Ivey, Judith

Devil's Advocate

Too old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money. Think of the story as a twist on John Grisham's The Firm, with the corporate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, gleefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. The film was directed by Taylor Hackford (Against All Odds, Dolores Claiborne), who provides alternate-track commentary for the movie itself, plus a dozen deleted scenes. Also note: due to a settlement with artist Frederick Hart over the movie's use of a sculpture resembling his Ex Nihilo in Washington's National Cathedral, future releases of the film will be altered. --Jim Emerson

Kevin Lomax (Reeves) an ambitious talented young district attorney joins a powerful New York law firm headed by the mysterious and charismatic John Milton (Pacino). as Lomax faces the intense seduction of success and money he is increasingly tempted.Running Time: 144 min.System Requirements:Produced by Arnon Milchan Arnold Kopelson; written by Jonathan Lemkin Tony Gilroy; DVD released on 12/01/1998; running time of 144 minutes; Closed Captioned. Copyright: 1997 Warner Bros.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 085391617228

Flags of Our Fathers (Widescreen Edition)

Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers

Other World War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

From Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven) comes the World Was II epic Flags of Our Fathers, produced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler's List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley's father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father's experiences until after the elder Bradley's death in 1994.

Rose Red

On regular television, punctuated by frenetic commercials, the leisurely pace of the horror miniseries Rose Red probably felt grueling; but on its own terms, the effect is like settling into a long book full of detail--a book not unlike those of Stephen King, who wrote the script. The story (about a researcher into the paranormal who takes a team of psychics into a haunted house) recycles themes that King has used before--a telekinetic girl, a house with its own consciousness--but for his fans, the familiarity is probably comfortable and even enjoyable. The cast (including Nancy Travis, Julian Sands, and Melanie Lynsky from Heavenly Creatures) give committed performances, and the special effects are television-grade but used pretty well. Most of it doesn't make much sense, but at its best Rose Red is absurd and creepy at the same time. --Bret Fetzer

Without Limits

Since audiences are inclined to F/X spectacle, it was easy to understand the 1998 box-office battle between Armageddon and Deep Impact, which shared almost exactly the same premise. But two films about the now-obscure long-distance runner Steve Prefontaine? Without Limits and Prefontaine were in production at the same time, with the cheaper Prefontaine rushed into theaters in 1997 while Without Limits was held back until the fall of '98. As it turned out, neither movie scored a deep impact at the box office, but Without Limits is much more satisfying as a competent, heartfelt slice of sports history. Billy Crudup (a rising star who strongly resembles the film's producer, Tom Cruise, in both looks and intensity) plays Prefontaine, or "Pre," the mustachioed runner who blazed out of Coos Bay, Oregon, in the late 1960s. The movie grazes across the major events of Pre's career at the University of Oregon, where he blew away the competition and positioned himself as the leading American runner (and a charismatic hunk) going into the 1972 Olympic Games in Munich--that star-crossed competition at which Arab terrorists kidnapped and killed members of the Israeli team. Though the film suffers from some of the built-in problems of the true-life biopic, director Robert Towne (who earlier made a remarkable track-and-field picture, Personal Best) captures the texture of the athletes' world. Acting honors go to Donald Sutherland, turning in an emotional performance as coach Bill Bowerman; while tutoring Pre, Bowerman was tinkering with some waffle-soled running shoes, a hobby that later became a little company called Nike. --Robert Horton

Mystery, Alaska

With Russell Crowe (THE INSIDER, A BEAUTIFUL MIND), Hank Azaria (GODZILLA, THE BIRD CAGE), and Burt Reynolds leading an incredible all-star cast, here's a fun, uplifting, action-packed story that everyone will love! A remote hockey-obsessed town populated by 633 of the most eccentric characters you'd ever want to meet, Mystery is the kind of place where nothing ever changes. But then life as they know it gets turned completely upside down! When a publicity stunt brings the world-famous New York Rangers -- and the national spotlight -- to Mystery for a game with the local team of weekend warriors, the whole town rises to meet the challenge of a lifetime! Also starring Mary McCormack (TRUE CRIME, DEEP IMPACT) and Lolita Davidovich (PLAY IT TO THE BONE, JUNGLE 2 JUNGLE) in another critical favorite from the hit-making director of AUSTIN POWERS 1&2 -- you'll stand and cheer as this ragtag bunch shows that nothing can melt their dreams of a miracle on ice!

When it comes to the subject of community, David E. Kelley--the prolific writer-producer behind television's The Practice and Ally McBeal--falls somewhere on a continuum between directors Howard Hawks and Robert Benton. While Hawks's professional characters are bound by a knowledge of how to do what they do even if they don't know why, Benton's people, professional or not, have long ago substituted their own eccentric reasons for that elusive why. Thus we get the kind of in-house, oddball rituals sandwiched between passages of actual work on Ally, and the affectionately entangled personal and professional ties between small-town folks in Kelley's earlier TV series Picket Fences.

Kelley's script for Mystery, Alaska (co-authored by Sean O'Byrne) takes that level of eccentricity to a geographical and spiritual extreme. The film revives the hackneyed Rocky formula, setting a lopsided hockey match within a remote, self-contained hamlet where the members of a tiny population all have to wear multiple hats and still keep neighborly ties intact. The story concerns the town's chief source of identity and pride: so-called "Saturday games," in which local men divide into teams and play pond hockey for the locals. When a prodigal son (Hank Azaria) of Mystery shows up with a television network offer to bring the New York Rangers in for a televised match against the homegrown team, the town fathers agree. Coaching falls to the town sheriff, John Biebe (Russell Crowe), an admirable man and a longtime player recently bumped from the team. John, however, doesn't want the job: everyone knows the real coach in those parts is Judge Burns (Burt Reynolds), but he wants no part of it either. All of that changes after a sad tragedy forces everyone to reevaluate their positions and pull together in order to beat the Rangers.

Following the success of Austin Powers: International Man of Mystery, Jay Roach proves to be an able director of drama, swift action, and low-key, character-driven comedy not unlike that in Benton's Nobody's Fool. He has to deal with some pure corn at the end, but Roach pulls it off and guides the actors to and through far better moments. --Tom Keogh

The Critic - The Complete Series

To quote New York movie critic Jay Sherman, voiced to Master Thespian perfection by Jon Lovitz, "it stinks" that The Critic lasted all but two seasons. "I used to have a show on ABC," Sherman bitterly remarks at one point, "for about a week." The show, created by Al Jean and Mike Reiss of Simpsons legend, fared no better when it moved to Fox, and little better when re-run on Comedy Central. But it did garner a devoted following, and thanks to DVD and the Internet, "the last hope of fading stars" (according to one of the ten "Webisodes" contained in this three-disc set), Jay Sherman lives! Television's saddest sack is the host of a TV review show, Coming Attractions. He must deal with the slings, arrows, and outrageous misfortunes heaped upon him by his ex-wife, adoptive WASP parents, and ratings-desperate Ted Turner-esque boss. On the movie front, The Critic is no less inside than the similarly ill-fated Action, but its hilarious parodies of classics and contemporary blockbusters, from the musical "Apocalypse Wow" to "Dennis the Menace II Society," make it much more accessible to any multiplex-goer.

The Critic took particular glee in zinging Howard Stern, Arnold Schwarzenegger, and Woody Allen and Soon-Yi. (We pause to praise the show's unsung heroes, Maurice Le Marche and Nick Jameson, who provide uncanny celebrity impersonations each episode). Some references have a longer shelf life than others. Conan O'Brien, at the time a fledgling talk-show host, certainly got the last laugh on a spied newspaper headline, "Conan Replaced by Dancing Chicken." And the series' best episode, in which Jay reunites an estranged Roger Ebert and the late Gene Siskel, plays now as a touching tribute to the original Thumb and Thumber. The Critic is poised for discovery. Is it too much to hope that, as with Family Guy, voluminous DVD sales may spark interest in creating new episodes? --Donald Liebenson

From the producers of "The Simpsons" comes this hilarious animated sitcom about Jay a New York movie critic and cable television host. Pudgy and balding Jay is not a well-liked man. His unsympathetic boss makes his life miserable his ex-wife hates him his adopted parents barely tolerate him even the make-up lady treats him with disgust. Fortunately for Jay he has his 11 year-old son Marty and his one very unlikely friend Jeremy Hawke the Australian film hunk. Jon Lovitz provides Jay's distinctive voice as a single father who searches for happiness while satirizing life and the movies in this irreverent comedy.System Requirements:Starring: Jon Lovitz Running Time: 520 Min. Copyright Sony Pictures Home Entertainment 2005Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 043396016170 Manufacturer No: 01617

Hello Again

Housewife Lucy Chadman (Shelley Long of OUTRAGEOUS FORTUNE and TV's CHEERS) comes to an untimely end while nibbling on an oriental chicken ball ... but says HELLO AGAIN when her wacky, mystical sister Zelda (Judith Ivey) brings her back from the great beyond! Only one year has passed but oh, how things have changed. Lucy's miraculous return creates laugh-filled pandemonium with everyone she re-encounters ... especially with her upwardly mobile husband (Corbin Bernsen, L.A. LAW) who is now wed to her "former" best friend! Suddenly solo, Lucy must piece together a new life -- in a riotous odyssey that bewitches her handsome doctor... bewilders her ex-husband ... and bedazzles both press and public alike!

Brighton Beach Memoirs

Gene Saks, an old hand at directing Neil Simon's work on film (The Odd Couple, Barefoot in the Park), here takes a stab at Simon's most autobiographical work, which stars Jonathan Silverman as an aspiring writer living with two families under one roof in 1937 Brooklyn. Following his old working formula, Saks keeps an eye on the cast's energy and timing but otherwise stays out of the way and lets Simon's story and dialogue tumble wonderfully from the mouths of good actors. Cast in the lead in this 1986 film, the young Silverman (later the star of NBC's Single Guy) makes a very good impression, as does Bob Dishy as his narrator-father. The DVD release has a full-screen presentation. --Tom Keogh

The Woman in Red

For a few years in the mid-1970s, thanks mostly to his collaboration with Mel Brooks, Gene Wilder was the hottest name in comedy. His films with Richard Pryor made him such a star that he was given the chance to write and direct--a big mistake. The nadir was this slow-moving, self-conscious Americanization of the French bedroom comedy Pardon Mon Affaire. Wilder plays an American executive who glimpses a gorgeous woman and turns his life and his marriage upside down in his misguided pursuit of an unattainable ideal. Heavy-handed sex farce doesn't get much help from Wilder, who does himself no favors as a director; LeBrock is a worthy object of obsession, but she deserves a better movie. --Marshall Fine

A shy, married executive wants a little adventure and he finds it in a woman wearing a red silk dress.
No Track Information Available
Media Type: DVD
Artist: WILDER/GRODIN/BOLOGNA/IVEY/HUD
Title: WOMAN IN RED
Street Release Date: 01/07/2003
Domestic
Genre: COMEDY VIDEO

Flags of Our Fathers (Full Screen Edition)

Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers

Other World War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Chronicles one of the bloodiest battles of World War II, focusing on the men who raised the flag at Iwo Jima and were subsequently hailed as heroes and used to raise money for the war effort.
Genre: Feature Film-Drama
Rating: R
Release Date: 31-JUL-2007
Media Type: DVD