Joy, Robert

Superhero Movie (Extended Edition)

The team behind Scary Movie takes on the comic book genre in this tale of Rick Riker (Drake Bell) a nerdy teen bitten by a radioactive dragonfly. Imbued with superpowers Riker assumes a new identity as the Dragonfly. And because every hero needs a nemesis enter Lou Landers (Christopher McDonald) who leads a double life as the villainously goofy Hourglass. Spoof veteran Leslie Nielsen and Marion Ross co-star as Drake's doting uncle and aunt.Format: DVD MOVIE Genre: COMEDY/PARODY & SPOOF UPC: 796019813396 Manufacturer No: 81339

Adolescent fantasy meets sophomoric humor in the latest cuisinart comedy, Superhero Movie. The story of how frustrated loser Rick Riker (Drake Bell of Drake & Josh) becomes the superpowered Dragonfly is largely poking fun at Spider-Man, but there are a handful of digs at X-Men, Fantastic Four, and other Marvel Comics superhuman flicks. What's disappointing is how few of the jokes are specific to the genre--the abundance of gags about urine, feces, horniness, and especially flatulence (long, drawn-out gags about flatulence) could have been shoehorned into a parody of pretty much anything. The strong point of Superhero Movie is the above-average cast; while there are the obligatory cameos by the likes of Pamela Anderson, the cast is mostly filled out with actual actors like Marion Ross (Happy Days), Christopher McDonald (Thelma & Louise), Brent Spiner (Star Trek: The Next Generation), Jeffrey Tambor (Arrested Development), and Leslie Nielsen, who trots out his trademark deadpan one more time. As Dragonfly's love interest, Sara Paxton (Aquamarine) does a flawless and subtle imitation of Kirsten Dunst's sultry vocal mannerisms. And for fans of Airplane! (the movie that started the whole everything-but-the-kitchen-sink genre of comedy), there's an appropriate cameo by Robert Hays as Rick Riker's father. Superhero is a step above such recent tripe as Date Movie and Meet the Spartans... but sadly, that's not saying much. --Bret Fetzer

Aliens vs. Predator - Requiem (Unrated Edition)

Packed with adrenaline-pumping action heart-stopping suspense and 10 additional minutes of blood-soaked action too shocking for theaters this unrated version of AVP-R escalates the war between sci-fi's scariest movie icons!After a horrifying PredAlien crash-lands near a small Colorado town killing everyone it encounters and producing countless Alien offspring a lone Predator arrives to "clean up" the infestation. Soon it's an all-out battle to the death with no rules no mercy-and hundreds of innocent people caught in the crossfire. As the creature carnage continues a handful of human survivors attempt a daring escape but the U.S. government may be hatching a deadly plan of its own...System Requirements:Running Time: 100 minutesFormat: DVD MOVIE Genre: SCI-FI/FANTASY/ALIENS Rating: UNRATED UPC: 024543509424 Manufacturer No: 2250942

For those who found 2004's Aliens vs. Predator too lightweight in the gore-and-guns department, Aliens vs. Predator: Requiem offers a marked improvement in both categories, as well as a respectable amount of rumbles between the title extraterrestrials. Set in the 21st century (which predates the story to all of the Alien features), Requiem sends a crippled Predator ship crashing to Earth in a small Colorado town; unbeknownst to the locals, the craft is loaded with H.R. Giger's insectoid monsters, which make quick work of most of the population. As the human cast is slowly whittled to a few hardy (if unmemorable) souls, a Predator warrior also arrives to complicate matters and do battle with the Aliens, as well as a ferocious alien-Predator hybrid (dubbed a Predalien by the sci-fi and horror press). Visual-effects designers and music-video helmers The Strause Brothers (who make their feature directorial debut here) keep the action on frantic throughout, which is wise, since the dialogue and characters are threadbare at best; that should matter little to teenage male viewers, who are inarguably the film's key audience. Fans of the Alien franchise, however, may find the offhanded nod to the series' mythology given during the finale its sole saving grace. --Paul Gaita

Beyond Alien vs. Predator: Requiem

More from the Alien Series

AVP Customer Community

More Alien-themed titles from Fox

Stills from Alien vs. Predator: Requiem

61*

61* is an endearing ode to the baseball days of yore when the press was the enemy, salaries were in check, and breaking records with bat and glove took on Ruthian proportions. In 1961 baseball expanded its season from 154 games to 162, allowing weaker pitching into the major leagues and two New York Yankees teammates--the colorless Roger Maris and golden boy Mickey Mantle--to make an assault on the sport's ultimate record: Babe Ruth's 60 home runs. To add to the stew, baseball commissioner Ford Frick announced any record set in the last eight games of the season wouldn't count toward the official record; records had to be achieved in 154 games.

Director Billy Crystal guarantees success for his movie in the perfect casting of the leads. Barry Pepper (Saving Private Ryan's religious sniper) is deft as Maris, and Thomas Jane is a perfect Mantle, a superman in a Yankee uniform. Despite the differences between family man Maris and hard-living Mantle, they form a rewarding friendship amid the media and fan frenzy. The shy Maris took the brunt of the storm, even facing boo-birds in his home stadium. Crystal and first-time writer Hank Steinberg keep the pace moving quickly between the field, the locker room, the press box, and the home front. The film never tries to dazzle with more than the facts (and it softens Mantle up a bit), yet it belongs on the short list of grand baseball movies. --Doug Thomas

Sweet November

The 1968 version of Sweet November was a frothy fable that worked, for the most part, due to the charmingly offbeat chemistry of costars Sandy Dennis and Anthony Newley. For this turn-of-the-millennium remake, Keanu Reeves and Charlize Theron do their best to ground the fable in a more sophisticated reality, but that's just what this movie doesn't need. The premise is preposterous to begin with, so we need credible fantasy to leap over chasms of logic and ease into what should be a tear-jerking variation of Love Story. It's certainly possible to get suckered into the movie's sticky-sweet romance, but you'll need extra effort to suspend your disbelief.

Theron is Sara, who pathologically lures men into romance for one month at a time, "helping" them before moving onto the next month's catch. She's avoiding long-term commitments because she's deathly ill--a fact revealed by hundreds of prescription bottles hidden in her medicine cabinet. Reeves is Nelson, the fast-lane advertising executive who reluctantly becomes Sara's Mr. November. He's insulting and callous until he learns the truth, at which point director Pat O'Connor makes a 180-degree tone shift that cannot possibly succeed. Theron makes the most of her movie-sickness routine, but Reeves is out of his depth, and not one but two romantic montages (set to the music of Enya, no less) only emphasize the movie's abundant clichés (the most obvious being The Patriot's Jason Isaacs as Theron's supportive gay neighbor). Cry if you must, but don't let anyone catch you. --Jeff Shannon

Desperately Seeking Susan

This likeable, feminist screwball comedy about several incidents of mistaken identity is remembered more as the film that made Madonna a movie star. She's flip, hip, and energetic as Susan, the wild tramp with whom bored, suburban New Jersey housewife Roberta Glass (Rosanna Arquette) becomes obsessed after reading of her sexual conquests in the personal ads. Of course, since Madonna essentially played herself, the role's hardly a stretch. Director Susan Seidelmen presents a series of zany incidents too complicated to recount, but the result is that Roberta swaps lifestyles with her fixation to explore New Wave culture on New York's Lower East Side. It's territory Seidelmen knew well as her more offbeat, indie debut, Smithereens, reveled in the same setting. But where Smithereens took a more edgy approach to its characters, Susan is a fairy tale romantic comedy, and eventually becomes as conventional as the suburban characters it mocks by settling conflicts with predictable Hollywood formulae. Still, there's much to be enjoyed. The film's at its funniest when juxtaposing New York hip and New Jersey suburbia, like when Arquette's straight, suit-and-tie husband dances with Madonna in a punk club. The performances, too, are engaging, especially Arquette and Aidan Quinn, playing a romantic film projectionist who becomes her grubby Prince Charming. --Dave McCoy

If you know what to look for, you can find almost anything in the personal ads...including the loveof your life! Rosanna Arquette (Pulp Fiction) is "irresistible" (Newsweek) and, in her first starring role, pop star Madonna (Evita) gives a "marvelously comic" (Time) performance in this "delightful madcap comedy" (US) about mistaken identity. Bored New Jersey housewife Roberta (Arquette) fills her days by reading the personal ads and following an ongoing romance between "Jim" (Robert Joy) and "Susan" (Madonna), a mysterious drifter who leads the kind of free-spirited life about which Roberta can only dream. And dream she does, until the day she actually shows up at the couple's prearranged rendezvous in New York City...and after a bump on the head, a bout of amnesia turns Roberta into Susan and opens the door to intrigue, laughter and love!

Fallen

Although it received mixed reactions from critics and audiences alike when released in 1998, this supernatural thriller benefits from a sustained atmosphere of anticipation and dread, and its combination of detective mystery and demonic mischief is handled with ample style and intelligence. Under the direction of Gregory Hoblit (who fared better with Primal Fear), Denzel Washington plays detective John Hobbes, who witnesses the gas-chamber execution of a serial killer (Elias Koteas). But when another series of murders begins, Hobbes suspects that the killer's evil spirit has survived and is possessing the bodies of others to do its evil bidding. Even Hobbes's trusted partner (John Goodman) thinks the detective is losing his grip on reality, but the dire warnings of a noted linguist (Embeth Davidtz) confirm Hobbes's far-out theory, and his case intensifies toward a fateful showdown. Although its idea is better than its execution, and the story's film noir ambitions are never fully accomplished, this slickly directed thriller has some genuinely effective moments in which evil forces are entwined into the fabric of everyday reality. Among the highlights is a memorable scene in which Detective Hobbes must track the killer as the evil spirit is transferred between many people via physical contact. Even if the film is ultimately less than the sum of its parts, it's an intriguing hybrid that resides in the same cinematic neighborhood as Seven and The Silence of the Lambs with a cast that also includes Donald Sutherland and James Gandolfini. Included on the DVD is a full-length audio commentary by director Hoblit, screenwriter Nicholas Kazan, and producer Charles Roven. --Jeff Shannon

An ancient demon, a fallen angel, pursues a police officer who is beginning to understand how the demon passes from human to human.
Genre: Feature Film-Drama
Rating: R
Release Date: 7-JUN-2005
Media Type: DVD

The Hills Have Eyes (Unrated Edition)

Boasting an upgrade in production values, The Hills Have Eyes should please new-generation horror fans without offending devotees of Wes Craven's original version from 1977. There's still something to be said for the gritty shock value of Craven's low-budget original, made at a time when horror had been relegated to the pop-cultural ghetto, mostly below the radar of major Hollywood studios. With the box-office resurgence of horror in the new millennium--and the genre's lucrative popularity among the all-important teen demographic--it's only fitting that French director Alexandre Aja should follow up his international hit High Tension with a similarly brutal American debut to boost his Hollywood street-cred. Working with cowriter Gregory Levasseur, Aja remains surprisingly faithful to Craven's original, beginning with a bickering family that crashes their truck and trailer in the remote desert of New Mexico (actually filmed in Morocco), where they are subsequently terrorized, brutalized, and murdered by a freakish family of psychopaths, mutated by the lingering radiation from 331 nuclear bomb tests that were carried out during the 1950s and '60s. After several killings are carried out in memorably grisly fashion, it's left to the survivors to outsmart their disfigured tormentors, who are blessed with horrendous make-up (especially Robert Joy as freak leader "Lizard") but never quite as unsettling as the original film's horror icon, Michael Berryman. In Aja's hands, this newfangled Hills is all about savagery and de-evolution, reducing its characters to a state of pure, retaliatory terror. It's hardly satisfying in terms of storytelling (since there's hardly any story to tell), but as an exercise in sheer malevolence, it's undeniably effective.--Jeff Shannon

Based on the original film by fright master Wes Craven, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.

Superhero Movie

The team behind Scary Movie takes on the comic book genre in this tale of Rick Riker (Drake Bell) a nerdy teen bitten by a radioactive dragonfly. Imbued with superpowers Riker assumes a new identity as the Dragonfly. And because every hero needs a nemesis enter Lou Landers (Christopher McDonald) who leads a double life as the villainously goofy Hourglass. Spoof veteran Leslie Nielsen and Marion Ross co-star as Drake's doting uncle and aunt.Format: DVD MOVIE Genre: COMEDY/PARODY & SPOOF UPC: 796019813402 Manufacturer No: 81340

Adolescent fantasy meets sophomoric humor in the latest cuisinart comedy, Superhero Movie. The story of how frustrated loser Rick Riker (Drake Bell of Drake & Josh) becomes the superpowered Dragonfly is largely poking fun at Spider-Man, but there are a handful of digs at X-Men, Fantastic Four, and other Marvel Comics superhuman flicks. What's disappointing is how few of the jokes are specific to the genre--the abundance of gags about urine, feces, horniness, and especially flatulence (long, drawn-out gags about flatulence) could have been shoehorned into a parody of pretty much anything. The strong point of Superhero Movie is the above-average cast; while there are the obligatory cameos by the likes of Pamela Anderson, the cast is mostly filled out with actual actors like Marion Ross (Happy Days), Christopher McDonald (Thelma & Louise), Brent Spiner (Star Trek: The Next Generation), Jeffrey Tambor (Arrested Development), and Leslie Nielsen, who trots out his trademark deadpan one more time. As Dragonfly's love interest, Sara Paxton (Aquamarine) does a flawless and subtle imitation of Kirsten Dunst's sultry vocal mannerisms. And for fans of Airplane! (the movie that started the whole everything-but-the-kitchen-sink genre of comedy), there's an appropriate cameo by Robert Hays as Rick Riker's father. Superhero is a step above such recent tripe as Date Movie and Meet the Spartans... but sadly, that's not saying much. --Bret Fetzer

Death Wish V - The Face of Death

Drifting as far from Michael Winner's original and interesting 1974 Death Wish as possible, this belated sequel in an often ugly series is nevertheless a harmless, fairly conventional thriller featuring a watchable cast. After his life of loss and misery at the hands of criminals, vigilante Paul Kersey is ready to settle down in romantic bliss with a fashion designer named Olivia (Lesley-Anne Down). Unfortunately, the lady happens to be the target of her mobster ex-husband (Michael Parks), who has a tight grip on New York's garment district. Disfigured and finally murdered by her former spouse, Olivia is avenged in very creative ways by Paul, who resorts to such esoterica as using a remote-controlled soccer ball to deliver an explosive punishment. Bronson largely phones it in for this potboiler, though even in the winter of his life he can look quite compelling in his stoic way. Helping to keep things interesting is Parks's kinky cruelty and Saul Rubinek's vaguely bemused performance as a well-meaning prosecutor. --Tom Keogh

The Shipping News

Fans of Lasse Hallström's truffle, Chocolat, may enjoy the director's subsequent novel adaptation, the emotionally charged Shipping News. The opening sequence introduces us to the bumbling Quoyle (Kevin Spacey), an ink setter at the Poughkeepsie News; his hedonistic wife Petal Bear (Cate Blanchett); and their daughter Bunny. But we hardly get to meet the characters, much less connect with them, in the fewer than eight minutes allotted for the scene. Before you know it, Petal is dead in a car wreck, Quoyle's parents have committed suicide, and Quoyle and Bunny are headed off with Quoyle's aunt Agnis (Judi Dench) to start over in a small Newfoundland port town. As the main story ensues--Quoyle's transformation from passive victim to sensitive lover and eloquent columnist--the subplot of his sordid family history and his aunt's search for healing seems contrived and lifeless. While Julianne Moore, as the widow Wavey, gives a solid performance as Quoyle's love interest, Spacey's performance is uneven, never convincingly at sea enough to reward Quoyle's ultimate self-discovery. As with so many films adapted from novels, The Shipping News fails to embark confidently enough upon its own course to keep off the rocks. --Fionn Meade

Academy Award(R)-winning stars Kevin Spacey (AMERICAN BEAUTY, Best Actor, 1998) and Judi Dench (SHAKESPEARE IN LOVE, Best Supporting Actress, 1998) join talents with Julianne Moore (HANNIBAL) and Cate Blanchett (THE LORD OF THE RINGS) in this deeply moving motion picture from the director of CHOCOLAT and THE CIDER HOUSE RULES. After tragedy strikes, Quoyle (Spacey) moves with his daughter from upstate New York to his ancestral home in a small Newfoundland fishing village. With a job at the local newspaper and developing romance with a woman (Moore) who lives with her own demons, Quoyle is transformed by this place of magic, beauty, and hardship. In a compelling story based on the Pulitzer Prize-winning novel, Quoyle's past melds with his present in an inspirational journey of self-discovery and second chances.