Lally, Mick

The Secret of Roan Inish

As one of the most respected American independent filmmakers, John Sayles has created a body of work as distinguished in its diversity as for its consistent quality and inspiring originality. He's never been one to march to the commercial beat, but chooses instead to follow his creative impulse wherever it leads him. The Secret of Roan Inish led Sayles to the beautiful and moody West Coast of Ireland; it is a tale of a girl who discovers that her family has been touched by myth and magic throughout the years. Following the death of her mother, young Fiona (Jeni Courtney) is sent to live with her grandparents on the Irish coast across from Roan Inish, the island where her family once lived. She's told stories about the selkies--seals that can turn into humans--who have been connected with Fiona's family over the ages. At first she's not sure if the selkies are real or mythological, but she later realizes that they hold the key to reclaiming her family heritage.

What's remarkable about this film (which Sayles adapted from Rosalie Fry's novel Secret of the Ron Mor Skerry) is that it's not told as a cute fantasy for children, but as a straightforward, unsentimental story of a young girl's family history. That gives the film--which was beautifully photographed by master cinematographer Haskell Wexler--an understated charm that is completely absorbing in its atmosphere and subtle tone. There's magic as well, to be sure--you could almost swear that the seals and seagulls in the film took direction from Sayles as well as any human actor! --Jeff Shannon

Alexander, Revisited - The Final Cut (Two-Disc Special Edition)

For better or worse (and in this case, it's mostly for better), Oliver Stone's Alexander Revisited should stand as the definitive version of Stone's much-maligned epic about the great Asian conqueror. Following the DVD release of his previous Director's Cut, Stone offers a video introduction here, explaining why he felt a third and final attempt at refining his film was necessary. Essentially, he's using this opportunity to re-create the "road show" format of the Biblical epics of the 1950s and '60s, with a three-and-a-half-hour running time (with an intermission at the two-hour mark) including 45 minutes of previously unseen footage. Stone has also significantly restructured the film, resulting in substantial (if not exactly redemptive) improvements in its narrative flow. Alexander (played in a torrent of emotions by Colin Farrell) is dying as the film opens, his final moments serving to bookend the film's epic story, which incorporates flashback sequences to flesh out the Macedonian king's back-story involving the turbulent battle of fate between his father, King Philip (Val Kilmer) and his scheming sorceress mother Olympia (Angelina Jolie, ridiculous accent and all), who insists that Alexander is literally a child of the gods.

In Stone's final cut, epic battles remain chaotic (although Alexander's strategy is somewhat easier to follow, with on-screen titles indicating left, right, and center during his army's greatest maneuvers) and the ultra-violent battles are more graphically gory than ever (hence their "unrated" status). The animalistic lovemaking of Alexander and his barbarian bride Roxana (Rosario Dawson) is slightly extended (with Dawson as ravishing as ever), and Stone's additional footage also improves the overall arc of Alexander's relationship with his closest generals and male companions, although his most intimate homosexual encounters remain mostly discreet. As Alexander Revisited makes clear, the film's weaknesses remain unavoidable, but Stone deserves credit for recognizing how a longer running time, and more disciplined narrative structure, would bring Alexander closer to the respect it never earned from critics and filmgoers alike. This is unquestionably a better film than it used to be, leaving us to wonder why it took three separate efforts to shape Alexander into its best possible presentation. --Jeff Shannon

Now available is an all new and completely unrated version of Oliver Stone's incredible epic film, loaded with nearly 40 minutes of additional never-before-seen footage, that takes the film to a new level of realism and intensity. Restructured and expanded into two acts with one intermission, Oliver Stone's vision is delivered the way he originally conceived and intended. With the new, unrated and graphic battle scenes and unadulterated sensuality, it's the movie you couldn't see in theatres, now available on DVD for the very first time!

DVD Features:
Introduction
Theatrical Trailer

Circle of Friends

A polished gem from 1995, this disarmingly sweet and dramatically insightful love story provided a charming showcase for Chris O'Donnell and, especially, then-newcomer Minnie Driver, whose performance drew critical raves and boosted her career to Hollywood. Smoothly adapted from the novel by Maeve Binchy and set in Ireland during the 1950s, the story focuses on Benny (Driver), a somewhat plump, plain-looking young woman attending university in Dublin who meets and quickly falls for Jack (O'Donnell), a handsome star of the university's rugby team who surprisingly reciprocates her glowing admiration. They're drawn together as soul mates, and their love is dramatically contrasted with a subplot involving Benny's more conventionally beautiful friend Nan (Saffron Burrows), whose appetite for older men leads her into a misguided and ultimately tragic relationship. A betrayal by Jack sets the stage for potential heartbreak, but director Pat O'Connor prevents these carefully drawn characters from resorting to sappy melodrama. They have lessons to learn about life and love, and Circle of Friends teaches those lessons with grace, humor, and heartfelt sincerity. --Jeff Shannon

Three girlhood friends now at college share first loves, first kisses and first betrayals. At the center of it all is the best-looking boy on campus. Can a self-conscious dreamer hook the biggest fish in the pond? ' 'A marvelous romantic comedy' ' (Siskel & Ebert)

Alexander - Director's Cut (Full Screen Edition)

Academy award winning director Oliver Stone presents a breathtaking new cut of his sweeping epic film ALEXANDER the true story of the world's greatest warrior. Using new footage and dramatically reshaping dozens of scenes he brings to life the overpowering forces and fierce personalities that forever changed history. Torn by the war between his parents (Angelina Jolie and Val Kilmer) Alexander (Colin Farrell) left Greece to face massive armies in Persia Afghanistan and India -- and was never defeated. "Fortune favors the bold" Stone powerfully demonstrates in this bold new film ALEXANDER DIRECTOR'S CUT.Running Time: 167 min.Format: DVD MOVIE Genre: DRAMA UPC: 085393893729 Manufacturer No: 38937

For better or worse (and in this case, it's mostly for better), Oliver Stone's Alexander Revisited should stand as the definitive version of Stone's much-maligned epic about the great Asian conqueror. Following the DVD release of his previous Director's Cut, Stone offers a video introduction here, explaining why he felt a third and final attempt at refining his film was necessary. Essentially, he's using this opportunity to re-create the "road show" format of the Biblical epics of the 1950s and '60s, with a three-and-a-half-hour running time (with an intermission at the two-hour mark) including 45 minutes of previously unseen footage. Stone has also significantly restructured the film, resulting in substantial (if not exactly redemptive) improvements in its narrative flow. Alexander (played in a torrent of emotions by Colin Farrell) is dying as the film opens, his final moments serving to bookend the film's epic story, which incorporates flashback sequences to flesh out the Macedonian king's back-story involving the turbulent battle of fate between his father, King Philip (Val Kilmer) and his scheming sorceress mother Olympia (Angelina Jolie, ridiculous accent and all), who insists that Alexander is literally a child of the gods.

In Stone's final cut, epic battles remain chaotic (although Alexander's strategy is somewhat easier to follow, with on-screen titles indicating left, right, and center during his army's greatest maneuvers) and the ultra-violent battles are more graphically gory than ever (hence their "unrated" status). The animalistic lovemaking of Alexander and his barbarian bride Roxana (Rosario Dawson) is slightly extended (with Dawson as ravishing as ever), and Stone's additional footage also improves the overall arc of Alexander's relationship with his closest generals and male companions, although his most intimate homosexual encounters remain mostly discreet. As Alexander Revisited makes clear, the film's weaknesses remain unavoidable, but Stone deserves credit for recognizing how a longer running time, and more disciplined narrative structure, would bring Alexander closer to the respect it never earned from critics and filmgoers alike. This is unquestionably a better film than it used to be, leaving us to wonder why it took three separate efforts to shape Alexander into its best possible presentation. --Jeff Shannon

Ballykissangel - Complete Series One

Life is a challenge for any priest in a small mountain town and Father Peter Clifford has just arrived from London with high expectations and not even a drivers license to help him navigate the rocky road to salvation in Ballykissangel. His arrival is as much of a shock to Peter as it is to the local residents who are forced to come to terms with his youthful energy and down-to-earth style. Beautiful barkeep Assumpta Fitzgerald owns a car but loathes organized religion and she lets him know it as they drive up the mountain to give the last rites to a dying parishioner. And he clashes repeatedly with powerful landowner Brian Quigley one of the church's biggest donors. There are prejudices to overcomeand questions to be answered. Like why exactly did Peter leave London in the first place?Running Time: 300 min.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 794051186522 Manufacturer No: E1865

When Father Peter Clifford (Peter Tompkinson) comes from Manchester to the small Irish village of Ballykissangel, he knows he will be facing some opposition. After all, what is an English priest doing in Ireland, of all places? He soon finds out that the town of Ballykissangel poses many more challenges than just accepting the unfamiliar priest. The delightfully mischievous cast of characters include Brian Quigley, the local businessman and entrepreneur; Donal and Liam, his faithful sidekicks; Siobhan, the frequently prescient veterinarian; and the tough owner of Fitzgerald's Bar, Assumpta. As the characters become more familiar throughout the series, their tribulations and triumphs are all the more realistic. The intricate characterizations, beautiful scenery, and delightfully dry humor ensure that fans of the English series All Creatures Great and Small will also enjoy Ballykissangel, and savor its distinctly Irish twist.

In the first episode, "Trying to Connect You," before Father Clifford has a chance to arrive in the town of Ballykissangel, the bus he is riding is almost smashed to bits by a huge wooden box. He soon finds out that this box contains a welcome gift from Brian Quigley, Ballykissangel's occasionally misguided preeminent businessman. The second episode, "The Things We Do for Love," finds a blast from Father Clifford's past arriving in town. Quigley's daughter, Niamh, is set to wed Ambrose, the earnest village guard, in "Live in My Heart and Pay No Rent." "Fallen Angel" finds a pirate radio station, Angel FM, and its DJ broadcasting hip tunes, wisecracks, and local gossip in an atrocious American accent over the town. When the DJ reveals that it's Father Clifford's birthday, Assumpta thinks up a gift that will surely get things rolling. "The Power and the Glory" is a bit tense for many of the characters. Quigley decides to run in the local election against the aspiring crematorium-builder, Sean Dooley, but an old flame of Assumpta's--a journalist--starts digging around and causing all sorts of trouble. In the sixth and last episode of the season, "Missing You Already," Father Clifford finds out he is about to be sent back to England. Meanwhile, Assumpta is busy coping with the impending competition of Quigley's Bar and Grill, which is moving in for the local festival and possibly longer. And finally, the happy couple of Niamh and Ambrose are getting married. This could be the end for the English priest in the small Irish town. --Amanda Powter

Middletown

WINNER - Best Actress - Irish Film and Television Awards / NOMINEE - Best Film - Irish Film and Television Awards / NOMINEE - Best Director - Irish Film and Television Awards / NOMINEE - Best Supporting Actor - Irish Film and Television Awards / NOMINEE - Best Script for Film - Irish Film and Television Awards

"...thought-provoking drama... terrific..." - Variety

"...a bold melodrama... a fine cast..." - The Observer

"...uniformly impressive... compelling..." - Premiere Magazine

"...excellent..." - The Irish Times

"...riveting..." - Sunday Tribune

God, Man and the Evil in Between

Reverend Gabriel Hunter (Matthew Macfadyen - Pride & Prejudice) is shocked when he returns home to Middletown to find the townspeople involved in cockfighting, brawling, gambling and all manner of vice. Determined to save their souls, Gabriel comes down hard on the villagers, scolding them from the pulpit and demanding that they change their sinful ways. Not expecting the resentful rebellion he faces from his own brother Jim (Daniel Mays - Atonement), Gabriel's religious zeal grows ever more extreme in this dark and explosive thriller.

Special Features: Cast Profiles / Trailer

approx. 89 mins.

Alexander - Director's Cut (Two-Disc Special Edition)

For better or worse (and in this case, it's mostly for better), Oliver Stone's Alexander Revisited should stand as the definitive version of Stone's much-maligned epic about the great Asian conqueror. Following the DVD release of his previous Director's Cut, Stone offers a video introduction here, explaining why he felt a third and final attempt at refining his film was necessary. Essentially, he's using this opportunity to re-create the "road show" format of the Biblical epics of the 1950s and '60s, with a three-and-a-half-hour running time (with an intermission at the two-hour mark) including 45 minutes of previously unseen footage. Stone has also significantly restructured the film, resulting in substantial (if not exactly redemptive) improvements in its narrative flow. Alexander (played in a torrent of emotions by Colin Farrell) is dying as the film opens, his final moments serving to bookend the film's epic story, which incorporates flashback sequences to flesh out the Macedonian king's back-story involving the turbulent battle of fate between his father, King Philip (Val Kilmer) and his scheming sorceress mother Olympia (Angelina Jolie, ridiculous accent and all), who insists that Alexander is literally a child of the gods.

In Stone's final cut, epic battles remain chaotic (although Alexander's strategy is somewhat easier to follow, with on-screen titles indicating left, right, and center during his army's greatest maneuvers) and the ultra-violent battles are more graphically gory than ever (hence their "unrated" status). The animalistic lovemaking of Alexander and his barbarian bride Roxana (Rosario Dawson) is slightly extended (with Dawson as ravishing as ever), and Stone's additional footage also improves the overall arc of Alexander's relationship with his closest generals and male companions, although his most intimate homosexual encounters remain mostly discreet. As Alexander Revisited makes clear, the film's weaknesses remain unavoidable, but Stone deserves credit for recognizing how a longer running time, and more disciplined narrative structure, would bring Alexander closer to the respect it never earned from critics and filmgoers alike. This is unquestionably a better film than it used to be, leaving us to wonder why it took three separate efforts to shape Alexander into its best possible presentation. --Jeff Shannon

Alexander (Two-Disc Special Edition)

For better or worse (and in this case, it's mostly for better), Oliver Stone's Alexander Revisited should stand as the definitive version of Stone's much-maligned epic about the great Asian conqueror. Following the DVD release of his previous Director's Cut, Stone offers a video introduction here, explaining why he felt a third and final attempt at refining his film was necessary. Essentially, he's using this opportunity to re-create the "road show" format of the Biblical epics of the 1950s and '60s, with a three-and-a-half-hour running time (with an intermission at the two-hour mark) including 45 minutes of previously unseen footage. Stone has also significantly restructured the film, resulting in substantial (if not exactly redemptive) improvements in its narrative flow. Alexander (played in a torrent of emotions by Colin Farrell) is dying as the film opens, his final moments serving to bookend the film's epic story, which incorporates flashback sequences to flesh out the Macedonian king's back-story involving the turbulent battle of fate between his father, King Philip (Val Kilmer) and his scheming sorceress mother Olympia (Angelina Jolie, ridiculous accent and all), who insists that Alexander is literally a child of the gods.

In Stone's final cut, epic battles remain chaotic (although Alexander's strategy is somewhat easier to follow, with on-screen titles indicating left, right, and center during his army's greatest maneuvers) and the ultra-violent battles are more graphically gory than ever (hence their "unrated" status). The animalistic lovemaking of Alexander and his barbarian bride Roxana (Rosario Dawson) is slightly extended (with Dawson as ravishing as ever), and Stone's additional footage also improves the overall arc of Alexander's relationship with his closest generals and male companions, although his most intimate homosexual encounters remain mostly discreet. As Alexander Revisited makes clear, the film's weaknesses remain unavoidable, but Stone deserves credit for recognizing how a longer running time, and more disciplined narrative structure, would bring Alexander closer to the respect it never earned from critics and filmgoers alike. This is unquestionably a better film than it used to be, leaving us to wonder why it took three separate efforts to shape Alexander into its best possible presentation. --Jeff Shannon

Oliver Stone recreates the towering, true story of Alexander the Great (Colin Farrell), who in the 4th Century BC conquered Greece, Persia, Afghanistan and India- 90% of the known world. Against massive armies of chariots and elephants, he never lost a battle. Visionary, explorer, dreamer- he was also a tender son, torn by his mother's (Angelina Jolie) burning love and ambition and desperate for his father's (Val Kilmer) approval. His dream shaped the world we live in today

DVD Features:
Audio Commentary:Oliver Stone and historian Robin Lane Fox.
Documentaries:Resurrecting Alexander, explores the filming of Alexander. Perfect is the Enemy of God, provides an in depth look at the details that go into the filming of an epic.
Featurette:Soundtrack featurette: Vangelis Scores Alexander .

Constantine/Alexander (Widescreen)

Constantine: Based on the DC Comics/Vertigo Hellblazer graphic novels and written by Kevin Brodbin and Frank Cappello, Constantine tells the story of John Constantine (Keanu Reeves), a man who has literally been to hell and back. Alexander: Oliver Stone recreates the towering, true story of Alexander the Great (Colin Farrell), who in the 4th Century BC conquered Greece, Persia, Afghanistan and India- 90% of the known world.

Danny Boy [Region 2]