Lake, Ricki

Cry Baby (Director's Cut)

John Waters's goofy, 1990 comedy about a Baltimore girl (Amy Locane) who can't decide if she should remain "good" in her 1954 world or hang out with the motorcycle boys is funny in a scene-by-scene way, but doesn't quite gel into the grand piece the director was hoping for. The cast is exceptionally likable, however, including Johnny Depp as an Elvis type and Iggy Pop as a chattering loony. The best material is set in a fringe world of bikers and losers on the outskirts of town, and Waters writes some hilarious sardonic dialogue for the characters. Cry-Baby is the last of Waters's more undisciplined features; he followed it with the glossier but no less perverse Serial Mom. --Tom Keogh

Mrs. Winterbourne

Hairspray

John Waters' unique brand of humor comes to DVD in Hairspray starring Ricki Lake Divine and Sonny Bono.Running Time: 93 min. Genre: COMEDY UPC: 794043609923 Manufacturer No: N6099

John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

The Business of Being Born

Birth is a miracle a rite of passage a natural part of life. But birth is also big business.Compelled to explore the subject after the delivery of her first child actress Ricki Lake recruits filmmaker Abby Epstein to question the way American women have babies.Epstein gains access to several pregnant New York City women as they weigh their options. Some of these women are or will become clients of Cara Muhlhahn a charismatic midwife who between birth events shares both memories and footage of her own birth experience.Footage of women having babies punctuates THE BUSINESS OF BEING BORN. Each experience is unique; all are equally beautiful and equally surprising. Giving birth is clearly the most physically challenging event these women have ever gone through but it is also the most emotionally rewarding.Along the way Epstein conducts interviews with a number of obstetricians experts and advocates about the history culture and economics of childbirth. The film‟s fundamental question: should most births be viewed as a natural life process or should every delivery be treated as a potential medical emergency?As Epstein uncovers some surprising answers her own pregnancy adds a very personal dimension to THE BUSINESS OF BEING BORN a must-see movie for anyone even thinkingSystem Requirements:Running Time: 85 minutesFormat: DVD MOVIE Genre: DOCUMENTARIES/SCIENCE & TECHNOLOGY Rating: UNRATED UPC: 794043120787 Manufacturer No: 1000038370

Serial Mom

Director John Waters creates here a wickedly funny--and nasty--comedy starring Kathleen Turner as the ultimate suburbanite: a woman so obsessed with suburban perfection that she kills a neighbor for not separating her recyclables. Hubby Sam Waterston and kids Matthew Lillard and Ricki Lake don't have a clue that in fact it is squeaky-clean mom who is the killer at large in their Baltimore neighborhood and who has murdered, among others, the guy who dumped her daughter. The final courtroom scene is a riot, turning her into a celebrity defendant (long before O.J.) and featuring a terrific cameo by Patty Hearst (yes, that Patty Hearst). Not for the squeamish or the easily offended, Waters's fans will find him in classic form. --Marshall Fine

Director John Waters creates here a wickedly funny--and nasty--comedy starring Kathleen Turner as the ultimate suburbanite: a woman so obsessed with suburban perfection that she kills a neighbor for not separating her recyclables. Hubby Sam Waterston and kids Matthew Lillard and Ricki Lake don't have a clue that in fact it is squeaky-clean mom who is the killer at large in their Baltimore neighborhood and who has murdered, among others, the guy who dumped her daughter. The final courtroom scene is a riot, turning her into a celebrity defendant (long before O.J.) and featuring a terrific cameo by Patty Hearst (yes, that Patty Hearst). Not for the squeamish or the easily offended, Waters's fans will find him in classic form. --Marshall Fine

Cabin Boy

Get ready for over-the-top hilarity when comedy original Chris Elliott (THERE'S SOMETHING ABOUT MARY SCARY MOVIE 2) goes overboard in this hysterical high-seas misadventure that's sure to keep everyone laughing! Elliott stars as Nathanial Mayweather a spoiled rich kid whose plans for a ritzy Hawaiian cruise backfire finding him lost at sea with a gang of salty old sailors. And when his crusty cabin mates get a whiff of his highfalutin attitude they give him every rotten chore on the boat -- and take him on the wackiest adventure yet to sail the Seven Seas! Chart a course for fun with CABIN BOY -- a truly wild comedy! Other Information: Running Time 80 MinFormat: DVD MOVIE

Babycakes

Cecil B. Demented

John Waters spoofs independent filmmaking at its most absurd fringe with this affectionate portrait of a guerrilla filmmaking collective that declares war on Hollywood drivel. Bitchy screen queen Honey Whitlock (Melanie Griffith, whose kewpie doll voice and aging baby face are right at home) is kidnapped by would-be auteur Cecil (Stephen Dorff), a slogan-spouting bottle blonde with a cult-like crew of cinema outlaws called "The Sprocket Holes." Cecil has declared war on Hollywood with the ultimate underground movie, "Raving Beauty," and his reluctant star Honey soon adopts her young misfit captors like a worried Mommy as her cultural cachet rises: the falling star has turned into a cult cinema rebel. It's a bizarre revision of the Patty Hearst story (with Hearst herself in a supporting role) full of film insider jokes and '60s revolutionary references, but it's more spoof than satire. Waters's primitive style is often clumsy, and the picture moves in fits and starts, but the cast's enthusiasm brings it to life. Waters has always celebrated misfits, outcasts, and cultural rebels and their self-made families, and this is his most outrageous, anarchic such bunch in decades. Through all the shootouts, bomb throwing, and fights with angry teamsters and suburban moms, there's an odd sense of innocence to the enterprise. It's as if Waters wants to remind us: it's only a movie. --Sean Axmaker

Where the Day Takes You

Homelessness is a serious problem, but this film by Mark Rocco made it look like an alternative lifestyle that, if not for drugs and prostitution, would be kind of cool. Set in Los Angeles, the film centers on a group of homeless teens led by King (Dermot Mulroney), who tries to look out for his younger charges. But he can't keep some of them from getting involved in drug dealing, which leads to violence and melodrama involving evil drug dealer Kyle MacLachlan. Mulroney has a poignant quality, as does Lara Flynn Boyle as a runaway girl he falls for. On the other hand, Sean Astin is stereotypical as a strung-out kid who spoils everything. That's Will "Fresh Prince" Smith as a legless kid in a couple of scenes. --Marshall Fine

John Waters Collection #1: Hairspray/ Pecker (Special Edition)

John Waters made his bid for PG respectability with Hairspray, an enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame.

Pecker (Edward Furlong) loves to use the camera to capture his fellow Baltimore residents living their daily lives. Of course, since Pecker is a Waters movie, those daily lives include visits to strip bars, shoplifting, and various other quirky, and frequently hilarious, human activities. When Pecker's makeshift photo exhibit comes to the attention of a New York art agent (Lili Taylor), Pecker becomes the latest sensation. Pecker has something to offend just about everyone. But those who take the offenses to heart would be missing out on what amounts to a sweet-natured farce.