Ivanek, Zeljko

In Bruges

Colin Farrell and Academy Award-nominee Ralph Fiennes star in this edgy action-packed comedy filled with thrilling chases spectacular shoot-outs and an explosive ending you won't want to miss!Hit men Ray (Farrell) and Ken (Brendan Gleeson Harry Potter) have been ordered to cool their heels in the storybook city of Bruges (it's in Belgium) after finishing a big job. But since hit men make the worst tourists they soon find themselves in a life & death struggle of comic proportions against one very angry crime boss (Fiennes)!System Requirements:Running Time: 107 minutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE/ODD COUPLES Rating: R UPC: 025195016322 Manufacturer No: 62102023

The considerable pleasures of In Bruges begin with its title, which suggests a glumly self-important art film but actually fits a rattling-good tale of two Irish gangsters "keepin' a low profile" after a murder gone messily wrong. Bruges, the best-preserved medieval town in Belgium, is where the bearlike veteran Ken (Brendan Gleeson) and newbie triggerman Ray (Colin Farrell) have been ordered by their London boss to hole up for two weeks. As the sly narrative unfolds like a paper flower in water, "in Bruges" also becomes a state of mind, a suspended moment amid centuries-old towers and bridges and canals when even thuggish lives might experience a change in direction. And throughout, the viewer has ample opportunity to consider whose pronunciation of "Bruges" is more endearing, Gleeson's or Farrell's. The movie marks the feature writing-directing debut of playwright Martin McDonagh, whose droll meditation on sudden mortality, Six Shooter, copped the 2005 Oscar for best live-action short. Although McDonagh clearly relishes the musicality of his boyos' brogue and has written them plenty of entertaining dialogue, In Bruges is no stageplay disguised as a film. The script is deceptively casual, allowing for digressions on the newly united and briskly thriving Europe, and annexing passers-by as characters who have a way of circling back into the story with unanticipatable consequences. That includes a film crew--shooting a movie featuring, to Ray's fascination, "a midget" (Jordan Prentice)--and a fetching blond production assistant (Clémence Poésy) whose job description keeps evolving. There's one other key figure: Harry, the Cockney gang boss whose omnipotence remains unquestioned as long as he remains offscreen, back in England, as if floating in an early Harold Pinter play. Harry has reasons inextricably tender and perverse for selecting Bruges as his hirelings' destination, and eventually he emerges from the aether to express them--first as a garrulous telephone voice and then in the volatile form of Ralph Fiennes. By that point the charmed moment of suspension, already shaken by several irruptions of violence, is pretty well doomed. But In Bruges continues to surprise and satisfy right up to the end. --Richard T. Jameson

Live Free or Die Hard (Unrated Edition)

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David Horiuchi

Beyond Live Free or Die Hard

Live Free or Die Hard on Blu-Ray

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Stills from Live Free or Die Hard (click for larger image)

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"The best of the best is back and better than ever" (WNYW-TV) in the latest installment of the pulse-pounding thrill-a-minute Die Hard action films. New York City detective John McClane (Bruce Willis) delivers old-school justice to a new breed of terrorists when a massive computer attack on the U.S. infrastructure threatens to shut down the entire country over Independence Day weekend.System Requirements:Run time: 130 minutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE/POLICE & DETECTIVE FILMS Rating: NR UPC: 024543476160 Manufacturer No: 2247616

Donnie Brasco (Special Edition)

Posing as jewel broker Donnie Brasco FBI agent Joe Pistone is granted entrance into the violent mob family of aging hitman Lefty Ruggiero. When his personal and professional life collide Pistone jeopardizes his marriage his job his life and ultimately the gangster mentor he has come to respect and admire. Based on a true story.System Requirements:Starring: Al Pacino James Russo Bruno Kirby Johnny Depp Michael Madsen and Anne Heche. Directed By: Mike Newell. Running Time: 127 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 Columbia TriStar Home Video.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 043396052727

Based on a memoir by former undercover cop Joe Pistone (whose daring and unprecedented infiltration of the New York Mob scene earned him a place in the federal witness protection program), Donnie Brasco is like a de- romanticized, de-mythologized version of The Godfather. It offers an uncommonly detailed, privileged glimpse inside the world of organized crime from the perspective of the little guys at the bottom of Mafia hierarchy rather than from the kingpins at the top. Donnie Brasco is not only one of the great modern-day gangster movies to put in the company of The Godfather films andGoodFellas, but it is also one of the great undercover police movies--arguably surpassing Serpico and Prince of the City in richness of character, detail, and moral complexity. Donnie (Johnny Depp, a splendid actor) is practically adopted by Lefty Ruggiero (Al Pacino), a gregarious, low-level "made" man who grows to love his young protégé like a son. (Pacino really sinks into this guy's skin and polyester slacks, and creates his freshest, most fully realized character since his 1970s heyday.) As Donnie acclimates himself to Lefty's world, he distances himself from his wife (a terrific Anne Heche) and family for their own protection. Almost imperceptibly his sense of identity slips away from him. Questioning his own confused loyalties, unable to trust anybody else because he himself is an imposter, Donnie loses his way in a murky and treacherous no-man's land. The film is directed by Mike Newell, who also headed up Four Weddings and a Funeral and the gritty, true crime melodrama Dance with a Stranger. --Jim Emerson

Stills from Donnie Brasco (click for larger image)

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The Memoir

Black Hawk Down

Ridley Scott's Black Hawk Down conveys the raw, chaotic urgency of ground-force battle in a worst-case scenario. With exacting detail, the film re-creates the American siege of the Somalian city of Mogadishu in October 1993, when a 45-minute mission turned into a 16-hour ordeal of bloody urban warfare. Helicopter-borne U.S. Rangers were assigned to capture key lieutenants of Somali warlord Muhammad Farrah Aidid, but when two Black Hawk choppers were felled by rocket-propelled grenades, the U.S. soldiers were forced to fend for themselves in the battle-torn streets of Mogadishu, attacked from all sides by armed Aidid supporters. Based on author Mark Bowden's bestselling account of the battle, Scott's riveting, action-packed film follows a sharp ensemble cast in some of the most authentic battle sequences ever filmed. The loss of 18 soldiers turned American opinion against further involvement in Somalia, but Black Hawk Down makes it clear that the men involved were undeniably heroic. --Jeff Shannon

Ridley Scott's Black Hawk Down conveys the raw, chaotic urgency of ground-force battle in a worst-case scenario. With exacting detail, the film re-creates the American siege of the Somalian city of Mogadishu in October 1993, when a 45-minute mission turned into a 16-hour ordeal of bloody urban warfare. Helicopter-borne U.S. Rangers were assigned to capture key lieutenants of Somali warlord Muhammad Farrah Aidid, but when two Black Hawk choppers were felled by rocket-propelled grenades, the U.S. soldiers were forced to fend for themselves in the battle-torn streets of Mogadishu, attacked from all sides by armed Aidid supporters. Based on author Mark Bowden's bestselling account of the battle, Scott's riveting, action-packed film follows a sharp ensemble cast in some of the most authentic battle sequences ever filmed. The loss of 18 soldiers turned American opinion against further involvement in Somalia, but Black Hawk Down makes it clear that the men involved were undeniably heroic. --Jeff Shannon

From acclaimed director Ridley Scott and renowned producer Jerry Bruckheimer comes this year's most intense true story about heroism under extraordinary circumstances.System Requirements:Starring: Eric Bana Ewan Bremner William Fichtner Josh Hartnett Ewan McGregor Sam Shepard and Tom Sizemore. Directed By: Ridley Scott. Running Time: 144 Min. Color. Copyright 2002 Columbia TriStar.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 043396067660 Manufacturer No: 06766

Sally Hemings: An American Scandal

No Description Available.
Genre: Feature Film-Drama
Rating: NR
Release Date: 3-JAN-2006
Media Type: DVD

A Civil Action

Jonathan Harr's nonfiction bestseller was a shot in the arm for those seeking more than last-minute heroics akin to a John Grisham thriller. Here was a labyrinthine case involving industrial pollution by two highly regarded corporations, contaminated drinking water, and the deaths of innocent children in New England, circa 1981. The case has hundreds of twists and takes our hero--a steady, respectable lawyer named Jan Schlichtmann--and turns his life into personal disaster. Instead of celebrating the law, the story is a maddening and rewarding look at the elusiveness of the courtroom case.

Steven Zaillian, who won an Oscar for adapting Schindler's List and directed Searching for Bobby Fischer, boils Harr's 502-page book into a complete, satisfactory film experience. Book readers will no doubt jeer the streamlining Zaillian had to perform to make the movie flow. Most changes can be quickly defused with the exception of the film's portrait of Schlichtmann. The lawyer has been turned into a movie star, an ultra-slick, cold-hearted gentleman who finds his purpose in working the case. Casting a stalwart John Travolta again diverges from the book, which right from the opening pages showed us a Schlichtmann with feet of clay. As Schlichtmann's partners (including William H. Macy and Tony Shalhoub) descend into the case, the unbridled sense of power and money is abandoned. This case is ultimately about survival.

Zaillian provides an excellent narrative for the sordid facts of personal injury suits, in which money is the only reward for lost or broken lives (deftly introduced in the film's opening scene). Zaillian also stays away from dwelling on the illness of the children involved, focusing on the gaunt faces of the parents who survive (Kathleen Quinlan, James Gandolfini) in controlled anguish. His evil characters--an industrial plant's owner (Dan Hedaya) and a corporate lawyer (another fine acting spin by director Sydney Pollack)--are so human it's terrifying. Zaillian's final ace in the hole is Oscar-nominee Robert Duvall. Perfectly cast as Travolta's opposition, Jerome Facher, Duvall steals scenes with the abbreviated dialogue; he turns a fancy settlement meeting into a farce with one line. Facher is not a callous, love-to-hate-him lawyer like James Mason in The Verdict. Facher represents the law at its brilliant foundation: to best represent one's client. With a taped-together briefcase and dry humor, Facher, not Schlichtmann, is the character who captures us by the film's end. --Doug Thomas

The true story of an epic courtroom showdown in which two corporations stand accused of causing the deaths of children. Representing the parents is a young flamboyant lawyer who hopes to win millions, but he ends up losing nearly everything, including his sanity.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 2-APR-2002
Media Type: DVD

Hannibal (Two-Disc Special Edition)

Yes, he's back, and he's still hungry. Ten years after The Silence of the Lambs, Dr. Hannibal "the Cannibal" Lecter (Anthony Hopkins, reprising his Oscar-winning role) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (Julianne Moore, replacing Jodie Foster), on the other hand, hasn't had it so good--an outsider from the start, she's now a quiet, moody loner who doesn't play bureaucratic games and suffers for it. A botched drug raid results in her demotion--and a request from Lecter's only living victim, Mason Verger (Gary Oldman, uncredited), for a little Q and A. Little does Clarice realize that the hideously deformed Verger--who, upon suggestion from Dr. Lecter, peeled off his own face--is using her as bait to lure Dr. Lecter out of hiding, quite certain he'll capture the good doctor.

Taking the basic plot contraptions from Thomas Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Clarice), this movie is all Hannibal. Does it work? Yes--but only up to a point. Scott adeptly sets up an atmosphere of foreboding, but it's all buildup for anticlimax, as Verger's plot for abducting Hannibal (and feeding him to man-eating wild boars) doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence between Clarice, Dr. Lecter, and a third unlucky guest wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence so amazing was their interaction. When they do connect it's quite thrilling, but it's unfortunately too little too late. --Mark Englehart

Anthony Hopkins is "perverse perfection" (Rolling Stone) in his return to the role of Dr. Hannibal Lecter, the sophisticated killer who comes out of hiding to draw FBI agent Clarice Starling (Julianne Moore) into a high-stakes battle that will test her strength, cunning and loyalty.

Truman

Harry S. Truman had a hard row to hoe as the 33rd president and he never enjoyed popularity while in office. Think about what occurred on Truman's watch: the bombing of Hiroshima, a nationwide railroad strike, the rise of the Southern States' Rights Party, integration of the armed forces, the ascendancy of McCarthyism, the early cold war, and finally the Korean Conflict and Truman's decision to fire General MacArthur. Few American presidents have been faced with more difficult and dangerous times than Truman. It wasn't until some 50 years later that Harry Truman, a farmer from Missouri, got his due appreciation in the history books. Truman follows the man from his beginnings as an artillery officer in WWI through his connections with Missouri's Pendergast political machine and onward to Washington. The always-excellent Gary Sinise is a perfect fit for the Truman character, having obviously studied the President's plainspoken Missouri twang and ramrod-straight bearing at great length. Diana Scarwid is also very good as Truman's long-suffering wife Bess; the film studies the relationship between the two in some depth, and also sheds light on the men who surrounded Truman in Washington. Truman's chief failing is that in its effort to detail 40 years of the man's life, certain historical events are given short shrift in order to fit them all in. Nonetheless, Sinise inhabits the character well; the scene where the President ruminates on dining alone in the White House (while Bess is back in Missouri) is a great, understated comment on the loneliness, isolation, and stress of the job. --Jerry Renshaw

White Squall

It's a pity this oceangoing adventure wasn't fully appreciated during its theatrical release in 1996, if only because its climactic storm sequence (hence the movie's title) was awesome on the big screen and inevitably less impressive on video. Mixed reviews also curtailed its box-office potential, but as you might expect from Ridley Scott--the director of Blade Runner and Thelma & Louise--this is a beautifully photographed movie that will thrill anyone who is drawn to the romance and danger of the open sea. The story is a rite-of-passage adventure for a group of high school boys who spend their senior year as the crew-in-training on the Albatross, a sailing vessel skippered by an experienced sailor and schoolmaster (Jeff Bridges) who teaches hard lessons of teamwork and individual responsibility. As they sail to the tip of South America and back, the young men face many challenges that will shape their character, in addition to the carnal pleasures of shore leave in exotic ports of call. It's a traditional story, and Scott doesn't bring anything particularly new to this sailboat variation of Dead Poets Society and Scent of a Woman. But as a coming-of-age drama White Squall is professionally crafted and filled with vital energy, featuring a talented cast of newcomers (led by Scott Wolf of TV's Party of Five) who rise to the demands of this rousing and life-changing adventure. --Jeff Shannon

Hollywood favorite Jeff Bridges (THE BIG LEBOWSKI) stars in this thrilling high seas adventure! Bridges leads a crew of seafaring students (including Scott Wolf from TV's PARTY OF FIVE) on the voyage of a lifetime! But just before their return, nature teaches the toughest lesson of all ... turning this journey at sea into a test of the crew's courage and will to survive! From acclaimed filmmaker Ridley Scott (BLADE RUNNER) -- don't miss any of the pulse-pounding, edge-of-your-seat excitement that this breathtaking motion picture delivers!

School Ties

Brendan Fraser plays a student attending a wealthy boarding school on a football scholarship in the 1950s. When the other kids find out he's Jewish--a fact he's been hiding--his fortunes and relationships instantly change. The film is pretty much what one would expect with that scenario: a story of bigotry, conflict, the hero trying to hang on. In the end, good intentions are the driving force of the movie, but it is not much more than the sum of its obvious parts. Directed by Dick Wolf, creator of television's Law and Order. --Tom Keogh