Kudoh, Youki

Rush Hour 3 (Widescreen and Full-Screen)

Jackie Chan and Chris Tucker head for the City of Lights in the somewhat threadbare but sporadically exciting Rush Hour 3, the second sequel to director Brett Ratner's 1998 cop-buddy hit. Chan's Inspector Lee and Tucker's Detective Carter hop from Los Angeles to Paris in pursuit of a Chinese triad only to find a mixed reception, including a brutal warning from a French cop (Roman Polanski) and anti-American sentiments from a cab driver (Yvan Attal) who eventually becomes an important and funny ally. Lee and Carter, when not fighting their way out of rooms full of martial arts gangsters and crazed assassins (Sun Ming Ming), follow a trail to a beautiful woman (Noemie Lenoird) who literally carries a vital clue on her person. Lee also holds secret meetings with a United Nations authority (Max Von Sydow), but his personal struggles with a criminal mastermind (Hiroyuki Sanada)--who happens to be an important figure in his life—are at the heart of this movie.

The aging Chan still seems to defy the laws of physics with some of his more spectacular stunts. But it's true those stunts take a little more time than they used to, and judicious editing makes Chan look spry as ever. He frets charmingly in Rush Hour 3, while Tucker revives his brash character's motormouth guile and whiny womanizing. There isn't a lot left to be discovered about Lee and Carter's compatibility, and even with a minor crisis over their loyalty to one another in Rush Hour 3, their all-important relationship is almost too easy to take for granted now. Fortunately, the film's biggest thrills come from several wild fight scenes, especially a climactic battle on the Eiffel Tower that is rich in imagination. --Tom Keogh

When a Chinese criminal mastermind flees to Paris there?s only one culture-clashed crime fighting duo for the job. Ready to raise hell in the city of lights Chief Inspector Lee (Chan) and Detective Carter (Tucker) instead get caught in an explosive battle between French police the Triad gang and two gorgeous femmes fatales! With everybody kung-fu fighting to the top of the Eiffel Tower this one-two punch of hilarious action doesn?t let up to the final heart-stopping au revoir!Format: DVD MOVIE Genre: COMEDY/CRIMINALS UPC: 794043109300 Manufacturer No: N10930

Memoirs of a Geisha (Widescreen Two-Disc Special Edition)

Chicago director Rob Marshall's pretty but empty (or pretty empty) film has all the elements of an Oscar® contender: solid adaptation (from Arthur Golden's bestseller), beautiful locale, good acting, lush cinematography. But there's something missing at the heart, which leaves the viewer sucked in, then left completely detached from what's going on.

It's hard to find fault with the fascinating story, which traces a young girl's determination to free herself from the imprisonment of scullery maid to geisha, then from the imprisonment of geisha to a woman allowed to love. Chiyo (Suzuka Ohgo), a young girl with curious blue eyes, is sold to a geisha house and doomed to pay off her debt as a cleaning girl until a stranger named The Chairman (Ken Watanabe) shows her kindness. She is inspired to work hard and become a geisha in order to be near the Chairman, with whom she has fallen in love. An experienced geisha (Michelle Yeoh) chooses to adopt her as an apprentice and to use as a pawn against her rival, the wicked, legendary Hatsumomo (Gong Li). Chiyo (played as an older woman by Ziyi Zhang), now renamed Sayuri, becomes the talk of the town, but as her path crosses again and again with the Chairman's, she finds the closer she gets to him the further away he seems. Her newfound "freedom" turns out to be trapping, as men are allowed to bid on everything from her time to her virginity.

Some controversy swirled around casting Chinese actresses in the three main Japanese roles, but Zhang, Yeoh and Gong in particular ably prove they're the best for the part. It's admirable that all the actors attempted to speak Japanese-accented English, but some of the dialogue will still prove difficult to understand; perhaps it contributes to some of the emotion feeling stilted. Geisha has all the ingredients of a sweeping, heartbreaking epic and follows the recipe to a T, but in the end it's all dressed up with no place to go.--Ellen A. Kim

A Cinderella story set in a mysterious and exotic world, this stunning romantic epic shows how a house servant blossoms, against all odds, to become the most captivating geisha of her day.

"... a visually stunning adaptation of Arthur Golden's best-selling novel." (Barry Caine, OAKLAND TRIBUNE) The director of Chicago, Rob Marshall, transports us into a mysterious and exotic world that casts a potent spell. A Cinderella story like no other, MEMOIRS OF A GEISHA stars Ziyi Zhang, Ken Watanabe, Michelle Yeoh and Gong Li. "Gorgeously photographed, meticulously directed and hypnotically acted. MEMOIRS OF A GEISHA is luxurious, ethereal and intoxicating. It will leave you breathless." (Rex Reed, NEW YORK OBSERVER)

Blood - The Last Vampire

Saya, the last true vampire, battles the bloodthirsty demons attacking an American base in Japan during the Vietnam War. Much of the story takes place during the late afternoon and evening, and the artists use shadows, reflections, and light with exceptional skill: the look of the film is more interesting than the underdeveloped story. Saya wields a deadly sword and pursues her foes with chilling ferocity, but she's silent and sullen and fails to develop as a character: the viewer has no idea how she views her deadly occupation. Albeit a visually striking film, this dark, violent work fails to live up to its billing as "Japan's first fully digital animated feature film": the three-dimensional objects and effects are digital, but the two-dimensional characters are hand-drawn. Nor is the film really "from the creators of Ghost in the Shell." Blood came out of a group that Ghost director Mamoru Oshii organized to encourage young talent, but he didn't direct it. And at 48 minutes, it's very short for a feature, although this edition includes a rambling 21-minute making-of film and a 3-minute trailer. It seems unlikely that Blood "will transform Japanese animation," but other artists may use its visual style to tell more compelling stories with better-developed characters. Unrated; suitable for ages 17 and up for profanity, brief nudity, and considerable violence. --Charles Solomon

Snow Falling on Cedars

Australian director Scott Hicks's follow-up to his widely beloved Shine comes as a small shock. Based on David Guterson's bestselling novel, Snow Falling on Cedars is far removed from the character-driven, pure storytelling of Shine and a comparative plunge into moody atmospherics. Action insinuates itself through the director's determined eye for watercolor composition and free-floating perspective, like random shoots of new growth in an overwhelming rain forest. It's impossible to be complacent as a viewer because Hicks's meditative style paradoxically forces one to locate and make the story happen internally.

The approach makes good aesthetic sense in that Guterson's story couches courtroom drama in dreamy textures, and Hicks is determined to reflect that even if it means turning an audience's idea of narrative on its head. He also gets a lot of help from the weather in the Pacific Northwest: the setting is one of Washington State's San Juan Islands, where rain embraces earth and sky in a singular, introverted personality. There, a Japanese American war hero (Rick Yune) stands accused of murdering a white fisherman in the years following World War II. His wife (Youki Kudoh) is the former childhood sweetheart and lover of a local newspaperman (Ethan Hawke) whose bitterness over the loss--as well as his helplessness during the internment of Japanese Americans, and the crusading legacy of his journalist father (Sam Shepard)--prevents him from coming to the defense of the accused man.

Layered emotions, layered sensations, layered clouds. This is historical fiction of a sort that works best as an experience of time's relativity: flowing, stopping, trickling. Ironically, the film's most commercial element, the trial, is the least interesting aspect, though old pro Max Von Sydow makes those scenes great fun as a wily defense counsel. --Tom Keogh

Asian Cinema 4-pack (Curse of the Golden Flower / Memoirs of a Geisha / Crouching Tiger Hidden Dragon / House of Flying Daggers)

Curse of the Golden Flower - DVD, Memoirs of a Geisha (Single Disc Version) - DVD, Crouching Tiger, Hidden Dragon (Special Edition) -DVD, House of Flying Daggers - DVD

Masters of Horror - Imprint

An American journalist in search of the love he once left behind travels to a mysterious Japanese island where the past is best left forgotten in the one installment of {@Showtime's Masters of Horror series that was too controversial for American television. It was long ago that Christopher (Billy Drago) met the mysterious prostitute who captured his heart but their grim fate was forever sealed when he left the island with only a promise to return one day in the future. Unlike many of the insincere souls who promise to spirit the prostitutes away from the dark and infernal island Christopher actually made good on his word. However life is cheap on this bewitched island where the local brothel is the sole refuge for weary souls and though he ultimately proved to be a rare exception to the rule Christopher has taken far too long to fulfill his promise. Now as he shares his woeful tale with a horribly scarred whore (Youki Kudoh) whose knowledge of his long lost love's true fate may prove more of a curse than a blessing Christopher is about to discover that there are times when death can be the kindest release of all. ~ Jason Buchanan All Movie GuideSpecial Features:An all-new interview with Takashi MiikeInterviews with actors and collaborators on previous worksSystem Requirements:Running Time: 63 minsFormat: DVD MOVIE Genre: HORROR UPC: 013131446692 Manufacturer No: DC14466

"Have I got your attention, mister?" By the time you reach this line in Takashi Miike's Imprint, the answer will be a resounding, horrified "Yes!" This much-rumored-about episode of Showtime's Masters of Horror series became notorious as the first installment to be denied an airing. Now that the hour-long episode is out on DVD, it's not difficult to see why the network balked (although on the other hand, if you have a series called Masters of Horror and you hire the outrageous Takashi Miike to helm a show, nobody should really be surprised). The story follows an American (Billy Drago) on a journey to a ghostly island bordello in Japan; he's searching for a girl he lost years before. The prostitute he meets has stories to tell--and they abound in incest, abortion, murder, and one of the grisliest torture scenes ever produced for a mainstream outlet.

Anybody familiar with Miike's films (Audition, Visitor Q) knows a couple of things about him: (1) there is no affront against civilized behavior he won't put on film, and (2) he's a heckuva filmmaker. Imprint confirms this, on both counts. The only weak spot is the English dialogue reading by the Japanese cast--and by Billy Drago, for that matter, although he does look very cool. The story may or may not make sense, but what stays with you are the pregnant, eye-filling images (cinematography by Toyomichi Kurita) and the truly shocking violence. It is really what the Masters of Horror series seems designed to do: give a director complete freedom to merge style with story. Take this to heart, oh ye of low nausea thresholds: Imprint will seriously mess you up. --Robert Horton

Mystery Train

Elvis may not be alive, but his spirit continues to permeate the American cultural landscape. Jim Jarmusch pays tribute his legacy in his funky third feature, Mystery Train. The name comes from the great bluesy recording Elvis made for Sun Records in 1955, but the stories of wandering tourists and lost souls drifting through Memphis come from the mind of Jarmusch. Three different tales play out in a single 24-hour period, a loose trilogy spinning around a fleabag hotel manned by a sleepy Screamin' Jay Hawkins and his eager bellboy Cinqué Lee. A young Japanese couple arrives in Memphis to take the Elvis tour, an Italian woman (Nicoletta Braschi of Life Is Beautiful) takes possession of her dead husband's ashes and gets a surprise visit from a wandering spirit, and three Memphis lowlifes (including indie stalwart Steve Buscemi and Clash guitarist Joe Strummer) take an aimless and ultimately fateful midnight cruise around town. Jarmusch lazily unfolds his tales at the speed of life, the unhurried rhythms lending the deadpan mix of quirky Americana, pop culture, and cinematic poetry a quietly lived-in quality, while he juggles timelines in a trick Quentin Tarantino borrowed for Pulp Fiction. The offbeat interweaving is just another pattern to the crazy quilt, lovely examples of the mercurial playfulness of life in Jarmusch's America. --Sean Axmaker

After the critical triumphs of Stranger Than Paradise and Down by Law, director Jim Jarmusch was called 'the most arresting filmmaker to surface in the American cinema by The New York Times. Mystery Train is a 'smart and curiously affecting (The Nation) comedy, that is funny and thoroughly satisfying (The New York Times)! Named after an Elvis Presleyhit, Mystery Train interweaves three engrossing stories, all centering around the Presley legend and his beloved hometown of Memphis. As the characters paths collidethrough laughter, fear and fateyou can practically feel the presence of the King himself in every scene and his legacy impressed on a generation of equally lost souls in 'this wry, brilliantly structured comedy (Boxoffice).

Memoirs of a Geisha (Full Screen 2-Disc Special Edition)

Chicago director Rob Marshall's pretty but empty (or pretty empty) film has all the elements of an Oscar® contender: solid adaptation (from Arthur Golden's bestseller), beautiful locale, good acting, lush cinematography. But there's something missing at the heart, which leaves the viewer sucked in, then left completely detached from what's going on.

It's hard to find fault with the fascinating story, which traces a young girl's determination to free herself from the imprisonment of scullery maid to geisha, then from the imprisonment of geisha to a woman allowed to love. Chiyo (Suzuka Ohgo), a young girl with curious blue eyes, is sold to a geisha house and doomed to pay off her debt as a cleaning girl until a stranger named The Chairman (Ken Watanabe) shows her kindness. She is inspired to work hard and become a geisha in order to be near the Chairman, with whom she has fallen in love. An experienced geisha (Michelle Yeoh) chooses to adopt her as an apprentice and to use as a pawn against her rival, the wicked, legendary Hatsumomo (Gong Li). Chiyo (played as an older woman by Ziyi Zhang), now renamed Sayuri, becomes the talk of the town, but as her path crosses again and again with the Chairman's, she finds the closer she gets to him the further away he seems. Her newfound "freedom" turns out to be trapping, as men are allowed to bid on everything from her time to her virginity.

Some controversy swirled around casting Chinese actresses in the three main Japanese roles, but Zhang, Yeoh and Gong in particular ably prove they're the best for the part. It's admirable that all the actors attempted to speak Japanese-accented English, but some of the dialogue will still prove difficult to understand; perhaps it contributes to some of the emotion feeling stilted. Geisha has all the ingredients of a sweeping, heartbreaking epic and follows the recipe to a T, but in the end it's all dressed up with no place to go.--Ellen A. Kim

... a visually stunning adaptation of Arthur Golden's best-selling novel." (Barry Caine OAKLAND TRIBUNE) The director of Chicago Rob Marshall transports us into a mysterious and exotic world that casts a potent spell. A Cinderella story like no other MEMOIRS OF A GEISHA stars Ziyi Zhang Ken Watanabe Michelle Yeoh and Gong Li. "Gorgeously photographed meticulously directed and hypnotically acted. MEMOIRS OF A GEISHA is luxurious ethereal and intoxicating. It will leave you breathless." (Rex Reed NEW YORK OBSERVER)System Requirements:Run Time: 145 minutesFormat: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 043396142411 Manufacturer No: 14241

Rush Hour 3 (Two-Disc Platinum Series)

Jackie Chan and Chris Tucker head for the City of Lights in the somewhat threadbare but sporadically exciting Rush Hour 3, the second sequel to director Brett Ratner's 1998 cop-buddy hit. Chan's Inspector Lee and Tucker's Detective Carter hop from Los Angeles to Paris in pursuit of a Chinese triad only to find a mixed reception, including a brutal warning from a French cop (Roman Polanski) and anti-American sentiments from a cab driver (Yvan Attal) who eventually becomes an important and funny ally. Lee and Carter, when not fighting their way out of rooms full of martial arts gangsters and crazed assassins (Sun Ming Ming), follow a trail to a beautiful woman (Noemie Lenoird) who literally carries a vital clue on her person. Lee also holds secret meetings with a United Nations authority (Max Von Sydow), but his personal struggles with a criminal mastermind (Hiroyuki Sanada)--who happens to be an important figure in his life—are at the heart of this movie.

The aging Chan still seems to defy the laws of physics with some of his more spectacular stunts. But it's true those stunts take a little more time than they used to, and judicious editing makes Chan look spry as ever. He frets charmingly in Rush Hour 3, while Tucker revives his brash character's motormouth guile and whiny womanizing. There isn't a lot left to be discovered about Lee and Carter's compatibility, and even with a minor crisis over their loyalty to one another in Rush Hour 3, their all-important relationship is almost too easy to take for granted now. Fortunately, the film's biggest thrills come from several wild fight scenes, especially a climactic battle on the Eiffel Tower that is rich in imagination. --Tom Keogh

Jackie Chan and Chris Tucker star in this Brett Ratner film. This 2 DVD edition includes 4 behind-the-scenes featurettes deleted scenes and more.Format: DVD MOVIE Genre: COMEDY/CRIMINALS UPC: 794043111617 Manufacturer No: N11161

Picture Bride

The first feature by Hawaii-born filmmaker Kayo Hatta, 1995's Picture Bride takes us into unexplored story territory in its tale of a young Japanese woman (Youki Kudoh of Jim Jarmusch's Mystery Train) who leaves her home in 1918 to become the mail-order wife of a sugar plantation laborer (Akira Takayama) in Honolulu. Her first shock is discovering that her husband is actually 20 years older than his photograph; after that, life just becomes hard as the intensity and dangers of plantation work eclipse all joy. Hatta achieves an admirable authenticity in her portrait of the island community and the ghosts it (literally) harbors; she also gives us a strong sense of racial and class divisions that crackle like live wires through Oahu's booming industries at the start of the century. Tamlyn Tomita is excellent as the woman who becomes Kudoh's closest ally and friend in this new world, and the late Toshirô Mifune has a memorable, small part as a traveling narrator of silent films. This is an original, fascinating, and touching work. --Tom Keogh

Highly acclaimed by critics everywhere, this memorable story of passionate love is set amid the breathtaking scenery of a tropical paradise. With only a picture in hand, a beautiful young woman leaves behind all she knows for the far-off islands of Hawaii -- and an arranged marriage with a man she has never met. Though she initially regrets her decision, in time her new life on an island sugar plantation is filled with unexpected discovery and joy. Featuring Youki Kudoh (MYSTERY TRAIN) and Tamlyn Tomita (THE JOY LUCK CLUB), PICTURE BRIDE was the winner of the Audience Award for Best Dramatic Film at the prestigious Sundance Film Festival.