Hughes, Barnard

The Lost Boys

This 1987 thriller was a predictable hit with the teen audience it worked overtime to attract. Like most of director Joel Schumacher's films, it's conspicuously designed to push the right marketing and demographic buttons, and granted, there's some pretty cool stuff going on here and there. Take Kiefer Sutherland, for instance. In Stand by Me he played a memorable bully, but here he goes one step further as a memorable bully vampire who leads a tribe of teenage vampires on their nocturnal spree of bloodsucking havoc. Jason Patric plays the new guy in town, who quickly attracts a lovely girlfriend (Jami Gertz), only to find that she might be recruiting him into the vampire fold. The movie gets sillier as it goes along, and resorts to a routine action-movie showdown, but it's a visual knockout (featuring great cinematography by Michael Chapman) and boasts a cast that's eminently able (pardon the pun) to sink their teeth into the best parts of an uneven screenplay. --Jeff Shannon

Strange events threaten an entire family when two brothers move with their divorced mother to a California town where the local teenage gang turns out to be a pack of vampires.

DVD Features:
Production Notes
Theatrical Trailer

Tron (20th Anniversary Collector's Edition)

The surprising truth about Disney's 1982 computer-game fantasy is that it's still visually impressive (though technologically quaint by later high-definition standards) and a lot of fun. It's about a computer wizard named Flynn (Jeff Bridges) who is digitally broken down into a data stream by a villainous software pirate (David Warner) and reconstituted into the internal, 3-D graphical world of computers. It is there, in the blazingly colorful, geometrically intense landscapes of cyberspace, that Flynn joins forces with Tron (Bruce Boxleitner) to outmaneuver the Master Control program that holds them captive in the equivalent of a gigantic, infinitely challenging computer game. Disney's wizards used a variety of cinematic techniques and early-'80s state-of-the-art computer-generated graphics to accomplish their dynamic visual goals, and the result was a milestone in cyberentertainment, catering to technogeeks while providing a dazzling adventure for hackers and nonhackers alike. Appearing just in time to celebrate the nascent cyberpunk movement in science fiction, Tron received a decidedly mixed reaction when originally released, but has since become a high-tech favorite and a landmark in special effects, with a loyal following of fans. DVD is a perfect format for the movie's neon-glow color scheme, and the musical score by synthesizer pioneer Wendy Carlos is faithfully preserved on the digitally remastered soundtrack. --Jeff Shannon

A young man who is entranced with video games suddenly finds himself transported into a computer.
Genre: Science Fiction
Rating: PG
Release Date: 2-MAR-2004
Media Type: DVD

Doc Hollywood

At first glance, this 1991 comedy looks like another formulaic fluff-piece with a standard fish-out-of-water scenario--in this case a hotshot young doctor (Michael J. Fox) whose cross-country drive to become a Beverly Hills cosmetic surgeon is interrupted when he crashes in the rural hamlet of Grady, South Carolina. But as Fox's character is urged by the folksy locals to stay--an offer made tempting by his romance with a law student (Julie Warner)--this unassuming little movie just gets better and better thanks to a sharp script and a splendid supporting cast. Well, okay ... maybe Woody Harrelson and Bridget Fonda aren't used to the fullest of their abilities, but for the most part this is a charming and surprisingly intelligent comedy that's good enough to compare favorably to My Cousin Vinny, a film with which it shares much in common. Fox has all the right moves to make his character both bullish and ultimately agreeable, and Julie Warner's performance may leave you wondering why this fine actress didn't immediately rise to stardom. --Jeff Shannon

A brash young medical resident is driving across the country to begin a career in Beverly Hills as a cosmetic surgeon to the stars. But an accident of fate strands him in a small southern town. There, his outlook on life - and love - gets a down-home twist that changes him forever.

Midnight Cowboy (Two Disc Collector's Edition)

The first, and only, X-rated film to win a best picture Academy Award, John Schlesinger's Midnight Cowboy seems a lot less daring today (and has been reclassified as an R), but remains a fascinating time capsule of late-1960s sexual decadence in mainstream American cinema. In a career-making performance, Jon Voight plays Joe Buck, a naive Texas dishwasher who goes to the big city (New York) to make his fortune as a sexual hustler. Although enthusiastic about selling himself to rich ladies for stud services, he quickly finds it hard to make a living and eventually crashes in a seedy dump with a crippled petty thief named Ratzo Rizzo (Dustin Hoffman, doing one of his more effective "stupid acting tricks," with a limp and a high-pitch rasp of a voice). Schlesinger's quick-cut, semi-psychedelic style has dated severely, as has his ruthlessly cynical approach to almost everybody but the lead characters. But at its heart the movie is a sad tale of friendship between a couple of losers lost in the big city, and with an ending no studio would approve today. It's a bit like an urban Of Mice and Men, but where both guys are Lenny. --Jim Emerson

When Joe Buck (Voight) a good-lookingnaively charming Texas "cowboy" makes his way to the Big Apple to seek his fortune the only wealthhe finds is in the friendship of Ratso Rizzo (Hoffman) a scrounging sleazy small-time con man with big dreams. Living on the tattered fringe of society these two outcasts develop an unlikely bond one that transcends their broken dreams and get-rich-quick schemes and makes Midnight Cowboy "that rarest of things: [a film] every bit as moving now as it was when it was [first] released" (Premiere).System Requirements:Running Time: 113 MinFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 027616135988 Manufacturer No: 13598

Oh, God!

Carl Reiner directed this sweet comedy about the Man Upstairs visiting Earth in the form of a funny little guy (George Burns). John Denver is the good man chosen to be God's contact in the modern age--and like an Old Testament prophet, Denver's character pays the price by being ridiculed and faced with criminal charges. Denver is a warm presence, but the film is entirely in Burns's court. Reiner feeds him lines that come out of Burns' mouth like stage patter, and it's no wonder he got a huge career boost from this film in the winter of his life. Except for some courtroom stuff in the third act--where Reiner inadvertently cheapens the movie with editing tricks to suggest "miracles"--Oh, God! is just fine. (It's certainly better than its two perfunctory sequels, Oh God! Book II and Oh God! You Devil.) --Tom Keogh

Suppose God personally chose you to spread His message to all humankind. That's what happens to supermarket manager John Denver in a graceful comedy blessed by George Burns in his best-loved role.

The Lost Boys (Two-Disc Special Edition)

Strange events threaten an entire family when two brothers move with their divorced mother to a California town where the local teenage gang turns out to be a pack of vampires.Running Time: 97 min.Format: DVD MOVIE Genre: DRAMA UPC: 085393353025

This 1987 thriller was a predictable hit with the teen audience it worked overtime to attract. Like most of director Joel Schumacher's films, it's conspicuously designed to push the right marketing and demographic buttons, and granted, there's some pretty cool stuff going on here and there. Take Kiefer Sutherland, for instance. In Stand by Me he played a memorable bully, but here he goes one step further as a memorable bully vampire who leads a tribe of teenage vampires on their nocturnal spree of bloodsucking havoc. Jason Patric plays the new guy in town, who quickly attracts a lovely girlfriend (Jami Gertz), only to find that she might be recruiting him into the vampire fold. The movie gets sillier as it goes along, and resorts to a routine action-movie showdown, but it's a visual knockout (featuring great cinematography by Michael Chapman) and boasts a cast that's eminently able (pardon the pun) to sink their teeth into the best parts of an uneven screenplay. --Jeff Shannon

Where's Poppa?

Carl Reiner directed this wild exercise in bad taste, an explosion of dark comedy starring George Segal and Ruth Gordon. Segal is a beleaguered New York lawyer and mama's boy who still lives with his senile mother because he promised his late father he'd never put her in a home. So he spends his time alternating between work and trying to give his mother a heart attack so that he'll be free. That becomes more urgent when he falls for the nurse (Trish Van Devere) he hires to take care of his mother. Reiner and writer Robert Klane are equal-opportunity offenders, with jokes about rape, racism, and caca (yes, caca). But if you're in the right mood, it can make you howl with laughter. --Marshall Fine

George Segal ( Just Shoot Me ) and Ruth Gordon (Harold and Maude) give the funniest performances of their careers in this outrageous comedy that 'stomps gleefully on the idea of devotion to Mom above all (Newsweek)! Featuring some of the boldest gags ever to hit the screen, Where's Poppa? is a riotously funny film (The New York Times)! Attorney Gordon Hocheiser isa man with a problemhis mother. Gordon promised his late father that he d take care of her, but when Gordon finally meets the girl of his dreams, his batty, eccentric mother is intent on turning his dreams into one huge nightmare. Soon Gordon becomes obsessed with getting rid of her before she gets rid of his girlfriend!

The Hospital

This black comedy features an alcoholic doctor-turned-administrator who tries to manage an overburdened and chaotic hospital with fatal results. Chayevsky is dead-on in this satire on modern bureaucracies. Sadly this cult favorite still rings true in our HMO age-but luckily laughter is still the best medicine. A biting satire THE HOSPITAL earned two Oscar nominations including George C. Scott for Best Actor.System Requirements:Starring: George C. Scott Diana Rigg Barnard Hughes Nancy Marchand Stockard Channing Directed By: Arthur Hiller Running Time: 103 Min. Color Copyright 2003 MGM Studios.Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 027616895523 Manufacturer No: 1005221

Paddy Chayefsky (Marty) wrote the script for this 1971 film that mixes--in Chayefsky tradition--absurdist satire with a touching, almost wistful love story. George C. Scott plays a cynical doctor battling bureaucratic superstructures on the one hand and hippie-dippy flakiness among some patients on the other. When he falls for an eccentric young woman (Diana Rigg) with an alternative view on everything, the road to liberation from burdensome responsibilities seems to open before him. Director Arthur Hiller (Love Story) doesn't do much more than bring the screenplay to life, though he does create a persuasive sense of urban chaos in the setting. Scott gives a good, thoughtful performance. --Tom Keogh

Midnight Cowboy

The first, and only, X-rated film to win a best picture Academy Award, John Schlesinger's Midnight Cowboy seems a lot less daring today (and has been reclassified as an R), but remains a fascinating time capsule of late-1960s sexual decadence in mainstream American cinema. In a career-making performance, Jon Voight plays Joe Buck, a naive Texas dishwasher who goes to the big city (New York) to make his fortune as a sexual hustler. Although enthusiastic about selling himself to rich ladies for stud services, he quickly finds it hard to make a living and eventually crashes in a seedy dump with a crippled petty thief named Ratzo Rizzo (Dustin Hoffman, doing one of his more effective "stupid acting tricks," with a limp and a high-pitch rasp of a voice). Schlesinger's quick-cut, semi-psychedelic style has dated severely, as has his ruthlessly cynical approach to almost everybody but the lead characters. But at its heart the movie is a sad tale of friendship between a couple of losers lost in the big city, and with an ending no studio would approve today. It's a bit like an urban Of Mice and Men, but where both guys are Lenny. --Jim Emerson

Daring. Provocative. Shocking. Compelling. Nearly thirty years after its original release, "Midnight Cowboy is still heartbreakingand timeless" (The New York Observer). This Academy AwardÂ(r) winner* for Best Picture, Director and Screenplay also boasts OscarÂ(r)-nominated** performances by Dustin Hoffman and Jon Voight, neither of whom have "ever been better on screen than they are here" (Chicago Tribune)! When Joe Buck (Voight), a good-looking,naively charming Texas "cowboy" makes his way to the Big Apple to seek his fortune, the only wealthhe finds is in the friendship of Ratso Rizzo (Hoffman), a scrounging, sleazy, small-time con man with big dreams. Living on the tattered fringe of society, these two outcasts develop an unlikely bond one that transcends their broken dreams and get-rich-quick schemes and makes Midnight Cowboy "that rarest of things: [a film] every bit as moving now as it was when it was [first] released" (Premiere). *1969 **1969: Actor

Sister Act 2: Back in the Habit

A lounge singer who had previously posed as a nun returns to the order to help teach in an inner city school.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 1-JUN-2004
Media Type: DVD

Whoopi Goldberg returns in a gratuitous, poorly written sequel that contrives a reason to get her character back into Maggie Smith's convent. The "socially conscious" plot finds Goldberg being asked to relate to a bunch of street kids and pull them together into a choir. Since a bad guy is needed, the script grabs that old chestnut about a rich guy (James Coburn) preparing to close down the convent's school, and runs with it. The film is slow and unconvincing from start to finish, although costars Mary Wickes and Kathy Najimy get some good laughs, and the music is pretty spirited. --Tom Keogh