Lamarr, Hedy

Ziegfeld Girl

An elevator operator, a wife of a struggling concert violinist, a born-in-a-trunk vaudevillian: they're three different women on three different paths of life, yet they soon share one dream: to become a Ziegfeld Girl. Lana Turner, Hedy Lamarr and Judy Garland play the respective three trying for stardom in this sumptuous extravaganza. James Stewart adds to the star wattage, playing the jilted truck-driving beau of Turner's footlight diva. And legendary innovator Busby Berkeley brings his imaginative camerawork and pacing to numbers that include Garland's massively scaled and calypso-infused Minnie from Trinidad, plus a lavish, showgirl-revue finale that reprises the rhapsodic You Stepped Out of a Dream. Sweet dreams, movie fans.

Boom Town

Oil! The ebony lifeblood of American industry...and of mighty fortunes made and lost. In search of one of those black-gold fortunes two bare-knuckle wildcatters dream scheme team up and square off in the make-or-break frenzy of a Texas Boom Town. In this pyrotechnics-filled film classic the only things bigger than the adventure are the four stars: screen giants Clark Gable and Spencer Tracy as the oilmen and Claudette Colbert and Hedy Lamarr as the women in their tumultuous lives. As the foursome struggle through the personal upheaval of love and loyalties wealth comes a gusher and a rig bursts into a screen-filling inferno that could turn dreams to dust. No wonder Boom Town boomed at the box office too as the biggest moneymaker of 1940.Running Time: 119 min.System Requirements:Run Time: 119 minutesFormat: DVD MOVIE Genre: DRAMA UPC: 012569679023 Manufacturer No: 67902

There may be a pair of impressive ladies in the cast, but don't be fooled--Boom Town is a cool love-hate buddy movie from the get-go. Clark Gable and Spencer Tracy are oil wildcatters who meet during a Texas strike, take an instant dislike to each other, go into business together, tussle over a woman, break up, reunite, etc., etc. The film spans years, and various parts of the continent, as each man gets rich and goes bust with regularity. Claudette Colbert, re-teaming with It Happened One Night co-star Gable, is the woman who comes between them, and Hedy Lamarr presents a more exotic temptation later on. Another star here is the dialogue by veteran screenwriter John Lee Mahin, which--despite the wild, credulity-bending twists in the story--is chockfull of salty, slangy talk. The early scenes in the Texas town are crammed with believable oil jargon and great period touches (such as an entrepreneur who charges money to walk on planks across a muddy street). Director Jack Conway (Saratoga) gets the roughneck appeal of the material, and a sequence involving an oil fire is a knockout. Gable and Tracy, who had worked together so memorably in San Francisco, are a terrific match: Gable is all straight-ahead gusto, declaiming every line, as Tracy underplays to crafty effect. Nice supporting parts for Frank Morgan and Chill Wills span the entire movie, which ends, curiously, in a courtroom and a speech about capitalism. --Robert Horton

Hedy Lamarr: Dishonored Lady/Strange Woman

The first title on the double bill is one of the rare instances where "B" film director Ulmer was given a grade "A" cast to work with... and he doesn't disappoint. In The Strange Woman, screen vixen Lamarr gives one of her finest performances as a strong-willed young lady in 19th-Century Maine, who affects the lives of three very different men. In the second feature, Dishonored Lady, a taut little thriller, Lamarr plays a glamorous but neurotic art director for a leading women's magazine who finds herself under suspicion of murder. Bonus Features: Scene Selection| Trailers| Short Subject - "Made In USA." Specs: DVD9; Dolby Digital Mono; 182 minutes; B&W; 1.33:1 Aspect Ratio; MPAA - NR; Year - 1946-1947; SRP - $4.99.

Ecstasy (Extase)

It is one of the notorious titles in all cinema history, but--sigh--it looks rather quaint today. In the mid-1930s, Ecstasy was a great conversation piece, for its scandalous acknowledgment of sexual passion in women and its revelation of the naked form of actress Hedy Kiesler, who would become the Hollywood star Hedy Lamarr. Henry Miller even wrote an excited essay about it, sure proof that something libidinous was loose. Czech director Gustav Machatý constructs the movie as an almost wordless shadow play of symbols and signs, mostly sexual (there are many close-ups of heavy-breathing horses and nude statues, cut together for maximum erotic impact). As precious as some of these things seem now, it's still amazing to consider Machatý's nerve in depicting one of the first orgasms to hit the movies. And then there's Hedy, whose expressive eyes matter more than her brief skinny-dip. She's an unmistakable future star. --Robert Horton

Hedy Lamarr (Samson and Delilah) stars as Eva, a young woman who marries an older man and is rejected on their wedding night. Frustrated, she runs away and meets a younger man who responds to her unfulfilled yearnings. Called "the most whispered about picture in the world" at its release, "Ecstasy" shocked moviegoers with its erotic depiction of sex, particularly scenes of a young Lamarr swimming naked and its images of this unknown beauty at the height of passion. The European film propelled Lamarr into Hollywood stardom and became an internationally-known classic hailed for its sophisticated approach to sexuality, maintaining a special place in movie history.

Algiers

Femmes Fatales 10 Movie Pack

Samson and Delilah

A staggering story of strength... and a seduction of the mightiest mortal who ever lived! His incredible feats by the infamous Delilah have echoed throuth the centuries! With Cecil B. DeMille's touches, this remains a tremendously entertaining film. Oscar winner for Art Direction, Set Decoration and Costumes. In Color Produced and Directed by Cecil B. DeMille

Copper Canyon

Copper Canyon is a quirky little Western with nothing distinctive to accomplish and more stylish talent on hand than it needs to get the job done. Director John Farrow, writer Jonathan Latimer, and star Ray Milland had recently collaborated on a pair of suave Paramount thrillers (The Big Clock and Alias Nick Beal). Here Milland plays a trick-shooting frontier vaudevillian who, under another name, may have been a Confederate war hero--and a bit of a rascal. He isn't admitting anything. But he does pitch in to help some ex-Rebels, now copper miners, who are getting shafted by a sanctimonious Yankee smelter operator, a lady gambler (Hedy Lamarr in her next-to-last Hollywood film), and a murderous deputy sheriff (Macdonald Carey). The action comes in fits and starts, but Milland's out-of-place urbanity, Charles Lang's Technicolor camerawork, and those great red-rock formations around Sedona, Arizona, make 84 minutes pass agreeably. --Richard T. Jameson

The Strange Woman

Brother, Can You Spare a Dime?

As those who are old enough to have lived through the Great Depression disappear, the era seems more and more remote; it's nearly impossible for later generations to understand just how desperate things were in the United States in the 1930s. Brother, Can You Spare a Dime? captures not only the history but also the culture of the time in a rather unusual documentary format. Totally without the benefit of narration, the movie mixes newsreel footage with clips from Hollywood films to tell the story, from the stock market crash through Pearl Harbor. Movie-minded viewers will easily recognize footage from They Made Me a Criminal, Public Enemy, Golddiggers of 1933, Employee's Entrance, Little Caesar, Lady Killer, I Was a Fugitive from a Chain Gang, and countless other Hollywood films from the time--some classics, some more obscure. The scope of the film covers not only historical landmarks such as the Dust Bowl, FDR's election, and the New Deal, but dance marathons and the Louis-Schmeling heavyweight fight for a comprehensive look at the country's social climate. The formula works well, for the most part; especially before the imposition of the Hays Code chilled Hollywood's tone, the '30s saw the birth of the "social consciousness" picture that dealt with topical issues in straightforward ways. Brother only falls down when it attempts to wrap up the film by bringing it up to the present time (1975, anyway); its ending seems superfluous, tacked-on. Still, for history buffs and movie fans alike, this is an interesting account of a pivotal decade in American history. --Jerry Renshaw

The chronicle of an unforgettable piece of American history--12 crazy, painful see-saw years, from the Wall Street crash to Pearl Harbor. By juxtaposing contemporary news and documentary footage with extracts from Hollywood classics such as Golddiggers, Lady Killer and Wild Boys of the Road, director Philippe Mora offers an immediate, intricate and evocative scrapbook of the 1930s. 111 minutes.