Kosleck, Martin

The Mummy - The Legacy Collection (The Mummy/Mummy's Hand/Mummy's Tomb/Mummy's Ghost/Mummy's Curse)

For the first time ever, the original The Mummy film comes to DVD in this extraordinary Legacy Collection. Included in the collection is the original classic, starring the renowned Boris Karloff, and four timeless sequels, featuring legendary action Lon Chaney, Jr. and others. These are the landmark films that inspired an entire genre of movies and continue to be major influences on motion pictures to this day

World War II Collection, Vol. 2 - Heroes Fight for Freedom (36 Hours / Air Force / Command Decision / Hell to Eternity / The Hill / Thirty Seconds Over Tokyo)

Six action-packed World War II-themed films feature on this collection. The titles included are: 36 HOURS AIR FORCE COMMAND DECISION HELL TO ETERNITY THE HILL and THIRTY SECONDS OVER TOKYO. Please see individual titles for synopsis information.Format: DVD MOVIE Genre: DOCUMENTARIES/MISC. Rating: NR UPC: 085391142140 Manufacturer No: 114214

If "Heroes Fight for Freedom" sounds like a rather hysterical label to slap on volume 2 of Warner Home Video's World War II Collection, take it as a hint that the six films in the set are wildly dissimilar in tone, style, reference, and origin, not to mention levels of quality. But don't worry, three of the six are classics, and each of their admittedly lesser companions rates a look. (The bonus features are quite perfunctory, with only a couple of contemporaneous cartoons being of note.)

Tops is Air Force (1943), which director Howard Hawks casually referred to as his "contribution to the war effort." It's also a masterpiece, standing with John Ford's They Were Expendable as the best WWII films Hollywood made while the war was still on. On the evening of December 6, 1941, a B-17 flies out of San Francisco on a routine peacetime training mission to Hickam Field in Hawaii. While en route, the officers and crew overhear radio traffic of the Japanese attack on Pearl Harbor ("Whatcha got there," somebody asks the radio operator, "Orson Welles?"). They touch down in a smoking world like a vision out of Dante, then hop from one Pacific outpost to the next as the clouds of war roil. The plane itself, the Mary Ann, is the movie's main character; the biggest star, John Garfield, actually gets last billing as her newly assigned tail gunner. Air Force is one of Hawks's supreme guys-doing-their-job movies, and the definitive war-movie portrait of America as a melting-pot of diverse individuals and types making common cause. The ensemble (Garfield, Gig Young, John Ridgely, Arthur Kennedy, the great Harry Carey, et al.) is superbly directed, there's a strong Dudley Nichols screenplay (with an uncredited contribution by William Faulkner) and breathtaking editing of the battle scenes (which won George Amy an Oscar), and the camerawork is by James Wong Howe in peak form.

Another must-see among WWII movies is Thirty Seconds over Tokyo (1944), about the preparation for and execution of a 400-mile bombing raid to carry the war to Japan itself mere months after Pearl Harbor. Spencer Tracy plays James H. Doolittle, architect of the raid, but the emotional core of the film is B-25 pilot Ted Lawson (Van Johnson) and his wife, Ellen (Phyllis Thaxter). Lawson's bestselling memoir (with Bob Considine) of his training for the secret mission, his group's launching from the aircraft carrier Hornet, and his crash landing and protracted ordeal in China--where he lost a leg--has been faithfully served by director Mervyn LeRoy & co. The film is long on homely detail and all-American decency (including remarkably outspoken regret over the unavoidability of civilian casualties) but achieves its greatest impact in the raid itself, realized with Oscar-winning special effects and mostly allowed to play in riveting silence.

The other topnotch item in the set is The Hill (1965), made by Sidney Lumet in that period when his name was synonymous with powerhouse drama guaranteed to leave audiences wrung out and limp (Fail-Safe, The Pawnbroker). Still, there was a bigger name involved: Sean Connery breaking with his James Bond image to portray a volcanically outraged inmate at a British Army prison camp in Libya. The titular Hill is a steep mound erected on the desert floor for him and other British soldiers who have violated the (often absurd) rules of the military game to buck sacks of sand up one side and down the other, like so many sons of Sisyphus. Ian Hendry is unforgettably loathsome as the sadistic noncom Williams; other captors include Harry Andrews, Ian Bannen, and Michael Redgrave, while Connery's fellow prisoners are played by Ossie Davis, Roy Kinnear, Jack Watson, and Alfred Lynch. In Oswald Morris's black-and-white cinematography, you can almost feel the desert sun like a hot brick.

Command Decision (1949) takes on the kind of questions that Hollywood could never have raised during the war--questions about the cruel responsibilities of command, including the responsibility to spend a great many lives to save thousands more in the future. In 1943, from an American airbase in the English countryside, a campaign of daylight bombardment is being waged against aircraft factories in Germany. For much of the way to their targets and back, the bombers are bereft of fighter escort and at the mercy of the Luftwaffe. The mortality rate is shocking--but perhaps, for reasons that are not widely known, necessary. Clark Gable (himself an air war veteran) plays the commandant who has to call the next day's target, and the film never leaves command HQ; the closest we get to combat is a scene of an untrained crewman trying to land a crippled plane. Command Decision is earnest but outshone by the similarly focused Twelve O'Clock High. The main problem is that it's based on--and essentially remains--a play, static in setting and schematic in its arguments. Still, those arguments should be heard.

Hell to Eternity (1962) sets out to tell the true story of Guy Gabaldon, a white Angeleno raised from boyhood by a family of Japanese-Americans. Following the attack on Pearl Harbor, his parents are interned, his brothers enlist to fight in Europe, and Guy (Jeffrey Hunter)--after clearing it with mama-san--offers the Marines his services in the Pacific as an interpreter. During the battle for Saipan (reenacted by director Phil Karlson on the island of Okinawa) he undergoes several transformations, from reluctant warrior to implacable avenger to, ultimately, a truce-seeker trying to save lives on both sides. That's a fine-sounding dramatic trajectory, but the two-hours-plus Allied Artists production is patchy, with some amateurish acting in the Los Angeles portion (including an early appearance by George Takei) and an excruciating, wishfully raunchy night of shore leave in Hawaii before shipping out to the war zone. Sessue Hayakawa of Bridge on the River Kwai fame dominates the final sequences as the Japanese commandant.

WWII films of the '60s were often half caper-movie, with ornate and muscular missions behind enemy lines dreamed up by the likes of Alistair MacLean. The caper in 36 Hours (1965)--which was dreamed up by Roald Dahl--reverses the dynamics. A U.S. diplomatic courier (James Garner) with knowledge of the plans for D-Day is kidnapped, drugged, and taken to a sanatorium surrounded by forest. He wakes up in the presence of solicitous doctors and staff who seem to be fellow Americans and ever so happy to have him back after all those years in a coma. War's long over, of course; we won--and isn't it a good thing the Allies scrapped that first, wacky invasion plan they almost used? The plan maybe he still remembers?... 36 Hours is an intriguing thriller up to a point--and the moment when Garner catches on to the trick is a grabber--but George Seaton's direction is pedestrian and the production has a soundstage-y look. Rod Taylor takes acting honors as the sympathetic German psychiatrist in charge of the plot, under the suspicious eyes of SS man Werner Peters. --Richard T. Jameson

Morituri

No Description Available.
Genre: Feature Film-Drama
Rating: NR
Release Date: 25-MAY-2004
Media Type: DVD

Marlon Brando plays a world-weary, conscientious objector to all wars in the tense, thoughtful Morituri, an adult drama about wartime ethics and the price of commitment to a cause. Brando plays Robert Crain, a German deserter who escaped the Nazis with his fortune intact, happy to be sitting out the battle in British-governed India. His comfort is challenged when an intelligence official (Trevor Howard) essentially blackmails him into going undercover, posing as an SS officer taking passage on a German ship carrying tons of rubber for munitions. Crain's mission is to deliver the ship into Allied hands, but once he's aboard, he becomes a target of derision by the proud, anti-Nazi captain (Yul Brynner) and suspicion by a handful of Resistance members planning to scuttle the voyage. The dramatic irony in this film by German actor-director Bernhard Wicki is that Crain, who claims to take no sides and believes in nothing worth killing for, becomes a catalyst for a great deal of sacrifice and the underscoring of others' convictions with bloodshed. Janet Margolin has a memorable role as a half-mad, Jewish doctor who puts her life on the line to help Crain, and Brynner nearly steals the show in a tremendous performance as a man who has lost faith in everything. Some spectacular scenes give Morituri a certain electricity, including a complicated, unbroken shot taken (one presumes) from a helicopter that swoops in on the ship from a distance to catch a few lines of dialogue and a bit of action. --Tom Keogh

36 Hours

A gripping WWII thriller in which Nazis capture an American spy and try to trick him into thinking that the war has ended. Major Jefferson Pike has been sent on an intelligence assignment to Portugal. But once there he is trapped and drugged by Germans who take him to a remote hospital in the Black Forest. There psychiatrist Walter Gerber attempts to fool Pike into thinking that he's been suffering from amnesia for the past six years and that the fighting has ceased. With this plot the Germans hope to get the Major to reveal where and when the Allies will be mounting their D-Day campaign. To pull off this deception the Nazis convince Pike that the hospital is actually run by Americans -- a hoax that's easily accomplished because the entire staff speaks English. Will Pike realize what's going on or will he be duped into giving the Nazis the information they need?On the eve of the D-Day invasion an American intelligence officer in Portugal is captured by the Nazis. They brainwash him into believing that it's six years later so he'll reveal information about the invasion.Runtime: 115 minutesFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 012569797031 Manufacturer No: 79703

WWII films of the '60s were often half caper-movie, with ornate and muscular missions behind enemy lines dreamed up by the likes of Alistair MacLean. The caper in 36 Hours (1965)--which was dreamed up by Roald Dahl--reverses the dynamics. A U.S. diplomatic courier (James Garner) with knowledge of the plans for D-Day is kidnapped, drugged, and taken to a sanatorium surrounded by forest. He wakes up in the presence of solicitous doctors and staff who seem to be fellow Americans and ever so happy to have him back after all those years in a coma. War's long over, of course; we won--and isn't it a good thing the Allies scrapped that first, wacky invasion plan they almost used? The plan maybe he still remembers?... 36 Hours is an intriguing thriller up to a point--and the moment when Garner catches on to the trick is a grabber--but George Seaton's direction is pedestrian and the production has a soundstage-y look. Rod Taylor takes acting honors as the sympathetic German psychiatrist in charge of the plot, under the suspicious eyes of SS man Werner Peters. --Richard T. Jameson

Foreign Correspondent

Johnny Jones is an action reporter on a New York newspaper. The editor appoints him European correspondent because he is fed up with the dry reports he currently gets. Jones' first assignment is to get the inside story on a secret treaty agreed between two European countries by the famous diplomat Mr. Van Meer. However things don't go to plan and Jones enlists the help of a young woman to help track down a group of spies.Running Time: 120 min.Format: DVD MOVIE Genre: DRAMA UPC: 085393186227

The first of Alfred Hitchcock's World War II features, Foreign Correspondent was completed in 1940, as the European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones (Joel McCrea), is an American crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story (and, of course, some fortuitous timing) promptly leading him to the "crime" of fascism and Nazi Germany's designs on European conquest.

In attempting to learn more about a seemingly noble peace effort, Jones (who's been saddled with the dubious nom du plume Hadley Haverstock) walks into the middle of an assassination, uncovers a spy ring, and, not entirely coincidentally, falls in love--a pattern familiar to admirers of Hitchcock's espionage thrillers, of which this is a thoroughly entertaining example. McCrea's hardy Yankee charms are neatly contrasted with the droll, veddy English charm of colleague George Sanders; Herbert Marshall provides a plummy variation on the requisite, ambiguous "good-or-is-he-really-bad" guy; Laraine Day affords a lovely heroine; and Robert Benchley (who contributed to the script) pops up, albeit too briefly, for comic relief.

As good as the cast is, however, it's Hitchcock's staging of key action sequences that makes Foreign Correspondent a textbook example of the director's visual energy: an assassin's escape through a rain-soaked crowd is registered by rippling umbrellas, a nest of spies is detected by the improbable direction of a windmill's spinning sails, and Jones's nocturnal flight across a pitched city rooftop produces its own contextual comment when broken neon tubes convert the Hotel Europe into "Hot Europe." --Sam Sutherland

For inexplicable reasons, Foreign Correspondent never achieved the fame of The 39 Steps or North by Northwest, but it is certainly good enough to join the ranks of these better-known Hitchcock thrillers. Set just before the beginning of World War II, the film focuses on murder, international intrigue, and an innocent Joel McCrea caught between spies and counterspies. Highlights include an assassination on a rainy day with the killer escaping into a sea of umbrellas, a group of spies who signal their Dutch contacts by turning windmills against the wind, and an extraordinary climax aboard a plane that crashes into the ocean. In McCrea's final speech, you can hear the British filmmaker uniting American patriotism with the anti-Nazi cause. --Raphael Shargel

Sherlock Holmes in Pursuit To Algiers

Pursuit to Algiers (1945) begins as Holmes and Watson learn that the King of a Ravenia has been assassinated and his son Nikolas is now a marked man. The great detective and his comrade are pressed into service to protect the life of the soon-to- be crowned monarch. The detective and the good doctor take to the sea in order to safeguard the young heir on his journey from London back to his homeland and throne. The soon-to-be king poses as Dr. Watson's nephew while a number of the SS Friesland's passengers appear eccentric, suspicious and downright sinister. The ship makes an unexpected stop in Lisbon and Holmes is presented with yet three more mysterious passengers.

The Flesh Eaters

Underground

- Set during the early days of World War II, Underground is an intriguing tale of danger and suspense set in Nazi Germany starring Jeffrey Lynn (Butterfield 8) and Philip Dorn (Spy Hunt).- Celebrated director Vincent Sherman (Backfire, The Adventures of Don Juan, All Through the Night, Mr. Skeffington) lives up to his reputation for directing some of the most memorable films made in the 40's, 50's and even 60's with this story of the anti-Nazi underground and its attempts to usurp the Nazi regime and put an end to its war machine through the broadcast of an outlawed radio program. - Released almost six months before the United States entered WWII, Underground provides an interesting historical perspective of the American take on Germany's Nazi Occupation before the fighting hit home. - Vincent Sherman at 98 years old, is the oldest living Hollywood director.

DVD Features
Available for the first time ever on DVD!

Features two fascinating interviews by Lloyd Kaufman with legendary Hollywood director Vincent Sherman at 98 years young!

Includes insightful production notes on the Underground production and star bios.

DVD Bonus: Theatrical trailer for Samuel Fuller's classic Shark starring Burt Reynolds!

Film introduced with classic PSA: "Radiation March"

Werewolf of London / She-Wolf of London

The Mummy's Ghost/The Mummy's Curse