Hull, Henry

The Fountainhead

Based on the novel by philosopher Ayn Rand this is the story of architect Howard Roark. An idealist Roark believes he can balance his values with the needs of society. His mentor disagrees - encouraging him to compromise his integrity rather than suffer for his artistic goals.Running Time: 112 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569571624 Manufacturer No: 65716

Exhibiting a darker edge to his hero persona, the strapping Gary Cooper has the (Frank Lloyd) Wright stuff as architect Harold Roark, a "fool visionary" who refuses to conform his artistic ideas to popular taste. His inflexibility makes enemies out of a tabloid architecture critic and a tycoon (Raymond Massey), who proclaims, "All men can be bought... there are no men of integrity." Keating (Kent Smith), a former classmate, urges Roark to take "the middle of the road so it's sure to please everybody." But Roark will not compromise, and when one of his building designs is radically altered without his consent, he resorts to drastic measures. Adapted for the screen by Ayn Rand from her towering and controversial bestseller, The Fountainhead is about as subtle as that phallic drill Roark wields so impressively, which catches the frenzied eye of the formidable Dominique Francon (Patricia Neal in her film debut). She recognizes Roark's nobility, but fears he has no chance "in a world where beauty, genius and greatness have no chance." Rand did little to dilute her polemics for the screen, resulting in melodramatic scenes that border on high camp, such as Roark and Francon's rather sexually charged discussion about limestone. Rand practiced what she preached. According to a bonus featurette about the making of the film, she refused to trim Roark's then-unprecedented six-minute courtroom speech in which he defends his actions. Even for those who don't adhere to her philosophy, The Fountainhead does offer something rarely seen on screens these days, a man of unshakable principles. And Hollywood could sure note Rand's object lesson about the perils of mediocrity and catering to "the mob." For Cooper fans, The Fountainhead is an essential addition to your DVD library. --Donald Liebenson

Portrait of Jennie

One of the most unusual romances ever filmed Portrait of Jennie is the picture of sumptuous perfection. Starring Joseph Cotten (Citizen Kane) and Oscar® winner* Jennifer Jones (A Farewell to Arms) in a sensitive appealing performance (The Hollywood Reporter) this tender [and] poetic (Variety) tale is enthralling from its touching beginning to its haunting conclusion.When struggling artist Eben Adams (Cotten) meets the beautiful and mysterious Jennie (Jones) he is instantly captivated. Before long Jennie has become his great muse and he is enjoying success and bliss beyond his dreams. But there is a price to pay for such elation and soon Eben must face the truth about who Jennie really is.System Requirements: Running Time 86 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 027616903846 Manufacturer No: 1006182

Lifeboat (Special Edition)

Part mystery, part wartime polemic, Lifeboat finds director Alfred Hitchcock tackling a cinematic challenge that foreshadows the self-imposed handicaps of Rope and Rear Window. As with those subsequent features, Hitchcock confines his action and characters to a single set, in this instance the lone surviving lifeboat from an Allied freighter sunk by a German U-boat in the North Atlantic. A less confident, ingenious filmmaker might have opened up John Steinbeck's dialogue-driven character study beyond the battered boat and its cargo of survivors, but Hitchcock instead revels in his predicament to exploit the enforced intimacy between his characters.

Indeed, we never actually see the doomed freighter--the smoking ship's funnel beneath the credits simply sinks beneath the waves, and we're plunged into the escalating tensions between those who gradually find their way to the boat, a band of eight English and American passengers and crew, plus a German sailor (Walter Slezak) rescued from the U-boat, itself destroyed by the freighter's deck gun. Heading the cast and inevitably commanding their and our attention is the cello-voiced Tallulah Bankhead as Connie Porter, a cynical, sophisticated writer whose priorities seem to be hanging onto her mink and keeping her lipstick fresh. Gradually, the others find Porter and her lifeboat, forming a temporary community that inevitably suggests a careful cross section of archetypes, from wealthy industrialist (Henry Hull) to ship's boiler men (John Hodiak and William Bendix).

Hitchcock juggles the interpersonal skirmishes between the boat's occupants with the mystery of their German prisoner, which itself becomes a meditation on the fine line between nationalism and morality, a line that Slezak walks delicately until his identity is resolved. Visually, Hitchcock transforms his back-lot set and its rear-projected cloudbanks into a desolate stretch of ocean, while capturing the horror of an amputation through an economical set of images culminating in an empty boot. --Sam Sutherland

Nominated for three Academy Awards, Alfred Hitchcock's "absorbing brilliantly executed" (Hollywood Reporter) World War II drama, is a remarkable story of human survival.

After their ship is sunk in the Atlantic by Germans, eight people are stranded in a lifeboat, among them a glamorous journalist (Tallulah Bankhead), a tough seaman (John Hodiak), a nurse (Mary Anderson) and an injured sailor (William Bendix). Their problems are further compounded when they pick up a ninth passenger - the Nazi captain from the U-boat that torpedoed them. With its powerful interplay of suspense and emotion, this legendary classic is a microcosm of humanity, revealing the subtleties of man's strengths and frailties under extraordinary duress.

The Man with the Gun

Robert Mitchum portrays an Exterminator--in the American West. He will for a price eliminate any outlaws annoying the peace of any Western town. When his wife (Jan Sterling) in disgust leaves him he pursues her only to encounter his greatest gunfighting challenge. Format: DVD MOVIE Genre: WESTERN/CLASSICS Rating: NR UPC: 883904107224 Manufacturer No: M110722

The same year he delivered one of the indelible performances in American movies--the cracked preacher in The Night of the Hunter--Robert Mitchum played another stranger who comes to town bringing death. In 1955's Man with the Gun, however, Mitchum's on the side of good, even if his actions are viewed through a somewhat ambiguous lens. Clint Tollinger is known throughout the West as a "town tamer," the badass you call in when outlaws get the upper hand in a place. The good citizens of Sheridan City are terrified of a local cattle baron, so Tollinger's arrival is just what they want--at first. His no-nonsense approach to wiping out the bad guys is enough to give a person pause. Meanwhile, Tollinger is reacquainting himself with an old flame, now the local bordello madam (Jan Sterling, from Ace in the Hole), who doesn't want any part of him. Mitchum, all broad-shouldered jackets and sucked-in gut, strides through this with his typically confident appeal, although it must be said he doesn't get much heat going with Sterling. (One wonders what might have happened if one of the uncredited cathouse ladies, Angie Dickinson, had played Sterling's role.) Man with the Gun was directed and co-written by a very civilized man, Richard Wilson, who had worked at Orson Welles' side back in the days of the Mercury Theater and during Welles' early years in Hollywood. He makes this film a thoughtful entry in the post-High Noon era, when Westerns were allowed to be complicated and serious. The main problem is, Man with the Gun just doesn't have a great deal of oomph, despite its good intentions and literate approach. As a Mitchum Western, though, it's solid enough. --Robert Horton

Boys Town

Spencer Tracy won an Oscar for his portrayal of Father Flanagan, who opens Boys Town and dedicates himself to helping juvenile delinquents go straight. Mickey Rooney plays one of the tougher kids, figuring out early on that Flanagan is nobody's fool. Warmhearted and inspiring, the film's inevitable sentimentality is nicely cut by Tracy's performance and a smart script by Eleanore Griffin and Dore Schary (who also won Oscars). A good film for all ages, directed by Norman Taurog (Adventures of Tom Sawyer). --Tom Keogh

Spencer Tracy and Mickey Rooney both won Oscars(R) in 1938 for their work in this touching and inspirational story of Father Flanagan and his young delinquent charges. Year: 1938 Director: Norman Taurog Starring: Spencer Tracy Mickey Rooney Henry HullRunning Time: 93 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569677142

Jesse James

The legend of Jesse James stars Tyrone Power as the most infamous bandit in the history of the West. Jesse James was a young Missouri farmer forced outside the law after ruthless agents for the transcontinental railroad kill his ailing mother and steal his family's land. Together with his brother Frank (Henry Fonda) Jesse forms a gang of masked outlaws to strike back at the railroad company and the banks that have joined forces to swindle the oppressed farmers.System Requirements:Running Time: 106 minutesFormat: DVD MOVIE Genre: WESTERN/MISC. UPC: 024543244424 Manufacturer No: 2234442

No studio was better than Darryl Zanuck's 20th Century-Fox at dishing out lovingly textured Americana, of which this movie is a prime example. The outlaw gets canonized as an American Robin Hood, an honest farmer who, with post-Civil War Missouri overrun by corrupt agents of the Railroad, had no choice but to start robbing banks and trains to achieve a measure of social justice the System wouldn't provide. Tyrone Power as Jesse is quietly out-acted by Fox's emerging star Henry Fonda as brother Frank. The supporting cast is solid--Randolph Scott, Nancy Kelly, Brian Donlevy, John Carradine (as Bob Ford), Jane Darwell, Donald Meek--but the liveliest thing in the movie is Henry Hull, playing a newspaperman whose editorials invariably prescribe that whomever he's denouncing be "taken out and shot like dawgs." Fonda, Hull, and Carradine re-created their roles the following year in The Return of Frank James. --Richard T. Jameson

Objective Burma

A paratroop captain (Errol Flynn) sets out with a platoon to attack a Japanese outpost in the jungle. The Americans reach their target, take out the enemy with almost balletic precision, then gear up to return home. This feels like the point when a conventional war movie would have reached its action-filled climax, but the journey has only begun. Ahead lies one of the most arduous and agonizing adventures any World War II film ever offered, brilliantly directed by that underrated old master Raoul Walsh and photographed with almost tactile realism by the great James Wong Howe.

The chief rap against Objective, Burma! (of concern mainly to British observers) is that it suggests that only U.S. forces contested the Japanese in the jungles of Burma. (OK, so it's not the most accurate history lesson.) But that's small beer in view of the movie's bone-chilling portrayal of pain, sacrifice, and endurance. The jungle atmosphere is so persuasive, you'd swear it was shot on the actual locations (though in fact Walsh effectively reworked many of the same situations in Distant Drums, a sort-of Western about the Seminole War, six years later). You'll never forget the terrifying last dark night on a mountainside--or the crocodiles.... Flynn is excellent (he had given his best performance ever in Walsh's Gentleman Jim three years earlier), and he's backed by a solid cast including Henry Hull (as an aging war correspondent), James Brown, William Prince, George Tobias, and Stephen Richards (soon to change his name to Mark Stevens). Incidentally, two of the writers, Alvah Bessie and Lester Cole, were later blacklisted; see if you can spot any Commie propaganda. --Richard T. Jameson

Mission accomplished! Errol Flynn who brought boyish bravado to The Adventures of Robin Hood Dodge City Gentleman Jim and other screen yarns turns in a mature acclaimed performance as the leader of a paratrooper patrol stranded in Burma. It's "one of the few features of which I am proud" Flynn later said. There's reason for pride. "This is one of the finest World War II films made during the war" The Movie Guide says. "One of the best war movies" Guide for the Film Fanatic's Danny Peary wrote "and among the grimmest." Raoul Walsh directs the hard-hitting action shot in rugged California locations so similar to Burma that veterans of that campaign refused to believe the crew hadn't somehow sneakedinto Asia.Running Time: 142 min.Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 012569525023 Manufacturer No: 65250

The Return of Frank James

Henry King's 1939 Jesse James sidestepped history to embrace folklore's version of the outlaw as a populist hero. This sequel is pure dime-novel fiction, with Jesse's brother (Henry Fonda) getting even, albeit reluctantly, with Bob Ford (John Carradine), "the dirty little coward" who back-shot his leader to win amnesty. The revenge theme would seem tailor-made for 20th Century-Fox's newly signed directorial talent, Fritz Lang, to whip up a fine Teutonic frenzy. However, the maestro of Die Nibelungen treated the material straight, like the good, impersonal Hollywood craftsman he was eager to be taken for, at that point in his career. Besides, Lang loved the West and Western lore, and was happy working in the Western genre. (Check out his next Fox assignment, Western Union, for a richer confirmation of this.) The Technicolor is vivid, nowhere more so than in the red lips of Gene Tierney in her screen debut. --Richard T. Jameson

Fabled Missouri outlaw Frank James brother of the legendary Jesse James straps on his six-shooters and rides out for revenge in director Fritz Lang's The Return of Frank James the thrilling 1940 sequel to the Western classic Jesse James. From the green Missouri hills to the rugged Rockies their steps are dogged by Frank James riding hard on the vengeance trail in the wild and woolly era when there was no law for folks except at the end of a gun.System Requirements:Running Time: 92 minutesFormat: DVD MOVIE Genre: WESTERN/MISC. UPC: 024543247869 Manufacturer No: 2234786

The Chase

A small town sheriff tries to recapture an escaped prisoner.
Genre: Feature Film-Drama
Rating: UN
Release Date: 4-APR-2006
Media Type: DVD

An almost absurdly star-studded cast brings to life Horton Foote's story of prejudice, violence, and frustrated love in The Chase. When Bubber Reeves (Robert Redford) escapes from prison, a drunken party in his hometown turns into a vigilante mob. The news disrupts the birthday celebration of a local oil tycoon (E.G. Marshall), whose son (James Fox) is having an affair with Reeves's wife Anna (Jane Fonda). Meanwhile, a bank vice-president (Robert Duvall) knows his wife (Janice Rule) is cheating on him but can't do anything about it except spread a little misery. The sheriff (Marlon Brando) struggles to hold things together until he can persuade Reeves to give himself up. The accents are thick and the emotions seem overwrought at first, but director Arthur Penn (Bonnie & Clyde, Little Big Man) weaves the multiple storylines together into an unsettling finale. Also featuring Angie Dickinson and Miriam Hopkins. --Bret Fetzer

High Sierra (Snap Case)

This 1941 melodrama is memorable for both its strong central performances and their intimations of how the previous decade's crime dramas would evolve into film noir--no accident, given the solid direction of veteran Raoul Walsh and the hand of screenwriter John Huston, who teamed with the author of its novelistic source, W.R. Burnett (Little Caesar). In the central character of Roy "Mad Dog" Earle, a fictional peer to John Dillinger, Humphrey Bogart finds a defining role that anticipates the underlying fatalism and moral ambiguity visible in the career-making roles soon to follow, including Sam Spade in Huston's directorial debut, The Maltese Falcon.

Earle suggests a prescient variation on the enraged sociopaths that were fixtures of the gangster melodramas that shaped Bogart's early screen image. Pardoned from a long prison stretch, the weary robber is clearly more eager to savor his new freedom than immediately swing back into action. But his early release has been engineered by a mobster who wants Earle to pull off a high-stakes burglary, setting in motion a plot that is a prototype for doomed-heist capers--a small, yet potent subgenre that would later include Huston's The Asphalt Jungle and Stanley Kubrick's The Killing.

What gives High Sierra its power, however, isn't the crime itself but Earle's collision with the younger, brasher confederates picked to help him, and the hard-edged but vulnerable taxi dancer they're competing for, played forcefully by Ida Lupino, who actually received top billing. Her attraction to the reluctant Earle is complicated by a convoluted subplot designed to showcase then starlet Joan Leslie, but the movie finally moves into its most gripping moments when the wounded Earle, pursued by police, flees ever higher toward the mountains. His final, suicidal showdown would become a cliché of sorts in lesser films, but here it provides a wrenching climax sealed by Lupino's vivid final scene. --Sam Sutherland

Humphrey Bogart and Ida Lupino star in this tragic study of an American gangster whose hard-boiled persona finds itself at war with his compassionate side--a side that will ultimately be his downfall.