Imrie, Celia

Bridget Jones's Diary (Collector's Edition)

Featuring a blowzy, winningly inept size-12 heroine, Bridget Jones's Diary is a fetching adaptation of Helen Fielding's runaway bestseller, grittier than Ally McBeal but sweeter than Sex and the City. The normally sylphlike Renée Zellweger (Nurse Betty, Me, Myself and Irene) wolfed pasta to gain poundage to play "singleton" Bridget, a London-based publicist who divides her free time between binge eating in front of the TV, downing Chardonnay with her friends, and updating the diary in which she records her negligible weight fluctuations and romantic misadventures of the year. Things start off badly at Christmas when her mother tries to set her up with seemingly standoffish lawyer Mark Darcy (Colin Firth), whom Bridget accidentally overhears dissing her. Instead she embarks on a disastrous liaison with her raffish boss, Daniel Cleaver (Hugh Grant, infinitely more likeable when he's playing a baddie instead of his patented tongue-tied fops). Eventually, Bridget comes to wonder if she's let her pride prejudice her against the surprisingly attractive Mr. Darcy.

If the plot sounds familiar, that's because Fielding's novel was itself a retelling of Jane Austen's Pride and Prejudice, whose romantic male lead is also named Mr. Darcy. An extra ironic poke in the ribs is added by the casting of Firth, who played Austen's haughty hero in the acclaimed BBC adaptation of Austen's novel. First-time director Sharon Maguire directs with confident comic zest, while Zellweger twinkles charmingly, fearlessly baring her cellulite and pulling off a spot-on English accent. Like Four Weddings and a Funeral and Notting Hill (both of which were written by this film's coscreenwriter, Richard Curtis), Bridget Jones's stock-in-trade is a very English self-deprecating sense of humor, a mild suspicion of Americans (especially if they're thin and successful), and a subtly expressed analysis of thirtysomething fears about growing up and becoming a "smug married." The whole is, as Bridget would say, v. good. --Leslie Felperin

Academy Award(R) winner Renée Zellweger (Best Supporting Actress, COLD MOUNTAIN, 2003; CHICAGO) and Hugh Grant (LOVE ACTUALLY, TWO WEEKS NOTICE) star in a delightful comedy about the ups and downs of modern romance. Bridget (Zellweger), a busy career woman, decides to turn over a new page in her life by channeling her thoughts, opinions and insecurities into a journal that becomes a hilarious chronicle of her adventures. Soon she becomes the center of attention between a guy who's too good to be true (Grant) and another who's so wrong for her, he could be just right (Colin Firth -- LOVE ACTUALLY)! Based on the best-selling book, BRIDGET JONES'S DIARY is another acclaimed crowd-pleaser from the hit makers of FOUR WEDDING AND A FUNERAL and NOTTING HILL.

Imagine Me & You

Writer/director Ol Parker's debut takes its title from "Happy Together" by the Turtles ("Imagine me and you / and you and me") and its inspiration from the romantic comedies of Richard Curtis (Love Actually). There's a twist. Flower shop owner Luce (Lena Headey, The Brothers Grimm) is gay. Newlywed Rachel (a convincingly UK-accented Piper Perabo, Lost and Delirious) is straight. The two meet at Rachel's wedding--Luce designed the floral arrangements--and feel an instant connection. Rachel brushes it off. After all, the charming Heck (Matthew Goode, Match Point) was her best friend long before he became her husband. Shortly after the ceremony, however, she begins to feel as if something is missing. She starts making excuses to see Luce. First it's to thank her for the flowers, then it's to invite her to dinner with Heck and their on-the-make pal Cooper (a hilarious Darren Boyd)...who's crushed when he discovers that Luce prefers women. Rachel, meanwhile, finds married life pleasant enough, but only really feels alive when she's with Luce. It's tricky, because she loves Heck and doesn't want to hurt his feelings, so she and Luce decide to stop seeing each other. But the bond between the two is too powerful for either to resist. What it may lack in originality, Imagine Me & You makes up for in an enchanting soundtrack and sensitive performances from its three likable leads. --Kathleen C. Fennessy

Piper Perabo lights up the screen as Rachel, a blushing bride whose perfect nuptials take a surprising turn at the altar. An innocent glance between Rachel and an unexpected wedding guest is all it takes to spark a 'love at first sight' romance with a surprising twist -- the object of Rachel's affection is a smart and sensuous... woman! Their shocking romance causes quite a stir amongst her family and friends as Rachel is forced to choose between her husband and the girl of her dreams. Say 'I do' to the wonderfully witty film that Cosmopolitan calls "a refreshing romantic comedy."

Death on the Nile

Following Albert Finney's quirky and compelling performance as Agatha Christie's Belgian detective, Hercule Poirot, in 1974's Murder on the Orient Express, Peter Ustinov capably took over the role in this 1978 adaptation of Christie's river-bound whodunit. While on a pleasure cruise along the Nile with a taciturn companion (David Niven), Poirot slips into action following the murder of a much-despised heiress (Lois Chiles). There's no shortage of suspects... until, that is, they also start dying off, obfuscating the investigation by suggesting that several killers may be at work. With a disciplined screenplay by Anthony Shaffer, the film is solid enough (certainly better than its 1981 follow-up, Evil Under the Sun) and is graced immeasurably by a glittery cast including Bette Davis, Maggie Smith, Mia Farrow, Olivia Hussey, Jack Warden, and Angela Lansbury. Directed with customary efficiency by John Guillermin (King Kong, The Towering Inferno). --Tom Keogh

Peter Ustinov makes his debut as Agatha Christie's brilliant Belgian detective, Hercule Poirot, in this lavish and star-studded follow-up to MURDER ON THE ORIENT EXPRESS.

As Poirot enjoys a luxurious cruise down the Nile, a newlywed heiress is found murdered on board and every elegant passenger becomes a prime suspect. Can Poirot identify the killer and motive before the ship of clues reaches the end of its murderous journey?

Bette Davis, David Niven, Angela Lansbury, Maggie Smith, Mia Farrow, George Kennedy, Olivia Hussey, Simon MacCorkindale, Jane Birkin, Jack Warden, and Lois Chiles co-star in this sumptuous Oscar-winning classic, adapted by Anthony Shaffer (SLEUTH) and filmed on location throughout exotic Egypt.

Calendar Girls

In the sensible yet elegant hands of actresses Helen Mirren and Julie Walters, Calendar Girls walks a fine line between sappiness and snickering and ends up both wonderfully funny and gently touching. When her best friend Annie (Walters, Billy Elliot) loses her husband, Chris (Mirren, Prime Suspect, Gosford Park) cooks up a scheme to memorialize him: They and their friends--all fiftysomething women--will make a nude calendar to raise money for the hospital where he died. The calendar becomes hugely popular, but the success may drive a wedge between the two women's friendship. Based on an actual event, Calendar Girls carefully balances the stories of several women as it follows the calendar's media explosion, becoming a surprisingly moving fable of loss, determination, and the perils of fame. And let's face it--Helen Mirren is one of the wittiest and sexiest women alive, clothes on or not. --Bret Fetzer

When 12 ordinary members of the Women's Institute, a prim and proper local ladies' club, decide they need to find a more compelling way to raise money for a new charity, they turn to their traditional annual calendar and give it a very untraditional twist. Behind the usual baked goods, the apple pressing, and the flower arrangements are the women -- completely nude! Starring 2003 Golden Globe nominee Helen Mirren (Best Actress, CALENDAR GIRLS) and Julie Walters (HARRY POTTER AND THE CHAMBER OF SECRETS), CALENDAR GIRLS is a terrifically entertaining comedy. And that's the naked truth.

Highlander

This 1986 fantasy/action thriller has since spawned two sequels, a popular syndicated TV series, numerous comic-book spinoffs, and a loyal (if somewhat oddly obsessive) following of fans. Directed by music video veteran Russell Mulcahy (which explains the dizzying camera work), the original theatrical release made hash of an intriguing story about an "Immortal" from 16th-century Scotland (Christopher Lambert) who time-leaps to modern-day America with his archenemy (Clancy Brown) in hot pursuit. It becomes a battle to the death (yes, Immortals can die), and Lambert seeks survival training from an Immortal mentor played by Sean Connery. Dazzling, energetic, and altogether confusing in its original form, the film has since been released on video, laserdisc, and DVD in this revised widescreen "director's cut," with additional footage, director and producers' commentary, a photo and artwork archive, the original trailer, and an official time line of the film's evolution from script to screen. A must for Highlander fans ... and you know who you are! --Jeff Shannon

Bridget Jones - The Edge of Reason (Widescreen Edition)

Although it's been three years since we last saw Bridget (Renée Zellweger), only a few weeks have passed in her world. She is, as you'll remember, no longer a "singleton," having snagged stuffy but gallant Mark Darcy (Colin Firth) at the end of the 2001 film. Now she's fallen deeply in love and out of her neurotic mind with paranoia: Is Mark cheating on her with that slim, bright young thing from the law office? Will the reappearance of dashing cad Daniel Cleaver (Hugh Grant) further spell the end of her self-confidence when they're shoved off to Thailand together for a TV travel story? If such questions also seem pressing to you, this sequel will be fairly painless, but you shouldn't expect anything fresh. Director Beeban Kidron and her screenwriters--all four of them!--are content to sink matters into slapstick, with chunky Zellweger (who's unflatteringly photographed) the literal butt of all jokes. Though the star still has her charms, and some of Bridget's social gaffes are amusing, the film is mired in low comedy--a sequence in a Thai women's prison is more offensive than outrageous--with only Grant's rakish mischief to pull it out of the swamp. --Steve Wiecking

Nanny McPhee (Widescreen Edition)

With hairy warts, a stern-looking unibrow and one extremely protruding buck-tooth, Nanny McPhee is a wonderfully comedic substitute for Mary Poppins in this entertaining family fantasy. By loosely adapting Christianna Brand's Nurse Matilda children's books of the 1960s, Oscar®-winning screenwriter Emma Thompson (Sense and Sensibility) has also given herself the plum role of Nanny McPhee, who can tame even the most unruly children with a tap of her magic walking stick. Her latest challenge is the bratty brood of a recent widower Mr. Brown (Colin Firth), who's under pressure to find a new wife or lose his much-needed allowance from wealthy Aunt Adelaide (a tailor-made role for Angela Lansbury). His love for scullery maid Evangeline (Kelly Macdonald) remains unspoken as he wincingly woos the eagerly merry widow Mrs. Quickly (Celia Imrie), but Brown's raucous rugrats have a plan to make things right, especially after they've come under the benevolent influence of Nanny McPhee, whose peculiar brand of discipline works wonders for everyone involved. Both quintessentially British and universally appealing, this wildly colorful comedy (thanks to a bold palette of costume and production design) was capably directed by Kirk Jones, whose appreciation for comic actors was equally apparent in his critically acclaimed 1998 comedy Waking Ned Devine. With just a hint of darkness to offset the whimsy, Nanny McPhee offers a splendid match of director, cast and material, guaranteed to please Wallace & Gromit fans and anyone else with a taste for British zaniness. --Jeff Shannon

Daniel Deronda

George Eliot's accomplished but underrated last novel is effectively, often stirringly, adapted for this 2002 BBC production, which was scripted by old pro Andrew Davies (Middlemarch) and directed with wit and subtlety by Tom Hooper (Cold Feet). Set in the 1870s, Eliot's story concerns two strong-willed young people whose self-determination is under attack by legal constraints on their rights to an inheritance. The noble Daniel (Hugh Dancy) is of dubious birth; the fiery Gwendolen (Romola Garai) can't possess her late father's estate because she's a woman. They are sympathetic to one another, but not lovers: Gwendolen is obliged to marry into wealth and becomes an unhappy bride of the scoundrel Grandcourt (Hugh Bonneville), while Daniel must sort out his feelings about the much-maligned "Jewess," the beautiful Mirah. Despite Garai's somewhat questionable casting, this lengthy drama--evenly divided between the two leads--never lags in insight or passion. --Tom Keogh

Daniel Deronda is a sensitive, intelligent young man, the illegitimate son of an aristocrat, haunted by the secrets that shroud his birth. Beautiful, vivacious Gwendolen Harleth is a gambler and short on cash. When they meet at the roulette table, sparks fly. But Gwendolen needs money more than passion, and the self-centered aristocrat Henleigh Grandcourt is happy to provide. As her situation becomes more and more oppressive, she turns to Daniel for help, only to discover his involvement with the young Jewish singer Mirah Lapidoth.Torn between his devotion to Gwendolen and his passion for Mirah and the plight of her people, Daniel is forced to look at his own mysterious past and find out who he really is...and who he wants to be.

DVD Features:
Biographies:Cast and crew, plus author George Eliot
Photo gallery:Featuring pictures from behind the scenes

The Gathering Storm

A remarkable cast lends emotional richness to The Gathering Storm, an HBO movie about the life of Winston Churchill just prior to the onset of World War II. Faced with bankruptcy, his career in decline, Churchill (Albert Finney) is beset with depression until the impending danger of German rearmament--along with the British government's reluctance to recognize the threat of Hitler--gives him a cause that brings him back to energetic life. The movie focuses as much on the enduring relationship between Churchill and his wife, Clementine (Vanessa Redgrave), as his political struggles. But though The Gathering Storm clearly admires Churchill, it also acknowledges his tyrannical personality and astonishing ego, turning what could be a puff piece into a well-rounded and moving portrait. The truly topnotch cast includes Derek Jacobi, Jim Broadbent, Tom Wilkinson, Linus Roache, and Lena Headey, all of whom turn in superb performances. --Bret Fetzer

The mid-1930's find the great politician and orator Winston Churchill out of favor and struggling to make his robust voice heard by the English people. Wrestling with his personal demons - a dark depression, the loss of his family fortune, and the temporary absence of his devoted wife Clemmie - a lonely but defiant Churchill attempts to warn the nation of an impending threat from Hitler's Germany. But will the world listen?

Mary Shelley's Frankenstein

Let's be honest: this should be titled Wretched Excess' Frankenstein. Swooping, wild, bloody, and energetic, this is bad moviemaking from the best, which makes it all the more lovable. Kenneth Branagh plays Victor Frankenstein, a man so obsessed with conquering death that he decides to create life. What he gets, after a protoplasmic mud wrestle, is a Mean Streets monster (Robert De Niro) that isn't particularly happy to be back from the dead or thrilled about all the stitches. Helena Bonham Carter may, at several points in this film, actually be channeling Ramtha. The supporting cast couldn't be peopled with better performers (Tom Hulce, John Cleese, Ian Holm) but they all look like they're ringside at some Ultimate Fighting competition. A must for any midnight movie collector for the shock factor alone. A hoot. --Keith Simanton

Robert De Niro, Kenneth Branagh, Tom Hulce, Helena Bonham Carter, Aidan Quinn, Ian Holm and John Cleese star in Branagh's acclaimed adaptation of Mary Shelley's Frankenstein. True to the original, here is the story of a young doctor whose obsession with death leads him to create a life. But his "creature" crafted from the bodies of convicts and the brain of a brilliant scientist, is a hideous mockery of humanity. And when the creature realizes he will never be accepted by men, he seeks revenge on Dr. Frankenstein and his family. An inspired adaptation that's emotionally complex and truly terrifying.