The Players Club
from New Line Home Video
Ice Cube (Friday) makes his directorial debut with this comedy about the inhabitants and employees of a steamy Los Angeles strip club.
DVD Features:
Music Video
Production Notes
Theatrical Trailer
Don't Be a Menace to South Central While Drinking Your Juice in The Hood (Unrated Miramax Collector's Edition)
by Paris Barclay
from Miramax
This wants desperately to be an Airplane-like parody of inner-city African American gangsta movies. Instead, it offers us more turkey than we would find at any Thanksgiving spread. Unfunny, stereotypical, stupid, and crass, it was cowritten by Marlon and Shawn Wayans, both of whom should have known better. The two fare better as actors than writers, as they are almost amusing as hardened, dimwitted homeboys. As Ashtray, Shawn returns to his 'hood and hooks up with his best buddy (Marlon) before the two embark on a series of oh-so-wacky adventures. Siblings Keenen Ivory, Kim, and Craig Wayans also make appearances. If you really want a laugh, watch Booty Call. --Rochelle O'Gorman
Now, add to your comedy collection the UNRATED Special Edition release of the outrageous motion picture that had critics and moviegoers roaring with laughter ... from the creators of SCARY MOVIE. From block parties and beepers to high tops and high-powered weapons, it's everything that's funny about growing up in the 'hood ... the Wayans Brothers' neighborhood, that is! Marlon, Shawn (both from WHITE CHICKS), and Keenen Ivory Wayans (A LOW DOWN DIRTY SHAME) get together and deliver a series of hilarious situations that all move to a hot hit soundtrack! Get ready for a good time, because there are plenty of laughs in this neighborhood!
Love Chronicles
by Tyler Maddox-Simms
from Melee / Urban Works
Love Chronicles is a "dramedy" about an obnoxious and controversial, radio personality, DJ Troy (Terrence Howard), and the misadventures of his listeners. Troy hosts a talk show on WKN Love Radio along with his intermittent girlfriend and co-host Sara (Paula Jai Parker). They invite the beautiful, confident and overly-opinionated Monifa Burly (Robin Givens), author of the best selling book Love Chronicles, to appear on their show. Throughout the broadcast, Troy, Monifa and Sara explore and assist in the love escapades of three different callers. While playing on-air love therapists, the three of them discover they have their own issues of love.
Don't Be a Menace to South Central While Drinking Your Juice in The Hood
by Paris Barclay
from Miramax
Don't Be a Menace to South Central While Drinking Your Juice in The Hood wants desperately to be an Airplane-like parody of inner-city African American gangsta movies. Instead, it offers us more turkey than we would find at any Thanksgiving spread. Unfunny, stereotypical, stupid, and crass, it was cowritten by Marlon and Shawn Wayans, both of whom should have known better. The two fare better as actors than writers, as they are almost amusing as hardened, dimwitted homeboys. As Ashtray, Shawn returns to his 'hood and hooks up with his best buddy (Marlon) before the two embark on a series of oh-so-wacky adventures. Siblings Keenen Ivory, Kim, and Craig Wayans also make appearances. If you really want a laugh, watch Booty Call. --Rochelle O'Gorman
100 Kilos
by Rod S. Scott
from Trinity Home Ent
Based on a true story - In the early 1980's, during the early stages of the Central American civil wars, the U.S. Government petitioned a group of young, Blacks from the ghetto to bring drugs into impoverished South Central L.A.. The American CIA, with the intention of supporting the rebels in Nicaragua, began a conspiracy in which it traded guns to the Central American rebels in exchange for large supplies of cocaine.
Baby Boy [Region 2]
by John Singleton
A worthy companion piece to 1991's Boyz N the Hood, John Singleton's Baby Boy expresses compassionate but unforgiving criticism of young, African American black men who lead reckless, irresponsible lives while blithely blaming racism for their chronic disadvantage. That's already enough to make this a provocative and emotionally challenging film, but Singleton injects his drama with such passionate vitality that it never seems inflammatory; instead, in presenting this portrait of a confused and conflicted 20-year-old black man named Jody (Tyrese Gibson), Singleton is both affectionate and accusatory, lending Baby Boy an edgy, timeless wisdom that other, less courageous films could never hope to offer.
Unemployed and living with his 36-year-old mother (A.J. Johnson), Jody has fathered children from two young mothers and seems destined for an early grave. He never knew his father, but his mother's new boyfriend Melvin (played to perfection by Ving Rhames) is an ex-con with streetwise maturity that Jody, in time, will come to recognize and respect. This generational dynamic is the lifeblood of Singleton's central theme; Jody can follow Melvin's example or fall into the trap of lawlessness personified by Rodney (Snoop Dogg), a violent gangsta who arrives to threaten Jody's tenuous chance at a respectable adulthood. Through a wealth of fine performances and blistering dialogue, Baby Boy presents hard questions with no easy answers, and although Singleton is prone to polemical melodrama, his blunt approach serves a noble and ultimately hopeful purpose. --Jeff Shannon
Don't Be a Menace to South Central While Drinking Your Juice in the Hood [Region 2]
by Paris Barclay
This wants desperately to be an Airplane-like parody of inner-city African American gangsta movies. Instead, it offers us more turkey than we would find at any Thanksgiving spread. Unfunny, stereotypical, stupid, and crass, it was cowritten by Marlon and Shawn Wayans, both of whom should have known better. The two fare better as actors than writers, as they are almost amusing as hardened, dimwitted homeboys. As Ashtray, Shawn returns to his 'hood and hooks up with his best buddy (Marlon) before the two embark on a series of oh-so-wacky adventures. Siblings Keenen Ivory, Kim, and Craig Wayans also make appearances. If you really want a laugh, watch Booty Call. --Rochelle O'Gorman
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