Lambert, Paul

Planet of the Apes

Many early science fiction films are now, quite inadvertently (and in most cases undeservedly), objects of camp attention: we laugh at the silly makeup, tin-can special effects, and the naive "high-tech" dialogue. Planet of the Apes is no such film. Its intelligent script, frightening costuming, and savagely effective conclusion (which needs no big-budget special effects to augment its impact) remain both potent and relevant. When Colonel George Taylor (the fabulous Charlton Heston) crash lands his spacecraft on what seems to be an unfamiliar planet, he is captured and held prisoner by a dominant race of hyperrational, articulate apes. However, the ape community is riven with internal dissention, centered in no small part on its policy toward humans, who, on this planet, are treated as mindless animals. Befriended and ultimately assisted by the more liberal simians, Taylor escapes--only to find a more terrifying obstacle confronting his return home. Heavy-handed object lessons abound--the ubiquity of generational warfare, the inflexibility of dogma, the cruelty of prejudice--and the didactic fingerprints of Rod Serling are very much in evidence here. But director Franklin Schaffner has a dark, pop-apocalyptic sci-fi vision all his own, and time has not dulled the monumental emotional impact of the film's climactic payoff shot. If you don't know what I'm talking about here, you owe it to yourself to check out this stone classic, and even if you do, see it with fresh eyes; and don't be surprised if you get the chills all over again... and again... and again. --Miles Bethany

Charlton Heston and Roddy McDowall star in this legendary science fiction masterpiece. Astronaut Taylor (Heston) crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted, his life in the hands of a benevolent chimpanzee scientist (McDowall).

Spartacus

Stanley Kubrick was only 31 years old when Kirk Douglas (star of Kubrick's classic Paths of Glory) recruited the young director to pilot this epic saga, in which the rebellious slave Spartacus (played by Douglas) leads a freedom revolt against the decadent Roman Empire. Kubrick would later disown the film because it was not a personal project--he was merely a director-for-hire--but Spartacus remains one of the best of Hollywood's grand historical epics. With an intelligent screenplay by then-blacklisted writer Dalton Trumbo (from a novel by Howard Fast), its message of moral integrity and courageous conviction is still quite powerful, and the all-star cast (including Charles Laughton in full toga) is full of entertaining surprises. Fully restored in 1991 to include scenes deleted from the original 1960 release, the full-length Spartacus is a grand-scale cinematic marvel, offering some of the most awesome battles ever filmed and a central performance by Douglas that's as sensitively emotional as it is intensely heroic. Jean Simmons plays the slave woman who becomes Spartacus's wife, and Peter Ustinov steals the show with his frequently hilarious, Oscar-winning performance as a slave trader who shamelessly curries favor with his Roman superiors. The restored version also includes a formerly deleted bathhouse scene in which Laurence Olivier plays a bisexual Roman senator (with restored dialogue dubbed by Anthony Hopkins) who gets hot and bothered over a slave servant played by Tony Curtis. These and other restored scenes expand the film to just over three hours in length. Despite some forgivable lulls, this is a rousing and substantial drama that grabs and holds your attention. Breaking tradition with sophisticated themes and a downbeat (yet eminently noble) conclusion, Spartacus is a thinking person's epic, rising above mere spectacle with a story as impressive as its widescreen action and Oscar-winning sets. --Jeff Shannon

Death Wish 2

Paul Kersey is not your ordinary victim: He fights back Â- with a vengeance! Legendary tough guy Charles Bronson resumes his trademark role as the hard-as-nails urban avenger in this hard-hitting, action-packed sequel! With the murder of his wife and the revenge against her killers now behind him, Kersey begins a new life in L.A. But tragedy is never far from his door, and when a group of local hoods viciously assaults his daughter, they unleash a wrath unlike anything the city has ever seen. Kersey has the face of each of them branded in his memory, and he will not rest until he tracks every one of them downÂ...and puts them all in the ground!

The Missiles of October

Without becoming didactic, The Missiles of October does an outstanding job of presenting many points of view on the Cuban missile crisis. The film humanizes Kennedy's near impossible task of avoiding war without compromising national security. The earnestness of this 1974 made-for-television dramatization may briefly remind one of social studies class--indeed it is at times difficult to maintain consciousness while the extensive cast of characters is being introduced at the opening. Not to worry, though--soon the power plays begin and The Missiles of October becomes completely gripping. Actual news footage is spliced in with the action, nicely serving as exposition and driving home just how very close the world came to nuclear war. A crew of excellent character actors flesh out the story and reveal the psychological games behind the language of diplomacy. William Devane takes on the difficult task of playing John F. Kennedy. While he doesn't quite capture Kennedy's charisma, he does occupy the role comfortably and effectively conveys the president's deep worry and determination to avoid war. Martin Sheen plays an engaging Robert Kennedy and Michael Lerner, oddly enough, manages to make Pierre Salinger absolutely fascinating. --Ali Davis

Sparkle

Irene Cara (Fame) and Lonette McKee (Round Midnight) sing and struggle their way to show-business glory in a Supremes-like girl group. Dynamite Curtis Mayfield soundtrack.Running Time: 98 min.System Requirements:Run Time: 98 minsFormat: DVD MOVIE Genre: DRAMA Rating: PG UPC: 085393197421 Manufacturer No: 31974

Before Dreamgirls hit cineplexes in 2006, there was Sparkle. Released in 1976, the low-budget movie (which is also loosely based on the story of Diana Ross and the Supremes) achieved somewhat of a cult following among fans that enjoy a good cry along with their kitsch. Sparkle tells the rags-to-riches (and rags again, for some of the characters) tale of three sisters with gorgeous voices. There's Sister (Lonette McKee), Sparkle (Irene Cara, Fame), and Delores (Dwan Smith), who team up with a couple of players (including a very young Philip Michael Thomas, pre-Miami Vice) to form a singing group. Because the men add little oomph to the outfit, the quintet becomes an all-girl trio and is renamed the redundant (and hysterical) Sister and the Sisters. But because this movie is called Sparkle and not Sister, we know that Irene Cara's character is the one to watch. Cara is a joy to listen to when she unleashes her powerful pipes. And as the much put-upon Sister, McKee is convincing and earns the viewer's sympathy. Set in the 1950's, the movie tackles racism, sexism, jealousy, and both chemical and physical abuse. While it is overly dramatic and liberally serves up sloppy doses of soap opera clichés, the film also is highly watchable because of its over-the-top campiness. --Jae-Ha Kim

Planet of the Apes (Widescreen 35th Anniversary Edition)

Many early science fiction films are now, quite inadvertently (and in most cases undeservedly), objects of camp attention: we laugh at the silly makeup, tin-can special effects, and the naive "high-tech" dialogue. Planet of the Apes is no such film. Its intelligent script, frightening costuming, and savagely effective conclusion (which needs no big-budget special effects to augment its impact) remain both potent and relevant. When Colonel George Taylor (the fabulous Charlton Heston) crash lands his spacecraft on what seems to be an unfamiliar planet, he is captured and held prisoner by a dominant race of hyperrational, articulate apes. However, the ape community is riven with internal dissention, centered in no small part on its policy toward humans, who, on this planet, are treated as mindless animals. Befriended and ultimately assisted by the more liberal simians, Taylor escapes--only to find a more terrifying obstacle confronting his return home. Heavy-handed object lessons abound--the ubiquity of generational warfare, the inflexibility of dogma, the cruelty of prejudice--and the didactic fingerprints of Rod Serling are very much in evidence here. But director Franklin Schaffner has a dark, pop-apocalyptic sci-fi vision all his own, and time has not dulled the monumental emotional impact of the film's climactic payoff shot. If you don't know what I'm talking about here, you owe it to yourself to check out this stone classic, and even if you do, see it with fresh eyes; and don't be surprised if you get the chills all over again... and again... and again. --Miles Bethany

Rule the planet with this thrilling, action-packed "wild ride" (The Washington Post) from legendary director Tim Burton (Sleepy Hollow, Batman).

Blue Thunder (Special Edition)

Roy Scheider stars in this intense action thriller as a courageous police officer pilot battling government fanatics planning to misuse an experimental attack helicopter. Chosen to test BLUE THUNDER Frank Murphy (Scheider) is amazed by the high-speed high-tech chopper. It can see through walls record a whisper or level a city block. Distrusting the military mentality behind BLUE THUNDER Murphy and his partner Lymangood (Daniel Stern) soon discover that the remarkable craft is slated for use as the ultimate weapon in surveillance and crowd control. Jeopardized after being discovered by sinister Colonel Cochrane (Malcolm McDowell) Murphy flies BLUE THUNDER against military aircraft in a spellbinding contest over Los Angeles.System Requirements:Run Time: 109 minutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 043396108882 Manufacturer No: 10888

"Suspense in a void" is how critic Pauline Kael described this action-packed hit from 1983. In other words, this is one of those flashy, superbly crafted high-tech thrillers in which the star is a machine, while intelligent plotting and human characters are a lesser priority. The machine in question is Blue Thunder--a heavily armored prototype helicopter that is secretly being tested for use in a devious government conspiracy. Roy Scheider plays the police pilot who catches on to the nefarious plot and takes to the skies against an evil army colonel (Malcolm McDowell) who will defend his coconspirators at any cost. Director John Badham was a hot property in the early '80s (he directed WarGames the same year), and Blue Thunder served as the popular model for many formulaic action thrillers to follow. That doesn't make it a great movie, but with a fine cast (including Daniel Stern in a memorable supporting role) and a dazzling aerial chase among big-city skyscrapers, Blue Thunder qualifies as slick entertainment. --Jeff Shannon

Spartacus - Criterion Collection

Stanley Kubrick was only 31 years old when Kirk Douglas (star of Kubrick's classic Paths of Glory) recruited the young director to pilot this epic saga, in which the rebellious slave Spartacus (played by Douglas) leads a freedom revolt against the decadent Roman Empire. Kubrick would later disown the film because it was not a personal project--he was merely a director-for-hire--but Spartacus remains one of the best of Hollywood's grand historical epics. With an intelligent screenplay by then-blacklisted writer Dalton Trumbo (from a novel by Howard Fast), its message of moral integrity and courageous conviction is still quite powerful, and the all-star cast (including Charles Laughton in full toga) is full of entertaining surprises. Fully restored in 1991 to include scenes deleted from the original 1960 release, the full-length Spartacus is a grand-scale cinematic marvel, offering some of the most awesome battles ever filmed and a central performance by Douglas that's as sensitively emotional as it is intensely heroic. Jean Simmons plays the slave woman who becomes Spartacus's wife, and Peter Ustinov steals the show with his frequently hilarious, Oscar-winning performance as a slave trader who shamelessly curries favor with his Roman superiors. The restored version also includes a formerly deleted bathhouse scene in which Laurence Olivier plays a bisexual Roman senator (with restored dialogue dubbed by Anthony Hopkins) who gets hot and bothered over a slave servant played by Tony Curtis. These and other restored scenes expand the film to just over three hours in length. Despite some forgivable lulls, this is a rousing and substantial drama that grabs and holds your attention. Breaking tradition with sophisticated themes and a downbeat (yet eminently noble) conclusion, Spartacus is a thinking person's epic, rising above mere spectacle with a story as impressive as its widescreen action and Oscar-winning sets. --Jeff Shannon

Stanley Kubrick directed a cast of screen legends-including Kirk Douglas as the indomitable gladiator that led a Roman slave revolt-in the sweeping epic that defined a genre and ushered in a new Hollywood era. The assured acting, lush Technicolor cinematography, bold costumes and visceral fight sequences won Spartacus four Oscars©; the blend of politics and sexual suggestion scandalized audiences. Today Kubrick's controversial classic, the first film to openly defy Hollywood's blacklist, remains a landmark of cinematic artistry and history.

Planet of the Apes

Many early science fiction films are now, quite inadvertently (and in most cases undeservedly), objects of camp attention: we laugh at the silly makeup, tin-can special effects, and the naive "high-tech" dialogue. Planet of the Apes is no such film. Its intelligent script, frightening costuming, and savagely effective conclusion (which needs no big-budget special effects to augment its impact) remain both potent and relevant. When Colonel George Taylor (the fabulous Charlton Heston) crash lands his spacecraft on what seems to be an unfamiliar planet, he is captured and held prisoner by a dominant race of hyperrational, articulate apes. However, the ape community is riven with internal dissention, centered in no small part on its policy toward humans, who, on this planet, are treated as mindless animals. Befriended and ultimately assisted by the more liberal simians, Taylor escapes--only to find a more terrifying obstacle confronting his return home. Heavy-handed object lessons abound--the ubiquity of generational warfare, the inflexibility of dogma, the cruelty of prejudice--and the didactic fingerprints of Rod Serling are very much in evidence here. But director Franklin Schaffner has a dark, pop-apocalyptic sci-fi vision all his own, and time has not dulled the monumental emotional impact of the film's climactic payoff shot. If you don't know what I'm talking about here, you owe it to yourself to check out this stone classic, and even if you do, see it with fresh eyes; and don't be surprised if you get the chills all over again... and again... and again. --Miles Bethany

Sparkle

Irene Cara (Fame) and Lonette McKee (Round Midnight) sing and struggle their way to show-business glory in a Supremes-like girl group. Dynamite Curtis Mayfield soundtrack.