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Damn Yankees

Damn Yankees by Stanley Donen from Warner Home Video

    America's pastime gets a Faustian twist in this 1958 studio musical, which recounts the ballpark bargain struck by an aging Washington Senators fan obsessed with helping his team trump the Yanks. With echoes of the real-life 1919 Shoeless Joe Jackson scandal, and tart observations on the tradeoffs between youth and experience, Damn Yankees fuses a classic dramatic dilemma with musical comedy to often charming effect.

    In transferring George Abbott's Broadway hit to the screen, codirectors Abbott and Stanley Donen are smart enough to retain Richard Adler and Jerry Ross's clever songs, Bob Fosse's sizzling choreography (with Fosse himself on camera for the sultry mambo number), and stars Ray Walston and Gwen Verdon, reprising their devilish turns as the Horned One himself, Mr. Applegate, and his temptress, Lola. Where the team strikes out, unfortunately, is in their concession to marquee politics, handing the pivotal role of Joe Hardy to handsome, vapid, celluloid heartthrob Tab Hunter, whose thin voice and unsteady screen presence argue that he should have stayed in the dugout.

    Walston is reliably spry and acerbic as the canny archangel, and Verdon, in one of her rare starring screen turns, confirms the comedic timing and sexy, muscular grace that made her a deserved draw in subsequent stage hits including another Fosse triumph, Sweet Charity. With her combination of feline grace and alternately steely, flirtatious femininity, Verdon makes you believe her when she sings, "Whatever Lola wants, Lola gets." --Sam Sutherland

    Starring the original Broadway cast this is the musical adaptation of the novel "The Year The Yankees Won The Pennant" with a score by Adler & Ross ("The Pajama Game") and choreography by Bob Fosse. Washington Senators fan Joe Boyd sells his soul to the devil Mr. Applegate to become the greatest baseball player ever and to help his favorite team win the pennant. However doing this means Joe must leave his beloved wife Meg and it's not easy on him. Whenever he poses as a boarder to get closer to her Applegate must enlist the help of his favorite seductive helper Lola. But not even Lola's charms can woo Joe. Soon she finds herself falling for him but pledges to be his friend. Joe and Applegate make a contract allowing him out of the deal at a certain time but the devil makes sure that Joe doesn't get out. When Lola finds out about this she slips him four sleeping pills so he can sleep through the game the next day allowing Joe to help the Senators win the pennant. However Satan awakes and after turning Lola into an old hag turns Joe back into an old man on the field who returns to his wife.Running Time: 110 min.Format: DVD MOVIE Genre: COMEDY UPC: 085393197025

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    Grease 2

    Grease 2 by Patricia Birch from Paramount

      Too often, sequels to popular films simply rehash the original film; call it the carbon-copy syndrome. Grease 2 suffers from no such malady, having almost nothing to do with the original film. Sure, it focuses on teens at Rydell High, the imaginary school from the first film, which starred John Travolta and Olivia Newton-John. But other than a few of the teachers, all of the characters are new and so are the songs--and more's the pity. By the time Grease hit the big screen, it already had had almost a decade as a theatrical musical, more than enough time to hone its mock-rock & roll score. But this sequel, which stars among others a then-unknown Michelle Pfeiffer, Maxwell Caulfield, and Lorna Luft (Judy Garland's daughter), has music that's neither fish nor fowl, neither rock nor Broadway. Meanwhile, the plot is a reversal of the first film, in which a cool guy fell for a square girl. In this one, the square is newcomer Caulfield, who catches the eye of tough girl Pfeiffer and her Pink Lady gang. The appearance of such pseudo-stars of the '50s, like Tab Hunter, is supposed to lend a nostalgic kick, but let's just say that Grease 2 slides almost instantly into obscurity. --Marshall Fine

      The sequel to the 1978 hit movie, GREASE 2 is set in the early 1960's when a new British student, Michael Carrington (Caulfield), rides into town and joins the ranks at Rydell High. A book nerd who immediately falls for the blonde bombshell leader of the Pink Ladies, Stephanie Zinone (Pfeiffer), Michael finds himself smitten, but out of his element. Knowing that the Pink Ladies are the hippest clique of chicks at Rydell, who only date their equals in coolness - the T-Birds, Michael sets out to turn from a geek to a greaser to see if he can win the gorgeous Stephanie's heart.

      We Go Together 2-Pack (Grease / Grease 2)

      We Go Together 2-Pack (Grease / Grease 2) by Patricia Birch from Paramount

        Grease
        Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. In this 2002 DVD release, Grease lovers can also now see it in the correct 2:35 to 1 Panavision aspect ratio, and see retrospective interviews with cast members and director Randal Kleiser. All these stylistic touches are essential to the film's success. Without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film would have to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.

        The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

        Grease 2
        Too often, sequels to popular films simply rehash the original film; call it the carbon-copy syndrome. Grease 2 suffers from no such malady, having almost nothing to do with the original film. Sure, it focuses on teens at Rydell High, the imaginary school from the first film, which starred John Travolta and Olivia Newton-John. But other than a few of the teachers, all of the characters are new and so are the songs--and more's the pity. By the time Grease hit the big screen, it already had had almost a decade as a theatrical musical, more than enough time to hone its mock-rock & roll score. But this sequel, which stars among others a then-unknown Michelle Pfeiffer, Maxwell Caulfield, and Lorna Luft (Judy Garland's daughter), has music that's neither fish nor fowl, neither rock nor Broadway. Meanwhile, the plot is a reversal of the first film, in which a cool guy fell for a square girl. In this one, the square is newcomer Caulfield, who catches the eye of tough girl Pfeiffer and her Pink Lady gang. The appearance of such pseudo-stars of the '50s, like Tab Hunter, is supposed to lend a nostalgic kick, but let's just say that Grease 2 slides almost instantly into obscurity. --Marshall Fine

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        Mary Hartman, Mary Hartman - Volume 1

        Mary Hartman, Mary Hartman - Volume 1 by Bob Lally from Sony Pictures

          Set in fictional Fernwood Ohio this deliriously demented serial focused on the beleaguered heroine Mary Hartman an average American housewife. In the first year Mary suffered the travails of mass murder adultery venereal disease homosexuality religious cults and UFO sightings before she finally succumbed to a nervous breakdown on a syndicated talk show.System Requirements:Run Time: 563 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 043396114005 Manufacturer No: 11400

          Long before Twin Peaks, Mary Hartman, Mary Hartman turned the soap opera inside out. Produced by Norman Lear (All in the Family), the syndicated serial centers around gingham-clad housewife Mary Hartman (Woody Allen regular Louise Lasser). The saga begins with Mary agonizing over her floor's waxy yellow buildup when neighbor Loretta Haggers (Emmy winner Mary Kay Place) bursts in to announce that a mass murderer is on the loose in Fernwood. That isn't Mary's only problem. The magic has gone out of her marriage to Tom (Greg Mullavey) and her grandfather is revealed as the Fernwood Flasher. And that's just the pilot.

          At first glance, Mary Hartman, Mary Hartman resembles a daytime soap with consecutive airings (five nights a week), frame-filling close-ups, and syrupy score, but everything is off-kilter. When Mary isn't looking at other characters as if they're speaking in tongues, she appears to be on the verge of laughter or tears--maybe both at once. She's the ultimate desperate housewife. Aside from Grandpa Larkin (Victor Kilian), regulars include Mary's preteen daughter Heather (Claudia Lamb), younger sister Cathy (Debralee Scott), and parents, Martha (Dody Goodman) and George Shumway (Philip Bruns). In addition, there's Sgt. Foley (Bruce Solomon), who has the hots for our sexually unsatisfied heroine, and Loretta's hubbie, Charlie (Graham Jarvis), who works with Tom and George at the plant. Mrs. Haggers, an aspiring country singer, loves her Baby Boy "more than a hundred billion frozen Milky Ways." The first set of this groundbreaking series features 25 episodes. Between 1976-1978, a whopping 325 were produced, some as Forever Fernwood when Lasser left in 1977, reportedly due to exhaustion. That year, the series also spun off talk-show satire Fernwood 2Nite, which would soon develop a cult following of its own. --Kathleen C. Fennessy

          Stills from Mary Hartman, Mary Hartman (click for larger image)




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          More TV from the 1970's

          End Waxy Yellow Buildup

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          The Loved One

          The Loved One by Tony Richardson from Warner Home Video

            In olden days, as Cole Porter famously observed, a mere glimpse of stocking was looked on as something shocking. So it's heartening to report that this 1965 black comedy still delivers on its billing as "the motion picture with something to offend everyone." Tony Richardson, fresh off the liberating Tom Jones, brings Evelyn Waugh's self-described "little nightmare" to the screen with all its sacrilegious shocks (and then some!) intact, courtesy of screenwriters Terry Southern (Dr. Strangelove) and Christopher Isherwood. Robert Morse stars as Dennis Barlow, an Englishman abroad and a fish out of water in Southern California. Stumbling across the Hollywood landscape like a cross between Candide and Jerry Lewis. Barlow gets a unique perspective of the American experience when he finds employment at the Happier Hunting Ground, a ramshackle pet cemetery, and the flipside of the fabulously vulgar Whispering Glades. In a virtuoso dual role, Jonathan Winters costars as glad-handing Happier Hunting Grounds proprietor Harry, whose brother, Whispering Glades' Blessed Reverend, has some out-of-this-world plans for the "Loved Ones." The mad, mad, mad mad cast also includes John Gielgud as Dennis's ill-fated expatriate uncle, an artist unceremoniously booted from the movie studio where he has worked for 31 years; Anjanette Comer as Aimee, a Whispering Glades cosmetician torn between Dennis and embalmer Mr. Joyboy (an unforgettable Rod Steiger), who registers his broken heart on the faces of his corpses; a teenage Paul Williams as a science prodigy; Liberace as a funeral salesman peddling eternal flames both "perpetual or standard"; Milton Berle and Margaret Leighton as "a typical well-adjusted American couple" whose deceased dog puts a crimp in their dinner plans; and even Jamie Farr, seen fleetingly as a waiter. The Loved One anticipates the "New Hollywood" with its naturalistic cinematography by Haskell Wexler (Medium Cool) and "anything goes" sensibility (the dinner scene with Joyboy and his obese mother would not be out of place in a John Waters movie). By turns creepy and grotesquely funny, The Loved One will bury you. --Donald Liebenson

            The funeral business gets a giant raspberry in this wickedly wacky resplendently ridiculous farce based on Evelyn Waugh's macabre comic masterpiece and directed with inspired verve by Tony Richardson (Tom Jones). But the American way of death isn't the film's only target: sex greed religion and mother love are also in the crosshairs of its satirical shots. Robert Morse plays a bemused would-be poet who gets entangled with an unctuous cemetery entrepreneur (Jonathan Winters) a mom-obsessed mortician (Rod Steiger) and other bizarre characters played by such adept farceurs as John Gielgud Robert Morley Tab Hunter Milton Berle James Coburn and Liberace. If The Loved One doesn't make you laugh call the undertaker!Running Time: 121 min.Format: DVD MOVIE Genre: COMEDY UPC: 012569678224 Manufacturer No: 67822

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            Ride the Wild Surf

            Ride the Wild Surf by Don Taylor from Sony Pictures

              The surfin' 60s comes alive with long boards crashing waves bikinis and beach parties when Hollywood's happening jet-set including; Fabian Shelly Fabares Tab Hunter and Barbara Eden take a wet and wild magic carpet ride of adventure in surfer's paradise. Here on Hawaii's famous North Shore they test their hearts in a tale of daytime pipeline extremes and nights of cozy romance and seduction. With a great surfin' soundtrack and a groovin' wipe-out climax you'll catch a wave and RIDE THE WILD SURF - like you never have before!System Requirements:Running Time: 101 Min.Format: DVD MOVIE Genre: COMEDY Rating: NR UPC: 043396078024 Manufacturer No: 07802

              War Gods of the Deep/At the Earth's Core

              War Gods of the Deep/At the Earth's Core by Jacques Tourneur from MGM (Video & DVD)

                War-Gods of the DeepAn unusual science fiction adventure set not in the future but in the past. It is 1903 and just off the Cornish coast lives an undersea kingdom of humanlike creatures who never age. The ruler of this strange society sees a woman on land who looks like the reincarnation of the ruler's deceased wife. This sets off a chain of events that eventually bring the human world into battle against this underwater community of the past. Memorable for its creative sets and creepy gill man warriors this drive-in classic is based on a line from an Edgar Allen Poe work and is sprinkled with references to Poe throughout. Tab Hunter wearing gigantic scuba gear similar to a robot costume and Vincent Price star.At the Earth's CoreA Victorian scientist leads an expedition to the center of the Earth and there they find an incredible world populated by subhuman warriors and prehistoric monsters. Great special effects add to the adventure.System Requirements:Running Time: 175 Min.Format: DVD MOVIE Genre: HORROR Rating: PG UPC: 027616920591 Manufacturer No: 1008025

                Polyester

                Polyester by John Waters from New Line Home Entertainment

                  Director John Waters broke new boundaries of bad taste with this hilariously trashy tale of suburban misadventure. His favorite leading lady, transvestite Divine, plays Francine Fishpaw, a dissatisfied suburban housefrau who longs for a little romance in her life because her husband and children drive her crazy. Salvation arrives in the form of Tod Tomorrow (Tab Hunter), a drive-in owner who sweeps Francine off her feet (a mean task, given Divine's girth). But he's not all he's cracked up to be. Filmed in the miracle of Odorama, video viewers now have to imagine the scents (actually, odors) that came on the Odorama scratch-and-sniff card during the film's theatrical release. It won't be too hard. --Marshall Fine

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                  Lust in the Dust

                  Lust in the Dust by Paul Bartel from Starz / Anchor Bay

                    After forming a match made in trash-movie heaven in John Waters's Polyester, Tab Hunter and Divine reunited for this deliciously tasteless Western comedy, which borrows its title from the nickname for Duel in the Sun, the turgid Western that inspired director Paul Bartel's affectionate spoofery. With Hunter wearing two hats as hero and coproducer, the movie indulges its own outrageous excess while staying true to the dustiest traditions of the Western genre. It's just good enough to watch without shame, and rude enough to hide from more offendable members of the family.

                    Nothing's sacred in Chile Verde, the wild western town where lone gunman Abel Wood (Hunter) arrives after rescuing corpulent saloon singer Rosie Velez (Divine) from being defiled by Hard Case Williams (Geoffey Lewis) and his gang of misfit gunslingers. Saloon owner Marguerita Ventura (Lainie Kazan) gets hot 'n' heavy for Abel's wood, and passions flare up in a race for hidden treasure, the map to which is tattooed in two sections on Rosie's and Marguerita's ample posteriors. To reveal more would spoil the wretched hilarity; one needn't love Westerns to enjoy this pig-wallow of a comedy, but it helps if you know the legacy of screen villains like Henry Silva, who's riotous here while barely shifting his vile expression. No doubt, this is the wackiest Western that ever cooked under the "blistering, burning, blazing, scorching, roasting, toasting, baking, boiling, broiling, steaming, searing, sizzling, grilling, smoldering, very hot New Mexico sun." --Jeff Shannon

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                    Battle Cry

                    Battle Cry by Raoul Walsh from Warner Home Video

                      The most interesting--and entertaining--aspect of this long, episodic World War II drama is that it marked the debut of one Justus E. McQueen, who subsequently took the name of the good ol' Arkansas boy he played in the movie: L.Q. Jones. He's only one of eight or nine Marine recruits who divide the screen time with commanding officer Van Heflin and James Whitmore as a lifer sergeant named Mac, "just Mac," who ramrods their squad and also delivers the movie's overbearing narration. Unfortunately, the narration is necessary to maintain continuity as the CinemaScope production galumphs its way from rounding up the melting-pot cast, to seeing them through bas