Hunter, Jeffrey

The Searchers (John Wayne Collection)

Working together for the 12th time John Wayne and director John Ford forged The Searchers into an indelible image of the frontier and the men and women who challenged it. Wayne plays ex-Confederate soldier Ethan Edwards a believer more in bullets than in words. He's seeking his niece captured by Comanches who massacred his family. He won't surrender to hunger thirst the elements or loneliness. And in his obsessive five-year quest Ethan encounters something he didn't expect to find: his own humanity.Running Time: 119 min.Format: DVD MOVIE Genre: WESTERN/MISC. Rating: NR UPC: 085391158653 Manufacturer No: 115865

A favorite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of the West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns, The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made. --Jeff Shannon

A favorite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of the West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns, The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made. --Jeff Shannon

14 Hours (Fox Film Noir)

"There's a jumper on the ledge...." And so, after a wordless opening sequence, begins Fourteen Hours, a taut thriller about a would-be suicide standing outside his hotel-room window on St. Patrick's Day. The jumper, nervously played by Richard Basehart, is counseled by a gallery of interested parties, including a beat cop (Paul Douglas) and the man's divorced parents (Agnes Moorehead and Robert Keith) and fiancée (Barbara Bel Geddes). Psychiatrist Martin Gabel provides some Freudian analysis of the situation. Along with the drama on the ledge, the film cruises through the reactions of the crowd below, from concerned to cynical. Among the huge ensemble are a surprising gallery of faces, including up-and-comers Grace Kelly, Jeffrey Hunter, and Debra Paget. Howard Da Silva is a cop, and Ossie Davis and Harvey Lembeck (both uncredited) are cab drivers. Director Henry Hathaway had made some of the Fox film noirs emphasizing realism and authentic location shooting (House on 92nd Street, Call Northside 777), and he takes a similar approach to the flavorful Manhattan sites here--albeit mostly within a one-block area. The movie's ticking-clock momentum holds up well, even if some of the social-concern material feels dated. And when you can cut to a vertiginous angle every few minutes, suspense is practically guaranteed. --Robert Horton

Film noir a classic film style of the 40s and 50s is noted for its dark themes stark camera angles and high-contrast lighting. Comprising many of Hollywood s finest films film noir tells realistic stories about crime mystery femmes fatales and conflict.This compelling suspense drama spends its time with a tormented young man (Richard Basehart) as he teeters on a New York hotel s 15th floor window ledge deciding whether or not to jump. Paul Douglas plays a traffic cop the first officer on the scene and through his gentle compassionate talk he becomes the only one the man on the ledge trusts. He certainly doesn t trust his mother (Agnes Moorehead) or ex-fianc e (Barbara Bel Geddes). The crowd below is mesmerized and for some the fourteen hours that follow will change their lives forever. This film is notable for the film debut of Grace Kelly in a small role.System Requirements:Running Time: 92 minutesFormat: DVD MOVIE Genre: DRAMA UPC: 024543263630 Manufacturer No: 2236363

Sailor of the King

A British naval officer has a brief affair with a woman in England and never knows that she bears him a son. 20 years later the boy is on a ship under his command when he is tracking a German Raider. When the boy is captured after his ship is sunk he finds a way to slow the German's progress while a lethal hunt for him goes on.System Requirements:Run Time: 83 minutesFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 024543432951 Manufacturer No: 2243295

Based on the WWI adventure novel Brown on Resolution by C.S. Forester, Sailor of the King is an enjoyable British-made war drama buoyed by its energetic star, Jeffrey Hunter, and an exciting and suspenseful premise. The picture opens on a slow note with British Navy captain Michael Rennie ending a tryst with English girl Wendy Hiller; years later, the product of that union is British-Canadian sailor Jeffrey Hunter, whose ship is dispatched to intercept a powerful German warship by now-Admiral Rennie. The ensuing fight sinks Hunter's ship and damages the German boat, but Hunter evades capture and hunkers down on the island where the Nazi captain (Peter Van Eyck) has docked for repairs; there he wages a one-man assault against the ship using only a rifle and his own skills. Roy Boulting's direction is crisp and assured, and the cast, especially the underappreciated Hunter (in his first leading role), is uniformly fine, which should make Sailor of the King a worthwhile discovery for WWII action fans. The DVD includes two endings--the original British release, which adds to the Rennie-Hiller relationship, and the pat American conclusion. -- Paul Gaita

King of Kings

Epic dramatization of the life of Christ, from Bethlehem to the crucifixion and resurrection.
No Track Information Available
Media Type: DVD
Artist: HUNTER/RYAN/TORN
Title: KING OF KINGS
Street Release Date: 09/20/2005
Domestic
Genre: DRAMA

This 1961 version of Jesus' story gives historical context to the best-known Biblical tale and features many memorable moments, such as a moving Sermon on the Mount and a vixenish Salome dancing for her stepfather in a performance that rivals today's MTV video offerings. Orson Welles keeps the 168-minute film moving along with informative narration helpful to those who haven't read the New Testament in a while. Made with backgrounds that resemble Southern California more than Palestine and a European and American cast--including a blonde, blue-eyed Jesus and an Irish-accented Mary--this movie has the definite stamp of Hollywood. --Kimberly Heinrichs

Belles on Their Toes

Myrna Loy charms as the Gilbreth family matriarch in this enjoyable 1952 sequel to Walter Lang's comedy Cheaper by the Dozen, based on the autobiographical novel by Frank Gilbreth Jr. and Ernestine Gilbreth Carey. Picking up from the somber ending of Cheaper, in which Frank Sr. (Clifton Webb) dies, leaving behind his wife, Lillian (Loy), and 12 children, Belles focuses on the family's slow recovery and aspirations for a future. Lillian's qualifications as an engineer are dismissed--sometimes humiliatingly--by sexist men, though she finally receives a training position with the plain-speaking Sam Harper (Edward Arnold) and the respect of a major university. Meanwhile, eldest daughter Ann (Jeanne Crain) is wooed by a young doctor (Jeffrey Hunter), and the other Gilbreth kids weed out unsuitable suitors for their dating-age sisters. Several pleasant musical numbers punctuate the comically unpredictable action, including a few by Hoagy Carmichael as the Gilbreth's wry cook. --Tom Keogh

Hell to Eternity

Based on the true story of WWII hero Guy Gabaldon a Marine who was raised by a Japanese-American family. He daringly went behind enemy lines and convinced 2000 Japanese soldiers to surrender. Packed with action the film features Janssen before he found wider fame as TV's "Fugitive."Runtime: 132 minsFormat: DVD MOVIE Genre: TELEVISION/CLASSIC Rating: NR UPC: 085391142119 Manufacturer No: 114211

Hell to Eternity (1962) sets out to tell the true story of Guy Gabaldon, a white Angeleno raised from boyhood by a family of Japanese-Americans. Following the attack on Pearl Harbor, his parents are interned, his brothers enlist to fight in Europe, and Guy (Jeffrey Hunter)--after clearing it with mama-san--offers the Marines his services in the Pacific as an interpreter. During the battle for Saipan (reenacted by director Phil Karlson on the island of Okinawa) he undergoes several transformations, from reluctant warrior to implacable avenger to, ultimately, a truce-seeker trying to save lives on both sides. That's a fine-sounding dramatic trajectory, but the two-hours-plus Allied Artists production is patchy, with some amateurish acting in the Los Angeles portion (including an early appearance by George Takei) and an excruciating, wishfully raunchy night of shore leave in Hawaii before shipping out to the war zone. Sessue Hayakawa of Bridge on the River Kwai fame dominates the final sequences as the Japanese commandant. --Richard T. Jameson

Cheaper by the Dozen (1950) / Belles on Their Toes

No Man Is an Island

White Feather

The story of the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s. The mission is threatened when one the officers falls for the chief's daughter.Run Time: 264 minutesFormat: DVD MOVIE Genre: WESTERN/MISC. Rating: NR UPC: 024543436935 Manufacturer No: 2243693

The title refers to the symbol used by Indians to signal their intention to wage war, but White Feather is actually more about peace. Set in the late 1870s, director Robert Webb's film centers on efforts by the U.S. Cavalry, led by Col. Lindsay (John Lund), to negotiate a treaty with various tribes wherein the Indians will relocate and leave their Wyoming territory so white settlers can prospect for gold. The Blackfeet, Crow, Sioux, and Arapaho all seem willing; only the Cheyenne, led by pragmatic Chief Broken Hand (an affecting Eduard Franz) and his fiery son Little Dog (Jeffrey Hunter), are holding out. Enter Josh Tanner (Robert Wagner), a surveyor who's there to map out the town that will spring up once the gold is mined. Tanner makes friends with Little Dog and his sidekick, American Horse (Hugh O'Brian, who was about to assume the role of Wyatt Earp in the TV series about that legendary marshal), and falls in love with Little Dog's sister, Appearing Day (Debra Paget). Complications ensue, as this Western Side Story romance threatens to derail the impending treaty, leading to a final confrontation brought on by the delivery of the white feather. Notwithstanding the inherent absurdity of the treaty (as in most such agreements, the Indians were screwed), the filmmakers handle the issues even-handedly, taking a peaceful point of view that shows considerable sympathy toward the Cheyenne and allows both sides to proceed with dignity and honor. There are plenty of flaws: Wagner, just 25 at the time of this 1955 film, is handsome but bland in the lead role; the romance is handled rather clumsily (after their first kiss, Appearing Day tells Tanner, "I would like it again, please... but longer?"); and even though the Indians are depicted respectfully (of course, they didn't go so far as to cast actual Native American actors), the stereotype of the proud, noble savage so primitive that he can be entranced by a pocket comb persists. Still, White Feather looks good (it was filmed in Technicolor and CinemaScope) and more than holds one's attention throughout its 102-minute running time. Extras include an "interactive pressbook gallery," various still photos, and more. --Sam Graham

The Great Locomotive Chase

Disney's Great Locomotive Chase relates a true Civil War story about the Andrews Raiders, a team of 22 Union spies. In 1862 they snatched a train out from under the normally watchful eyes of Confederate troops based near Atlanta in a daredevil attempt to wreck the track and bridges of the Western & Atlantic Railroad. It was a high-stakes operation with a huge payoff. If they succeeded, they would effectively win the war; if they were caught, they were sure to be hanged. This 1956 feature shores up the suspense of the scheme masterfully. We watch, transfixed, as the relentless Confederate train conductor, William Fuller (played by the all-business Jeffrey Hunter) roars through a bevy of Southern stations hot on the heels of his hijacked locomotive. Will James Andrews (Fess Parker), leader of the Raiders, outrun him? History buffs won't need to keep watching for long, but they'll want to anyway--the portrayal of the Raiders' gumption and against-all-odds heroics pushes the basest, most human of audience buttons. It's not that The Great Locomotive Chase is a simple but well-done film about good vs. evil. Instead, it explores both sides' motives and draws gentle conclusions about honor, and it does so at an invigoratingly high clip. In that way, it's a movie worth sharing with kids 8 and older--there's no blood and only a sprinkling of violence here, but as with all war stories, tragedy plays a prominent role. --Tammy La Gorce

After commandeering a Confederate locomotive, heroic Yankee soldiers known as the Andrews Raiders try to bring about an early end to the Civil War by crippling the Southern railroad network. But their efforts are hampered by the unrelenting bravery of a single Rebel patriot.