Lampreave, Chus

Volver

From two-time Academy Award®-winner Pedro Almod var (2003 Best Original Screenplay Talk to Her; 2000 Best Foreign Language Film All About My Mother) comes VOLVER a comedic and compassionate tribute to women and their resilience in the face of life™s most outrageous tribulations. A luminous Pen ©lope Cruz leads an ensemble of gifted actresses including Carmen Maura (Women on the Verge of a Nervous Breakdown). Raimunda (Cruz) and her sister Sole lost their parents in a tragic fire years ago or did they? Superstitious villagers claim that the girls™ departed mother Irene (Maura) has been seen wandering around their Aunt Paula™s home. When Irene appears to Sole she explains that she has returned to set right her daughters™ troubled lives and reveal shocking secrets that will impact everyone! Raimunda has "female troubles" of her own least of which is a corpse in the freezer! Winner of numerous film festival and critics™ awards VOLVER is a hilarious tale of love loss and forgiveness.System Requirements:Run Time: 121 Mins.Format: DVD MOVIE Genre: COMEDY Rating: R UPC: 043396152830 Manufacturer No: 15283

Spanish for "Coming Back," Volver is a return to the all-female format of All About My Mother. Unlike Pedro Almodóvar's previous two pictures, the story revolves around a group of women in Madrid and his native La Mancha. (The cast received a collective best actress award at Cannes.) Raimunda (a zaftig Penélope Cruz) is the engine powering this heartfelt, yet humorous vehicle. When husband Paco (Antonio de la Torre) is murdered, Raimunda makes like Mildred Pierce to deflect attention away from daughter Paula (Yohana Cobo). After telling everyone the lout has left, she struggles to conceal his body. The other women in her life all have secrets of their own. Her sister, Sole (Lola Dueñas), for instance, has taken in their mother, Irene (a sprightly Carmen Maura). Since Irene perished in a fire, is this person a ghost or simply a woman who looks like her? Then there's their childhood friend, Agustina (Blanca Portillo), who is desperate to find out why her mother disappeared after the blaze. Was she responsible? Almodóvar deftly blends the ghost story with the murder mystery in his tribute to the Italian neo-realist films of the 1950s. The resilient Raimunda is a throwback to the earthy heroines of Sophia Loren and Anna Magnani. The latter appears in Luchino Visconti's Bellissima, which shows up on Sole's television one night (thus confirming the link). If Almodóvar's 16th feature lacks the emotional punch of the more audacious Talk to Her, it's less heavy-handed than Bad Education and Cruz is a revelation. --Kathleen C. Fennessy

Belle Epoque

This Spanish fluff from 1992 won an Academy Award for Best Foreign Language Film, but its significance goes about as far as you can throw a flower petal. The story finds an elderly artist (Fernando Fernán Gómez) giving shelter to a deserter (Jorge Sanz) from the royalist army in provincial Spain, 1931. While on the premises, the young man naturally notes the beauty of all four of his host's daughters. Each takes her turn at seducing him, but this isn't late-night cable TV so much as it is a series of brief character sketches filled out by the way each woman takes charge. It's a clever idea made more clever by the fact that these sundry beauties are acting on the libertine impulses to which their free-thinking father subscribes in principle but has sheepishly abandoned for love. But the film, directed by Fernando Trueba, is rendered so lightly it could almost be mistaken for calendar art. --Tom Keogh

Talk to Her (Hable con Ella)

Writer-director Pedro Almodóvar makes another masterpiece with Talk to Her, his first film since the wonderful All About My Mother. Marco (Dario Grandinetti) is in love with Lydia (Rosario Flores), a female bullfighter who is gored by a bull and sent into a coma. In the hospital, Marco crosses paths with Benigno (Javier Camara), a male nurse who looks after another coma patient, a young dancer named Alicia (Leonor Watling). From Benigno's gentle attentiveness to Alicia, Marco learns to take care of Lydia... but from there, the story goes in directions that deftly manage to be sad, hopeful, funny, and creepy, sometimes at the same time. The rich human empathy of Almodóvar's recent films is passionate, heartbreaking, intoxicating--there aren't enough adjectives to praise this remarkable filmmaker, who is at the height of his powers. Talk to Her is superb, with outstanding performances from all involved. --Bret Fetzer

The lives of four characters flow in all directions, past, present and future, dragging all of them towards an unsuspected destiny. Golden Globe WINNER: Best Foreign Language Film. Academy Award Nominee: Achievement in Directing. Academy Award WINNER: Original Screenplay. Directed by Pedro Almodovar (All About My Mother, Flower of My Secret, High Heels).

Women on the Verge of a Nervous Breakdown

Spanish director Pedro Almodovar created a fiery sensation with this nutty screwball comedy, about a slightly unbalanced actress in a desperate situation. "Women on the Verge..." was Almodovar's international breakthrough film, and is one of his best loved.

The Flower of My Secret

Pedro Alomodóvar made this misfired, rambling comedy about a romance novelist (Marisa Paredes) whose crumbling marriage has left her depressed and unable to work. At a low point, she writes a scathing indictment of her own books (which are penned under another name), with no one realizing critic and author are one and the same. Almodóvar (Law of Desire) has the start of a great idea here, and for once, he's direct about his sympathy for a character. But nothing else about The Flower of My Secret is so clear. Despite its unusual allegiance to the straightforward "women's films" of the 1950s, this movie blows it by becoming needlessly complicated over extraneous junk, forcing one to grope in the dark for Almodóvar's point. --Tom Keogh

What Have I Done to Deserve This?

Pedro Almodóvar scored his first international hit with What Have I Done to Deserve This?, cementing his reputation as Spain's bad-boy director of darkly comedic melodramas. Many of the themes that dominate Almodóvar's later films are evident here, especially his sympathetic affection for downtrodden women like Gloria (Carmen Maura), an exhausted housewife who's addicted to No-Dōz tablets and spends 18-hour days cleaning apartments and tending (just barely) to her teenage sons (one deals drugs, the other offers sex to local perverts), neglectful husband, and looney-tunes mother-in-law--all of whom have a particular knack for getting on her nerves. Toss in a prostitute neighbor, an accidental murder, and a pet lizard named "Money," and you've got the makings of a soap opera by way of Luis Buñuel and John Waters, served up with Almodóvar's distinctive blend of compassionate humanity and kinky outrageousness. --Jeff Shannon

5.1 subtitle control

Dark Habits

Who but Pedro Almodóvar would make a movie in which a nightclub singer named Yolanda, whose boyfriend has died from a heroin overdose, hides from the police in a nunnery--only to discover that the nuns have more perverse lifestyles than her own? The nuns of Dark Habits use drugs, write lurid pulp novels, design high-fashion habits, and keep a tiger in their courtyard. Yolanda (Cristina Sanchez Pascual) gets caught up in the head nun's scheme to regain the patronage of a wealthy noblewoman, but betrayal, illicit love, and a campy musical number are waiting in the wings. Dark Habits features Almodóvar regulars Carmen Maura and Marisa Paredes, as well as a bit part by Cecelia Roth of All About My Mother. Fans of Almodóvar's magnificent later films (like Habla Con Ella (Talk to Her)) may find Dark Habits a bit thin, but it offers its own charms and comic delights. --Bret Fetzer

A nightclub singer and junkie hides out with a group of unconventional nuns when her boyfriend dies of an overdose in Academy Award® winner Pedro Almodovar's irreverent and biting comedy. . new transfer, 5.1, filmographies, subtitle control

Se Infiel y No Mires Con Quien

Paco y Fernando, propietario de una editorial de libros infantiles en quiebra, han logrado, por medios nada ortodoxos, Contratar a la escritora mas vendida del país, Adela Mora. Pero la noche de la firma del contrato, Paco le pide a Fernando su casa para llevar a una "amiguita" a pasar la noche allí, mientras su socio cena con la escritora. Carmen, la mujer de Paco, también le pide la casa a Rosa, la mujer de Fernando, para llevar a su "amiguito". Pero Paco tiene antes que desembarazarse de Silvia, su secretaria quien también le ha pedido que la saque esa noche. A la vez Carmen intenta deshacerse de su marido. Mientras Fernando cree que Rosa lo engaña con Oscar, el amigo de Rosa, quien cree que Fernando es homosexual y esta aliado con su socio mientras que el soldado cree que su amante es una "profesional", etc., etc., etc.

Matador

Women on the Verge of a Nervous Breakdown [Region 2]