Gunn, Moses

The NeverEnding Story

A young boy named Bastian borrows a mysterious ornately-bound book that takes him into the fantastic world of Fantasia.
Genre: Feature Film Family
Rating: PG
Release Date: 3-FEB-2004
Media Type: DVD

Wolfgang Petersen (In the Line of Fire) made his first English-language film with this 1984 fantasy about a boy (Barret Oliver) visualizing the stories of a book he's reading. The imagined tale involves another boy, a warrior (Noah Hathaway), and his efforts to save the empire of Fantasia from a nemesis called the Nothing. Whether or not the scenario sticks in the memory, what does linger are the unique effects, which are not quite like anything else. Plenty of good fairy-tale characters and memorable scenes, and the film even encourages kids to read. --Tom Keogh

Roots (Four-Disc 30th Anniversary Edition)

Based on Alex Haley's best-selling novel about his African ancestors Roots followed several generations in the lives of a slave family. The saga began with Kunta Kinte (LeVar Burton) a West African youth captured by slave raiders and shipped to America in the 1700s. The family's saga is depicted up until the Civil War where Kunte Kinte's grandson gained emancipation. Roots made its greatest impression on the ratings and widespread popularity it garnered. On average 130 million - almost half the country at the time - saw all or part of the series.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 085391144854 Manufacturer No: 114485

Heartbreak Ridge

A Marine Corps drill sergeant starts his last tour of duty before mandatory retirement and leads his men into Grenada.
No Track Information Available
Media Type: DVD
Artist: EASTWOOD/MASON/MCGILL/SNYDER
Title: HEARTBREAK RIDGE
Street Release Date: 09/27/2005
Domestic
Genre: ACTION / ADVENTURE

The controversial, Reagan-era invasion of Grenada by U.S. troops is, oddly enough, at the center of this initially interesting story of a seasoned Marine sergeant (Clint Eastwood) routinely insulted by younger officers for being a symbol of the war that America "lost" in Vietnam. Looking for both a victory and a little redemption, Eastwood's character trains a squadron of scrappy pups and turns them into fighting grunts, just in time to follow White House orders and take the little island. Marsha Mason plays Eastwood's love interest, and Mario Van Peebles is funny as an undisciplined con artist who joins Clint's men and finally catches the spirit after getting his butt kicked a few times. --Tom Keogh

Ragtime

Fact and fiction intertwine in Milos Forman's colorful kaleidoscope of E.L. Doctorow's sprawling novel of turn-of-the-century America. Anchored in the true story of the murder of architect Stanford White (Norman Mailer) by Harry Thaw (Robert Joy) over the affections of his wife Evelyn Nesbit (Elizabeth McGovern), Forman weaves a portrait of early 1900s America in a tapestry of intertwining fictional tales. The primary thread involves the proud black pianist Coalhouse Walker Jr. (Howard Rollins) and his demand for justice when a racist fireman destroys his automobile, which escalates into a reign of terror by Walker and a band of revolutionaries. A secondary story involves an ambitious immigrant artist (Mandy Patinkin) whose primitive flipbooks send him on the road to creating early cinema. Centering all of these stories in one way or another is an upper-class family known simply as Father (James Olson), Mother (Mary Steenburgen), and Younger Brother (Brad Dourif). James Cagney came out of a twenty-year retirement to play the irascible Irish police commissioner, a character created for the film. Forman's biggest departure from Doctorow's novel, however, is his focus on Walker's story, cutting away the other threads to little more than asides in the final half of the picture, the primary dramatic weakness of an otherwise rich evocation of America's past. Randy Newman's lyrical score and Miroslav Ondricek's understated cinematography earned two of the film's eight Academy Awards nominations --Sean Axmaker

Based on the popular novel by E.L. Doctorow, RAGTIME tells the story of four New York families at the turn of the 20th century. Starving immigrant artist, Tateh sets off to make his fortune in Hollywood, but along the way encounters showgirl Evelyn Nesbit who is at the center of a murder investigation. Meanwhile, an upper-class family finds their seemingly perfect existence ruined when black pianist Coalhouse Walker Jr. begins to romance a pregnant girl living in their home.

Rollerball

In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan E., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power. They begin to pressure him according to their own ruthless set of rules, but Jonathan has rules of his own--the rules of a man determined to retain his soul in a world gone mad. As directed by Norman Jewison (who was enjoying a peak of success during the early and mid-1970s), Rollerball creates a believable society that's been rendered passive and compliant by the homogenization of corporate dictatorships, where the control and flow of information is the only currency of any importance. It's a world in which natural human aggressions have been sublimated and vented through the religious fervor toward rollerball and its players. Rollerball now looks like one of those 1970s science fiction films (another example being Logan's Run) that seems a bit dated and quaint, but its ideas are still provocative and fascinating, and the production is visually impressive. The DVD includes full-screen and widescreen versions of the film, audio commentary by director Norman Jewison, a behind-the-scenes featurette, an interactive "rollergame," trivia, and production notes. --Jeff Shannon

The year is 2018. There are no wars. There is no crime. There is only...the Game. In a world where ruthless corporations reign supreme, this vicious and barbaric 'sport is the only outlet for the pent-up anger and frustrations of the masses.Tuned to their televisions, the people watch Rollerball : a brutal mutation of football, motocross and hockey. Jonathan E. (James Caan, Misery) is the champion playera man too talented for his own good. The Corporation has taken away the woman Jonathan loves (Maud Adams, Octopussy) but it can't take away his souleven if diabolical corporate head (John Houseman, The Paper Chase) tells him he d better retire...or sufferthe old-fashioned way.With its surrealistic imagery and tense action sequences, Rollerball grips you by the heartand never lets you go!

The Women of Brewster Place

Shaft

Gordon Parks (The Learning Tree) directed this 1971 detective story about John Shaft (Richard Roundtree), an African American private eye who has a rocky relationship with cops, an even rockier one with Harlem gangsters, and a healthy sex life. The script finds Shaft tracking down the kidnapped daughter of a black mobster, but the pleasure of the film is the sum of its attitude, Roundtree's uncompromising performance, and the thrilling, Oscar-winning score by Isaac Hayes. Parks seems fond of certain detective genre clichés (e.g., the hero walking into his low-rent office and finding a hood waiting to talk with him), but he and Roundtree make those moments their own. Shaft had a couple of sequels and a follow-up television series, but none had the impact this movie did. --Tom Keogh

Cornbread, Earl & Me

He had all the right moves to put the ball away...until the cops put him away -- for good. UCLA All-American and NBA Rookie Of The Year Keith Wilkes and Laurence Fishburne III (The Matrix) give spectacular debut performances in this touching...sensitive and gripping movie (Cue) that s guaranteed to take your emotions for a reckless ride (L.A. Herald-Examiner)! Step into the court with Cornbread Earl And Me...you ll be glad you did. Wilkes is Cornbread a promising highschool basketballer who has what it takes to shoot himself right out of the ghetto...until two cops mistake him for a rapist and gun him down in cold blood. But when the police attempts to cover up their mistake strong-arming the community into silence with threats of jail time and violence it s up to Cornbread s 11-year-old brother Wilford (Fishburne) and his pal Earl (Tierre Turner) to find the courage to speak the truth and clear Cornbread s name.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 027616867827 Manufacturer No: 1002581

Perfect Harmony

PERFECT HARMONY is a moving story in which boyhood friendship and love of music overcome racial prejudice. Set in South Carolina during the 1950s, two boys -- Taylor, the star of his prep school's renowned, all-white boys' choir, and Landy, an orphaned black teenager with a gift for the blues -- develop a friendship in spite of the racial barriers that divide the school and town. Starring Peter Scolari (NEWHART) as the academy's inspirational choirmaster, this impressive work features uplifting music and promises family entertainment at its finest.

Roots

From the moment the young Kunta Kinte (LeVar Burton) is stolen from his life and ancestral home in 18th-century Africa and brought under inhumane conditions to be auctioned as a slave in America, a line is begun that leads from this most shameful chapter in U.S. history to the 20th-century author Alex Haley, a Kinte descendant. The late Haley's acclaimed book Roots was adapted into this six-volume television miniseries, which was a widely watched phenomenon in 1977. The programs cover several generations in the antebellum South and end with the story of "Chicken" George, a freed slave played by Ben Vereen whose family feels the agony of entrenched racism and learns to fight it. Between the lives of Kunta and George, we meet a number of memorable characters, black and white, and learn much about the emotional and physical torments of slavery, from beatings and rapes to the forced separation of spouses and families. Nothing like this had ever confronted so many mainstream Americans when the series was originally broadcast, and the extent to which the country was nudged a degree or two toward enlightenment was instantly obvious. Roots still has that ability to open one's eyes, and engage an audience in a sweeping, memorable drama at the same time. --Tom Keogh