Gulpilil, David

Rabbit-Proof Fence

Based on a true story, Rabbit-Proof Fence moves with dignified grace from its joyful opening scenes to a conclusion that's moving beyond words. The title refers to a 1,500-mile fence separating outback desert from the farmlands of Western Australia. It is here, in 1931, that three aboriginal girls are separated from their mothers and transported to a distant training school, where they are prepared for assimilation into white society by a racist government policy. Gracie, Daisy, and Molly belong to Australia's "stolen generations," and this riveting film (based on the book by Molly's daughter, Doris Pilkington Garimara) follows their escape and tenacious journey homeward, while a stubborn policy enforcer (Kenneth Branagh) demands their recapture. Director Phillip Noyce chronicles their ordeal with gentle compassion, guiding his untrained, aboriginal child actors with a keen eye for meaningful expressions. Their performances evoke powerful emotions (subtly enhanced by Peter Gabriel's excellent score), illuminating a shameful chapter of Australian history while conveying our universal need for a true and proper home. --Jeff Shannon

Three mixed-race Australian girls, having been taken from their Aboriginal families, escape and return home on foot, without supplies or gear, while trying to evade recapture.
Genre: Feature Film-Drama
Rating: PG
Release Date: 25-JAN-2005
Media Type: DVD

Crocodile Dundee

This 1986 comedy out of Australia is so old-fashioned in its romantic charm that one can't help but wonder what it would have looked like with Clark Gable and Carole Lombard in the leads. On the other hand, it's hard to imagine anyone besides Paul Hogan as the title character, a laid-back Aussie tracker who shows an American reporter (Linda Kozlowski) around bush country, then accompanies her to New York City. Sure, Hollywood has done the fish-out-of-water scenario to death in the last 20 years, and while this film has sufficient sport with the gimmick, it is largely driven by the principal characters and their developing love affair. Hogan cowrote the script and director Peter Faiman evokes the goofy, enchanted air of screwball comedies. The climactic scene, set in a subway station with scores of bystanders witnessing a conversation about relationship commitment, feels like vintage Capra. --Tom Keogh

When the fearless Australian crocodile hunter arrives in the big city of New York, he finds it the ultimate torture test, and gives reporter Charlton more than she bargained for.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 13-MAY-2003
Media Type: DVD

The Proposition

A savage Western set in Australia's Outback, The Proposition is relentless in its intensity and bloody imagery. Set in the late 19th century, the film tells the brutal story of a gang of brothers that kills not out of desperation, but because they can. Arthur Burns (Danny Huston) is the mastermind who shares little in common (other than total disregard for human life) with his younger brother Charlie (Guy Pearce, L.A. Confidential, Memento). When Charlie and their baby brother Mike (Richard Wilson) are captured, Charlie is offered a proposition to save their necks from the gallows. "Suppose, Mr. Burns, I was to give both you and your young brother Mikey, here, a pardon," offers Captain Stanley (Ray Winstone). "Suppose I said that I could give you the chance to expunge the guilt beneath which you so clearly labor.... Now, suppose you tell me what it is I want from you." Without blinking, Charlie says, "You want me to kill my brother." For most people, this would be an unthinkable proposition. For Charlie, the answer's obvious. He'll do whatever he has to spare his own life, even if that means trading his for Arthur's. The Proposition at times is a difficult film to watch. But thanks to a compelling story by rocker Nick Cave and a supporting cast (including Emily Watson as the Captain's gentle wife), the film is a classic in the making. --Jae-Ha Kim

Walkabout - Criterion Collection

Very few films achieve a kind of subliminal greatness with cross-cultural impact, but Walkabout is one of those films--a visual tone poem that functions more as an allegory than a conventionally plotted adventure. Considered a cult favorite for years, Nicolas Roeg's 1971 film--about two British children who are rescued in the Australian outback by a young aborigine--was originally released in the U.S. with an R rating, edited from its European length of 100 minutes. In 1997, the film was fully restored to its director's cut, and in its remastered video and DVD release, it's now wisely unrated (as Roeg had always intended) but still suitable for viewers of all ages. For parents this is a rare opportunity to treat well-supervised children (ages 5 and over) to an adventure that won't insult their intelligence, presenting scenes of frontal nudity and the hunting of animals in a context that invites valuable discussion and introspection. Through exquisite cinematography and a story of subtle human complexity, the film continues to resonate on many thematic and artistic levels. Roeg had always intended it to be a cautionary morality tale, in which the limitations and restrictions of civilization become painfully clear when the two children (played by Jenny Agutter and Roeg's young son, Lucien John) cannot survive without the aborigine's assistance. They become primitives themselves, if only temporarily, while the young aborigine proves ultimately and tragically unable to join the "family" of civilization. With its story of two worlds colliding, Walkabout now seems like a film for the ages, hypnotic and open to several compelling levels of interpretation. In addition to presenting the film in its original 1.77:1 aspect ratio, the Criterion Collection DVD of Walkabout includes a variety of bonus features, including a full-length commentary by Nicolas Roeg and Jenny Agutter, original theatrical trailers, and an essay by critic Roger Ebert. --Jeff Shannon

Nicolas Roeg's mystical masterpiece chronicles the physical, spiritual, and emotional journey of a sister and brother abandoned in the harsh Australian outback. Joining an Aborigine boy on his walkabout-a tribal initiation into manhood-these modern children pass from innocence into experience as they are thrust from the comforts of civilization into the savagery of the natural world.

The Last Wave - Criterion Collection

Nominally a supernatural thriller, Peter Weir's third feature resonates with the director's underlying fascination with the collision between the modern, rational world and the primordial mysteries of older belief systems. In The Last Wave, the keys to an enigmatic murder, as well as baffling disturbances in the weather, are gradually revealed to an Australian lawyer (Richard Chamberlain) within the shadowy, nomadic culture of aborigines living in and around Sydney who until now were presumed to be assimilated into its modern--and white--social fabric. In the process, Weir brings us toward an apocalyptic climax that is foreshadowed with a haunting series of events that cohere around water imagery, from an improbable drowning on dry land to downpours from cloudless skies, sudden hailstorms on the sere Australian land, and ghostly invasions of frogs.

The film's power (as well as what skeptics might regard as its pretension) emanates from Weir's stately, deliberate pace. Violating most of the conventions of suspense, he unravels his mystery with an unsettling calm underscored by its sparse soundtrack, which replaces conventional orchestral cues with the low, brooding rattle and hum of the didgeridoo. Instead of sudden camera movements or quick cuts, Weir circles his subjects almost diffidently. The stillness of that approach only amplifies the mounting unease Chamberlain's character, David Burton, feels as he steps for the first time beyond the bland safety of his privileged life and into the mystical world of the native Australians. Taking on the defense of the aborigines suspected of murdering the drowned man through tribal magic, his own beliefs are tested by the suspects' evident, intuitive connections to nature.

Chamberlain's Anglicized performance seems fussy and epicene, which only heightens the quiet intensity and watchful grace conveyed by the two aborigines, Chris Lee (David Gulpilil) and the shaman, Charlie (Nandjiwarra Amagula), who give Burton his first glimpse of their culture's "dreamtime" and the potent symbolism it contains. --Sam Sutherland

Richard Chamberlain stars as Australian lawyer David Burton, who takes on the defense of a group of aborigines accused of killing one of their own. He suspects the victim has been killed for violating a tribal taboo, but the defendants deny any tribal association. Burton, plagued by apocalyptic visions of water, slowly realizes his own involvement with the aborigines...and their prophecies.

Ten Canoes

Set in Australia one thousand years back in history TEN CANOES follows 10 Aboriginal men as they attempt to build canoes for hunting geese. As they harvest the wood for the canoes and prepare for the mission they share stories and legends from their tribe's past.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 660200315825 Manufacturer No: PALMDV3158

An art-house film filled with more humor and skilled acting than most Hollywood blockbusters, Ten Canoes is a wry story within a story. The tone of the film is set when narrator David Gulpilil (Crocodile Dundee) says, "Once upon a time in a land far, far away...." He stops himself with a warm, hearty chuckle and adds, "I'm only joking." Director Rolf de Heer does a fine job with his cast of novice actors, who depict a life most moviegoers are unfamiliar with. Set in Australia's far northern Arnhem Land, the film--which won the Special Jury Prize at the 2006 Cannes Film Festival--tells the tale of friendship, deception, and forbidden love. Ten tribesmen venture on a trip where they will build canoes, gather food, and gossip about their sexual prowess and their wives. During the trip, Minygululu (Peter Minygululu) regales his younger brother Dayindi (played by David Gulpilil's son, Jamie Gulpilil) with stories of a man who lusts after his older sibling's wife. It is giving nothing away to reveal that Dayindi has a crush on Minygululu's youngest bride. Handled differently, the film could've been saddled with the ick factor of siblings chasing after the same young woman. But the way de Heer presents it, it is a parable that distinguishes between right and wrong, in an entertaining and non-judgmental way. Cinematographer Ian Jones is to be commended for his amazing work. He frames the shots in a superb fashion and showcases the raw beauty of the land--and the people--that time has forgotten. --Jae-Ha Kim

IMAX Presents - The Great Barrier Reef

The Great Barrier Reef unveils the most colorful and diverse undersea world ever seen. Viewers will be taken on a breathtaking journey through what is the largest coral reef system on the planet stretching over 1400 miles along the east coast of Australia. Experience the beauty of the reef while learning about its colorful and often dangerous inhabitants and their remarkable interrelationships. This spectacular IMAX® film will open an unparalleled window on this beautiful and fragile world.System Requirements:Running Time: 39 MinutesFormat: DVD MOVIE Genre: MISCELLANEOUS/SPECIAL INTEREST Rating: NR UPC: 063390097708 Manufacturer No: SDVD9770

Mysterious and only superficially explored by generations of the native Aborigines, Australia's Great Barrier Reef is one of the world's most extraordinary natural life systems. Twelve hundred miles long and made up of coral, it is the Earth's largest structure built by living things, in some places extending 120 miles into the sea. So many varieties of life call the reef home that more than a dozen species can be found within any square meter of its surface. This IMAX film brilliantly captures the visual splendor of this environment with splendid underwater photography typical of the format. Sharks, sea turtles, anemones, and the coral itself are the living subjects of the camera's probing eye. Overall, this documentary is a comprehensive look at this long-studied web of life that leaves a lasting impression of its depth and beauty. --Ed Noble

The Tracker

Featuring a mesmerizing and fearless performance from David Gulpilil (Walkabout, Rabbit-Proof Fence), THE TRACKER is at once a mystery, an adventure, and a pointed commentary on the atrocities committed against the Aborigines. In 1922, an Aboriginal tracker leads two mounted policeman and a civilian through the Australian Outback on the hunt for a black fugitive who is charged with killing a white woman. The group struggles through extremely rugged terrain inhabited by hostile aborigines, wild animals, and poisonous reptiles. Though treated as a virtual slave by the white men leading the search, it becomes clear that the Tracker has his own agenda. Through massacre and murder the party falls into disarray, stirring up questions of what is black and what is white and who is leading whom.

Dead Heart

Bryan Brown (FX, Breaker Morant) stars in this powerful and provocative thriller as a lawman caught in the middle of a racially charged murder mystery. Interactive Menus, Production Credits, Scene Access, Trailer, Filmographies

The Last Wave

Nominally a supernatural thriller, Peter Weir's third feature resonates with the director's underlying fascination with the collision between the modern, rational world and the primordial mysteries of older belief systems. In The Last Wave, the keys to an enigmatic murder, as well as baffling disturbances in the weather, are gradually revealed to an Australian lawyer (Richard Chamberlain) within the shadowy, nomadic culture of aborigines living in and around Sydney who until now were presumed to be assimilated into its modern--and white--social fabric. In the process, Weir brings us toward an apocalyptic climax that is foreshadowed with a haunting series of events that cohere around water imagery, from an improbable drowning on dry land to downpours from cloudless skies, sudden hailstorms on the sere Australian land, and ghostly invasions of frogs.

The film's power (as well as what skeptics might regard as its pretension) emanates from Weir's stately, deliberate pace. Violating most of the conventions of suspense, he unravels his mystery with an unsettling calm underscored by its sparse soundtrack, which replaces conventional orchestral cues with the low, brooding rattle and hum of the didgeridoo. Instead of sudden camera movements or quick cuts, Weir circles his subjects almost diffidently. The stillness of that approach only amplifies the mounting unease Chamberlain's character, David Burton, feels as he steps for the first time beyond the bland safety of his privileged life and into the mystical world of the native Australians. Taking on the defense of the aborigines suspected of murdering the drowned man through tribal magic, his own beliefs are tested by the suspects' evident, intuitive connections to nature.

Chamberlain's Anglicized performance seems fussy and epicene, which only heightens the quiet intensity and watchful grace conveyed by the two aborigines, Chris Lee (David Gulpilil) and the shaman, Charlie (Nandjiwarra Amagula), who give Burton his first glimpse of their culture's "dreamtime" and the potent symbolism it contains. --Sam Sutherland

Spain released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. Languages: o English (Dolby Digital 2.0) o Spanish (Dolby Digital 2.0) Synopsis: Peter Weir follows up on his critically acclaimed masterpiece Picnic at Hanging Rock with this surrealist psychological drama. The film opens with a freak hailstorm in Australia's outback. Cut to David Burton (Richard Chamberlain), a well-to-do Sydney corporate lawyer plagued by visions of impending doom who is assigned to defend five accused of murdering a fellow Aborigine. The case itself proves to be mysterious -- no exact cause of death can be determined by the pathologist, and the accused remain strangely tight-lipped about the whole affair. As his visions grow increasingly weird and intense, Burton sees in his dream one of the five Aborigines, Chris (David Gulpili of Walkabout fame), who is drenched and clutching a sacred rock. Burton's interest in the case slides into complete obsession, and he comes to believe that not only was the murder related to an underground urban tribe of Aborigines but that Australia is about to be decimated by a massive, apocalyptic tidal wave. Special Features: o Interactive Menu o Scene Access