure a secret voodoo powder that places people into a state of simulated death. His investigation into the hidden world of black magic grows increasingly dangerous until he's caught in a living nightmare--a potentially deadly predicament that inspired the film's advertising tag line: "Don't bury me... I'm not dead!" Craven pays particular attention to authentic details of Haitian society and the role voodoo plays in Haitian culture, and the film gains additional atmosphere from location shooting in Haiti and the Dominican Republic. Craven would, of course, continue to thrive by making more "conventional" horror films including Scream, but this remains a fascinating departure for one of the genre's most celebrated directors. - -Jeff Shannon

Constantine (Full Screen Edition)

Based on the DC Comics/Vertigo Hellblazer graphic novels and written by Kevin Brodbin and Frank Cappello Constantine tells the story of John Constantine (Keanu Reeves) a man who has literally been to hell and back. When he teams up with skeptical policewoman Angela Dodson (Rachel Weisz) to solve the mysterious suicide of her twin sister their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldly events the two become inextricably involved and seek to find their own peace at whatever cost.Running Time: 121 min.Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 085393894320 Manufacturer No: 38943

In the grand scheme of theological thrillers, Constantine aspires for the greatness of The Exorcist but ranks more closely with The Order. Based on the popular Hellblazer comic book series, and directed with nary a shred of intelligence by music video veteran Francis Lawrence, it's basically The Matrix with swarming demons instead of swarming machines. Keanu Reeves slightly modifies his Matrix persona as John Constantine, who roams the dark-spots of Los Angeles looking for good-evil, angel-devil half-breeds to ensure that "the balance" between God and Satan is properly maintained. An ancient artifact and the detective twin of a woman who committed evil-induced suicide (Rachel Weisz) factor into the plot, which is taken so seriously that you'll want to stand up and cheer when Tilda Swinton swoops down as the cross-dressing angel Gabriel and turns this silliness into the camp-fest it really is. The digital effects are way cool (dig those hellspawn with the tops of their heads lopped off!), so if you don't mind a juvenile lesson in pseudo-Catholic salvation, Constantine is just the movie for you! --Jeff Shannon

Constantine (Two-Disc Deluxe Edition)

In the grand scheme of theological thrillers, Constantine aspires for the greatness of The Exorcist but ranks more closely with The Order. Based on the popular Hellblazer comic book series, and directed with nary a shred of intelligence by music video veteran Francis Lawrence, it's basically The Matrix with swarming demons instead of swarming machines. Keanu Reeves slightly modifies his Matrix persona as John Constantine, who roams the dark-spots of Los Angeles looking for good-evil, angel-devil half-breeds to ensure that "the balance" between God and Satan is properly maintained. An ancient artifact and the detective twin of a woman who committed evil-induced suicide (Rachel Weisz) factor into the plot, which is taken so seriously that you'll want to stand up and cheer when Tilda Swinton swoops down as the cross-dressing angel Gabriel and turns this silliness into the camp-fest it really is. The digital effects are way cool (dig those hellspawn with the tops of their heads lopped off!), so if you don't mind a juvenile lesson in pseudo-Catholic salvation, Constantine is just the movie for you! --Jeff Shannon

Based on the DC Comics/Vertigo Hellblazer graphic novels and written by Kevin Brodbin and Frank Cappello Constantine tells the story of John Constantine (Keanu Reeves) a man who has literally been to hell and back. When he teams up with skeptical policewoman Angela Dodson (Rachel Weisz) to solve the mysterious suicide of her twin sister their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldly events the two become inextricably involved and seek to find their own peace at whatever cost.Running Time: 121 min.Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 012569718579 Manufacturer No: 71857

Speed 2 - Cruise Control

No Description Available.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 20-NOV-2007
Media Type: DVD

Hannibal (Full Screen Edition)

No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 24-AUG-2004
Media Type: DVD

Yes, he's back, and he's still hungry. Ten years after The Silence of the Lambs, Dr. Hannibal "the Cannibal" Lecter (Anthony Hopkins, reprising his Oscar-winning role) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (Julianne Moore, replacing Jodie Foster), on the other hand, hasn't had it so good--an outsider from the start, she's now a quiet, moody loner who doesn't play bureaucratic games and suffers for it. A botched drug raid results in her demotion--and a request from Lecter's only living victim, Mason Verger (Gary Oldman, uncredited), for a little Q and A. Little does Clarice realize that the hideously deformed Verger--who, upon suggestion from Dr. Lecter, peeled off his own face--is using her as bait to lure Dr. Lecter out of hiding, quite certain he'll capture the good doctor.

Taking the basic plot contraptions from Thomas Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Clarice), this movie is all Hannibal. Does it work? Yes--but only up to a point. Scott adeptly sets up an atmosphere of foreboding, but it's all buildup for anticlimax, as Verger's plot for abducting Hannibal (and feeding him to man-eating wild boars) doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence between Clarice, Dr. Lecter, and a third unlucky guest wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence so amazing was their interaction. When they do connect it's quite thrilling, but it's unfortunately too little too late. --Mark Englehart