Jourdan, Louis

Three Coins In the Fountain

Three american women living in rome find their fortunes beginning to change when after making three earnest wishes at the trevi fountain thier love-lives seem to improve. Studio: Tcfhe Release Date: 11/02/2004 Starring: Maggie Mcnamara Dorothy Mcguire Run time: 101 minutes

Velvety and glazed like a fattening pastry, this 1954 love story concerns three American women who make wishes for love in Rome, and end up having three romances. The cast is fine, but as for the film, what you see is what you get. There's no mystery to any part of this movie--like everything director Jean Negulesco made once CinemaScope entered his life (e.g., How to Marry a Millionaire, A Certain Smile), Three Coins is designed to lull rather than stimulate. (It did, however, win Oscars for cinematography and the Jule Styne-Sammy Cahn title song performed by Frank Sinatra.) --Tom Keogh

Octopussy

In search of the killer of a fellow secret agent 007 travels to india & meets octopussy the lovely directress of a huge international business empire. Studio: Tcfhe/mgm Release Date: 09/04/2007 Starring: Roger Moore Louis Jourdan Run time: 131 minutes Rating: Pg

Roger Moore was nearing the end of his reign as James Bond when he made Octopussy, and he looks a little worn out. But the movie itself infuses some new blood into the old franchise, with a frisky pace and a pair of sturdy villains. Maud Adams--who'd also been in the Bond outing The Man with the Golden Gun--plays the improbably named Octopussy, while old smoothie Louis Jourdan is her crafty partner in crime. There's an island populated only by women, plus a fantastic sequence with a hand-to-hand fight that happens on a plane--and on top of a plane. The film even has an extra emotional punch, since this time out 007 is not only following the orders of Her Majesty's Secret Service, but he is also exacting a personal revenge: a fellow double-0 agent has been killed. Two Bond films were actually released in 1983 within a few months of each other, as Octopussy was followed by Sean Connery's comeback in Never Say Never Again. The success of both pictures proved that there was still plenty of mileage left in the old license to kill, though Moore had one more workout--A View to a Kill--before hanging it up. And that title? The franchise had already used up the titles to Ian Fleming's novels, so Octopussy was taken from a lesser-known Fleming short story. --Robert Horton

Count Dracula (BBC Mini-Series)

Devotees of vampire cinema have long esteemed this heretofore hard-to-see adaptation of Bram Stoker's novel, made for BBC-TV in 1977. Count Dracula puts Louis Jourdan in the fangs and cape, in a version subtitled--and played as--a Gothic romance. This is one of those 1970s TV productions that use film for exteriors and video for the interiors, a tactic that increases the general sense of cheapness about the whole thing (although the location stuff is good, including scenes on the cliffs of Whitby, the port town where Dracula comes to visit England). With 150 minutes to play with, the production has more of Stoker than many film versions include, although there's still some shuffling of the original. It's all a bit slow, and surprisingly cheesy at times, even with the occasional startling image: Dracula scooting bat-like down the side of his castle, or the vampire brides preparing to devour a baby (a scene cut from some subsequent showings of the series, but restored here). Frank Finlay makes a focused Van Helsing--a minimum of camping, thankfully--and Susan Penhaligon and Judi Bowker are respectively hot and cold as Lucy and Mina. Jourdan is effective, although he's off screen a lot and really gets his good bites in toward the end. You'll need some patience, but Jourdan drinks it dry. --Robert Horton

Studio: Warner Home Video Release Date: 09/25/2007 Rating: Nr

The First Olympics: Athens 1896

A team of us athletes helps revive the traditions of ancient greece after a nearly 1500 year hiatus by overcoming insurmountable odds and competing in athens first modern day olympic games. Studio: Sony Pictures Home Ent Release Date: 08/05/2008 Starring: Honor Blackman Run time: 248 minutes

This television miniseries tells the story of the founding of the modern Olympics by focusing on individuals in several countries and their preparations and eventual competition in Athens in 1896. David Ogden Stiers (a familiar face to viewers of M*A*S*H reruns) portrays a Princeton classics professor whose knowledge of the ancient Olympics means he's given the task of recruiting an American team for the 1896 games. The stories of how some athletes have to be convinced to join the team may seem contrived, but they do reinforce the idea of how fragile the concept of reviving the Olympics was at the time. A young David Caruso (years before he'd swagger through the stationhouse of N.Y.P.D. Blue) portrays a cocky Boston Irishman who walks away from a Harvard scholarship to participate in track events. And if Caruso does veer perilously close to doing an extended James Cagney impression, he serves as a sturdy focal point to the American team. Once in Athens, the focus is very much on the American athletes and their surprising success, and there are some interesting and humorous touches in the plot. For instance, the fledgling American team had enlisted a local blacksmith to render an iron discus, thereby giving them an unexpected advantage when presented with the much lighter "official" discus in Athens. Even if the various plots and subplots about the athletes don't always hold up very well, the scenes of competition in Athens do provide an entertaining re-creation of the first modern Olympics. --Robert J. McNamara

Gigi

Weary of the conventions of parisian society a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship but it may not stay platonic for long. Studio: Warner Home Video Release Date: 02/01/2005 Starring: Leslie Caron Maurice Chevalier Run time: 115 minutes Rating: G Director: Vincente Minnelli

Alan Jay Lerner and Frederick Loewe's 1958 direct-to-screen follow-up to their My Fair Lady was--miraculously--every bit as memorable as that stage smash. Set in fin-de-siècle Paris and based on a Colette story, Gigi also is about a girl (Leslie Caron) on a lower rung of society who blossoms into Cinderellahood before our eyes and ears. Thank heaven for Hermione Gingold and Maurice Chevalier as her mentors, and Louis Jourdan as her prince. The screenplay writer and lyricist Lerner always said that Gigi's title song was his favorite of all he'd written, and it's easy to see why--"Gigi" is a transcendent anthem to being transformed by love from an unexpected source. The entire score, including "Say a Prayer" (which had been cut from My Fair Lady), "I Remember It Well," "The Night They Invented Champagne," and "Thank Heaven for Little Girls," comprise a sparkling, rare soundtrack recording that stands alone and can be enjoyed and understood by those who have not yet seen the movie, deprived souls that they are. The winner of nine Academy Awards (plus a special Oscar for Chevalier), including Best Picture, Gigi was the last great MGM movie musical and one of the best. --Robert Windeler

Swamp Thing

Studio: Tcfhe/mgm Release Date: 09/09/2008 Run time: 91 minutes Rating: Pg

Horror vet Wes Craven wrote and directed this campy swamp romp adapted from the DC Comic of the same name. Adrienne Barbeau stars as cleavangelically blessed government agent Alice Cable, sent to the bayou to guard the brilliant Dr. Alec Holland. Holland is using recombinant DNA to create "a plant with an animal's aggressive power for survival." Let's hope none of that volatile secret formula gets spilled! Swamp Thing is an unusual mix of monster movie and superhero flick, but definitely an enjoyable ride. Craven deliberately uses comic-book-style wipes and transitions to keep us from taking anything too seriously, and Louis Jourdan keeps up the tone with his camp performance as the evil Arcane. Also keep an eye out for young Reggie Batts in a terrific deadpan performance as Jude, the helpful gas station attendant. --Ali Davis

The Best of Everything

The business world of the late Eisenhower era has rarely been more chicly drawn than in The Best of Everything, a juicy soap opera of the "working girl" school. Hope Lange lands a secretarial job at a Manhattan publishing house, eventually rising to an editorial position--but not before witnessing the back-biting, fanny-pinching snakepit that is the corporate workplace circa 1959. The spunky trio of Lange, Diane Baker, and Suzy Parker have romantic misadventures aplenty; Baker falls in with smarmy young Robert Evans (he had the tan even back then) and aspiring actress Parker lands in the clutches of heartbreaker stage director Louis Jourdan. The film's males are truly pigs in gray flannel suits. Beefcake slab Stephen Boyd offers solace to Lange, while Martha Hyer is around to provide yet another example of a woman suffering for the sake of a married man. Despite all the young female talent (redhead Parker was one of the most beautiful women of the fifties, a top model with a brief movie career), nobody holds serve when Joan Crawford bulls her way on screen. As a senior magazine editor (and a presumably cautionary example of the bitter career woman), Crawford eats the other actors like hors d'oeuvres. Jean Negulesco's staid direction never notices how trashy and plodding the material is, stressing instead the designer prettiness of CinemaScope: the interiors are a parade of cool colors and postwar furniture, the location shots of Manhattan streets are as gorgeous and nostalgic as an ancient engraving. --Robert Horton

Rona Jaffe's best-selling novel comes to life in this witty tale about the personal and professional lives of the men and women in a New York publishing firm. Heading a huge cast. JOAN CRAWFORD "gives an excellently etched performance" (Hollywood Reporter) as a tough-talking editor who can't seem to win at love. There are a few more interesting stories around the office than there are in the manuscripts at Fabian Publishers. Among the principal players: a new secretary (HOPE LANG) who quickly gets her boss's (CRAWFORD) job and romances a handsome editor (STEPHEN BOYD); a Colorado secretary (DIANE BARKER) who falls for the wrong man (ROBERT EVANS); and a would be actress (SUZY PARKER) who's jilted by a two-timing director (LUIS JOURDAN). Slick and glossy, The Best Of Everything is a panorama of office politics before women's liberation.

That's Entertainment III

Some of the most impressive numbers from the golden era of MGM musicals are contained in this video, the third of the That's Entertainment films. Have no fear that the studio was scraping the bottom of the barrel when assembling these clips after having produced two earlier films using the same formula. In fact, it can be argued that this particular compilation would be attractive to a general audience of today, as it contains a wealth of material that hasn't been widely seen. And almost none of it would be produced today, as these complicated dance scenes would simply be too expensive to film in the modern era. An example is a lavish production number featuring the great dancer Eleanor Powell seen in split screen, so the viewer watching the video can see not only what the movie audience saw, but what the soundstage looked like as a small army of stagehands performed artful illusions by removing gigantic portions of the stage as Powell danced across it. Interesting outtakes featuring Judy Garland and Lena Horne are also featured, and former MGM musical stars who introduce the production numbers (and provide background on the filming) include Gene Kelly and Esther Williams. The title doesn't lie: it's all entertaining. --Robert J. McNamara

Can-Can

Studio: Tcfhe Release Date: 05/22/2007 Run time: 131 minutes Rating: Nr

How to adapt a Broadway musical for the movies? Well, if you've got Frank Sinatra and Shirley MacLaine signed up, you throw out most of the original and make up something new--which is how Cole Porter's Can-Can came to the screen. It had been a smash on Broadway, and on film Can-Can locked up the #2 box-office spot for 1960 (nestled between Ben-Hur and Psycho). From a modern standpoint, the movie's popularity can be attributed to the stars, the colorful widescreen production, the sexy subject matter, and of course the Porter songs. It can't really be explained any other way, because Can-Can isn't among the most engaging movie musicals; it has the stolid, proscenium-framed look of Fox's 1950s widescreen musicals, and the story is only mildly diverting. The saturated color makes 19th-century Montmarte come to life, and the can-can numbers (and the wonderfully daft Garden of Eden ballet) look appropriately splashy. For a bit of authentic Gallic je ne sais quoi, Maurice Chevalier and Louis Jourdan are imported from Gigi, a big hit two years earlier. MacLaine and Sinatra have their cozy chemistry ("Let's Do It" fares especially well with them), and the movie marks the film debut of the dimply dancer Juliet Prowse.

The DVD provides a gorgeous color presentation of the movie. A second disc has some OK featurettes, including a making-of documentary that includes the famous story of Soviet premier Nikita Khrushchev's visit to the set of Can-Can, at which he witnessed an ooh-la-la can-can number, after which he denounced the proceedings as an example of Western depravity. --Robert Horton

The Return of Swamp Thing

Beautiful horticulturalist Abigail visits her stepfather determined to solve the mystery death of her mother. He wants her dead for the creation of his immortality serum. But Swamp Thing comes to her rescue and the two become an unlikely pair of lovers hunted by the insane Dr. Arcane.Format: DVD MOVIE Genre: HORROR/COMEDIC HORROR UPC: 883929007615 Manufacturer No: 1000036696